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132010 | 90 min | R | 2.39:1
Remaking his own 2005 feature “13 Tzameti,” writer/director Gela Babluani doesn’t expel all that much effort modifying his material; instead, he essentially reheats this vicious tale of Russian roulette for American audiences. There’s a decent amount of star power and established actors collected for this chiller, and those new to the premise might find themselves drawn into this foul underworld saga. However, fans of the original will likely be saddened to find Babluani making the same film all over again, only here he cools the efficiency of the previous picture, allowing a sense of staleness to permeate the production. While still rippling with tension due to the graphic subject matter, “13” remains an unnecessary remake. 
An electrician watching his family slide into crippling debt, Vince (Sam Riley) finds his curiosity piqued when he spies a client dealing with secretive materials in his house, talking about large paydays for taking part in a “game.” When the homeowner dies, Vince steals the information, taking the man’s place in the enigmatic scheme, following strict instructions that bring him into the bowels of a remote mansion. Branded “13,” Vince finds himself caught up in a secret society that permits the wealthy and connected to bet on the lives of strangers, using brutal matches of Russian roulette that pit these 13 men against one another, some by choice (Ray Winstone), others by force (Mickey Rourke). With the moneymen (including Jason Statham and Ben Gazzara) calling the shots, Vince learns there is no escape, coerced into playing until the last man stands. To his credit, Babluani doesn’t inflate the material to blockbuster standards, keeping “13” low to the ground in terms of chilling execution. It’s a hard-edged premise that doesn’t need superfluous razzle-dazzle to connect with the viewer, best communicated through panicked close-ups and icy stares, using the dire ambiance of the game room to fuel the suspense. The film actually does a commendable job finding a macabre rhythm, utilizing the mysteries of the opening act to shape Vince’s curiosity and desperation, finding the clueless young man committing to a threatening offer and its numerous security checkpoints without knowledge of what’s to come. The director regrettably attempts to jumpstart the nightmare with a pointless flash-forward before the film begins (revealing Vince’s ultimate level of competition), but the creep of the situation remains strong in the early going, producing interest in seeing what happens next. 
The gaming sequences form the core of the picture, taking viewers to the brink of madness as the players are arranged in a circular formation, each with a loaded gun pointed at the brain stem of the man in front of them. It’s a startling scenario, milked well by the cast, including Michael Shannon as the master of ceremonies, perched high on a ladder, barking orders to the players as though possessed by the Devil himself. The violence is minimal, yet the build-up to the trigger pulls is unrelenting, isolating the fear factor of assured doom, with Vince, the newcomer to the game, unsure of his willingness to participate. Though familiar in design, the Russian roulette events retain their primitive sense of horror, establishing substantial tension for the midsection of the movie. “13” is an icy film, leaving Babluani anxious to inject some emotional texture into the piece, making Vince a whimpering victim of the lousy economy, while gambler Jasper (Statham) prods his mentally ill brother (Winstone) into defending his title, creating an irritable family dynamic. Characterizations never blossom, but performances by Riley and Winstone carry a passable weight, while the supporting cast is permitted brief blasts of personality. Color by Rourke and Gazzara is welcome, but there’s also Curtis “50 Cent” Jackson in the mix, playing a member of the onlookers, furthering his reputation as one of the worst actors in the business today. Thankfully, his screentime is limited. 
The bleak space of Russian roulette is exactly where “13” should remain, yet the film feels the need to extend beyond the game to sniff out more of a conventional resolution. It’s material best suited for blunt shocks, not tired thriller elements, stumbling much like its predecessor to find a sickening closing irony in a story that’s more insidious crouched in a feral state. It’s not quite the disastrous remake it could’ve been; however, by changing so little, Babluani has made the same mistakes all over again. Starring: Jason Statham, Mickey Rourke, Curtis Jackson, Alexander Skarsgård, Ray Winstone Director: Géla Babluani » See full cast & crew |
 
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