Category 7: The End of the World Blu-ray features mediocre video and audio, but overall it's a poor Blu-ray release
Category 7: The End of the World picks up where Category 6: Day of Destruction left off. The
city of Chicago has been destroyed by a monstrous storm and as the storm gathers strength, it
threatens to ravage the rest of the world. A television evangelist and his wife prey on the
nation’s fears by broadcasting warnings of biblical plagues. As his predictions come true, the
mega-storm culminates in a record Category 7 superstorm over Washington, D.C.
The entire planet could be doomed sooner than we think.
There may be no better way to sell audiences on a miniseries than to gather a collection of name
actors and
actresses to toss into the cauldron. Category 7 takes full advantage of this method,
bringing in a plethora of has-beens and clingers to make for a jam-packed, star-studded list to
play
over the opening credits, not to mention adorn the front and back covers of home video releases.
Gina Gershon (Face/Off), James
Brolin
(The Amityville Horror),
Robert Wagner (Delirious), Shannen Doherty ("Beverly Hills, 90210"), Tom Skerritt (Top Gun), Nicholas
Lea
("The X-Files"), and Randy Quaid (Independence Day)
are among the headliners here, coming together to save the world from super storms,
unscrupulous politicians, and religious zealots, and all in under three hours! Category 7
features a fun concept, but like many made-for-television movies and miniseries, the concept has
been done far better before, in this case both in Twister and The Day After
Tomorrow. Category 7 is too long, too involved, too self-important, and not
quite as much fun as it should have been, due not necessarily to shoddy special effects, poor
acting, or lazy direction. The film features too many characters and side stories
that take attention away from the primary draw, watching the world's largest cities fall apart
under the power of nature's fury (and with a little help from man, of course).
Now might not be the ideal time for fireworks.
Following the events from Category 6, several U.S. cities lie in ruin. As the film opens,
Paris is destroyed, from a storm thought superior even to those that ravaged the United States.
Judith Carr (Gershon) is the newly-appointed director of FEMA, and in a desperate search for
answers, she turns to the controversial Duffy Report and its author, Ross Duffy (Cameron
Daddo), for answers. His report predicted the devastation, though neither he nor his findings
were taken seriously. Carr convinces him that he may be the only hope the world has in
predicting, and possibly lessening, the impact of these destructive forces of nature. Duffy will
need to further study the storms, and he enlists Colonel Mike Davis (Skerritt) to study them from
above, and Faith Clavell (Doherty) and "Tornado" Tommy Dixon (Quaid), a storm chaser and
survivor of the first film, to help from ground level. As they desperately search for answers before
two super storms collide directly over Washington, D.C., a religious zealot named Monty (Lea),
working for television preachers Donny and Penny Hall (Brolin and Swoosie Kurtz, respectively),
conjures up a plan to convince the flock -- and the world -- that these are the end times.
Take Twister and multiply the intensity, scale, scope, and destructive force of the storms
many times over, sacrifice the production values, and double the runtime, and Category
7
is the result. To the movie's credit, it's not a disaster, just superfluous, giving it a "been there,
done
that" feel. Aside from terrible special
effects, a bloated runtime, and unnecessary side
plots, there are no glaring weaknesses. The shoddy special effects often take audiences right out
of the film's most exciting
sequences. These effects are disastrous, a cataclysmic failure, even for made for television, that
will
certainly not blow anyone away with their attention to detail and realism. It's still fun to watch
the
Eiffel Tower or the White House crumble under the force of the storm, even if it does look like late
90's computer-generated video game graphics. When the movie isn't wasting time with filler side
stories, like the romantic interconnections of all the characters or a subplot involving a religious
fanatic, it makes for a decent watch. If audiences can get past the explanation for the film's
climax -- a bunch of scientific mumbo-jumbo that may or may not have any basis in reality,
Category 7 should make for an overall entertaining -- if not mind- and body-numbing --
three hour cataclysmic marathon.
Echo Bridge brings Category 7 to Blu-ray with an average 1080p, 1.78:1-framed transfer.
The film uses all sorts of different looks, including a slick, "normal" appearance, a grainy, harsh, and
over-saturated look, much like some of the scenes in Man on Fire, vintage
stock footage, and several zoomed-in-on-a-television screen shots. As such, it makes any sort of
critical observation difficult at best, but all things considered, the movie looks sufficiently good,
particularly in the more stand-looking sequences. In the shots that allow for it, detail is acceptably
high. Facial detail -- hair, pits, and lines -- hold up nicely in appropriately tight shots. On the whole,
detail is as expected of a made for television movie. Blacks are solid, but flesh tones appear on the
red side of the spectrum. Grain is present over the presentation. Some digital artifacts are to be
seen, though with the numerous looks the
film employs, it is hard to know exactly what is inherent to the image and what is a weakness of
the transfer. As far as quality high definition transfers go, this is one of the weaker ones, even
removing from the equation the deliberately poor-quality looks the film often employs.
Although the back of the box states otherwise, Category 7 does indeed feature two 5.1
soundtracks, one each of the Dolby Digital and DTS variety. Neither is audibly superior to the
other. This presentation is robust and satisfying for a made for television movie (Category
7 was nominated for a Primetime Emmy Award for "Outstanding Sound Editing for a Miniseries,
Movie or a Special"). Dialogue presentation is sharp and clear. Bass is surprisingly active,
sometimes rumbling with the sound of a soaring SR-71 Blackbird, and sometimes just sort of
making its presence known. Rear-channel activity is sparse. Directional effects are moderately
impressive across the front, though there is never a really natural feel and flow to the effects. The
disaster sequences are appropriately loud, though never all that convincing. As lossy tracks go,
these are decent, but pale next to the best Blu-ray has to offer.
For end-of-days entertainment on a made-for-television scale, Category 7 is good enough.
It's far from the best of the disaster movies out there, a genre that has enjoyed tremendous
success over the years, particularly since its explosion in the 1970s with films like The Towering
Inferno, Airport, and The Poseidon Adventure. Nevertheless, as simple
entertainment, it works, even taking into account its several glaring weaknesses. It's disaster on a
budget, much like this Blu-ray is high definition entertainment for a fraction of the cost. Echo
Bridge's Blu-ray release of Category 7 is, like the movie, acceptable, but not stellar. With
average video quality, a decent lossy soundtrack, and one measly supplement, the disc would
normally not earn a recommendation, but for $10, why not add it to the collection?
Blu-ray bundles with Category 7: The End of the World (4 bundles)
Echo Bridge Home Entertainment has announced they are releasing six films from their catalog on April 1st. Included in the slate are '10.5 Apocalypse', 'Blackbeard', 'Category 7: The End of the World', 'The Curse of King Tut's Tomb', 'The Last Sentinel' and 'Artie ...
Category 7: The End of the World Blu-ray Screenshots
