Life of Pi Blu-ray delivers stunning video and reference-quality audio in this exceptional Blu-ray release
Based on the best-selling novel by Yann Martel, Life of Pi is a magical adventure story centering on Pi Patel, the precocious son of a zoo keeper. Dwellers in Pondicherry, India, the family decides to move to Canada, hitching a ride on a huge freighter. After a shipwreck, Pi finds himself adrift in the Pacific Ocean on a 26-foot lifeboat with a zebra, a hyena, an orangutan and a 450-pound Bengal tiger named Richard Parker, all fighting for survival.
Life of Pi wants to make you a believer. In what, though—faith or reason, hope or hard truths—is up for interpretation. Reflecting back
on the events that made him who he is, the film's middle-aged narrator (Irrfan Khan) does give a kind of feel-good proof for the existence of the divine,
but he also offers us some cold, painful, materialistic facts, and asks us to chose between the two. Life of Pi, then, is essentially about how we
opt to see the world, and the story is itself a sort of litmus test. The 2001 novel by Jann Martel on which it's based has been variously interpreted as a
spirituality-affirming fable, a slyly atheistic screed, and a loosey-goosey declaration that it's fine to believe whatever you like so long as it gives you
comfort. Thematically, the movie is just as inscrutable and potentially divisive, and it's likely to inspire much satisfying post-viewing discussion.
While it may not significantly shift your worldview—it's more likely to reinforce what you already hold true—Life of Pi will make you a believer
in the power of CGI and 3D in the hands of a real cinematic visionary. Director Ang Lee proves here that mind-melting visual effects don't have to be
relegated to blockbuster action movies, and can be incorporated into a more nuanced and artful story. For years, the novel was proclaimed
"unfilmable," but at last month's Academy Awards, the film adaptation netted Oscars for Best Visual Effects and Best Cinematography, along with Best
Director and Best Original Score. See it for the spectacle, and stay for the philosophical debate.
The film is set up as a Rime of the Ancient Mariner-style frame tale, with the narrator relaying the harrowing adventure of his youth to a
curious and skeptical writer (Rafe Spall) who was promised "a story that will make me believe in God." It all starts in India's Pondicherry district, where
young Piscine Molitor Patel—named after a particularly beautiful Parisian swimming pool—grows up at his father's zoo, surrounded by animals. Since
"Piscine" sounds a lot like "pissing," he goes by Pi, and the mathematical term—an irrational, transcendental number that never settles into a
repeating pattern—suits the boy's personality. Pi becomes obsessed with finding God in all of the world's major religions, trying on Christianity,
Hinduism, and Islam, and taking elements from these and more to form his own spiritual-but-not-quite-religious philosophy. His father (Adil Hussein),
however, is a strict rationalist who says that "all religion is darkness" and urges his son to pursue reason before faith. Already, we're seeing the film's
themes come into sharp relief.
When Pi is sixteen—and now played by off-the-street casting find Suraj Sharma—his father decides to sell the zoo and move the family to Winnipeg in
search of a better life. They board a Japanese cargo ship bound for Canada, with the animals caged up in the hold, but a storm four days off the coast of
Manila sinks the vessel and leaves Pi—the sole human survivor—stranded aboard a 30-man lifeboat with an orangutan, a hyena, a zebra, and a
ferocious Bengal tiger named Richard Parker. Survival of the fittest means the first three animals don't last very long, and Pi is forced to drift on a
makeshift raft tethered at a distance to the lifeboat, which Richard Parker has claimed as his own. And yet, even through it threatens his own life, Pi
comes to care for the tiger, catching fish for it and fetching it rain water. He sees in Richard Parker's eyes something beyond mere animal instinct. But
is he only seeing a reflection of his own humanity?
This is just one of the many ontological questions the film poses as Pi is put at odds with nature, his conception of God, and himself. At its most basic,
Life of Pi is a survival story in the Jack London mold. We get a sense for the tedium of the open sea, the danger of an unexpected gale, the
hope of an island with fruit and fresh water and meerkats for Richard Parker to munch. On top of this, there's the unexpected affinity between man
and beast, and the film does a phenomenal job at making Richard Parker—who gets seasick and grows thin—into a grounded, sympathetic character,
utilizing both actual tigers and the CGI wizardry of now-bankrupt effects studio Rhythm and Hues. (Good luck trying to tell the real and the entirely
digital apart.) On a higher level, though, Life of Pi operates as an allegorical, Job-like struggle that can be construed in a number of different
ways, depending on the biases of the viewer. There's certainly a question of whether or not the narrator is reliable—he eventually gives us two versions
of the events—but the film even questions the very importance of a reliable narrator, making the claim that a "good story" is perhaps better than the
dreary facts. Is it better to be inspired and soothed with embellishments than to face a hard-to-accept truth? Is this the way religion operates? Does it
ultimately matter? With questions like these, it's no wonder Life of Pi was a book club favorite, and the film may serve a similar function.
Not that you have to look that deeply into it. Even at its most superficial—as an eye-candy adventure movie—Life of Pi is frequently
awe-inspiring. Phosphorescent plankton light up the ocean. Pi's delirium leads to a trippy underwater hallucination. There are encounters with dolphins
and flying fish and a floating oasis that may be some sort of large-scale venus fly-trap. Fans of the novel probably couldn't've asked for a better
adaptation, filmmaking-wise, from Ang Lee's poetic direction to the stunning visual effects and the fierce performance from newcomer Saraj Sharma, a
non-actor who was found in an India-wide casting call. But like the novel, the film is most interesting as a Rorschach test for personal convictions. For
some, it'll be an inspirational testament to sheer belief. For others, a wishy-washy, new age-y ode to the power of positive thinking. Still more might
see a subversive plug for reason over blind-faith. Life of Pi welcomes all, so watch it with friends and suss it out over coffee or a drink or two.
Whatever else it is, Life of Pi is one of the year's biggest spectacle films, and it has a Grade-A Blu-ray release to match, with a 1080p/AVC-
encoded presentation that's often nearly as dimensional in 2D as it is in 3D. Shot digitally with Arri Alexa cameras, the film has a very clean look. As
expected, you may notice light noise in some of the darker scenes, but otherwise, the image is entirely free from source or compression issues—no
artifacts, no banding, no aliasing, no distractions whatsoever. While some the effects-heavy shots seem a little soft—probably to help with blending—
most all of the live-action cinematography is tack sharp. See Pi's chapped lips after months on the life raft. Or the individual beads of sand on his face
when he washes up on shore. Or the fine texture of the writer's t-shirt. Of course, this is often an insanely colorful film as well, and the Blu-ray handles
those intense hues easily, without ever looking oversaturated or unbalanced. On the contrary, there are a few scenes that could probably withstand a bit
more contrast, but this is a purely aesthetic decision. Regardless, the picture on the whole has a great sense of pop and clarity. Did Claudio
Miranda's cinematography deserve to beat out Roger Deakins' work on Skyfall for the Academy Award? That's another argument entirely, but
Life of Pi is certainly one of the year's best-looking Blu-ray releases thus far.
Note: There are two spots in the film where the aspect ratio changes suddenly from the normal 1.85:1. During the "flying fish" sequence that was used
as a teaser for the movie, the top and bottom close in to 2.35:1, and there's a single overhead shot of a whale passing beneath the lifeboat that
inexplicable squeezes in to a windowboxed 1.33:1. I'm not sure what the rationale or workflow was here, so I can't really comment on it, but don't be
alarmed by the out-of-nowhere framing changes.
Life of Pi crashes and roars with a full-fledged lossless DTS-HD Master Audio 7.1 surround track. I wouldn't call this an action movie, but there's
certainly a lot of action in it, and it's all mixed with an energetic immersiveness, particularly once we get to the sinking of the cargo ship during the
furious storm. Swells pound the deck and water sprays. Thunder ka-chunks and ripples outward. Rain pours down from all sides. We're put right in the
middle of the tempest, and deep pulses from the subwoofer ensure we feel it in our bones. The showpiece audio sequence is probably the scene with the
flying fish, which go darting and flapping through the soundfield, occasionally thwacking into Pi. The oceanic ambience remains even during the quieter
parts, where we hear sea birds and wind and the lapping of the water. My favorite sound in the film, though, might be Richard Parker's claws scraping
the sides of the lifeboat, desperately trying to catch hold. It's an incredibly precise noise. That level of careful audio design really is maintained
throughout the movie, and the mix is always dynamic and clear, with dialogue that's easily understood. Surrounding the effects and voices is Mychael
Danna's Academy Award-winning score, which effectively mixes Indian instrumentation with western orchestration. The disc includes several dub and
subtitle options; see above for full details.
A Filmmaker's Epic Journey (HD, 1:03:23): An enormous four-part making-of documentary chronicling the four-year creation of the
film, from the adaptation of the script to the extensive post-production effects and editing. Features interviews with all the key players, with a special
emphasis on Ang Lee and acting newcomer Suraj Sharma.
A Remarkable Vision (HD, 19:35): Rhythm and Hues visual effects supervisor Bill Westerhofer and several other members of the film's
effects team walk us through the creation of the photorealistic effects, from the ship sinking to the meerkat island.
Tiger, Tiger Burning Bright (HD, 8:35): Richard Parker gets his own featurette, focusing on the process of working with both a real tiger
and an entirely CGI creation.
Gallery (HD, 7:28): A gallery of pre-production artwork, which you can either auto-play or move through manually with the buttons on
your remote.
Storyboards (HD, 12:23): Complete storyboards for seven of the film's scenes.
Note: The 3D Blu-ray release—which also includes the 2D
disc—features exclusive deleted scenes, visual effects progressions, and the film's trailer, so
consider picking up that edition if you're a bonus material completist. These supplements are on the 3D disc, but they can also be accessed from a 2D-
only Blu-ray player.
After scoring four Academy Awards last month, Life of Pi is sure to attract lots of attention on home video, and it deserves it. While it may not be
the life-changing experience it wants to be, it is at least thought-provoking and sure to generate some post-viewing discussion, particularly if you watch
it with others of differing worldviews. Besides that, it's simply gorgeous to behold and probably the best adaptation we could've asked for from a book
previously considered "unfilmable." 20th Century Fox's Blu-ray release does justice to the film's eye-candy visuals—particularly if you go for the 3D
version—and the disc includes a wealth of special features, including a terrific hour-long making-of documentary. Highly recommended!
Twentieth Century Fox Home Entertainment has officially announced and detained its upcoming 2D and 3D Blu-ray releases of Ang Lee's Life of Pi (2012), starring Suraj Sharma, Irrfan Khan, Adil Hussain, and Gérard Depardieu. The releases will be available for purchase ...
