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American Mary


2012 | R | 2.39:1

American Mary

Rating


1 2 3 4 5 6 7 8 9 10
7
/10
28
ratings.


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Movie appeal

 
Horror100%
Thriller43%

8
fans

442
Blu-ray
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6
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Screenshots from American Mary Blu-ray

American Mary Preview  

7
 / 10
Preview by Brian Orndorf, May 31, 2013

With ďAmerican Mary,Ē the Soska Sisters, identical twins Jen and Sylvia, become a force to be reckoned with in the horror community. While their screenwriting ultimately fumbles the climax, the picture remains a fascinatingly brutal, charmingly perverse creation that always maintains its composure, despite an open invitation to dwell on extreme personalities in a most untidy manner. Funky without feeling oppressive, ďAmerican MaryĒ is sharply made and well acted, keeping it ahead of routine genre offerings with its unique interest in the body modification subculture, approaching disturbing behavior with a palpable comfort level thatís not encountered often enough.



Struggling with bills while working her way through medical school to become an ace surgeon, Mary (Katharine Isabelle) canít quite make ends meet, while her instructor, Dr. Grant (David Lovgren), is placing excessive pressure on her academic performance. Trying to land a gig as a stripper for seedy club owner Billy (Antonio Cupo), Mary is instead drafted into performing impromptu surgery on beaten man. When word of her clean, efficient work spreads, Mary is approached by Beatrice (Tristan Risk), a woman whoís transformed herself into a Betty Boop lookalike, who offers the struggling student a chance to make serious cash in the world of body modification, helping those who desire an extreme change in appearance with the process of slicing and dicing. After working on a patient who dreams of looking like a plastic doll, Mary finds herself overwhelmed with requests. However, after receiving nightmarish treatment from Dr. Grant during a faculty party, Mary elects to perfect her skills on the monster, triggering interest from a local cop investigating the doctorís disappearance.

Body modification isnít a subject normally covered in cinema, requiring a certain understanding to explore the lifestyle without demonizing it. The Soska Sisters havenít mounted an extreme psychological exploration of the fetish, but ďAmerican MaryĒ remains surprisingly calm when detailing extreme acts of surgery, using the inherent oddity of contorted faces and chilling designs of flesh-based liberation (the aforementioned doll woman requests the removal of her nipples to provide the smooth look sheís been craving) to provide the requisite amount of unsettling qualities the genre demands. Still, considering all the creepy imagery involved in establishing Maryís work, detailed with close-ups and bloodletting, itís a miracle ďAmerican MaryĒ is approachable at all.



The story, at least the first two acts of it, paints a compelling portrait of a desperate woman falling into an opportunity sheís more than willing to take advantage of. Lured by big money and Beatriceís insistent attitude, Maryís entry into this surgical underworld is made plausible by Isabelleís feisty performance, spinning the character with a short attention span and eagerness to prove herself away from the demands of the classroom. Itís bright, commanding work from the actress, supported by writing thatís crude but successfully motivated, establishing Maryís desperate and hunger for revenge when Dr. Grant sexually assaults her, generating a secure tone of exploitation thatís engorged by the all the weird faces and extraordinary encounters the character endures as she acclimates to her new position. ďAmerican MaryĒ doesnít color outside the lines, but itís solidly built, with terrific, stylish cinematography by Brian Pearson that gives the film a visual presence instead of wallowing in cheap schlock. The directors (who cameo as twins with a request to be conjoined) also show a keen eye for gruesome minutiae, happily taking in the textures of sliced flesh and distorted bodies.



Itís the conclusion that ultimately undoes ďAmerican Mary,Ē attempting to pay off the titular characterís vague relationship with Billy with a hallucinatory twist, while procedural antics with the local cops fail to head anywhere interesting, standing out as pure formula in a movie thatís much more at ease with the bizarre. Granted, it seems impossible to close out Maryís journey without smashing the unique tempo of the picture, but the Soska Sisters elect to wipe out instead of stumble. Regardless of any climatic blunders, the filmmakers display a burgeoning talent that should be exciting to watch develop in future endeavors, especially if they stick close to the beat of their black hearts, eschewing the temptation of screenwriting templates.

Starring: Katharine Isabelle, Antonio Cupo, Tristan Risk, David Lovgren, Paula Lindberg, Jen Soska
Directors: Jen Soska, Sylvia Soska

» See full cast & crew




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