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Hoosiers Blu-ray
Metro-Goldwyn-Mayer | 1986 | 115 mins | Rated PG | Mar 13, 2007
Hoosiers Blu-ray ReviewThey needed a second chance to finish first.Reviewed by Casey Broadwater, November 30, 2009 Stop me if you've heard this one: a rag-tag team of scrappy misfits—playing David to the opposition's Goliath—bands together, beats the incalculable odds, and emerges victoriously as hometown heroes, miraculously transforming themselves—through blood, sweat, and tears—from down-and-out underdogs to the lauded leaders of the pack. Sound familiar? The standard-issue inspirational sports film is perhaps the most formulaic of narrative formulas, prone to cliché, chest- heaving sentimentalism, and the overuse of training montages set to fist-pumping tunes. (Having recently reviewed Rocky: The Undisputed Collection, I feel qualified in making this claim.) But despite the predictability, audiences love feel-good stories where small fries take down the super-sized. While Hoosiers didn't invent the formula, it is one of the standouts of a cluttered genre, thanks to a few excellent performances and the universality of the film's message of perseverance, acceptance, and redemption. I'm admittedly not much of a sports fan, but even I get caught up in the film's rah rah sis boom bah sense of teamwork and fighting spirit.
Those who grew up in a small town will readily attest to the almost obsessive importance of high school sports, particularly football and basketball. I can only imagine that this community-wide common interest was amplified in the 1950s, back before cable television, the internet, and fantasy football leagues. In Hoosiers, the sleepy post-war burg of Hickory, Indiana comes alive during basketball season. Local players are treated like gods in some athletic pantheon, and the sad old-timers reminisce about the glory days of yore while living vicariously through the on- court triumphs of the town's fresh-faced youngsters. Imagine the suspicion of the townies, then, when Norman Dale (Gene Hackman)—a former university coach with nowhere left to turn after a shady incident some 10 years before—is brought in to lead Hickory High's basketball squad. Norman gets quite a grilling from the barbershop regulars—for whom zone defense is tantamount to sacrilege—and the new coach's unorthodox training regiment gets the townsfolk worked up in a conspiratorial tizzy. Norman knows what he's doing, though, even giving the town drunk (Dennis Hopper) a second, redemptive chance as an assistant coach. The locals are gradually won over, especially after reticent hotshot Jimmy Chitwood (Maris Valainis) agrees to rejoin the team, spurring a winning streak that takes the underdog Hickory Huskers all the way to the state championship. Director David Anspaugh and writer Angelo Pizzo are no strangers to the sports genre—they would later re-team for Rudy—and in Hoosiers they spin an inspirational yarn that has only frayed slightly in the years since its 1986 release. It's easy, of course, to be jaded after two decades of similarly formulaic sports movies like Coach Carter, Remember the Titans, and Friday Nights Lights, but Hoosiers has the game-winning advantage of being a.) a period piece, which gives it some nostalgic leeway, and b.) a two-seater vehicle for the almost-always fantastic Gene Hackman and the deliriously unpredictable Dennis Hopper, who got an Oscar nomination for his supporting role. In fact, the film is only nominally about the Hickory Huskers winning the state championship. Little time is spent developing the high school characters—though they're certainly not flat—while most of the film is devoted to Norman Dale's journey from outsider to acceptance, and the redemptive arc given to Hopper's has-been drunkard. While Hopper has the more emotionally wrenching role—it also seems more self-reflective, considering his own battles with sobriety—Gene Hackman truly carries the film with a quiet confidence that's undermined by both rejection from the townies and his own nasty, violence-prone temper. Like all great actors, his mental machinations are visible in his eyes even when he's silent; he simply exudes screen-filling charisma. The movie gets a lot right—the molasses-slow existence of small town life, the 1950s innocence, the fever-pitched excitement of a winning streak—but the May-to-December romance between Norman and fellow teacher Myra Fleener (Barbara Hershey) seems unnecessarily jammed into a plot already crammed with emotional material. It feels like her plotline was either inserted at the last moment or significantly trimmed from what had been a more substantial role. On a technical level, the production is almost perilously dated by now-laughable film conventions of the 1980s. One of the challenges of a sports movie is to compress the action into narrative beats that are well-timed, showing just enough to tell the "story" of the game, but Hoosiers is almost as montage-heavy as Rocky IV, where the mid-section is basically one long training sequence. In and of itself this would be manageable, but the action is set to a bizarrely anachronistic score by the usually reliable Jerry Goldsmith. Big digital drum beats pound time against a background of chunky synthesizer pads, giving Hoosiers' mostly authentic 1950s vibe a distinct and un-called for 1980s odor. Goldsmith inexplicably received an Oscar nod for his contributions, which just goes to prove that the '80s truly was unaware of its own excess. Still, Hoosiers is a fan-favorite that continues to inspire audiences and serve as a template for sports film producers looking to photocopy a plot. Video  Hoosiers premiered on Blu-ray in March of 2007, sporting a 1080p/MPEG-2 transfer that really didn't do the film any favors. Looking at Hoosiers today, the video deficiencies are all the more evident when you consider some of the remarkable restorations given to catalog titles in the past two years. I'm no fan of DNR—if a movie was shot on film, I expect it to look that way—but Hoosiers is speckled with a persistently heavy grain field that commingles with source noise to create a buzzing, fluctuating membrane that covers the image almost constantly, but is especially apparent in shots of the sky and characters' faces. Granted, I prefer this to waxy smearing, but a good bit of detail is lost in some of the heavier patches of grain. The image is at its best during game time—in the well-lit gymnasiums—with nicely carved contrast, a satisfying sense of clarity, and the Huskers' red and yellow uniforms popping cleanly off the screen. Outside the gym, however, the picture often falters. Black levels can crush the detail in Hackman's pea coat or else look hazy and insubstantial, contrast is sometimes bland, and sharpness varies from scene to scene. The film is occasionally very crisp—see the wrinkles on Hackman's face or the weft in his tweed suit jacket—but this simply doesn't hold up throughout. The image certainly isn't bad, but you get a feeling watching Hoosiers that it could certainly look a lot better. Audio While Hoosiers ships with a lossless DTS-HD Master Audio 5.1 surround track, the sound is nearly as disappointing as the visuals. This is an almost entirely front-heavy track, and there were instances when I craned toward my rear speakers, wondering if perhaps they had come unplugged. There's almost nothing here to suggest a dimensional soundfield. While you'll occasionally hear cheering in the surround channels and a modicum of environmental ambience —like the reverb during Norman's introduction of the team at the school assembly—this track misses a lot of opportunities for true 5.1 engagement. When Norman first enters the school and students flood down the stairs and out of classrooms past him, where are their footsteps or the sound of casual hallway chatter? There's a decent spread across the front channels, but there are long stretches of the film where it might as well be monophonic. As I mentioned in the review, I'm not a big fan of Jerry Goldsmith's score here—seriously, why the big drum machine beats?—and the music, along with being monumentally incongruous, sounds unremarkable, with hardly any real bass response. Dialogue is mostly clean and clear, but every once in awhile it seems boxy and thin, particularly when Norman shouts from the sidelines. And what's up with the cheering from the stands? Instead of thunderous uproar, it sounds like a crowd as filtered and flattened through the speakers of a portable AM radio. I understand that this 5.1 track has been repurposed from somewhat dated source material, but I've heard other films from the same era that sound much bigger, immersive, and dynamically solid. Supplements  On the menu of this disc you'll notice a tab that reads "Special Features." As in, features with an 's,' plural, like, more than one. Click it open and you'll find the Hoosiers Theatrical Trailer (1080p, 2:38) all by its lonesome. Seriously, how hard would it have been to port over the substantial features that were included on the special edition DVD? Perhaps MGM is planning a double-dip for the film's 25th anniversary in 2011. If MGM is still around, that is. Elsewhere on the disc you'll find high definition trailers for Rocky, Hart's War, and Flyboys. Final words I'd be willing to be that, if you asked 100 people what their favorite sports film is, there would be an almost equal split between Hoosiers and Rudy, which, considering the abundance of sports films out there, is quite a cinematic coup for writer Angelo Pizzo and director David Anspaugh. Despite a weirdly incongruous soundtrack and some dated editing techniques, Hoosiers holds up fairly well today. Unfortunately, this Blu-ray edition of the film leaves a lot to be desired, as it features middling video quality, an adequate but unimpressive audio track, and a stripped down package of supplementary features that includes only a theatrical trailer. If you're a fan of the film, you really can't go wrong with Amazon's current price, but just be aware of what you're getting. 
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