Video
Codec: MPEG-4 AVC Resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
Audio
English: DTS-HD Master Audio 5.1
French: Dolby Digital 2.0
German: Dolby Digital 2.0
Japanese: Dolby Digital 5.1
... (more) Note: Also need to add Italian ...
English: DTS-HD Master Audio 5.1 French: Dolby Digital 2.0 German: Dolby Digital 2.0 Japanese: Dolby Digital 5.1 Spanish: DTS 2.0(less) Note: Also need to add Italian DD 4.0 LCRS
"Keep it simple" seems to be the mantra behind the lovingly crafted, beautifully performed, and heartwarming Annie, Director John Huston's
(The African Queen) goodnatured 1982 Musical, inspired by the early
1900s comic strip and subsequent radio, film, and Broadway productions. The story of a poor orphan girl warming the heart of a hard-nosed billionaire
doesn't cave to needless flamboyancy even through its well-staged musical numbers. The film goes big only when necessary and remains true to the
basic narrative and straightforward themes of love,
decency, acceptance, and family, never veering from its principles whether in the darkest corners of the run-down orphanage or the most resplendent
halls of Daddy Warbucks' mansion. Annie weaves together its story through great performances and catchy musical numbers that convey
feelings of hope,
high
spirits, tenderness, and togetherness. It's a film fit for all ages, a classic tale of dreams coming true and the power of resiliency and positive thinking
even in the midst of great personal, economic, and situational despair.
Singin' with the POTUS.
Annie (Aileen Quinn) is a depression-era orphan at the Hudson Street Home For Girls. She longs for her parents' return; they left her half of a locket
that she
hopes to one day reunite with its missing piece. In the meantime, she cares for her fellow underprivileged orphans and stands up to local bullies.
She has a big heart
and a million-dollar smile. The orphanage's supervisor, the perpetually drunk Miss Hannigan (Carol Burnett), doesn't care for Annie's optimistic view
of life and constant upbeat attitude; she discourages singing, imposes strict rules, and forces hard work out of every orphan. One day, Grace Farrell
(Ann
Reinking), personal secretary to billionaire "Daddy" Warbucks (Albert Finney), recruits Annie to spend a week at her boss' palatial estate to be a part
of a publicity photo shoot. Warbucks wanted to host a boy, but Annie quickly wiggles her way into his heart. Has she finally found a home?
Meanwhile, Miss Hannigan, her
conniving brother Rooster (Tim Curry), and his girlfriend Lily (Bernadette Peters) scheme to get Annie back and earn a slice of the Warbucks fortune.
Annie may not be the quintessential Musical in most eyes; it tends to get lost in the shuffle of genre classics such as The Sound of Music and West Side Story, a shame because John Huston's film is as
heartwarming
and tender as any other, perhaps not as big or widely acclaimed as its elder peers but certainly as catchy and meaningful in the best of ways. The
picture oozes heart and honesty. It's an uplifting experience that demonstrates the qualities of a good life, namely the importance of love and family
and
hope.
In fact, there may not be a more hopeful movie than Annie or a more positive song than "Tomorrow." It's the film's finest number and an
anthem for the power of positive thinking and
the importance of looking ahead to a brighter future, not decaying in an unacceptable or unwanted present or past. The entire movie revels in the
notion
of
better things to come and does so through the dichotomy at film's center, the contrast between a big heart and a big bank account. Annie is
hopeful for a better day in which she is
loved
as strongly as she loves others. Miss Hannigan, on the other hand, dreams only of dollar signs. The contrast between the fundamental hopes and
dreams set the characters apart and sets the stage for the dynamic in which Annie and her pure heart inch towards everything she ever wanted
and, quite possibly,
everything Miss Hannigan ever wanted, too, while the orphanage supervisor wallows in misery and schemes to get what her black heart craves,
eschewing all the good qualities that lead Annie towards a better life. The
movie clearly differentiates between dreams of inner wealth and outer wealth, championing the importance of the
former in building a quality life but also praising the latter given that it's defined by good deeds rather than greed.
Annie is made better by several fabulous performances and superb production values. Actress Aileen Quinn lights up the screen with a huge
smile and an evident tenderness in every shot. She is Annie right down to the last freckle and strand of curly hair, each syllable and every
musical note she sings. Few actors so effortlessly become a character; Quinn is one such performer who completely dazzles in her work, who seems
almost magically cast in a role she was born to play. She
understands the essence of the character and the meaning of the film with such uncanny perfection that the picture would undoubtedly suffer with
another in the lead. Albert Finney plays Daddy
Warbucks with equal power and grace, business acumen and inner tenderness. His growing fondness and, ultimately, love for
Annie comes quickly, as quickly as Annie grows on audiences, thanks largely to a great script and two dazzling performances defined by a
unique chemistry that shines through in every scene. Lastly, Carol Burnett finds an unbeatable cadence for the inwardly depressed and outwardly
hateful Miss Hannigan as the perfect foil to Annie's upbeat spirit and unbreakable hopefulness. Burnett's cadence is remarkably strong and
consistent as she lets loose her frustrations on the children and schemes with Tim Curry and Bernadette Peters to ruin Annie and make some bread
in the process. Annie also does well in contrasting the dreary orphanage and the elegant mansion, making neither so downtrodden or
resplendent as to distract from the story but just enough to highlight the outward differences and further emphasize Annie's inward beauty and
ability to
maintain focus on innocence and purity rather than her physical whereabouts or, in a more generalized sense, place in life.
Annie makes its Blu-ray debut with a faithful, but never flashy, 1080p transfer. The image is fairly soft in many places, occasionally flat, and
never brilliantly colored. However, it's sturdy and consistent if nothing else. The image features a fair bit of film grain, not overwhelming but easily
visible in most scenes. Detail ranges from average to near excellent. The sharper scenes -- particularly those in the second act when the action shifts to
Daddy Warbucks' palatial estate -- deliver some stable, crisp textures around the home's interiors and exteriors alike. Facial and clothing close-ups are
never extensively revealing, but the image captures well-defined lines where necessary and critical. Colors lack brilliance; the image has a slightly dim,
somewhat worn-down and occasionally depressed appearance, notably in those dreary and very flat and dark orphanage interiors. Even in brighter
scenes, the most brilliant reds (Annie's dress, for instance) don't pop off the screen, but longtime Annie fans will appreciate the stability and
internet accuracy of the palette. Black levels are quite good but not particularly dazzling in the film's bookends, the dark opening orphanage scene and
the end
nighttime chase. On the flip side, flesh tones appear even, never drifting too far towards either an unnaturally pale or excessively red/orange shading.
There's a bit of noise in spots but no excess blocking, banding, edge enhancement, or other unwanted image-destorying uglies of note. Overall, this is a
very nice transfer. It's not modern-flashy, ultra-bright, or razor-sharp, but it does appear faithful and true to the source.
Annie features a good, not great, DTS-HD Master Audio 5.1 lossless soundtrack. Music is the highlight, and the track does dazzle in that
department from the moment the Columbia Lady appears on-screen. The presentation is big, full, accurate, clear, and enveloping, with light but critical
surround support and just the right amount of bass. The low end does get a little overly heavy at times, notably during the song and dance routine
when Annie first arrives at the Warbucks mansion, but otherwise the musical numbers are quite splendid, sonically. Light ambience is audible in some
busy city exteriors, though the track lacks sufficient realism and surround muscle to suck audiences into depression-era New York. What might have
been the film's most potent sound effect -- the humming and heavy presence of the auto-copter -- instead plays depressingly weak and muffled, absent
the sort of potency and big movie sound that would have greatly enhanced the scenes in which it appears, chiefly its arrival at the White House and its
role in the third act chase sequence. Otherwise, the picture is largely dialogue-oriented. The spoken word is clear, precise, and center-focused,
generally. There are a few instances of muffled speech, words coming across as shallow and detached. Such is the exception to the rule. As with the
video presentation, Annie's soundtrack isn't dynamic or particularly memorable, but most of the tunes sound great and the other supportive
elements rate as passable.
Fans may be disappointed to learn that Annie's 30th anniversary Blu-ray debut doesn't contain more extras. This set's highlight is a short
twentieth anniversary retrospective with Actress Aileen Quinn.
Sing-Along with Annie! (1080p): Users may sing-along to their favorite tunes from Annie (In English). Viewers may choose to
play the
entire movie and sing-along at the appropriate time, or jump straight to one of several songs. Songs include Tomorrow (Opening Titles),
Maybe, It's a Hard-Knock Life, Dumb Dog, Sandy, I Think I'm Gonna Like it Here, Little Girls,
Maybe (Reprise), Let's Go to the Movies, We Got Annie, Sign, You're Never Fully Dressed Without a Smile,
You're Never Fully Dressed Without a Smile (Dressed Children), Tomorrow (White House Version), Easy Street,
Maybe (Same Effect on Everyone), and Finale Medley: I Don't Need Anything But You/We Got Annie/Tomorrow.
My Hollywood Adventure with Aileen Quinn (480p, 12:04): In a twenty-year anniversary retrospective, Actress Aileen Quinn recounts
her story of starring in Annie. She discusses landing the part; makeup, wig, and costume preparation; shooting various scenes; and more.
Musical Performance by Play: "It's a Hard-Knock Life" (480p, 3:20): A Pop music version of the song.
Original Trailers and TV Spots (1080p): Theatrical Trailer (3:40), Behind the Scenes Teaser Trailer (2:08), TV Spot
#1 (1:03), TV Spot #2 (0:33), and TV Spot #3 (0:33).
Annie is the epitome of feel-good cinema. Its entire construction deals with positive thinking, love, family, friendship, and promoting the good in
life while working through the bad and refusing to let negative circumstances stand in the way of a healthy outlook on life. It's a movie high in spirit and
fit for the entire family. It's catchy and pleasant, filled with quality song and dance
numbers. The performances are stellar even if the movie is shaped by rather simple and straightforward ideas. It's that adherence to simpleness and
goodness that make the movie great and so incredibly sweet, one of the top musicals, and perhaps the finest "rainy day" picture of them all. Sony's
Blu-ray release of
Annie is disappointingly
short on extras, but it does offer solid video and audio. Considering the quality of the film and Sony's low MSRP, this release comes highly recommended.
In the fall, Sony Pictures Home Entertainment will bring Annie to Blu-ray. Director John Huston (The African Queen) helms this screen adaptation of the hit Broadway musical, which focuses on a young orphan girl (Aileen Quinn, Multiple Sarcasms) searching for her ...
