Gran Torino Blu-ray delivers great video and solid audio in this overall recommended Blu-ray release
A disgruntled Korean War vet, Walt Kowalski (Eastwood), sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
For more about Gran Torino and the Gran Torino Blu-ray release, see the Gran Torino Blu-ray Review published by Martin Liebman on May 26, 2009 where this Blu-ray release scored 3.5 out of 5.
Sounds like you know a lot more about death than you do living.
Any list of the top directors working today that doesn't at least consider the names Spielberg,
Scorsese, Boyle, Coen, Nolan, and Eastwood is suspect at best. Of those names, though, only
one has enjoyed an equal amount of success on both sides of the camera -- Clint Eastwood.
Perhaps the most well-rounded individual in the history of Tinseltown, Eastwood's name appears
regularly come Oscar night, likely to be found attached to some project he either directed or
starred in -- or both. Nominated twice for Best Director and Best Actor for the same films (Million Dollar Baby and
Unforgiven) and
nominated twice more for Best Director for his efforts on Letters from Iwo
Jima and Mystic River (and all four films nominated for Best Picture), Eastwood
walked away with two trophies each for Baby and
Unforgiven. Besides the tremendous success of the films, another common thread
may be found in Eastwood's long history with Warner Brothers Pictures, each film noted above
distributed by
the storied studio. The relationship spans decades, the actor and studio teaming up for films like
the Dirty Harry quintet,
Every Which Way But
Loose, and The Guantlet. In
their latest
collaborative effort, and in the tradition of the greats of the past decade, Gran
Torino features Eastwood serving as both director and leading man, the film surprisingly
failing to earn any Oscar nominations, although it certainly proves just as worthy of the honor as
many previous Eastwood/Warner Brothers outing.
Clint Eastwood scowls yet again in 'Gran Torino.'
Kowalski (Eastwood), a grizzled Korean War veteran, racist, and a man intolerant of change, has
just lost his wife to the afterlife. In the face of his displeasure with the ways of the world,
including the lifestyles and
personalities of his own children and grandchildren, Kowalski maintains a set of core values,
including dignity and honor. In his family and in his surroundings, he sees his values spurned
everywhere he looks -- in his granddaughter's dress, his neighborhood's many unkempt yards,
and even in the very populace that now resides on his block. The stubborn Kowalski refuses to
move on when his old neighborhood crumbles around him, when gangs roam the streets, and
"undesirable" non-white families dwell in the disheveled houses up and down his once-peaceful
and well-manicured
street. Amidst the chaos of the world around him, he maintains a pristine 1972 Ford Gran
Torino, a vehicle he personally helped build during his 50 years on the Ford assembly line.
When
his young and confused neighbor, Thao Vang Lor (Bee Vang), attempts to steal the car as part of
a gang
initiation, Kowalski scares the boy away with his 1950s vintage M1 Garand rifle. Later, when
Thao resists the gang's attempt to get him in further trouble and the conflict spills over onto
Kowalski's
property, he again turns to the Garand, this time threatening the gang members and,
unwittingly, earning the appreciation of both Thao's family, including his sister Sue (Ahney Her),
and the entire block. As penance for his attempt to steal the car, Thao is bound by tradition to
perform work for Kowalski, who reluctantly accepts but soon comes to appreciate all the boy has
to offer, including a strong work ethic and a personable demeanor. Also befriending the entire Lor
family, Kowalski begins the slow process of defeating his outward prejudices while doing all he can
to keep Thao out of trouble that continues to seek him out despite his changed ways and
guidance under the wing of his newfound friend.
Sometimes a movie needs not all of those more traditional bullet points that, when properly
assembled, signify what many may hail as a "success," a "hit," or even a "masterpiece" of
moviemaking. Sometimes a movie need only a single element -- in the case of Gran
Torino an incredibly moving, uplifting, emotional core -- to elevate it well above its peers.
Indeed, Gran Torino, analyzed from a more traditional point-of-view, lags behind other
films of a dramatic nature with somewhat unpolished acting from its supporting players, a pace
that sometimes seems to drag, and the absence of a traditional score. Nevertheless, the film
overcomes its shortcomings because it's not about its characters, its length, or its soundtrack.
It's about emotion, about living, about the human condition itself and its power to overcome any
obstacle, whether on the field of battle in a distant land, in a decaying neighborhood, or most
importantly, in a man's soul. Gran Torino is a film about a journey that reflects on a
microcosm of humanity, where a changing world and a stubborn and hardened soul collide. It is
a film where acceptance, trust, love, and sacrifice know not the boundaries of selfishness but
instead the gift of selflessness.
Gran Torino tackles complex issues with an admirable simplicity, the film's
straightforward
and blunt approach its greatest asset. Clint Eastwood's character -- reflective of that of a man
that seems
both angry about his surroundings yet content in the comfort of his own small slice of real-estate
-- allows the world to pass by him with only a grimace and a growl; his intent is not to change
things but only maintain his own sanity in the comfort of his own home. Nevertheless, when the
wrongs of the world -- both real and imagined -- interfere with his distinct yet comfortable way of
life, he takes immediate action that grows into something more where he discovers that not
everything is as cut-and-dry as black and white, past and present, or clean
and unkempt. It's a
lesson as old, it seems, as man himself, though rarely has it been portrayed more effectively and
with meaning than it is in Gran Torino.
Ultimately, the theme of the film revolves around sacrifice. Kowalski is seen as a hero by the
very people he despises. At first, he fights not for their cause but rather for himself, his actions
seen as a heroic gesture by those he does not understand nor cares to know. His
acceptance of their traditional gesture of overwhelming generosity lies not with his eagerness to
take but rather in their persistence to
give. In return, and over time, the roles become reversed, as Kolwaski finds himself a mentor to
a troubled young man in need of guidance, of a father figure, even if that mentor decries the
young man's
very existence -- his skin tone, the shape of his eye, his very ancestry. In Thao, Kowalski finds a
man much like himself, rough around the edges but eager to be led down the straight and
narrow path, the cornerstone of Kowalski's very existence. Through working with Thao, whom
he comes to love as a son, Kowalski begins to see past superficial prejudices and instead learns to
differentiate between appearance and character, coming to learn that a man is not the sum of his
physical appearance.
Gran Torino premieres on Blu-ray with a fine 1080p, 2.40:1-framed transfer. Colors
throughout appear somewhat dull with perhaps just the slightest hint towards sepia, but are
nevertheless stable and well-rendered. Whether the reddish-brown bricks that make up parts of the
neighborhood houses or the varied shades of green that adorn the foliage seen up and down the
street or in Kowalski's backyard, the image offers a spectrum of colors that look nice even in context
of the film's slightly
vintage look. Detail impresses, too, with objects both near- and far-frame revealing fine textures
and nuances that demonstrate the superiority of the image. Depth, too, impresses, the film
appearing spacious and realistic in most every shot. Generally, the transfer appears sharp and clear,
with only a few shots taking on a hint of softness. Blacks are generally inky and true, flesh
tones take on a natural appearance in the context of the film's intended look, but a few jagged
edges appear sporadically. Fine grain appears visible yet minimal in presence at normal
viewing distances. The image reflects the tone of the picture, and like every other aspect of the
filmmaking process, effortlessly fading into the background in favor of the film's superb emotional
core.
Gran Torino revs its engines and reveals a Dolby TrueHD 5.1 lossless soundtrack. This is a
quiet, reserved soundtrack, where even the dialogue requires a bit of effort to make out at
reference
volume. Though generally clear, a few scenes, such as a conversation between Kowalski and Sue in
chapter 17, plays almost like it's been filtered through a tin can. Nevertheless, the rest of the
soundtrack delivers a suitable experience, though the amount of information funneled through to
the speakers seems minimal compared to most other tracks. The organ music that opens the film
inside the church plays with a natural flair, and the priest's words echo pleasantly throughout the
cavernous sanctuary. Outdoor scenes throughout the film create an incredibly realistic atmosphere.
A dog barks off in the distance; a slight breeze rustles leaves; a police siren screams off to the left of
the soundstage. The few gunshots heard throughout the film -- a single shot and two separate
barrages -- offer an ample but not completely realistic level of heft and presence. There's not much
to the track at all. Like the video, the film's sound design takes a backseat to the emotional core of
the film and offers little more than the basic necessities required of it.
Gran Torino sputters onto Blu-ray with only a few supplements. The Eastwood
Way (1080i, 19:17) features cast and crew discussing the entirety of the film, including its
themes,
the challenges of the roles, the presence of the Hmong people and the insistence that their culture
is depicted
accurately, casting the roles, and more. Manning the Wheel (1080i, 9:23) examines the
history of the car, man's obsession with the automobile, and its role in the film. Gran Torino:
More Than a Car (1080i, 3:57) takes another look at the importance of the automobile in
society. Finally, this disc features BD-Live (Blu-ray profile 2.0) functionality, though access was
prohibited at time of writing. Also included on a second disc is a digital copy of the film. Replayed on
a second generation iPod Touch, the video quality reflects that as seen in the film, with a slight
sepia tone but strong colors and solid detail. The level of visible blocking remains in-line with the
average digital copy. The soundtrack features clear-sounding effects and
ambience, but dialogue tends to feature an echoing effect.
Powerful, moving, and timeless, Gran Torino represents the ultimate in straightforward
moviemaking, where theme and emotional context overpower every other facet of the experience.
It matters not that Eastwood delivers another exceptional performance on both sides of the camera,
that the film features fine cinematography, or that the acting from several players might not be the
best ever committed to film. Regardless of its plusses or minuses, the emotional core of Gran
Torino conquers all else, for its startlingly simple yet incredibly powerful theme of sacrifice and
selflessness, particularly in a world full of selfishness, shines far brighter than any other
facet of the film, a symbol of the power of personal, moving, and riveting old-fashioned storytelling.
Unfortunately, Warner Brother's Blu-ray release of Gran Torino doesn't quite deliver a
satisfying all-around experience. Though the disc features a strong video transfer and a lossless
soundtrack that reflects the low-key tone of the film's sound design, it offers only a few filler
supplements that only serve to stir the appetite for more in the way of quantity and substance.
Nevertheless, the film comes first, and no doubt this one is exceptional. Supported by the good
video and audio presentations, Gran Torino comes highly recommended.
With over 50 years in front of the camera, and over 30 years behind it, Clint Eastwood's dynamic ability to entertain audiences worldwide has yielded the 79-year-old icon many Oscar statues. Today, Warner Brothers is releasing his latest film 'Gran Torino' on Blu-ray, ...
Warner Home Video has announced that they will bring the latest Clint Eastwood film 'Gran Torino' to Blu-ray on June 9th, day-and-date with the DVD release. Video will be presentedin 2.40:1 1080p VC-1 accompanied by a 5.1 Dolby TrueHD soundtrack. A digital copy ...
