Hatchet II Blu-ray offers decent video and great audio, but overall it's a mediocre Blu-ray release
Marybeth escapes the clutches of the deformed, swamp-dwelling iconic killer Victor Crowley. After learning the truth about her family's connection to the hatchet-wielding madman, Marybeth returns to the Louisiana swamps along with an army of hunters to recover the bodies of her family and exact the bloodiest revenge against the bayou butcher.
For more about Hatchet II and the Hatchet II Blu-ray release, see the Hatchet II Blu-ray Review published by Casey Broadwater on February 14, 2011 where this Blu-ray release scored 2.5 out of 5.
When the first Hatchet film debuted in 2006, the horror community at large was quick to laud writer/director Adam Green, not as a macabre
visionarytwisting the genre into new grotesque formsbut rather, as an adept at appropriating the grimy tone and splatterrific practical effects
wizardry of "old school American horror." And by "old school," I don't mean the Universal monster movies of the 1930s. The Hatchet films are
all about apingand occasionally poking fun atthe conventions of the slasher, the teen-slaying subgenre that was born out of Black
Christmas and Halloween and supposedly died by the time Wes Craven satirized its predictability in Scream. Of course, in the
horror world, nothing stays dead for long. For whatever reason, the genre is entirely caught up in the idea of "homage." With remakes, rehashes, and
reboots
standing often in the place of originality, old forms are revisited with exponentially diminishing returns. It's a vicious cycle. Green did successfully try
something different with his Hatchet follow-up, Frozena clever, suspenseful thriller about three friends trapped on a ski liftbut this
leaves Hatchet II feeling like an unfortunate step backwards.
Victor Crowley
Scream queen Danielle Harris replaces Tamara Feldman as Marybeth, the "last girl" of the last film, whowhen we open here, in Honey Island
Swampnarrowly escapes the clutches of hulking bayou-mutant/ghost/thing Victor Crowley (Kane Hodder) and hot-foots it to Bourbon Street,
where she pops in to see Reverend Zombie (Candyman horror icon Tony Todd), a voodoo trinket-shilling entrepreneur who proceeds to bore
us with the details of Crowley's sordid backstory. In summary: Crowley's dad banged the nurse of his dying-with-cancer wife, who cursed the
resultant embryo before keeling over, and voilápoor Victor is born hideously deformed, gets picked on by neighborhood kids, and dies when
his dad accidentally hits him in the face with, yes, a hatchet. Now, his somehow corporeal soul stalks the swamp, killing all who come near with a
variety of power-tools. And no, I have no clue how a ghost procures gasoline for his chainsaw. Anyway, Marybeth wants to go back into the bayou to
recover her dead father and brother's bodiesand get revenge, natchand Reverend Zombie oddly agrees to go with her. He's got ulterior motives,
see.
But they can't do it alone. Zombie and his assistant (Parry Shen) put together a small army of local yokels by promising them $500 apiece if they
come along for the hunt. It's a no-brainer for these firearm-toting rednecks, who all think Victor Crowley is just a story told to keep kids out of the
swamp. Amongst other dispensable fodder, there's the standard-issue Blond Bimbo (Alexis Peters) and her bearded ex-lover (AJ Bowen), two good old
boys (Ed Ackerman and David Foy), a beefy biker type (R.A. Mihailoff), Marybeth's uncle Bob (Tom Holland), and comic relief in the form of a suave
thug (Colton Dunn) who sings a rousing little ditty about chicken and biscuits. Don't bother getting to know them, because they'll all eventually be
reduced to chunks of viscera.
So, we're what, like, fifteen minutes into the film now? That's what you'd think, but no. This round-up-the-posse setup takes nearly 45-minutes
over half of the film. And it drags. The silver lining is that once the hunting party finally arrives in Crowley's neck o' the woods, the kills come fast
and brutal. This, presumably, is the only reason anyone would ever watch a film called Hatchet IIto see bodies creatively flayed and
evisceratedso if gore's your thing, you'll be happy to hear that the film delivers. Eventually. Faces get cleaved in two by blades and pulped on the
propeller of an outboard motor. A belt sander is used to grind a skull down to its brainy core, a jaw is ripped off its hinge, and the overalls-wearing
troglodyte Victor Crowley runs amok with the biggest chainsaw known to man, which he uses to straight up saw victims in half, from the crotch up.
Speaking of crotches, the most ridiculous moment in the film involves Crowley fatally interrupting a couple going at it doggy-style, a kill that takes a
literal approach to the innuendo "ax wound," if you know what I mean.
Like most slasher sequels, you're really just getting more of the same here, so if you thought the first Hatchet was the best thing since, I
dunno, Cabin Fever, you'll probably have a least a passing appreciation for Hatchet II. The kills are bigger, the gore is gorieryou
know the drill. None of it makes much of an impact, though. The film eeks by on hokey humor and cheap, gross-out thrills, but the acting is across-
the-board atrocious, the "origin story" is a joke, and worst of all, it's not scary in the slightest.
If you can find entertainment in the mere sight of a fat, one-eyed fisherman getting garroted by his own intestines, well, Hatchet II is for
you. Enjoy. But if you're looking for a meatierthat is, more substantial, funnier, or genuinely terrifyinghorror experience, you're not going to find
it here.
Hatchet II lurches onto Blu-ray with a 1080p/AVC-encoded transfer that's murky and dim, although this is all part of the low-budget horror
aesthetic. As with most productions of this sort, Hatchet II was shot on videothe RED camera, specificallyand sports a dark, grimy palette
that keeps bright color to a minimum. Even the ever-present, perpetually spurting blood seems more crimson than Crayola. Most of the film takes place
at night, and you'll notice that the image sometimes struggles to maintain a balance between black levels and shadow detail. While delineation is good,
as a result, blacks are typically a soupy, noise-speckled gray. Clarity, then, isn't always as crisp as it could be during the darker scenes, but whenever
there's better lighting, the picture shows more than adequate sharpness, with fine detail visible where you usually look for itfacial texture, clothing,
etc. The image displays some characteristics that are common to lower-budget shot-on-video features, most notably overexposed highlights and excess
noisiness, although I also spotted a some major encode/authoring problems, including a few aliasing hiccups and strange glitch around the 1:13:00 mark
that appears briefly in the top right corner of the picture.
What's a horror movie without a kickass audio track, right? Thankfully, Hatchet II delivers in that department, with a DTS-HD Master Audio 5.1
surround track that offers clarity, immersion, and plenty of burly, viscera-ripping sound effects. The mix plops you right down in the middle of a Louisiana
bayou; water laps over the camera, wind blows through the trees, birds caw, and insects buzz. And this is all before you add in the grisly stuff
arterial blood spurting in the rear speakers, ghostly screams, chainsaw growls, and more. There's nothing that jumps out and screams, "Listen to how
awesome this scene sounds!" but the track keeps you in the moment and on your toes. The music has plenty of presence as well, filling the soundfield
and occasionally activating the LFE channel with gut-quaking bass. Dialogue, as inane as it is, remains clear and balanced throughout. A 2.0 PCM mix-
down is also included on the disc, and English SDH and Spanish subtitles are available in easy-to-read white lettering.
Audio Commentaries: There are two offerings here, an "Actor/Director" commentary, with Adam Green and horror icons Tony Todd
and Kane Hodder, and a "Technical" track, featuring Green, cinematographer Will Barrett, and special FX supervisor Robert Pendergraft. Surprisingly,
there's little overlap between them. Worth a listen for fans or aspiring low-budget horror filmmakers.
Hatchet II: Behind the Screams (1080p, 33:39): A comprehensive making-of documentary, with interviews, storyboard-to-final-scene
sequences, and plenty of on-set footage.
Hatchet II EPK (1080p, 8:15): Basically, a condensed version of the "Behind the Screams" documentary.
The Killing Machine (1080p, 6:14): Several members of the special FX team guide us through how some of the kills were created.
There was a minor internet outcry last October when the "uncut and unrated" Hatchet II was pulled from 68 screens across the country just
three days after its release. Much fanboy ire was directed at AMC Theaters and the MPAA, but few took into account the possibility that, well, the film
just might not be very good. And it's not. Sure, gorehounds will get off on the over-the-top practical effectswhich, admittedly, are extremely well done
but the kills are packaged in the kind of generic, been-done-to-death story that has turned the horror genre as a whole into a shambling corpse,
endlessly treading the same old ground. Nevertheless, the film will likely find a following on home video, where it's best represented by this Blu-ray
release, which features a decent high definition presentation and some solid supplements.
On February 1, 2011, MPI/Dark Sky Films will release Hatchet II. This sequel to the 2006 slasher Hatchet, also written and directed by Adam Green, got a limited theatrical release in October. It will be presented in an unrated director's cut.
