A Concert by the Lake Blu-ray Review
Perhaps the poshest charity gig ever.
Reviewed by Casey Broadwater, March 10, 2010
If you're the sort that pays attention to the music scene in your city, you've likely noticed that
members of one band will often turn up in recordings for another, and that groups will frequently
dissolve and reform from a shuffling cast of familiar names and faces and playing styles. Every so
often, if the musicians are renowned enough for their respective projects, they coalesce into a so-
called supergroup. Obviously, this is no new phenomenon, but the idea of the supergroup really took
off in the 1960s, as rock became the dominant musical force in America and England. While rock
musicians can be a Byronic, temperamental lot—egos clash here more often than in any other
artistic medium, I'd wager—sometimes these friendships and collaborations hold fast over the
decades. Such is the case with former Procol Harum keyboardist Gary Brooker's casually assembled
supergroup Band du Lac, which convenes every few years at the pastoral Wintershall Estate in
Surrey, England, to put on a charity concert for a posh crowd of tuxedoed and evening gowned
attendees.
Band du Lac
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Since 1988, Brooker has been throwing these charity gigs with the help of some big name friends
and former collaborators. For this 2006 concert—which benefited HASTE, the Heart And Stroke
Trust Endeavor—he formed a house band of classic rock veterans, including Andy Fairweather
Low and Mike Rutherford on guitars, bassist Dave Bronze, keyboardist Paul Carrack, and drummer
Henry Spinetti. No, not exactly a royal rock flush unless you're a huge fan of Genesis, Squeeze,
Mike & The Mechanics, or a handful of other 1960s British rock acts, but Brooker does have a few
musical aces up his sleeves. Special guests for the show include none other than massively
influential fret-shredder Eric Clapton and drummer-turned-unlikely frontman Ringo Starr,
arguably the fourth most famous Liverpudlian ever, after John, Paul, and George. Add to this
lineup Queen's Roger Taylor, British bluesy jazz chanteuse Katie Melua, and a reincarnation of
soul quartet The Drifters, and you have an evening of tame but enjoyable music, a kind of
lakeside, black tie sing-along for England's white bread upper crust.
Together, the Band du Lac tear through twenty three once and former hits, starting with
"Tequila," the instrumental dance number, and closing out the evening—complete with lasers
and fireworks—with the foot-stomping, low-down dirty blues of Genesis' "I Can't Dance." In
between, the special guests each get a chance to man the microphone for a few songs. Clapton is
the brilliant highlight here, wailing through the prototypical blues heartbreak of "Reconsider
Baby," letting "Lay Down Sally" roll with a rambling country backbeat, and pulling "Cocaine" out
of his playbook for old times' sake. Ringo hams it up, as expected—he's got to, since he really
doesn't have the vocal chops to sing lead—but his short set is fun and varied, from the showbiz
naiveté of "Act Naturally," to the good old, universally recognized standby "With A Little Help
From My Friends." Andy Fairweather Low leads a raucous rendition of "Lay My Burden Down," a
very Appalachian-sounding hymn with a stair-step country bass line, and Gary Brooker sings his
own "A Whiter Shade Of Pale," with its famously baroque organ intro.
There are, however, a few misses scattered in amongst the hits. Katie Melua's style is vaguely
Norah Jones-ish, but her voice is nowhere near as smoky or intoxicating, and the three
contemporary songs that she plays stand out somewhat awkwardly from the largely 1960s-
themed set-list. Likewise, Queen drummer and occasional vocalist Roger Taylor's contributions
bog down the middle of the show, especially "Say It's Not True," a song about HIV in South Africa
that sounds like a 1950s tragedy ballad transplanted awkwardly into the 21st century. The
strangest inclusion, however, has to be The Drifters. For one, there's not a single original member
of the group present—probably because they've all passed away—and two, these young imposters
are really, truly, honestly not very good. At least, not here anyway. They bungle through the
worst version of "Under the Boardwalk" I've ever heard—the lead singer frequently warbles out of
tune—and their take on "Stand By Me" simply isn't befitting of such a definitive classic. Still, the
majority of
A Concert By The Lake is worthwhile for fans of classic rock, especially those
who enjoy that particular brand of British rock that's only one step removed from straight-up R
'n' B. These are just a bunch of old English rockers jamming together and the music reflects their
friendship—it sounds tight but also incredibly relaxed, the product of professionals who've spent
their lives getting to know their instruments and one another.
Track Listing:
1. Tequila
2. Over My Shoulder (feat. Paul Carrack)
3. Reconsider Baby (feat. Eric Clapton)
4. Lay Down Sally (feat. Eric Clapton)
5. How Long (feat. Paul Carrack)
6. Willie & The Hand Jive (feat. Eric Clapton)
7. Crawling Up A Hill (feat. Kate Melua)
8. My Aphrodisiac Is You (feat. Kate Melua)
9. The Closest Thing To Crazy (feat. Kate Melua)
10. Lay My Burden Down (feat. Andy Fairweather Low)
11. Say It's Not True (feat. Roger Taylor)
12. These Are The Days Of Our Lives (feat. Roger Taylor)
13. I Want To Break Free (feat. Roger Taylor)
14. This World Is Rich (feat. Gary Brooker)
15. Act Naturally (feat. Ringo Starr)
16. Photograph (feat. Ringo Starr)
17. With A Little Help From My Friends (feat. Ringo Starr)
18. A Whiter Shade Of Pale (feat. Gary Brooker)
19. Stormy Monday (feat. Eric Clapton & Chris Barber)
20. Under The Boardwalk (feat. The Drifters)
21. Stand By Me (feat. The Drifters)
22. Cocaine (feat. Eric Clapton)
23. I Can't Dance (Everyone!)
A Concert by the Lake Blu-ray, Video Quality
Shot on high-definition video and given a 1080i/AVC encode,
A Concert By The Lake is as
clear as unmuddied waters on Blu-ray. I've reviewed a number of similar concert discs recently,
and
this one has been the best of the bunch in terms of picture quality. For these kinds of releases,
it's
not unusual to see errant aliasing, weak contrast, and angry swarms of video noise, but this is
one
is largely free of any compression-related problems, has inky and consistent black levels, and
looks
quite clean throughout. The only real oddity that I noticed was a kind of rippling mirage effect,
presumably caused by whatever hidden heaters were keeping the performers warm on stage. Not
a
transfer issue, obviously, but it does look somewhat strange the first few times you see it. There
are
a few slightly soft shots here and there, but in general, the image is nice and crisp. Sharpness
indicators like skin textures and fine clothing details are easily apparent in close-ups, and the
picture
rarely looks overly—i.e., artificially—edgy. Colors are also natural, and the picture is splashed by
the
vivid reds and blues and greens of the stage lights. Overall, the image looks as classy as the
audience's gussied up attire.
Do note that as it was nearly impossible to capture screenshots in 1080i, all of the stills included
in this review were captured in 720p and do not represent the transfer's full visual quality.
