Video
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.41:1
Original aspect ratio: 2.39:1
Audio
English: Dolby TrueHD 5.1
English: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1... (more)
English: Dolby TrueHD 5.1 English: Dolby Digital 5.1 Spanish: Dolby Digital 5.1 French: Dolby Digital 5.1 German: Dolby Digital 5.1 Italian: Dolby Digital 5.1 (less)
Amadeus Blu-ray offers solid video and great audio in this overall recommended Blu-ray release
Amadeus. The man. The music. The magic. The madness. This is the incredible, mostly true
story about the relationship between two composers in 18th century Vienna -- Antonio Salieri
(F. Murray Abraham), the successful court composer for Emperor Joseph of Austria, and
Wolfgang Amadeus Mozart (Tom Hulce), a child prodigy who, while vulgar and irritating, writes
the greatest music the world has ever heard. The film unfolds in a series of flashbacks, as
Salieri is consumed with jealously by Mozart’s natural talent, and is unable to accept the
knowledge that he will never possess the genius of a man he cannot stand.
It's always a nerve-wracking experience to revisit former award winners and old personal favorites. Will an acclaimed masterpiece still pack the same punch it did twenty-five years ago? Will a nostalgic classic stir up the same feelings it once did? Will age leave a rousing drama with nothing more than dated performances and laughable production values? These are the questions I found myself asking as I removed Amadeus from its case and stared down at my Blu-ray player. Thankfully, all of my doubts and fears were put to rest within minutes; with each passing scene, director Milos Forman's staggering period biopic proved it deserved every Oscar it brought home, all the praise critics hurled its way, and every ounce of affection I've held for the film all these years.
But wait, there's more! Fresh screenshots for your viewing pleasure...
Based on a 1979 stage play by screenwriter Peter Shaffer (which itself was inspired by Mozart and Salieri, a short play by Aleksandr Pushkin), Amadeus tells the sprawling tale of a young musical prodigy named Mozart (Tom Hulce) and his encounters with a manipulative rival named Antonio Salieri (F. Murray Abraham). At the end of his life, Salieri -- committed to an insane asylum after attempting suicide -- decides to confess his sins to a priest... among them the murder of Wolfgang Amadeus Mozart. Told through a series of flashbacks, Salieri describes how excited he was to learn he was going to meet the renowned genius, the intense disappointment he felt when he discovered the boy was a crude and foppish dolt, and the growing bitterness he developed towards God for giving a fool like Mozart such an extraordinary gift. Believing God was somehow mocking his meager talent, Salieri explains how he became obsessed with destroying the legendary composer's career and legacy; an obsession, he says, that led to Mozart's murder.
It's a loose biopic to be sure -- no one should come to Amadeus looking for a factual depiction of Mozart's life or death -- but the film's historical accuracy is beside the point. Shaffer's screenplay presents a story of rage, revenge, and madness; a cautionary tale that follows a well-regarded master composer as he falls prey to his own insecurities and self-doubt. Forman and Shaffer aren't concerned with the untimely death of a brilliant mind, they're focused on the slow descent of his rival. As a result, the story simmers with unexpected developments, dark twists and turns, and some truly unsettling performances from both Hulce and Abraham. Both men are at the top of their game, playing to their physical strengths as well as their carefully-honed crafts. They not only transform their characters into opposing sides of the same coin, they effortlessly present two variations of insanity that have evolved from the debilitating discontentment that consumes both their lives.
More importantly, Shaffer and Forman's depiction of Mozart becomes moot as well. Because the entire story is told from the perspective of Salieri (who, lest we forget, is recounting his story from the confines of a mental institution), the legitimacy and credibility of his every description is ironically undermined by his hatred for the film's title character and his own shaky state of mind. Because Mozart is an impish caricature in Salieri's mind, he appears so on screen. Because Salieri believes Mozart to be a curse from God, we see the fool's every action leading both men to ruin. To his great credit, Hulce deftly indulges his rival's skewed memories by creating an obnoxious, self-destructive creature that forces us to side, rather unexpectedly, with the mustache-twirling villain of the film. Mozart is a tragic figure to be sure, but Salieri is more so; a pitiful soul who's brought his terrible fate upon himself.
Even so, the film isn't just an engrossing study of envy and jealousy, it's a sumptuous period piece that continues to lure viewers into its lush 18th and 19th century vistas and candlelit chambers. In 1984, the film was nominated for more than fifty awards and took home eight Oscars (including Best Picture, Best Actor, and Best Director, among others), but I'm fairly certain it would earn similar acclaim if it was released today. Forget the fact that it's a twenty-five year-old catalog film, Amadeus is a timeless classic that should be revisited by generations of filmfans for countless years to come.
Amadeus has endured its fair share of technical flops on home video. Early VHS copies didn't do the film's lavish production design or stunning cinematography justice, laserdisc failed to capture the details of Mozart's drunken exploits, and more recent DVD editions were littered with digital clutter, muddy colors, and murky details. For the most part, Warner rights these previous wrongs with an impressive 1080p/VC-1 transfer that outshines every other release of the film to date. Colors are richer, blacks are deeper (albeit slightly inconsistent from scene to scene), contrast is far more stable, and skintones are finally natural and lifelike. Delineation is still problematic in a few passing shots, but detail has received a significant bump in overall clarity and texture definition. Fabric and hair are crisp, edges are sharp, and background elements are refined. Moreover, the image doesn't suffer from rampant artifacting, source noise, or heavy banding. While I caught sight of some grain spiking, the print has been cleaned up quite well.
The only downside? Overzealous post-processing. Not only has digital noise reduction (DNR) been applied to the transfer, but edge enhancement has been peppered in to compensate for its ill-effects. While the artificial sharpening does firm up object edges (at the cost of injecting distracting halos into the proceedings), it fails to conceal the waxy close-ups, hazy textures, and intermittent motion smearing caused by the noise reduction. With some old fashioned love and affection, Amadeus could have remained faithful to its source and reaped the benefits of a high-def upgrade. Unfortunately, shortcuts were taken and the resulting picture falls short of its potential. The transfer may be strong enough to please DVD owners and satisfy fans of the film, but it simply doesn't reach the bar set by the best catalog transfers on the market.
(Please note the single-disc Blu-ray edition's video transfer is identical to the one offered on the previously released Digibook edition.)
Warner's rich Dolby TrueHD 5.1 surround track improves matters, overcoming the film's age with resounding reproductions of Mozart's most stirring music. Violins croon their melodies in the center channel, slowly spreading their song across the soundfield as a resonant classical hall is painstakingly crafted before you. As their shrill cries grow louder, cellos bloom in their midst, giving way to the light wheen of bassoons and flutes fluttering across the soundstage. The trump of horns emerge from every direction as the rear speakers hurl the mounting whirlwind of sound around the listener with calculated abandon. Without warning, the entire orchestra erupts in a crescendoed flurry of instruments vying for your attention. Low-end tones rumble across the floor, treble tones are clean and steady, and meticulous prioritization preserves the slightest oboe in the storm of trumpets and timpani swirling around your home theater. Make no mistake, every time Mozart's compositions dominate the soundstage, Amadeus aggressively peddles its sonic wares to anyone willing to listen.
Of course, it's deflating anytime the music subsides since the rest of the film offers little more than conversational chit-chat and subtle environmental ambience. Don't get me wrong, dialogue is perfectly intelligible and well balanced, interior acoustics are realistic and convincing, and fidelity is quite commendable for a twenty-five year-old film... it's just that it all seems a bit uninvolving compared to the enveloping orchestral sequences. Uneven experience aside, Amadeus sounds great for a catalog classic and will exceed most viewers' expectations.
(Please note the single-disc Blu-ray edition's audio tracks are identical to those offered on the previously released Digibook edition.)
Arriving some seven months after its Digibook counterpart, this single-disc Blu-ray reissue exchanges its old Digibook in favor of a standard Blu-ray case. Unfortunately, it also dumps the audio CD (which featured eight Mozart compositions) and Digital Copy that came with the previous release. Granted, I'm not a big fan of Digibooks myself, but I still miss the 36-page booklet and the bonus discs that made Amadeus's February release stand out from the catalog pack.
Audio Commentary: Director Milos Forman and writer Peter Shaffer sit down for an oft-off topic chat about the production, their careers, the research they compiled for the project, and the reasoning behind some of the more controversial decisions they made in regards to the story and their portrayal of Mozart. They cover a bit too much ground from the excellent documentary (more on that gem of a feature in a moment), but they still deliver a breezy, affable commentary with endless details, insights, and anecdotes.
The Making of Amadeus (SD, 61 minutes): This full-length documentary delves into the complete production, from the genesis of the project, to casting relative unknowns, to shooting on lavish sets that presented their own unique problems, and to the film's release and reception. It's a sprawling, thorough behind-the-scenes mammoth that should more than satisfy any fan of Amadeus.
Original Theatrical Trailer (SD, 2 minutes)
Unfortunately, there's one other problem of note with this release. Like the 2002 Director's Cut DVD and February Digibook Blu-ray release before it, this edition of Amadeus doesn't include the Isolated Score track available on the original 1997 DVD. As a result, discerning Mozart fans will have to hold onto their old copies of the film if they want to enjoy Sir Neville Marriner's unsullied efforts. Don't get me wrong, it's not a deal breaker by any means, but it's still worth mentioning for any completists forced to stick with two discs instead of one.
If you've never seen Amadeus, shut down your computer, make your way to a local video store, and rent a copy ASAP. It's a wonderfully acted, beautifully shot, and meticulously designed period classic that still holds up today. This new Blu-ray release is a great place to start. While its video transfer could have been more faithful to its source, it still offers a substantial upgrade over previous releases. Add to that an immersive lossless audio track and an engaging collection of special features, and you have a release that's sure to please newcomers and longtime fans alike. Granted, it doesn't include the Digibook casing, bonus audio CD, and Digital Copy that came with its original February Blu-ray release, but each one is a drop in the bucket that is Amadeus. What more are you waiting for?
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