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Batman: The Motion Picture Anthology Blu-rayWarner Bros. | 498 mins | Rated PG-13 | Mar 10, 2009
Batman: The Motion Picture AnthologyAction | Crime | Thriller ![]() ![]() ![]() ![]() Batman (1989) - Jack Nicholson is The Joker, who emerged from a horrible accident as a maniacal criminal. Michael Keaton is the Caped Crusader, who emerged from a childhood trauma to become a masked crimefighter. Kim Basinger is Vicki Vale, the talented photojournalist desired by both men. And Batman is the movie, the all-out spectacular directed by Tim Burton, set to songs by Prince and a music score by Danny Elfman, and an Academy Award(R) winner* for Best Art Direction/Set Decoration (Anton Furst and Peter Young). Batman Returns (1992) - Gotham City faces two monstrous criminal menaces: The Penguin (Danny DeVito), bizarre and sinister, and Catwoman (Michelle Pfeiffer), slinky and mysterious. Can Batman (Michael Keaton) battle two formidable foes at once? Especially when one wants to be mayor and the other is romantically attracted to Bruce Wayne? Like the groundbreaking 1989 original, Batman Returns is directed by the wizardly Tim Burton. And like the first blockbuster, it's a dazzling adventure that leaves you breathless. Batman Forever (1995) - Riddle me this, riddle me that, you'll find adventure on the wings of a bat! Brace for excitement as Val Kilmer (Batman), Tommy Lee Jones (Two-Face), Jim Carrey (The Riddler), Nicole Kidman (Dr. Chase Meridian) and Chris O'Donnell (Robin) star in the third formidable film in Warner Bros.' Batman series. Joel Schumacher directs and Tim Burton co-produces this thrill-ride of a movie that thunders along on Batmobile, Batwing, Batboat, Batsub and bold heroics. Hang on! Batman & Robin (1997) - George Clooney plays the Dark Knight, facing his deadliest threat yet: cold-hearted Mr. Freeze (Arnold Schwarzenegger) and venomous Poison Ivy (Uma Thurman). Batman has more than Gotham City to protect: the youthful eagerness of crimefighting comrades Robin (Chris O'Donnell) and Batgirl (Alicia Silverstone) puts them frequently in harm's way. New special effects include a wild sky-surfing sequence and Mr. Freeze's outrageous arsenal of ice-blasting weapons. Joel Schumacher directs. For more details about Batman: The Motion Picture Anthology on Blu-ray, see the Batman: The Motion Picture Anthology Blu-ray Review Batman: The Motion Picture Anthology Blu-ray, Video Quality![]() Batman Considering it's the oldest film in the anthology, Tim Burton's 1989 original Batman features a fairly impressive 1080p/VC-1 transfer that looks startlingly better than previous standard DVD releases. The director's palette has never been bold or colorful, but his drab tones are faithfully reproduced with stable hues and natural skintones. Contrast is bright and pleasing to the eye and, even though the image appears flat on more than one occasion, depth is more convincing than its ever been before. Detail also receives a notable boost. Granted, soft shots and quite a few hazy textures prevent the presentation from living up to its potential, but the overall results are strong enough to satisfy fans of the film. Thankfully, artifacting, source noise, grain spiking, and banding are kept to an absolute minimum. I suspect minor noise reduction has been applied to the transfer, but I didn't encounter the waxy faces or distorted backgrounds that signal an overzealous application. The experience wasn't as jaw-dropping as I was expecting, but it still managed to satiate my appetite for a solid high definition catalog release. Batman Returns Batman Returns, on the other hand, boasts the best 1080p/VC-1 transfer of the bunch, delivering shot after shot of fantastic visuals, exacting detail, and perfectly resolved blacks. Stunning delineation reveals the inhabitants of every shadow, striking contrast gives the image excellent dimensionality, and rich color reproduction allows each frame to leap off the screen. For a catalog film, detail and texture clarity is as close to reference quality as they come. The tattered fabric hanging around the Penguins shoulders showcases errant threads and stitches, the creases in Catwoman's leather costume are crisp, and the dials and markings on Batman's gadgets are clear and legible. Some softness invades establishing shots, but I never got the impression that it was the result of the technical transfer. As it stands, the picture is smooth and clean -- artifacts are nowhere to be seen, the noise that clutters the DVD version is gone, and edge enhancement and noise reduction are MIA. I may not enjoy the film itself as much as others, but I was thoroughly wowed by this near-perfect catalog presentation. Batman Forever Unfortunately, Batman Forever takes a step back with an uneven 1080p/VC-1 transfer that falters with consistency issues, unresolved blacks, and unpredictable clarity. Detail is sharply rendered one moment and poorly-defined the next. While the good certainly outweighs the bad, the film's problematic shots are a distraction that caught my eye on a regular basis. Even so, I get the sense that most of the transfer's shortcomings can be attributed to the original print. Colors blare and skintones are a bit too warm, but it does seem to gel with Schumacher's flashy production design. Likewise, shadows are deep and oppressive, but often feel artificially brightened as if the director was compensating for on-set mistakes in post production. Luckily, the picture is just as polished as the other transfers in the anthology. Macroblocking and digital nonsense are non-existent, contrast is confident, depth is engrossing, and primaries sing. It's a comparative letdown to be sure, but one that shouldn't prevent Batman Forever fans from enjoying the merits of its presentation. Batman & Robin The most recent entry in the anthology offers an at-times striking 1080p/VC-1 transfer
that doesn't suffer from the issues that plague Schumacher's first run-through. The palette
is just as unsightly as before, but the Blu-ray presentation handles its oversaturated
skintones and unnerving primaries with ease. The darkest portions of the screen are inky,
visibility is spot on, and impeccable contrast imbues the image with considerable depth.
Several scenes aren't as sharp as others, but the majority of shots deliver remarkable fine
details, earthy textures, distinct edges, and crystal clear on-screen text. Likewise, I noticed
artifacting in a trio of bustling action sequences, but found the rest of the presentation to
be quite reliable. All in all, Batman & Robin may be one of the worst films I've ever
had to endure, but its technical transfer should excite anyone that actually cares about this
maligned series closer. Batman As most of you probably expect, Batman's Dolby TrueHD 5.1 surround track is the weakest in the anthology simply because it has to constantly contend with the inherent limitations of the film's twenty-year-old sound design. Dialogue is nicely balanced and prioritized for the most part, but some dropped lines and lost whispers muddle the proceedings. Likewise, LFE support is relatively aggressive, but sometimes fails to match the intensity of the on-screen action it accompanies. To my relief, the rear speakers are fuller than I thought they would be, creating a mildly immersive soundfield that allows this one to emerge as an above-average catalog effort. Moreover, Danny Elfman's score and Prince's songs emerge from every direction and resonate more than they ever have. I can't say Batman's sonics will woo the most stringent audiophile, but I had a difficult time drumming up any major complaints. Batman Returns Batman Returns ups the ante with a richer TrueHD mix that takes advantage of its surrealist fight scenes and chaotic car chases. Bass tones are more powerful this time around, the rear soundstage is loaded with ambience, and immersion is, at this point, a foregone conclusion. Better still, I was smitten by the track's breezy channel pans and oh- so-precise directionality. When Selena Kyle first realizes she's been transformed by her supposed murder, listen to the tone and atmosphere evoked by the musical score, the enhanced acoustics of her apartment, and the crinkle of furniture as she prowls about her lair. While the sound designers go overboard on more than one occasion -- often packing each speaker to the brim with unnecessarily aggressive effects -- the end result is a more explosive and effective soundscape. I can't stand when Penguin's fowl friends come to his aid, but there's no denying how naturalistic their sewer home sounds. Taken as a whole, Batman Returns' audio quality almost manages to live up to its stunning video presentation. Batman Forever It took fifteen minutes before I began to appreciate Batman Forever's TrueHD offering, but once the Riddler and Two-Face took center stage, the soundfield simply erupted to life. LFE thooms and bass-heavy gunfire are impressive enough, but Nygma's mind-drain machine introduces genuine weight and presence into the soundscape. Punches and kicks land with power, dialogue is spot on, and the various vehicles roar onto the scene with flickering fire and thunderous throttle. The lumbering effects occasionally overwhelm more subtle sonics littered about the presentation, but it seems to be par for the course for Schumacher's over-the-top production. Best of all, the dynamic score features crisp trumpet cries, piercing guitar riffs, and unwavering brass calls. My only real complaints involve a few stocky pans and inaccurate channel assignments that continually pop up throughout the film. Regardless, Batman Forever sounds great and matches the film's flashier aesthetics with some inspired sonic fireworks. Batman & Robin It may accompany the worst film in the collection, but Batman & Robin's stirring
TrueHD mix doesn't seem to care. Dialogue is crystal clear and perfectly prioritized,
resonant low-end tones undergird every crashing tank and bursting ice fixture, and rear
speaker support is lively and persistent. As much as the film tends to distract the viewer,
sonic immersion is a cinch for the listener -- chilling beams whip from channel to channel,
shattering glass convincingly spills across the soundfield, and distant screams seem to
appear from every direction. I certainly wouldn't call the soundscape realistic, but it is
consistent with Schumacher's rabid imagery and go-for-broke sensibilities. It's invasive,
clumsy, and annoying... just as it's meant to be. More importantly, the constant barrage of
blaring instrumentation is jarring and dynamic, making the musical score a integral part of
the lossless presentation. As it stands, you may not like what you hear, but it's hard to
argue that the track's technical prowess is worthy of legitimate praise. Batman: The Motion Picture Anthology Blu-ray, News and Updates• Batman Movie Anthology Blu-ray in Amazon Gold Box - July 14, 2009 This is beginning to look like an unofficial hidef week at Amazon (or maybe a Comic-Con week). Today, the Gold Box deal-of-the-day is a special offer on 'Batman: The Motion Picture Anthology', which today can be bought on Blu-ray for $57.99. This is the best price ... • Today on Blu-ray - March 10th - March 10, 2009 For their second Platinum Blu-ray title, Disney decided to open their vaults and release their second feature-length animated feature 'Pinocchio'. This timeless story of a wooden marionette who, with help from his designated conscience Jiminy Cricket, is tempted ... • Batman Anthology Blu-ray Detailed - February 24, 2009 Warner Home Video has released the technical specs and full list of special features for the upcoming Blu-ray release of 'Batman: The Motion Picture Anthology 1989-1997', which is due to hit store shelves on March 10th. This five disc set - which features 'Batman', ... • Batman Anthology Announced for Blu-ray - January 7, 2009 Warner Home Video has announced that they will bring 'Batman: The Motion Picture Anthology' to Blu-ray on March 10th. This box set will feature the four Batman feature films made between 1989-1997 - 'Batman', 'Batman Returns', 'Batman Forever', and 'Batman & Robin' ... Batman: The Motion Picture Anthology Blu-ray, Forum Discussions
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