Grave Encounters 2 Blu-ray Review
Warning: Found Footage Films Can Drive You Crazy.
Reviewed by Jeffrey Kauffman, March 7, 2013
The history of attempts to treat various mental illnesses is littered with some of the most horrific stories imaginable,
which may be one reason why offerings set in mental hospitals have been such a staple in the horror genre especially.
This season's
American Horror Story is only one of the latest examples, but films dating back to at least
The
Cabinet of Dr. Caligari have attempted to exploit various aspects of mental illness and, often, the "treatments" that
various patients were subjected to. Some of these films have had a serious intent (one thinks of outings like
One Flew Over the Cuckoo's
Nest,
The Snake Pit or
Lilith), while others are so over the top they sometimes defy description
(
Shock Corridor). One film
supposedly dealing with mental illness and an unimaginably brutal "treatment" actually radically changed my life in a
rather unexpected way. When I saw
Frances, about long ago film and theater star Frances Farmer (and not so
coincidentally starring
American Horror Story's Jessica Lange, who must have a "thing" for institutions), I was
revolted by what I at the time thought was an accurate depiction of the actress' life, which in the film ended with her
receiving a terrifying ice pick lobotomy and living out her life in zombiefied pacification. That set me off on literally
decades of
research debunking the film and
its source novel, which resulted in a glut of international media coverage from everyone from A&E to NPR to too many
print publications to list. I was a frankly naïve young man at the beginning of this odyssey, only too willing to believe
the "based on a true story" imprimatur that started that film, and so I was quite shocked to discover over years of
poring through court, medical and personal records that a
lot of the film was just plain made up, including the
horrifying lobotomy. (I should add that my sister was a Psychiatric Social Worker at Medicine Lake, AKA Eastern State
Hospital—ironically the "sister" institution to Western State Hospital where Farmer was a patient for years in the forties
—and I spent one terrifying summer as a child accompanying my sister to her job. There is absolutely no denying that
older state institutions are
very scary places.) And so I'm perhaps a bit more sensitive to depictions of the
horrors of mental institutions than
the average person. There is no denying that many of the so-called "treatments" that were championed through the
years look to us now to be absolutely barbaric (and I would be the first to include lobotomy among those horrors). But
there is also no denying that in most cases, the doctors and nurses who were attempting to treat patients were not
some Grand Guignol leering villains but concerned professionals who were doing the best they could with their
understanding of the problem at the time. It's obviously easy to cast a powerful psychiatrist or nurse as a
representative of evil incarnate, but the truth is, as with so many things, considerably more mundane.
There's actually a salient connection between
Frances and
Grave Encounters 2, for lobotomy plays at
least
a tangential part in this low budget horror romp, and in fact the film's wonderfully named Dr. Freaken is obviously
modeled
on Dr. Walter Freeman, the notorious "inventor" of the ice pick lobotomy and the man who supposedly operated on
Frances Farmer (he didn't). There's a chilling scene late in the film when Dr. Freaken performs an ice pick lobotomy and
then goes on to another even more horrific act, and so it's tempting to pun horribly and twist one of the most famous
quotes from
Frances and say "Lobotomy gets 'em home
video."
The major problem with
Grave Encounters 2 is that it takes
forever (or at least around 35 or so minutes)
for this film to kick into high gear and get to what most people will have come to see—a bunch of idiots trapped in a
mental institution getting killed in a number of gruesome ways. The film actually gets off to a fairly amusing start with a
bunch of online critics (and you know how
they can be) offering their hugely disparate opinions of the first
Grave Encounters. The last of these turns out to be the focal character of
Grave Encounters 2, student
filmmaker Alex Wright (Richard Harmon,
Judas
Kiss,
Continuum:
Season One). Wright it turns out is obsessed with
Grave Encounters and the first half hour or so of
the film follows him as he attempts to figure out what happened to the
last pile of corpses left in the oh, so
spooky mental institution.
In the meantime Alex is working on his
own horror film, and in fact some of the most enjoyable moments in
Grave Encounters 2 are the unabashedly
bad snippets from this supposed project we see being filmed.
In fact had The Vicious Brothers (as this film's screenwriters are credited) concentrated more on the goofy comedy on
display in these segments,
Grave Encounters 2 might have been a much more compelling feature.
Need it even be mentioned that Alex and several of his cohorts end up breaking into the mental institution to find out
what happened the last time, only to become ensnared in horrifying events themselves? And that brings us to the
central problem with
Grave Encounters 2: it simply isn't very scary. We've seen far too many of these "found
footage" movies by this time to be scared by people screaming at unseen elements going bump in the night or even
more melodramatically hysterical first person apologies delivered directly to the camera shortly before that character
meets their grisly demise. This might have seemed daring and provocative in
The Blair Witch Project, but the only scary thing
about it at this late date is that people are still trying to cash in on this tired conceit.
Grave Encounters 2 Blu-ray, Video Quality
Grave Encounters is presented on Blu-ray courtesy of New Video and Tribeca Films with an AVC encoded 1080p
transfer in 1.78:1. It's kind of pointless to talk about the typical items we discuss in these reviews, things like fine detail
and shadow detail, contrast and color accuracy, because this is
supposed to look like—well, like crap a lot of the
time. The first part of the film actually features some
relatively sharp imagery, as Alex goes about investigating
what happened during the first
Grave Encounters. However even this first segment is littered with supposed
minicam shots that have the appropriate 8mm (or whatever the newfangled digital equivalent is) look. Once things get into
the mental institution, the entire film becomes dark to the point of rarely being able to clearly make things out in the frame,
which of course was done intentionally to turn up the anxiety level. Some sequences are in black and white, while other
are ostensibly in color, though even the color sequences rarely pop with very vivid hues. The visual effects are kind of
middling, though a nice refracted prismatic lens look is utilized quite effectively in the climax.