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In the final days of Marcus Aurelius' reign, the aging emperor angers his son Commodus by making it known that he wants Maximus, a fearsome and respected Roman general, to be his successor. Power-hungry Commodus kills his father and orders the death of Maximus. But the latter flees, only to discover that his wife and child have been murdered by Commodus. Captured, Maximus is forced into slavery, where he is sold to Proximo, a former gladiator who serves as both mentor and slavemaster. Maximus trains as a gladiator in the arena, where his fame grows. He goes to Rome, intent on avenging the murder of his wife and son by killing the new emperor Commodus. Maximus has learned that the one power stronger than that of the emperor is the will of the people, and he knows he can only attain his revenge by becoming the greatest hero in all the empire.
For more about Gladiator and the Gladiator Blu-ray release, see the Gladiator Blu-ray Review published by Martin Liebman on September 3, 2010 where this Blu-ray release scored 4.5 out of 5.
Starring: Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Richard Harris, Djimon Hounsou
Director: Ridley Scott
» See full cast & crew
Gladiator Blu-ray Review
The same great audio, extras, and movie: now with vastly improved picture quality.
Reviewed by Martin Liebman, September 3, 2010
It was a time unparalleled in human history. One of the great Empires of modern civilization ruled much of the globe, and despite a landscape littered with primitive technology and a knowledge base far less impressive than that of today, the same ideas, emotions, deceptions, loves, and hates influenced every decision, every waking hour, every breath, every moment of life and, ultimately, death. With such lesser knowledge and lesser understanding came heightened dangers for those less fortunate than others; it was a place where the well-to-do preyed on the weak and saw fit to buy and sell them not only for labor but for pleasure. Assembled from all corners of the Empire came the Gladiators -- often those of a "lesser" heritage, the poor, or even fallen heros -- men tasked with fighting to the death not for God, country, honor, or love, but for the enjoyment of others and the hope of seeing another day. It was a time when sport took on a life-and-death importance for the competitors. A time before contracts, memorabilia, product endorsements, and statistics on the back of trading cards, these athletes were bought and sold and fought and died unceremoniously, painfully, and with no remorse from those that would profit from their demise either financially or emotionally through the rush of the sport and the excitement of the kill. As witnessed in Ridley Scott's Oscar-winning epic Gladiator, it was brutal, bloody, unforgiving -- and the stuff of legend.
In the year 180 A.D., the Roman Empire is winding down a war with the stubborn Barbarian Tribes of Germania. Leading the final assault and capping another victory for the Empire was General Maximus Decimus Meridius (Russell Crowe, State of Play). He's proven his valor in battle yet again and is hailed as the Rome's finest general. His prowess on the battlefield and his humbleness off of it has earned him the respect of Rome's Emperor, Marcus Aurelius (Richard Harris). In fact, an ailing Aurelius, who loves Maximus as a son, begs of him one final assignment before the hero returns home to live the simple life with his wife and son he so craves: to serve the Empire as the protector of Rome, rid her of the corruption that has begun even influencing his son, Commodus (Joaquin Phoenix, Signs), and prevent the Empire's inevitable decay. Maximus declines, his humble rejection sited by Aurelius as the reason why the General is exactly what the Empire needs to not only survive, but once again thrive. Commodus receives word of his father's decision to turn the Empire over to Maximus. In a jealous rage, the power-hungry Commodus murders his father and, before his father's wishes can be known, he declares himself heir to the throne and orders the execution of not only Maximus, but of his innocent wife and son. Sent to die a dishonorable death, Maximus barely escapes with his life but returns home to find his wife and son murdered. Giving up on life, Maximus collapses but later awakens as part of a slave caravan. He's sold to a former Gladiator named Proximo (Oliver Reed), and despite Maximus' initial refusal to demonstrate his skills as a fighter, his abilities become well-known once he's forced to defend himself from sharpened blades in the hands of determined foes inside the ring. Winning match after match, Maximus becomes a folk hero known as "The Spaniard," vanquishing his every foe with ease. When Commodus expresses a desire to meet the people's champion, he becomes visibly shaken as he learns the Gladiator's true identity and his ravenous thirst for revenge.
Gladiator is a good old-fashioned tale of revenge framed in a hard-hitting and grisly Action picture that took the 2001 Academy Awards by storm, ending the evening with five wins, one each for Best Costume Design, Best Visual Effects, Best Sound, Best Actor (Russell Crowe), and Best Picture of the year. Certainly a worthy nominee, Gladiator found itself at the top of the heap in a year with minimal competition; certainly there was no movie in the same class as The Godfather or No Country for Old Men for it to contend with, though Crouching Tiger, Hidden Dragon did make for a formidable and deserving-of-the-award entrant. Gladiator hearkens back to several other sword-and-sandal pictures, chief among them Stanley Kubrick's Spartacus. Of course, the two films vary widely in style. Though both epics in terms of scope and runtime, Gladiator plays out with a frenetic visual pace that's more akin to Scott's Oscar-worthy follow-up Black Hawk Down than it is the masterpieces that defined the earlier part of his career, namely the slow and deliberate but nevertheless extremely effective Alien and Blade Runner. Gladiator's frenzied style sometimes hinders the film's innate beauty and storytelling abilities, and it often feels like the strong thematic elements are in competition with, rather than expertly integrated into, the action. Nevertheless, Gladiator works on several levels, chief among them as an epic Action piece with memorable characters and several top-notch performances that overcome the visual style and solidify the emotional core.
Indeed, Gladiator's best attribute is Russell Crowe. Coming off a pair of strong performances in L.A. Confidential and The Insider (for which he earned his first of three Best Actor nominations), he shows another gear here, himself splendidly mixing action with emotion, even if the film as a whole seems to have a bit of trouble in doing so. His effort is sincere; the sense of loss is palpable, his humbleness at his accomplishments on the battlefield genuine, and his thirst for revenge driven by good intentions and a sense of honor that makes him easy to cheer for. Also delivering outstanding performances are actors Richard Harris and the late Oliver Reed, who passed away during the shoot. Harris' effort as Aurelius nearly matches Crowe's for depth and the palpable sense of honesty and goodwill that his character emotes with every line. The few scenes the two share together easily represent the best dramatic elements to be found in the picture, and there's a chemistry that's brought on by the well-scripted love for country and deeply-rooted respect for one another that the actors embrace wholeheartedly and capture effortlessly. Reed's effort, too, impresses, and his character represents perhaps the most interesting throughout the picture, providing him the opportunity to channel a broad range of emotion as he comes to be involved in Maximus' life. Also delivering solid efforts are Joaquin Phoenix, Connie Nielsen as Commodus' sister Lucilla, and Djimon Hounsou (Blood Diamond) as Maximus' fellow Gladiator, Juba. Director Ridley Scott certainly gets the most out of his actors, and while Gladiator's script isn't quite as deep, meaningful, and emotional as Braveheart's, it withstands the test of time and provides to its characters and, by extension, the actors that portray them, the opportunity to show some depth and range across a broad spectrum that proves to be the film's main attraction.
Gladiator Blu-ray, Video Quality
Better late than never. After much ado about Paramount's first Blu-ray release of Gladiator -- one littered with unsightly edge enhancement and digital scrubbing that left the image flat (not to mention with arrows and fireballs that magically disappeared mid-flight); absent a natural grain structure; and generally unattractive beside many other Blu-rays, including some of Paramount's other first-class offerings like Transformers, Iron Man, and fellow Sapphire Series release Braveheart -- the studio has re-issued Director Ridley Scott's Oscar-winning picture in a proper, beautifully filmic 1080p, 2.35:1 transfer that's sure win back fans to the film, the studio, and the Sapphire Series label. Best to leave the past where it belongs and not question why such a subpar transfer was used in the first place when the results with this fresh release are so positively striking, but the important thing is that Gladiator is now available to be seen as it was intended, and its sparkling "new" transfer does what Blu-ray does best: it yields a breathtaking image that seems straight off the theater screen, allowing viewers to see Gladiator in a state that more closely approximates the cinema experience and the innate quality of film versus the lessened quality of lower-resolution formats and, yes, harmfully scrubbed and digitally "enhanced" Blu-ray presentations.
Viewers familiar with Paramount's previous release will notice an immediate difference when this release of Gladiator begins. Aside from the absence of heavy digital scrubbing and overzealous edge enhancement run rampant, viewers may notice that this version of Gladiator takes on a much warmer tone; contrast has been altered a great deal between releases, and no longer does the film look quite as cold and uninviting as it did in the previous release, even in those harshly bright and sandy outdoor sequences. Even the picture's opening minutes during the battle in the cold, gray, war-torn forrest against the Germanic barbarians don't look quite as inhospitably cold as they did in the previous release. Even considering the differing contrast levels, the other changes between releases are readily identified. The egregious edge enhancement is gone; note the absence of thick halos around the circle of guards in the "Final Words" screenshot in this review versus its counterpart in the original release's review. Better yet, no longer does Gladiator look artificially smoothed over and, by extension, absent fine detail. This release enjoys superior texturing and depth to an almost unfathomable degree over the previous release; the differences are striking to say the least, and viewers will now note the finest nuanced scratches and dirt on armor; the natural texture of faces, pores, and wrinkles; and even the minute detailing on the golden wheat over which Maximus walks and grazes his hand in one scene.
In addition to the superior texture, detailing, and lack of obtrusive edge enhancement, Gladiator also sports fabulous blacks -- some of the richest, deepest, and most honest ever seen on a Blu-ray release -- and the accompanying shadow detail, too, is breathtakingly gorgeous. A scene between Maximus and Commodus in chapter four is a fantastic example of the transfer's exquisite blacks and rich shadowing. Detail in this dimly-lit sequence remains incredibly strong, too, with every pore on both characters' faces revealed almost to a fault. Almost any scene in a rather long stretch inside the shadowy, candle-lit interiors in the film's first act look marvelous and, even in the absence of better lighting, contend for the prize as the transfer's finest-looking stretch. The only real problem here is the presence of a handful of white speckles that pop up on occasion, but suffice it to say, this release of Gladiator is worthy of both the Sapphire Series label and the Blu-ray format; suddenly, Gladiator is reference material through-and-through, and this remastered release is easily one of 2010's finest.
Gladiator Blu-ray, Audio Quality
Though not the most earth-shattering, record-breaking, eardrum-busting mix out there, Gladiator's DTS-HD MA 5.1 lossless soundtrack is well above average across the board. The opening battle sequence sets the stage nicely. Arrows that fly through the soundstage during the picture's intense opening action sequence are accompanied by a continuous whoosh as they fly through the air towards their targets. Explosions pack a good wallop, and the general mayhem of the battle, which includes screaming soldiers and clanking swords, does well to place the listener in the midst of the carnage. Much like Braveheart, Gladiator reveals a superbly-nuanced presentation during the quieter segments. A brief scene taking place inside a carriage in chapter three features a fine sensation of being in the cart, with the wheels churning on a rough road outside, the carriage rattling about, and the sound of the horse galloping directly ahead. In chapter six, a breeze blows through Caesar's room and the structure seems to ever-so-slightly sway and creak as a result. As with most any action-heavy soundtrack, it's the little things during the less-intense moments that truly define the quality of the listen, and in that regard Gladiator doesn't disappoint. Still, the action segments feature a full-blown surround presence that places listeners in the arena and may even have them ducking for cover as weapons whirl and fighters maneuver in a virtually seamless 360-degree sound field that's the norm for every fight throughout. Rounded out by pitch-perfect dialogue reproduction, Gladiator sounds fantastic on Blu-ray.
Gladiator Blu-ray, Special Features and Extras
Gladiator arrives on Blu-ray as a two-disc "Sapphire Series" special edition. Disc one sports a pair of commentary tracks, one for each cut of the film. The extended cut track features Director Ridley Scott and Actor Russell Crowe in a solid and straightforward effort that begins with a discussion revolving around the sets and shooting locations and moves on to cover the characters and their motivations, the performances, the rigors of the shoot, shooting the action scenes, the themes of the film, and more. The theatrical cut commentary features Scott accompanied by Editor Pietro Scalia and Cinematographer John Mathieson. A drier and more technical offering, each participant shares a wealth of knowledge on their particular areas of expertise but tie many of the observations together and in the process reveal how their work intertwines to make a final product. A collection of 13 deleted scenes are to be found on the theatrical cut main menu, presented in 1080p, and most available with optional director commentary. The Scrolls of Knowledge (available on both cuts of the film) allows viewers to select items from a "history" scroll and leave the movie to view the selected piece (each presented in 480p standard definition). Additional content, marked "Visions from Elysium," are found under the "production" scroll, and may be added to a queue, and later viewed upon inserting disc two.
Disc two begins with the option to view the "Visions of Elysium" material carried over from disc one. The pieces are presented in 480p standard definition. Strength and Honor: Creating the World of 'Gladiator' (480p, 3:16:50) is a massive seven-part documentary that covers an extensive range of topics, including Tale of the Scribes: Story Development (34:04), The Tools of War: Weapons (12:56), Attire of the Realm: Costume Design (19:41), The Heat of the Battle: Production Journals (1:05:55), Shadows and Dust: Resurrecting Proximo (24:32), The Glory of Rome: Visual Effects (20:12), and Echoes in Eternity: Release and Impact (18:26). This documentary is also available in an "enhanced viewing mode" that allows viewers to select additional material created exclusively for the Gladiator Blu-ray release.
Image and Design (480p/1080p) is a five-part feature that covers an additional but more finely-detailed set of topics. First up is Production Design, itself divided into three segments. Production Design Primer: Arthur Max (480p, 9:34) offers viewers the chance to learn the basics of exactly what "Production Design" entails. Also included here are two galleries with a host material for perusal, presented in 1080p high definition. Storyboarding is another piece divided into three sections. Storyboard Demonstration: Sylvain Despretz (480p, 13:37) provides viewers with the opportunity to witness the construction of a storyboard. Multi-Angle Comparisons (480p) allows viewers to see three comparison pieces, each with multiple angles and audio streams and optional commentary with Sylvian Despretz. The available pieces include Germania Battlefront, Chain Fight, and The Battle of Carthage. Next up in Image and Design is Costume Design Gallery (1080p), a collection of stills that reveal the wardrobe design for Maximus, Commodus, Lucilla, Proximo, Gladiators, and Marcus Aurelius, Senators, and Citizens. Photo Galleries is simply a pair of groupings with varied subject materials. Finally, Weapons Primer: Simon Atherton (480p, 5:03) looks at the work of creating the thousands of weapons used throughout the production.
Abandoned Sequences & Deleted Scenes is a collection of five additional scenes, most of which feature their own subset of options, including director commentary and featurettes. Scenes available include Alternate Title Design, Blood Vision, Rhino Fight, Choose Your Weapon, and Treasure Chest. The Aurelian Archives is another massive collection of extras. Things begin with The Making of 'Gladiator' (480p, 25:03), a solid yet somewhat (at this point) superfluous piece that looks at the production of several of the movie's major segments, complete with behind-the-scenes footage, clips from the film, and cast and crew interview snippets. Gladiator Games: The Roman Bloodsport (480p, 50:04) is an extended piece that features a glimpse into the world of Gladiator fighting in ancient Rome. Hans Zimmer: Scoring 'Gladiator' (480p, 20:42) looks at the process of complementing the movie through music. An Evening With Russell Crowe (480p, 27:15) features the actor at an audience Q&A session. Maximus Uncut: Between Takes with Russell Crowe (480p, 8:00) contains a collection of candid and lighthearted moments from the set. My 'Gladiator' Journal by Spencer Treat Clark allows viewers to peruse the young actor's written memories from his experience while making Gladiator. Next up is VFX Explorations: Germania & Rome (480p, 23:50), a look at the creation of the intricate special effects that bring the movie to vivid life. Rounding out this massive collection of extras is the film's teaser (1080p, 1:15) and theatrical (1080p, 1:35) trailers and 20 TV spots (480p, 8:55 combined runtime).
Gladiator Blu-ray, Overall Score and Recommendation
Gladiator presents a rather simply story -- one man's quest for revenge -- but adds plenty of combat, several intriguing political layers, and a romantic subtext along the way. Revenge is a tale as old as time, a staple of fiction -- and history -- that seems to bring with it an everlasting allure that, in the right hands, and with the right script, and the right backdrop, makes for some of the best movies out there. Gladiator is no exception. A Best Picture winner and a good watch on several levels, it overcomes a hyperkinetic style that sometimes distracts from the action thanks to a good story and better performances that make it a fan favorite now and, no doubt, for decades to come. Paramount' remastered Sapphire Series Blu-ray release of Gladiator still features the same awe-inspiring lossless soundtrack and wealth of extra content as its predecessor, but it now also delivers on the format's capabilities with a stunning 1080p transfer that's easily one of the best out there. Owners of the original will want to receive this updated version free of charge (details here) and those who are holding out for a superior transfer will want to pick up this release. However, new copies aren't easily identified from older pressings at-a-glance. Buyers will need to look at the back cover's bottom right-hand corner for a Paramount logo, and if the words "2-DISC SET" are present, that's the old copy; the new versions do not contain the "2-DISC SET" lettering. Please see screenshot 20 (click the "Screenshots" tab above) for a photograph of the difference, with the new release on top and the old release on the bottom. Also please note that some buyers are reporting that Paramount has changed the UPC code on the back of the box to a yellow color with the latest pressing of the new release.
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