First it was "Cowboys" versus "Indians," then "Cops" versus "Robbers," "D.E.A." versus "drug dealers," and now in Justified it's "Cowboy"
versus "drug dealers." No matter who's on the opposing sides, no matter which shape or configuration the dynamic make take, or where the action
may occur,
the story of good versus evil has
been, remains, and likely always will be the
hallmark of both fictional entertainment and reality, continuing that whole symbiotic circle about art imitating life imitating art and so on. It's a
terribly old
device, good versus evil -- going back to that fateful day with a couple of naked people, a snake, a tree, and an apple -- so it's the degree to which
the
line between the two becomes blurred and the histories surrounding the sides that both bring them closer together and pull them further apart that
now fills in the gaps and presents audiences with a greater dynamic, and therefore a reason to watch, than the old black-and-white basics are
usually capable of achieving. That's exactly where the second season of Justified goes. Not only does it continue right where it left off with the
roller coaster easing and warming of tensions between U.S. Marshall Raylan Givens (Timothy Olyphant) and season one adversary Boyd Crowder
(Walton
Goggins), but it introduces a third party into the conflict, the Bennett Clan, a family engaged in a long standing feud with the Givens', both now on
opposite sides of the law, the feud further defined and fueled by a more recent grudge between Raylan and Bennett family member Dickie (Jeremy
Davies). That trifecta promises to come to a heated and deadly head as the season plays out in what is more of an arc-style presentation, as
opposed to season one's more piecemeal approach to storytelling.
Glock me.
U.S. Marshall Raylan Givens has successfully escaped from a very sticky situation involving some of his former Miami nemeses and continues to work
in and around Harlan with longtime partner Rachel Brooks (Erica Tazel) at his side. The violence may have died down and Boyd Crowder may be
subdued, but that doesn't mean there's nothing left for Raylan to do around his little corner of Kentucky. Boyd is trying his hand at honest work,
returning to the mine where he and Raylan worked together years ago, but surely a man like Boyd cannot resist the temptations for criminal activity
the mine presents, can he? He's also becoming more involved with his dead brother's wife Ava (Joelle Carter), while Raylan's relationship with
ex-wife Winona (Natalie Zea) heats back up, though she's still married to the real estate agent who once stole her from Raylan, Gary Hawkins
(William Ragsdale). Raylan continues to be in conflict with his father Arlo (Raymond J. Barry), but the real surprise comes when Harlan's power
vacuum is filled by the Bennett clan, local small-time moonshiners and weed pushers whose family history goes back with the Givens' for almost
three-quarters of a century. Family matriarch Mags Bennett (Margo Martindale) is happy with her family's position and level of involvement in the
drug business, but that doesn't stop her sons -- including Raylan's personal nemesis Dickie and local Sheriff Doyle (Joseph Lyle Taylor) -- from
branching out. Meanwhile, Mags' hand has been forced in a sticky situation, leading to the murder of one of her employees, the father of a
fourteen-year-old girl named Loretta (Kaitlyn Dever). Mags has promised to keep Loretta in her care, but can the young lady live without really
knowing what happened to her father, and how will the Bennetts operate in Harlan with Raylan shadowing their every move?
Justified strengthens its position and claim to one of television's better shows with its superior second season. Season two is mostly its own
entity, with recurring characters, themes, and arcs to be sure, but it quickly brushes off the remnants of season one's cliffhanger and jumps right
into the season two arc that centers around the various criminal power plays around Harlan between the criminally-enterprising factions,
with poor old Raylan in the middle, he with the itchy trigger finger and predisposition to violence, but an uncanny ability to talk his way through
situations with as much verbal strength, intimidation, and no-nonsense approach as his trusty Glock provides him physically. In the middle of it all,
though, is little Loretta; in many ways this season is her story, the show painting a picture of a life devastated by crime and the almost necessary
descent towards the very negative influences -- whether they portray themselves as such or not -- that shape her life over the course of the season,
a season which is bookended by her relationship with the Bennetts and its lasting and landscape-altering consequences. Additionally, this season
offers viewers plenty more in the way of dramatic angles and personal insights into the characters. The various backstories and character
interconnectedness come both welcomed and seamlessly, creating within the show a more complex and, by extension, far more entertaining series
of events than may be achieved through incremental development via standalone episodes. While season two does indeed see its share of
independent stories, it's far more involved in the Raylan-Boyd-Bennett triumvirate, and that lasting arc gives the show a weight it didn't
desperately need in season one, but that does now give the show a more complete and satisfying feel.
Justified's second season just wouldn't work -- no matter how juicy and involved the main storyline -- without superior acting to complete
the illusion of small-town criminal enterprising going up against a complexly-constructed lawman who's city slick but country smart. Indeed,
Justified's finest asset remains its cast, and even more so in season two. Timothy Olyphant delivers one of those rare efforts where he just
is Raylan Givens; he's a natural fit -- the look, the mannerisms, the believable skill with a gun, the verbal cadence, the way the hat sits on
his head, even -- and his performance carries the show even through its rare slower stretches and lesser story lines on stature and immersion into a
completely rounded, wholly believable character alone. Walton Goggins continues to impress as the ever-evolving Boyd, the show's most interesting
character to be sure. Goggins' ability to mesh small town characteristics with a scheming mind and a completely believable series of intense and
intricate relationships as he tries his hand -- to varying degrees of success -- in both lawful and lawless pursuits, all complicated by a burgeoning
relationship with Ava, make the character the show's most complex. But season two definitely belongs to the Bennetts; Jeremy Davies and Margo
Martindale deliver the season's most dynamic,
involved, and seamless efforts, in many ways topping even Olypahnt's impressive go as Raylan. Both actors easily mold themselves into small town
Kentucky criminals both inwardly and outwardly. The dynamics they create and reinforce are the season's best asset, a criminal family that's finally
not of the big city slick, suit-wearing variety but moonshiners and weed pushers who favor sweaty clothes, filthy ball caps, and backwoods living to
the penthouses and other luxuries normally portrayed in Hollywood crime family sagas. Their ability to become a different sort of criminal family
allows the show to both continue in its small-town storytelling tradition while bringing in some welcome larger-scale elements that enhance the
season and the story through a unique combination that only Justified can seemingly achieve.
Season two of Justified arrives on Blu-ray with a quality 1080p, 1.78:1-framed transfer, albeit one that's not completely free of issues. Clarity is
generally outstanding, particularly in brighter daylight and well-lit interior scenes. This allows the transfer to reveal some truly fantastic detailing. All
sorts of natural, pristine textures -- denim, worn down caps and jackets, felt hats, wooden planks, chipped paint, and natural outdoor elements -- are
evident
throughout the season. Facial detail is often strong, too, though there are instances where it considerably lessens and smooths out under lower light.
Colors are strong as well. The palette is bright and vibrant but not unnaturally so; it rarely drifts towards an unwanted warm shading, and never do
colors
appear on the other end of the spectrum, washed out or otherwise in any way appearing not as intended. The transfer does suffer in its darker scenes.
Blacks
turn murky, allowing shadows and darker surfaces to form one gigantic blob of darkness with little-to-no definition. Such scenes sometimes yield softer
elements, too, and it's here where the transfer loses its crisp detailing. Intermittent noise in darker scenes is cause for concern, and banding across
background surfaces in any condition occasionally causes problems. Despite a few issues, however, the majority of Justified's season two Blu-ray
presentation looks quite good in high definition.
Season two of Justified debuts on Blu-ray with a satisfying DTS-HD MA 5.1 lossless soundtrack. The track's most consistent -- and dominant --
feature is the total immersion of small town Kentucky ambience that may be heard throughout. Natural woodland ambience is consistently strong.
Buzzing insects may be heard in almost every episode, light breezes occasionally blow about the listening area, while general small town ambience --
barking dogs, distant train whistles, the rumbling of heavy machinery -- help to create a sonically faultless environment. The show's opening title music
is wonderful, yielding superb energy, great clarity, and a potent low end, a fine mix that serves the show well. Bass can get a little off kilter; the
beginning of "Reckoning" yields heavy, rattly bass that's little more than loud vibrations. Though the scene calls for such a sound, it seems as if it could
have been tighter and more focused. Gunfire is consistently crisp and satisfying, notably as heard in a major multi-rifle shootout heard in "Bloody
Harlan." Dialogue is always steady, though there are one or two instances where it becomes a bit lost under heavier effects and ambience. All told,
however, this is a very satisfying, immersive, and clear track that listeners will enjoy a great deal.
Unfortunately, Justified: The Complete Second Season doesn't contain many extras, certainly not proportional to the length of the season.
Deleted Scenes are included for select episodes, but are not accessible through the "Special Features" tab; they must be chosen from the individual
episode listing, and may be missed by viewers who select the menu's "Play All Episodes" option.
Deleted Scenes (480p): "The Moonshine War:" We Need to Talk to Him and Raylan and Dickie's History; "The Life
Inside:" The Proposition; "For Blood or Money:" Just Trying to Clip You; "Blaze of Glory:" Boyd's Side of the Story; "Brother's
Keeper:" It's a Whoop Dee Doo; "Debts and Accounts:" Helen's Advice; "Bloody Harlan:" Keep This Car Between the Ditches.
On the Set of Justified (1080p, 19:03, Disc One): Production Designer Dave Blass offers viewers a fascinating tour of the sets
and shooting locations seen throughout the season.
Clans, Feuds & Apple Pie (1080p, 24:26, Disc Two): A solid piece that examines the show's unique and relatable villains, built through
clips from the show and
cast and crew interviews that cover the casting, story lines, themes, character construction, and plot arcs that run through
the season.
Outtakes (480p, 2:32, Disc Three).
Talking Shop: Roundtable Discussion (1080p, 24:05, Disc Three): Producers Michael Dinner, Elmore Leonard, Graham Yost, and Fred
Golan speak on the show's past, present, and future.
Justified may not be the finest show currently running on television, but it's right up there -- and ascending -- thanks to season two's
improvement on the first and the show's further development of the characters and dynamics, both new and old alike. Justified works so well
because it's so very different; it's refreshing to see a show drift away from the comfortable big city locales and dynamics and introduce a small town,
more personal, in ways more relatable, character roster and structure, even if the whole "drug" angle is getting a little long in the tooth as the
scriptwriter's generic go-to crutch. Fortunately, Justified uses it only as a device of convenience, making the show about relationships and not
just drug business-fuled action. That season two also follows a better-defined arc over season one is a great asset, and the final two episodes of this
season are
representative of the show's current peak of excellence, episodes that bring together everything that makes Justified such an addicting watch.
Sony's Blu-ray release of Justified is good, but certainly not perfect. More supplements would have made this into a better set, but considering
the quality of the show and the better-than-average technical presentations, it's definitely worth a buy. Recommended.
Amazon's Blu-ray Deals of the Week affect both Warner Home Entertainment's Christopher Nolan Director's Collection package as well as Sony Pictures Home Entertainment's first two Justified season sets. Through this week, the Christopher Nolan bundle is 51% off ...
HBO Home Entertainment will bring Hung: The Complete Third Season to Blu-ray this September. The third season of the critically acclaimed TV series focuses on the misadventures of Ray Drecker (Thomas Jane, Boogie Nights), a high school basketball coach-turned-male ...
Next January, Sony Pictures Home Entertainment will release Justified: The Complete Second Season on Blu-ray. This season of FX's crime thriller finds U.S. Marshal Raylan Givens (Timothy Olyphant, A Perfect Getaway) confronting the Bennett clan, a Kentucky crime ...
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