Footloose Blu-ray features bad video and great audio in this enjoyable Blu-ray release
Classic tale of teen rebellion and repression features a delightful combination of dance choreography and realistic and touching performances. When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock. Though he tries hard to fit in, the streetwise Ren can't quite believe he's living in a place where rock music and dancing are illegal. There is one small pleasure, however: Ariel, a troubled but lovely blonde with a jealous boyfriend. and a Bible-thumping minister, who is responsible for keeping the town dance-free. Ren and his classmates want to do away with this ordinance, especially since the senior prom is around the corner, but only Ren has the courage to initiate a battle to abolish the outmoded ban and revitalize the spirit of the repressed townspeople.
Footloose was Dirty Dancing a few years before there was Dirty Dancing. Both
films share in common terribly similar plot lines -- conservative folk are infused with, and are challenged to finally come to accept, a bit of attitude
that's realized on the
dance floor. They're both movies about acceptance and balance and feature two of a handful of the songs that defined the 1980s in
music. Unfortunately for Footloose, the similarities end there. Dirty Dancing enjoys the upper hand in terms of casting, acting,
characterization, flow, charm, and audience involvement and emotional attachment. Footloose isn't a bad picture -- it's not relegated to the
corner of Dance movies -- but it does lose out in most categories compared to its three-years-younger cousin. The good news is that there's room
for
both; Footloose, on its own merits, is an enjoyable ride through the clash between teenage rebellion and stiff adult-dictated edict. It's an
edgy
picture but not a dangerous one. It's catchy and easy to watch -- yet oh so predictable -- and holds up fairly well even more than a decade since
its release, primarily because its themes of understanding, compassion, and toleration are universal and still hold true. It's good entertainment and
comes with a
worthwhile message, rightfully overshadowed -- but not forgotten -- as it may be by both its title theme song and by the superior Dirty
Dancing.
Kevin Bacon reacts to news of a remake, the Blu-ray's picture quality, and life in general.
Big-city teen Ren McCormack (Kevin Bacon) is the new kid at school, and he's woefully unprepared for the realities that await him within his new
small-town digs. It's a small, conservative, faith-based little corner of America where popular music and dancing have been banned following the
untimely deaths of several local teens. Leading the charge is the Reverend Shaw Moore (John Lithgow), a hard-line preacher who believes there's
no good to come of worldly pressures and pleasures. Ren's nonchalant, happy-go-lucky attitude is blasphemy, and he finds himself in trouble with
every move he makes. Nevertheless, he's quick to befriend Ariel Moore (Lori Singer), a rebellious thrill-seeker who also happens to be the good
Reverend's daughter. Ren ultimately decides that the sleepy little town's no-fun-allowed mandated lifestyle is one to which he cannot conform. His
only choice is to reshape it in
his own image, or at least convince the locals to meet him halfway. To do that, he's going to need to take off his dancing shoes and put on his
thinking cap if he's got a prayer in showing the town that God doesn't disapprove of song and dance and that a little noisy, grooving fun is just what
the doctor ordered.
Footloose isn't the sort of movie that's primed for any sort of meaningful analysis because it's simplistic nature and linear structure leave
nothing to the imagination. It's one of those movies where the outcome is never in doubt once the picture has established its characters and ideas
in
the first ten or twenty minutes. All that's left to keep audiences interested is the film's emotional
content
and the question of whether the characters will unite in balance and harmony or continue to be forcefully separated. The latter is nearly a given,
really, leaving
only the former to decide the movie's fate. Does it in any way pull on the heartstrings, make the viewer anything more than a detached observer,
or
engender in them a desire to stand up and dance? The answer to all three is pretty much "no." Footloose certainly tries, but the plot's
transparency nearly renders that effort moot. It's hard to become emotionally involved in a picture when there's no suspense, unless of course the
characters are so well written and so finely portrayed that merely experiencing the ebbs and flows of their journey along with them is
enough
to make the movie a success. That's really what separates Dirty Dancing from Footloose: its characters.
There are no bad characters in Footloose, but there aren't really any that are dynamic or memorable. Most of
them feel hollow and some of them even go into near invisibility, shunted off to the side whenever Kevin Bacon, Lori Singer, or John Lithgow appear.
There's little chemistry between Singer and Bacon, but the two do enough to believably pull the movie through its paces of innocent rebellion. The
script rarely challenges them to do more than go through the motions, whether in terms of their struggle to bring a youthful edge, openness, and
identity to the town, or in their blossoming romance. John Lithgow is the film's strongest performer, but the part is lessened because there's
never any doubt as to the resolution of his hardline character's arc, which is nothing but a reflection of the entire film's primary problem. If
Footloose will be remembered for anything, it'll be Kenny Loggins's hit single Footloose. For a man who didn't appear in any
movies, he's -- or at least his voice, certainly -- clearly one of the 1980's biggest film stars. His work for Footloose might not have achieved
the same level of historic success as he found with Top Gun, but the film's title song is one toe-tapping good time and an
iconic 1980s tune.
Just about everything that could go wrong went wrong. Footloose is an absolute disaster of a Blu-ray transfer. It's nearly unwatchable, and
videophiles in particular will cringe for 107 straight minutes. The only good things to say about the transfer is that fine detailing is sometimes adequate
and colors are occasionally natural and pleasant. Otherwise, the transfer is an abject disaster, and it looks even worse in motion than the accompanying
screenshots suggest. Evidence of noise reduction abounds. Details fall flat,
faces appear smooth and waxy, soft and smeary elements are almost always evident, and grain is constantly frozen in place, except for when it shifts in
globs around moving characters, like in-motion objects have some kind of gravitational pull about them that unnaturally stretches and warps
surrounding elements, such as walls. Colors are sometimes dim and dull but sometimes stable, balanced, and vibrant; Ren's yellow VW bug and a silver
pickup truck that appears regularly throughout the film don't look half bad, but flesh tones range from natural to excessively worn and run down.
Compression artifacts plague the entire image. There's a parade of jagged edges that run throughout the movie, and banding is often visible. Heavy
crush destroys every dark corner of any and all blackened frames. Edge halos appear here and there, but fortunately edge enhancement isn't Gladiator-level bad. There's some kind of problem in just about every
frame. Footloose is in desperate need of a re-master, and this release just screams "cash in for the new movie and plop any available
transfer onto Blu-ray with no concern for quality." Paramount's track record isn't all roses, but the studio definitely knowshowtoputoutstellardiscs. It's a shame this isn't one of them.
And now for some good news. Footloose's DTS-HD MA 6.1 lossless soundtrack is very much worthy of its high definition release. Paramount's
audio presentation isn't going to redefine classic movie high definition audio presentations, but this is a satisfying and revealing listen that's sure to
please longtime fans and newcomers alike. Things start with a bang to the beats of one of the 1980's most iconic songs. Kenny Loggins's
Footloose blares from the speakers with excellent clarity and an inviting sense of space. Guitar riffs are sharp, higher beats are smooth, and
Loggins's vocals are so natural that listeners might believe they're standing next to him in the recording studio, not listening from home years after the
fact. The surrounds carry a natural load, and the music really takes advantage of that added channel across the back. The good news is that the rest of
the film's music is equally potent and invigorating; rarely have the 1980s sounded so good, and this disc is nearly worth buying for the Loggins song
alone.
Sadly, the picture quality renders that idea moot. The rest of the track is of a high quality, too. Lithgow's opening monologue inside the church has a
nice
and spacious echoing sensation to it, the words gently bouncing off the walls and placing the listener in one of the pews amongst the congregation. The
bleeps and bloops of the local arcade prove nicely clear and immersive, but some other ambient effects -- the din of the school cafeteria as heard in
chapter three, for example -- sound unkempt and undefined. There's a good presence and strength to a few heavier effects, such as when a train slowly
rumbles
and rattles across the front in chapter five. Dialogue is center-focused and perfectly crisp and natural. This is a very good soundtrack -- it's nearly
everything it should be -- that would have made a great companion to better video quality.
Footloose contains a thorough and enlightening assortment of extras.
Audio Commentary: Producer Craig Zadan and Writer Dean Pitchford open the track by discussing the picture's influence and legacy.
They speak on the film's fortuitous timing, the history of the project, the process of and challenges in writing the script, Paramount's initial concerns
over the music, the work of the cast, Herbert Ross' direction, the picture's themes, and plenty more. This is a smart, well-spoken, very informative,
and highly engaging commentary. A must-listen.
Audio Commentary: Actor Kevin Bacon delivers this set's second rock-solid commentary that's a strong supporting track and a fine
addition to the supplements. He speaks on the clash between the cast and crew and the Provo community during the shoot, his performance in the
film and working with the cast, the film's plot and themes, the place of music in film, and plenty more. There are some gaps in the track, a bit of dead
air, but Bacon does a commendable job. Fans will want to give this one a try.
Let's Dance! Kevin Bacon on Footloose (1080p, 12:20): Bacon looks back on his acting career, landing the role in
Footloose, working with Director Herbert Ross, shooting in Utah, the discrepancy between his and his character's age, his costumes and
haircut, creating the dance scenes, and his thoughts on the theme song. This is a very good supplement. Bacon shares a lot of good information in a
short period of time. Fans are going to love this.
From Bomont to the Big Apple: An Interview with Sarah Jessica Parker (1080p, 7:37): The actress recalls her experiences in the making
of the movie, including her initial passing on the role, the excitement of heading off to Utah by herself, her thoughts on the character she played,
working with Kevin Bacon and Herbert Ross, the friends she made on the set, and more.
Remembering Willard (1080p, 6:11): Chris Penn, Kevin Bacon, and Sarah Jessica Parker speak on the Willard character, Penn's own
performance, his friendships on the set, the Penn-Parker real-life relationship, and more.
Kevin Bacon's Screen Test (1080p, 4:36): Bacon discusses the stories behind his screen tests as they play.
Kevin Bacon Costume Montage (1080p, 2:50): Raw archival footage of Bacon in various costumes.
Footloose: A Modern Musical -- Part 1 (480p, 17:55): Cast and crew look back on the project's origins, the process of writing the
script, the real Oklahoma town on which the movie is based, and the difficult process of casting the lead and supporting characters.
Footloose: A Modern Musical -- Part 2 (480p, 12:05): Cast and crew discuss the difficult process of creating a Musical with so
little dancing, the use of doubles in some of the critical dance and gymnastics scenes, the film's costumes, the picture's legacy, and more.
Footloose: Songs That Tell a Story (480p, 13:54): The critical trifecta of the picture's hit soundtrack, the birth of MTV, and the
film's release is explored, with emphasis on the various music that appears in the film.
Footloose is a decent enough movie that works a bit better than its horribly generic and transparent plot would suggest. It's overshadowed by
Dirty Dancing and even the popularity of its own theme song, but it's an entertaining enough little genre and decade footnote that still plays
well
thanks to its ever-relevant themes. Unfortunately, its Blu-ray debut is defined by atrocious picture quality. The lossless soundtrack is fine and the
supplements are many, but anyone who even remotely cares about picture quality will be soured on this transfer within minutes. It's bad enough to be
a deal-breaker. Rent it.
Next March, Paramount Pictures Home Entertainment will bring Footloose to Blu-ray. Director Craig Brewer's reimagining of the 1984 musical stars Kenny Wormald (Clerks II) as Ren MacCormack, a free-spirited Boston teenager whose efforts to bring dancing to his ...
With a remake in theaters, Paramount has released the original Footloose on Blu-ray. The movie involved special talent from both the movie and music industry. The soundtrack spun off top 10 hits on the music charts and the film became a blockbuster. Read on about ...
Blu-ray.com and Paramount Home Entertainment are offering three Blu-ray.com members the opportunity to win a copy of Footloose, the 1984 hit starring Kevin Bacon, Lori Singer and John Lithgow. The Blu-ray edition is available now.
