Burlesque Blu-ray delivers great video and reference-quality audio in this fan-pleasing Blu-ray release
Ali is a small-town girl with a big voice who escapes hardship and an uncertain future to follow her dreams to LA. After stumbling upon The Burlesque Lounge, a majestic but ailing theater that is home to an inspired musical revue, Ali lands a job as a cocktail waitress from Tess, the club's proprietor and headliner. Burlesque's outrageous costumes and bold choreography enrapture the young ingenue, who vows to perform there one day.
For more about Burlesque and the Burlesque Blu-ray release, see the Burlesque Blu-ray Review published by Martin Liebman on February 16, 2011 where this Blu-ray release scored 3.5 out of 5.
Director Steven Antin's Burlesque might be technically sound and, yes, even a fair bit entertaining here and a mite touching there, but it's
incredibly derivative and
so lacking in originality that it takes all of five minutes to figure out the entirety of the two-hour film. Take Nine, Chicago, and Coyote Ugly, toss them in a blender, and out will pop Burlesque, a
questionable film from the outset not only because of its terribly unoriginal story, but the chances it takes on making leads out of a grandma-aged Cher
and a rookie star in her first big role. Fortunately for first-time primetime lead Christina Aguilera, Burlesque asks little more of her than to sing
boldly and look
pretty, both of which she pulls off without a hitch. Unfortunately for the rest of the film, the trite and predictable plot keeps it from going anywhere or
achieving anything beyond drowning in genre cliché. Burlesque has its moments; its sweet by nature and sexy by choice, but there's just
nothing of value to make a return trip to this sultry night club worth the effort.
Christina Aguilera modeling the Julia Roberts 'Pretty Woman' hooker wig.
Ali (Aguilera) is a small-town Iowa girl working a dead-end waitressing job in a nothing of a dusty old town diner. She takes off to Los Angeles with
with a handful of
cash and the hope of living the dream and proving to anyone who will listen that she's got the voice and the moves to be one of the city's
premiere performance artists. She stumbles into a struggling nightclub run by a veteran dancer named Tess (Cher) and co-owned by her
ex-husband Vince
(Peter Gallagher, Sex, Lies and Videotape). She finagles her way into a waitressing job,
seizing the opportunity to learn all the dance moves, ready to pounce on any opportunity. When a dancer learns she's pregnant, Ali once again
seizes the moment, performs an impromptu audition, and wows Tess and her business associate Sean (Stanley Tucci, Julie & Julia) enough that she lands the gig, much to the dismay of the
troubled lead dancer Nikki (Kristen Bell, When in Rome). As Ali cements herself as the star of Burlesque, she
slowly but surely develops a personal relationship with her roommate and co-worker, Jack (Cam Gigandet, Easy A).
Really? That's all they could come up with? Granted, that's only a basic first-act overview of what Burlesque has to offer, its starting-out
point that's but the set-up for what's to come. Unfortunately, the rest of the movie is just as predictable and cliché-riddled as its premise would
suggest. No sudden turn of events, no chances, no daring, no nothing but the same-old, same-old tired "small town girl with a big voice and bigger
dreams goes to the city on a nickel and a prayer in hopes of finding her destiny." Yawn. It's all well and good; it's a feel-good story of overcoming
the
odds and making something out of nothing, but the lack of even a hint of originality just kills the movie with every passing frame. At two hours in
length, Burlesque overextends its welcome by a good 30 minutes, if not more, just on principle alone. To its credit, there's a fairly good flow
to the picture and things don't slow down too terribly much until the start of the third act, but the length only allows for the film to remain firmly
entrenched in unoriginality. Burlesque seems to bank on its sultry/sexy feel that's toned-down for a PG-13 audience but that's nevertheless
alluring, though by the end of the movie, Christina Aguilera -- who looks fantastic as a down-home everyday girl -- is so caked in makeup and glitter
and whatnot that even the
film's tantalizing façade falls by the wayside.
Burlesque doesn't quite find the energy of similar pictures; it's not quite a Musical and it's a little more than Coyote Ugly, but it
never finds much of a personal identity. Once again it's more the fault of a lazy script that obviously has its heart in the right place but
fails to build its characters past the point of cliché and that can't tell this story any differently than it has been told before. Fortunately, the musical
numbers
are generally entertaining, and boy, can Christian Aguilera ever sing, though she's no doubt performing a duet with a sound engineer. She plays her
part with a wide-eyed wonder and, eventually, a self-confidence and playful attitude that endears the character to audiences, but there's simply not
enough of a supportive structural or emotional element to really make her efforts matter. Cher is surprisingly good as the motherly figure who's
struggling
to keep her club afloat. Like Aguilera, she turns in a performance with a fair bit of heart, as hackneyed as that may be and for as generic as the
script no doubt is. The remainder of the cast is solid, if not occasionally underused. Cam Gigandet plays the necessary good looking love interest
well enough,
and supporting actors like Kristen Bell, Eric Dane, and Peter Gallagher are fine in limited roles. The always-entertaining Alan Cumming doesn't get
enough screen time, and the venerable Stanley Tucci -- maybe the best character actor in the business today -- is excellent in what might be best
described as his The Devil Wears Prada performance version 2.0.
Burlesque isn't as razzle-dazzle as potential viewers might be led to believe by the gaudy and bright posters and advertisements. This is actually
a fairly low-lit and somewhat soft movie. Sony's 1080p Blu-ray transfer nevertheless handles the picture's style quite well. Much of the action takes
place
inside the club where low lighting, shadows, and soft details are the norm. There's simply not much for the transfer to reveal in terms of details and
colors; everything is fairly vanilla, but that appears to stay true to the picture's intended visual structure. Detailing improves in those scenes outside the
club and away from the dusty old diner where Ali works at the beginning of the movie; even a scene outside in the pouring rain and under overcast
conditions, as gray as it may be, delivers more in the way of discernible details than does the average scene inside the club. With that in mind,
the transfer appears incredibly faithful to Director Steven Antin's vision. Shadow detail is critical in this film, and Sony's transfer handles blacks with
great proficiency. The transfer does manage some bright, sparkly scenes on occasion, but "low key" seems to be the order of the day, which does allow
for the film to emphasize its music over its visuals. The image is a little flat by nature and slight banding is evident from time to time, but this is an
accomplished transfer from the top-down that might not dazzle viewers, but should instead satisfy film enthusiasts who wish to replicate the theatrical
experience at home.
Burlesque features a dazzling, exuberant, powerful, big, crisp, kicking, and spacious monster of a soundtrack. Use whatever adjective comes to
mind, but this one really belts out the energy and still has something left in the tank when the movie comes to an end. Sony's DTS-HD MA 5.1 lossless
soundtrack will push the best sound systems to their limits with energized music and hard-hitting vocals in every musical tune, and things are just quiet
enough in the downtime that the big boys have room to recharge while the center channel handles dialogue like it was made for the movie. Sure the
track is obviously jazzed up a bit, but wo cares? It's fun and passionate, an exhilarating listen that's sure to put a smile on listeners's faces even when
the movie has them singing the blues. The track also delivers a wonderful spread of city atmospherics; passing cars, honking horns, driving rain, and
background music beats coming from a closed-door club all immediately place the listener smack-dab in the middle of Los Angeles. Of course, the track
makes excellent use of every speaker to create a seamless 360-degree field of sound during most every segment, both loud and reserved. The low end
belts out
plenty of accurate and strong but not excessively rumbly or sloppy notes. This is a complete package of a soundtrack, a dazzling listen that's easiy the
best part of the Burlesque experience.
Burlesque features a healthy assortment of extras, including a good audio commentary track and five featurettes.
Audio Commentary: Writer/Director Steven Antin jumps right into recounting the making of the film, first discussing set design and
following up on the process of reshooting based on test screening responses. He moves on to discuss the film's editing, style, themes, pace,
production design,
dance choreography, the parallels to the basic story outline of Alice in Wonderland, and plenty more. Antin never relents, filling almost every
second with his insight. Fans will definitely find plenty of value in a listen.
The Burlesque Jukebox (1080p, varied runtimes): Allows viewers to watch full and uncut performances from the film.
Segments include Something's Got a Hold on Me (Dancers Version), Long John Blues, Guy What Takes His Time, Express, Jungle Berlin, and
That's Life -- Deleted Scene.
Alternate Opening (1080p, 6:31).
Blooper Reel (1080p, 5:09).
Burlesque is Back! (1080p, 3:19): A look at the modern refreshing of the Burlesque, described as before being "middle or low
class theater."
The Performers: The Cast of Burlesque (1080p, 8:50): Cast and crew praise the performances of Christina Aguilera, Cher,
Stanley Tucci, Cam Gigandet, Eric Dane, Kristen Bell, and Julianne Hough.
Setting the Stage: Production Design & Photography (1080p, 4:10): An overview of the film's period-specific set design and
photographic appearance.
Inside the Dressing Room: Creating the Burlesque Look (1080p, 5:46): A brief look at the film's costumes.
The Set List: The Music & Choreography of Burlesque (1080p, 11:02): Cast and crew discuss the film's music and the
challenges of perfecting the intricate dance moves.
Burlesque isn't a bad movie by any stretch of the imagination. It's just completely irrelevant. It might be touching, sincere, and even a little
funny, but those are qualities of the genre and the clichés through which the film is built, not the results of any imaginative strokes of genuins or
bucking of
the system on the writers's and director's part. Cher and Christian Aguilera -- along with a very good supporting cast -- make the movie worth a watch,
but at two hours it's just too long and even the sex appeal wears off by film's end. It's a movie with its heart in the right place; just don't expect
anything new. Sony's Blu-ray release of Burlesque features a fine 1080p transfer, a dazzling lossless soundtrack, and more extras than the film
probably deserves. Worth a rental.
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