Justice League: Crisis on Two Earths Blu-ray delivers great video and decent audio in this enjoyable Blu-ray release
In a parallel Earth ruled by the Crime Syndicate, the Justice League must fight their evil doppelgangers in a battle that would be dead even, except that their malicious counterparts are willing to do the one thing Batman and Superman never would: kill.
Long before DC and Marvel began making billions at the worldwide box office, long before graphic novels became a staple of every bookstore, dastardly doppelgängers, evil twins, and villainous heroes from alternate realities were putting Earth's mightiest to the test. Who better to face a near-invincible demigod like Superman than an equally powerful manifestation of his darkest impulses? Who better to challenge a strategist like Batman than a mentally unstable Dark Knight who believes murder and justice are one in the same? Who better to battle Wonder Woman in hand to hand combat than a cruel, callous Amazonian who chose an entirely different path? Manhunter against Manhunter, Flash racing Flash, Lantern versus Lantern... it's the stuff of fanboy dreams and comic industry gold. Sadly, such stories have lost their edge after countless incarnations. More often than not, they've revealed themselves to be lazy gimmicks; formulaic crossover events designed to boost sales and offer diehards quick-n-easy access to their favorite heroes' carefully guarded psyches. Justice League: Crisis on Two Earths owes its very existence to these same stories, and subsequently suffers from many of the same problems.
Avengers assemble! What? Oh... um... hm. This is awkward...
When Lex Luthor's unexpectedly upstanding double (skillfully voiced by Chris Noth) arrives from a parallel Earth to recruit the Justice League's finest -- Superman (an asleep-at-the-mic Mark Harmon), Wonder Woman (Vanessa Marshall), the Green Lantern (Nolan North), the Flash (Josh Keaton), Martian Manhunter (Jonathan Adams), and Bats himself (William Baldwin, lumbering his way through lines Kevin Conroy would have brought to life) -- he's greeted with a healthy dose of skepticism. But a heartbeat scan and a peek at a maximum security prison leaves everyone but Batman nodding their heads. Teleporting to Luthor's Earth, a planet where a superpowered crime syndicate has risen to power, Supes and his brightly hued comrades attempt to reinstate some law and order in a world gone mad. Before you can say "holy conveniently truncated plot, Batman," they come face to face with several squint-and-you'll-recognize-em faces: Ultraman (Brian Bloom, channeling the gents of Jersey Shore), Super Woman (Gina Torres), Captain Super (Jim Meskimen), Johnny Quick (James Patrick Stuart), Power Ring (Nolan North), Jimmy Olsen (Richard Green), and a chilly villain's villain dubbed Owlman (James Woods). Meanwhile, Batman stays behind to guard the Justice League's orbital base only to find himself matching wits and fists with an invading force of supers. Quick-dialing a pile of second-tier heroes (among them Aquaman, who might as well be Rocky Balboa for all he can do on a space station), Batman quells the uprising only to be dragged to Luthor's maligned Earth. There, he must stop Owlman from destroying the entire multiverse, all while resisting the urge to tell his fellow Justice League mainstays, "I told you so."
Critical jabs aside, Crisis on Two Earths isn't a mediocre film by any means. Yes, the animation is rough and inconsistent, and yes, the first two acts of the tale are as predictable and conventional as they come. But screenwriter Dwayne McDuffie's generous super-on-super action sequences are hard-hitting, the animators' character designs are slick and striking (minus a handful of laughable alternate-reality costumes by way of Black Lightning, Breakdance, Jimmy Olsen, and their fellow period-inspired criminals), and directors Sam Liu and Lauren Montgomery's Batman vs. Owlman endgame is more epic, climactic, and intense than those featured in most other DC animated endeavors. Considering how telegraphed and tiresome the tale is for its first fifty minutes, the last twenty come as a fresh and welcome surprise. The fact that the filmmakers suddenly up the ante significantly certainly helps, mind you, but it's the much-needed burst of character nuance that makes Batman's trip to Earth-Prime so engrossing. While watching the other heroes go toe-to-toe with their misguided doppels is fast and fun in its own right, their fights tend to be brawny affairs that come down to simple tests of strength and resolve. By contrast, the Batman/Owlman tussle is visceral and cerebral, and genuinely takes advantage of the film's PG-13 rating by introducing a few mature themes and some meaty dialogue.
That being said, Crisis on Two Earths isn't as effective or satisfying as Green Lantern: First Flight. Lesser heroes and villains make cameo appearances for the sole purpose of rallying eagle-eyed JLA junkies; the cast's voicework is hit or miss; fourth wall references to invisible jets and Jedi mind tricks are amusing but a bit distracting; a budding romance between Martian Manhunter and the President's daughter (Freddi Rogers) is little more than a left-field tangent (one that slows the film to a crawl time and time again); and the moral absolutism that dominates almost every decision the characters make reeks of Saturday-morning simplicity. Worse, logic -- even as it applies to the exaggerated rules of comicbook reality -- is carelessly jettisoned from the airlock. How is it that Batman, an ordinary human being, can shake off a sucker punch from Super Woman? The same kind of punch that put Superman on the ground not ten minutes before? How can Owlman make a mid-air stand against Wonder Woman but have such trouble besting Bruce Wayne? Why does Superman have so many problems knocking low-level baddies out of commission? Why do the combatants feel the need to take their individual fights to their direct counterparts? Why do the heroes attack so blindly, without evaluating the situation in the slightest? And that's just scratching the surface. I can't tell you how many plot holes I had to ignore to move on; how many times I shook my head and muttered, "wait, what?"
Still, at 75-minutes, is it any wonder that subtleties, cohesive storytelling, and character development have fallen by the wayside? Hopefully the day will come when DC's animated films grow up. It's safe to assume their producers aren't interested in targeting a younger crowd (the PG-13 rating their on-screen violence demands suggests as much), but the writers seem far too hesitant to elevate the content of their scripts and the complexity of the conflicts therein. If Crisis was as intellectually engaging as its action is entertaining, it would warrant more praise. In the future, Warner Bros. Animation would be wise to greenlight feature-length projects in the vein of The Spectre (a sharply written, adult-oriented animated short included on the disc) instead of clinging to the status quo.
Fanboys the world over should be well aware of mainstay producer Bruce Timm's less-is-more animation style. His characters are incredibly expressive, but his lineart is sketchy; his color palette is bold, but his worlds are shallow; his designs emphasize movement over form, but lack texture and dimension. Love it or hate it, Warner has preserved its every nick and splotch with yet another cool and capable 1080p/VC-1-encoded presentation. With gorgeous Superman blues and reds, brilliant Martian greens, stalwart Luthor golds, and inky Batman blacks, every frame is brimming with confident, commanding colors. Moreover, detail is sharp to a fault, showcasing the errant line ends, pencil strokes, and unclosed fills that dot the animation. It isn't always an impressive sight -- particularly when close-ups exacerbate these inherent issues -- but the technical transfer is sound. If it weren't for the incessant banding that appears in so many shots, I'd slap a perfect score across the image and call it a day. Alas, even my son, speeding his way through his fifth year on the planet, asked me why the skies were striped. Faint aliasing and artifacting occasionally rear their heads as well, but only the most discerning videophiles among you will spot each instance. All things considered, Warner's transfer offers an above average experience akin to Superman/Batman: Public Enemies and Wonder Woman.
For reasons I can't hope to understand, Warner has decided that Justice League: Crisis on Two Earths doesn't deserve the sort of TrueHD mix it afforded Green Lantern: First Flight and Wonder Woman; the sort of lossless monster Lionsgate grants each of its animated Marvel Comics films. Dialogue is crisp and intelligible, but is occasionally a tad hollow. LFE output is decent, but fails to shake the room, even when powers surge, jets roar past, and super-punches find their target. Rear speaker activity is adequate, but rarely sell the rocketing heroes, clinking bombs, or blazing beams that streak across the soundfield. No, the studio's Dolby Digital 5.1 surround track (640kbps) is a flat, front-heavy labor of apathy that doesn't enhance the experience as much as it should, or completely immerse the listener in any of the realities our faithful heroes explore. Even dynamics and directionality, while more able-bodied than their standard definition counterparts, are weaker than need be. Chalk it up to the film's limited sound design if it helps you feel better, but both First Flight and Wonder Woman highlight the difference a good lossless track can make, regardless of how simple the animation or production might be. Perhaps Warner will eventually take a cue from larger production houses like Image Entertainment, Magnolia, Naxos, First Look Studios, in-akustik, Screen Media -- you know, the big boys on the Blu-ray circuit -- and give every film a TrueHD or DTS-HD Master Audio track. One day... when they have the resources to do so. Sigh. Sarcasm just tastes bitter at this point.
If you pick up the Blu-ray edition of Justice League: Crisis on Two Earths, be sure to ignore the slipcover sticker that touts "over four hours of extras." While diehards can certainly spend a sixth of their day digging through everything Warner has crammed onto the disc, only 58-minutes of the "four hour" package is comprised of legitimate special features. The rest? Three "First Look" previews recycled from previous releases, another batch of Bruce Timm-selected "Justice League" episodes, and a pair of DCU live-action television pilots, all of which are presented in standard definition. Don't get me wrong, I certainly don't mind the additional material, but without an audio commentary, Picture-in-Picture experience, behind-the-animation documentary, or a single cast or crew member interview, the supplemental package is quite a disappointment.
DC Showcase - The Spectre (HD, 12 minutes): More engrossing and entertaining than the feature film it accompanies, writer Steve Niles' animated short is sharply penned, well conceived, perfectly paced and, above all else, memorable. Dropping one of DC's lesser-known heroes -- a vengeful supernatural agent of justice dubbed the Spectre (voiced here by Gary Cole) -- into a hard-boiled, grindhouse-esque noir, the story is fast and fierce, and pits the cloaked hero against a trio of murderers and opportunists. Supposedly the first of several animated DC shorts, The Spectre kicks off the promising series with a bang.
DCU: The New World (SD, 33 minutes): DC Comics publisher Paul Levitz, senior group editor Mike Carlin, "Identity Crisis" penciller Rags Morales, senior vice president Dan DiDio, Batman franchise executive producer Michael Uslan, "Identity Crisis" writer Brad Meltzer, and "Infinite Crisis" writer Geoff Johns host this extensive, in-depth analysis of the game-changing "Crisis" events, miniseries, and crossovers; discuss the effect each story had on the DCU and its characters; and examine the reader reactions the various sagas have evoked.
DC Animation First Look Previews (SD, 42 minutes): Next up are four "First Look" previews, the most notable of which offers an early glimpse at DC Animation's next project, Batman: Under the Red Hood. Featurettes for Green Lantern: First Flight, Superman/Batman: Public Enemies, and Wonder Woman: The Amazon Princess are available as well.
Justice League Episodes (SD, 91 minutes): Bruce Timm presents a selection of four Justice League episodes that include "A Better World, Parts 1 & 2" and "Twilight, Parts 1 & 2."
DCU Live-Action Pilots (SD, 114 minutes): As left-field as it is, Warner has also tacked on a pair of live-action television pilots, one from the 1975 "Wonder Woman" series starring Lynda Carter, and the other from the failed 2006 "Aquaman" series.
Justice League: Crisis on Two Earths isn't the best flick to come out of DC Comics partnership with Warner Bros. Animation, but it certainly isn't the worst. As action-packed and entertaining as it is, I can only imagine how good it all would have been had the sensibilities that dominated its third act seeped into the film's first fifty minutes. Warner's Blu-ray release isn't reliable either. While it boasts a high-quality technical transfer, its standard Dolby Digital audio track is a middling bust and its supplemental package delivers less than an hour of valid special features. Choose wisely.
Warner Home Video has set a February 23 Blu-ray release date for 'Justice League: Crisis on Two Earths', a direct-to-video animated movie that takes place in a parallel Earth ruled by the Crime Syndicate, where the Justice League must fight their evil doppelgangers. ...
The fine folks over at World's Finest have learned that the next direct-to-video DC Universe animated title will be 'Justice League: Crisis of Two Earths', which which is currently scheduled to be released on Blu-ray sometime in Spring 2010, day-and-date with DVD ...
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