Five Corners Blu-ray Review
There Are Places I Remember
Reviewed by Michael Reuben, February 27, 2013
According to a story reported at IMDb,
Five Corners came about when actor-turned-director
Tony Bill was auditioning actors for another project (possibly
Untamed Heart, which Bill
directed some years later). Many arrived with audition pieces from the plays of John Patrick
Shanley. Bill was sufficiently intrigued by the dialogue to contact the playwright about a movie
script. The resulting film was set in Shanley's native Bronx, just like the Oscar-nominated
Doubt, which Shanley wrote and directed 21 years later.
Five Corners is a messier, more
youthful, less polished film. It was Shanley's first produced script, but in a quirk of timing, the
independently produced film was held back from American screens until after the release of his
second, MGM's 1987 hit
Moonstruck. The
latter won three Oscars, including one for Shanley's
original screenplay.
The most obvious reason to watch
Five Corners today is the presence of leads Jodie Foster, Tim
Robbins and John Turturro, all of whom were on the cusp of major careers. The usual criticism
of the film is that the plot is a mess that "spiral[s] out of control". I respectfully disagree. The
script for
Five Corners is tightly structured with the precision of the practiced dramatist that
Shanley already was when Hollywood came calling. It's the abrupt shifts in
tone that throw so
many viewers, but if you're attuned to Shanley's peculiar frequency, those shifts are not
unexpected.
Shanley has often said that he's bored by people who make sense, and that's how he writes
characters. It's a risky approach, and it doesn't always succeed, on either the stage or the screen,
but when it does, the results are unique. Anyone familiar with Shanley's notion of character
should not be surprised that his most successful work to date celebrated the tentative and
uncertain state of mind embodied by "doubt".
Five Corners, based on memories from Shanley's
youth, is filled with characters who don't make sense, know it and ultimately don't care. They're
just trying to get through difficulties as each of them confronts their own personal challenges on
entering adulthood in a particular place and era.
Presumably because
Five Corners was produced by Handmade Films, the production company
co-founded by former Beatle George Harrison, director Bill was able to secure rights to "In My
Life" from
Rubber Soul, which opens and closes the film. There is no better way to mark the
story as a personal memoir. The film is set in late October 1964, in the waning days of the
Johnson/Goldwater presidential campaign, of which signs are everywhere. The title refers to
writer Shanley's old neighborhood in the Bronx, where all the key characters live.
The main story line concerns the release from prison of a disturbed man from Five Corners
named Heinz Sabantino (Turturro) after serving a sentence for the assault and attempted rape of
Linda Glascow (Foster), a neighbor who helps her father run the local pet store. Linda's
boyfriend, Jamie (Todd Graff), tried to aid her but was permanently injured and now walks with
a limp. Another local man, Harry Fitzgerald (Robbins), a cop's son, rescued Linda by smashing a
pitcher of beer over Heinz's head, leaving a huge gash of a scar. Heinz now wears the scar as a
badge of honor.
With Heinz headed home to his ditzy mom (Rose Gregorio), Linda breaks up with Jamie and
seeks out Harry for protection. But Harry is no longer the same man. Once a brawler, he has
embraced non-violence, even going so far as to name his huge dog, a St. Bernard, after the
Buddha. The cause of this transformation is explained in a memorable speech midway through
the film. When Linda arrives at Harry's home, he is preparing to depart for Mississippi to work
in the civil rights movement, much to the dismay of his worried mother (Kathleen Chalfant).
(The bodies of three young civil rights volunteers, Goodman, Schwerner and Chaney, had only
recently been found in Mississippi, after months of searching.) Harry tells Linda he can't help
her.
These serious matters are intercut with a farcial subplot in a narrative strategy that Shanley would
probably say he borrowed from Shakespeare. Sal (Carl Capotorto) is driving around Five Points
with his girl, Melanie (Elizabeth Berridge), and her friend, Brita (Cathryn de Prume), in the back
seat. They treat him like a chauffeur while they get high on pills and glue. Disgusted, Sal pulls
over and hands them off to two acquaintances, Castro (Rodney Harvey) and Willie (Daniel
Jenkins), who proceed to show the girls a good time for the night and into the next day.
Castro and Willie have the day off from school, they explain, because their algebra teacher was
shot down by an unseen assailant with a bow and arrow. The scene occurs early in the film, and
it's played for laughs, as is the ensuing police investigation, in which two detectives agree that
Indians couldn't have committed the crime, because they all moved out of The Bronx years ago.
(As one detective puts it: "The neighborhood changed.") When the girls don't call home, their
mothers send a sheepish Sal to find them. As silly and unrelated as these secondary plots may
seem, they are an essential part of the fabric of
Five Corners. You just have to be patient until all
the story lines knit together.
The part of Heinz Sabantino was the biggest role John Turturro had played on film to date, and
it's Turturro's warped intensity (which the Coen Bros. would shortly exploit in such films as
Miller's Crossing and
Barton Fink) that makes
Five Corners a
memorable if not entirely logical
experience. Shanley's script and Bill's direction are designed to create the sensation that dire
peril has invaded Five Corners and to provide Harry with a
High Noon-style moral dilemma. But
Shanley never tries to explain the violence of Heinz's actions or the depth of his twisted
passions, although a few hints are dropped along the way. All we know for sure is that a troubled
child of Five Corners has returned home, and he's fully surrendered to his inner demons,
imperiling Linda and confronting Harry with a hard choice.
Five Corners Blu-ray, Video Quality
Director Tony Bill was an established player in the studio system, but he also understood the
practicalities of independent film. He hired a professional cinematographer, Fred Murphy
(
Hoosiers), to shoot
Five Corners, but the film's look reflects the limitations of its shoestring
budget.
None of Image Entertainment's Blu-rays of releases by Handmade Films has been especially
impressive, but
Five Corners is distinguished by having been taken from a source without major
damage, speckles, scratches or wear-and-tear. The image on this 1080p, AVC-encoded Blu-ray
has the soft, grainy texture of a faster, cheaper film stock from the era, but there's a reasonable
amount of detail to be seen when the lighting is sufficient. Grainophobes will complain, but those
who understand that some movies just look this way will appreciate that the grain hasn't been
artificially reduced by digital filtering.
The color palette is naturalistic, with occasionally stronger colors reserved for specific
environments (e.g., the blue water at the local fountain, which is a key location). In general,
though, Five Corners is a dusty urban environment where strong colors are not the norm. Black
levels are generally good, although there's very little in the way of true black in this environment,
because even at night some illumination always exists. With few extras and only one audio
option, the 94-minute film compresses comfortably onto a BD-25.