Logan's Run Blu-ray offers solid video and mediocre audio in this enjoyable Blu-ray release
In the Year of the City 2274, humans live in a vast, bubbled metropolis, where computerized servo-mechanisms provide all needs so everyone can pursue endless hedonism. Endless, that is, until Lastday, when anyone who’s 30 must submit to Carrousel, a soaring, spinning trip to eternity and supposed rebirth.
So what does the world of Logan's Run really look like, that is, beyond the flowing and
revealing singularly-colored garb, sterile indoor environments, and the ability to change faces on a
whim? There's little-to-no baldness. Not bad! There are no cutesy little "Lordy, Lordy, Logan's
40!" quips in the newspaper. A definite plus! Grumpy Old Men
doesn't exist. Eh, take it or leave it. There's the fiery ritual "Carrousel" that kills everyone on their
30th Birthday. Excellent!...oh, wait. Surely there had to be a catch, and that's it. No
longer does man live until his "11's" are up (that's for all the Mel Brooks fans); instead, the slate is
wiped clean and room is made inside the happy little dome (that's for all the Bob Ross fans) for the
next generation of hedonists to live it up until it's time for the ultimate trip up into the blowing
vortex of Carrousel, which is really a downer. And for those that refuse the ride to eternity? The
Four Aces will be sure to send someone to "give [them] a dream"...permanently.
Carrousel.
In the 23rd century, wary of the ravages of war and overpopulation, mankind now lives in domed
cities where hedonism rules. It's a life free of worry and filled with pleasure, but there's one
prerequisite: citizens will, on their 30th birthday, be terminated in an event known as
"Carrousel."
Those who choose not to participate in the ritual -- known as "runners" -- are hunted down by a
specialized unit known as "Sandmen" who dress in black and carry deadly weapons. One such
"Sandman," Logan (Michael York), becomes inquisitive when he kills a runner wearing an "Ankh,"
and later sees the same symbol on a young girl named Jessica (Jenny Agutter). Logan's inquiry
of a
central computer reveals the Ankh to be a symbol of an underground movement that leads
runners
to the safety of "Sanctuary." Logan is tasked with posing as a runner, discovering Sanctuary,
and
destroying it. Gaining the trust of Jessica, Logan begins his mission but soon finds himself
sympathetic to the runners' cause when his lifeclock -- a small crystal implanted in everyone's
hand
that counts down the time to Carrousel -- skips ahead four years for the purpose of the mission.
With fellow Sandman and Logan's best friend Francis (Richard Jordan) in pursuit, can he discover
what lies beyond the dome's walls and once and for all terminate the barbaric ritual of Carrousel?
Though not an endearing, timeless classic of Science Fiction in the same vein as something like
Forbidden Planet, Logan's Run nevertheless enjoys a strong following thanks to
its ability to mesh action, special effects, and a quality story into a singular, entertaining, and
somewhat timeless picture that speaks to the notion of personal liberty versus centrally-imposed
tyranny. Of course, those technical elements -- special effects, story, pacing, and action -- seem
tame by today's frenetic Michael Bay-inspired style, but Logan's Run has nevertheless
maintained a welcome spot near the top of many genre aficionados' "best of" lists for the past
several decades. One of Logan's Run's best assets lies in its ability to juxtapose the
cleanliness, sterility, order, and security of the dome with the grim reality of Carrousel. The
hedonist lifestyle has won over the majority of the population, and Carrousel is depicted as a
sport of sorts that seem the highlight of every day inside the dome. Citizens have become numb
to reality. Cheering on the deaths of their friends without consideration that their time will come
soon enough, life in the dome creates a citizenry of walking dead that seem no more clued into
the realities of life than the undead flesh eaters that have become staples of cinema in recent
years. Though Logan's Run suffers through a few slow spots in its second and third acts,
the action and philosophical underpinnings are enough to keep viewers glued to the film from
beginning to end.
The aforementioned special effects -- though winners of a "Special Achievement Award" at the
1977 Oscars -- just don't hold up well, particularly when viewed under the scrutiny of high
definition. The model work remains impressive for its scope and somewhat natural look and flow,
but the problem is that there's no mistaking it for being just that -- a model. The spartan
interiors of the dome, too, add little visual flair to the picture, but the minimalist set design allows
for something of a "less is more" approach that fits in with the themes of the film nicely. Acting
isn't one of Logan's
Run's strong suits, either, but Jerry Goldsmith's (Star Trek: First
Contact) score delivers a consistently pitch-perfect sound that's at once futuristic,
foreboding,
and grand. One
fault of the picture is its inability to adequately explore the inner-workings of life in the dome and
offer a more detailed history that goes beyond the superficial explanation provided by a paragraph
at the beginning of the movie. Such specifics may be better left to the written word, in this case
the novel by William F. Nolan and
George Clayton Johnson on which the film is based. While the film
does a good enough job of capturing the purpose and timeframe of its locations, many viewers
may leave the film with a curiosity to understand the social, political, and economical
infrastructure behind the world of Logan's Run. Nevertheless, this filmed adaptation
satisfies on several levels, and despite several weak points and a terribly dated look, Logan's
Run remains critical viewing for Science Fiction fans and connoisseurs of exciting but at the
same time morally and philosophically challenging cinema.
Logan's Run jogs onto Blu-ray with a decent 1080p, 2.40:1-framed transfer. Though
the
image looks consistently flat, much of that may be attributed to the mundane set design that
doesn't do much to spruce up the image and populate it with objects that give more than a basic
sense of depth to the frame. The sterility and smoothness of the dome play in contrast to the
bowels of the forbidden zones behind the walls, and fine detail tends to become more visible as
the
movie moves along to areas that actually have more textured objects to showcase. Still, close-
ups
of clothing -- particularly the Sandmen's black and grey sweaters -- reveal stitches and lines well
enough. Also, the 1080p transfer makes it particularly easy to spot the many wires holding up
Carrousel's latest victims. Colors -- particularly those shades that represent the citizens' age, are
bold and nicely
rendered, and as the film moves into its second and third acts, additional shades make for a
welcome reprieve from the doldrums of the dome. Black levels waver a bit, ranging from a
slightly
overly bright shade to deep and dark shades. Flesh tones are nicely rendered, and the transfer
retains a layer of film grain that spikes over some of the more effects-heavy shots. A few vertical
lines appear in places over the image, but they don't particularly distract from the film. All in all,
Logan's Run isn't the stuff of high definition visual bliss, but it looks fairly good in every
regard on this Blu-ray release.
Logan's Run arrives on Blu-ray with an uneven Dolby TrueHD 5.1 lossless soundtrack.
As
for the good, the surround channels are used to fine effect in several instances, particularly
during some early overhead model shots of the dome. The clarity and
precision of Jerry Goldsmith's score isn't to die for; it's a passable rendition but won't be
mistaken for a fresh-out-of-theaters modern presentation. Several sound effects play far too
loudly
at reference volume, and Logan's Run may have listeners scrambling to turn down the
volume during much of the film. The first Carrousel sequence features thunderous applause from
an eager crowd, but the effect sounds muffled at best and a jumble of not-at-all-pleasurable
sounds
at worst. This is a case where aggressive volume can't make up for lack of clarity, and the two
combined make for a crucial segment in the film that's simply hard to listen to. Dialogue delivery
is
never unintelligible, but the track often places it at the far reaches of the front half of the
soundstage, and while it's meant to replicate the location of the actors on-screen, it makes for
more
a distracting nuisance that seems detached from the picture. As the film goes on, a few effects
tighten up and deliver a bit more of a natural and focused presentation, even accompanied by a
fair
level of bass, but more often than not the soundtrack plays as far too eager to spread things out
so
that it comes across as more unnatural than it should. Logan's Run's lossless
soundtrack isn't terrible, but it has several distracting characteristics that often take away the
pleasure of the moment.
Unfortunately, this Blu-ray release of Logan's Run delivers a rather paltry collection of
extras. First up is a commentary track with Director Michael Anderson, Actor Michael York, and
Costume Designer Bill Thomas. The three participants are recorded separately and have been
cobbled together
after the fact for flow. Each participant is well-spoken and informed, recalling plenty of interesting
facts all these years later, from the design and special effects of Carrousel to the costuming seen in
the film. Fans of Logan's Run will want to give this one a listen. A Look Into the 23rd
Century (480p, 9:18) is a retro piece that takes a generic look at the movie's futuristic setting.
Rounding out this all-too-brief collection of extras is the Logan's Run theatrical trailer
(480p, 2:56).
Logan's Run turned 30 several years ago, and thankfully, the film wasn't lost to the brutal
ritual of Carrousel. Instead, it's been reborn on Blu-ray as a quality release from Warner Brothers.
Although neither the picture nor sound are going to rival G.I. Joe, Logan's
Run probably won't look or sound worlds better in some future release than it does here. There
are still some aggravating flaws, particularly with an unbalanced soundtrack, and the disc lacks a
more extensive supplemental package, but all things considered, this is a decent release of a classic
Science Fiction film, and it comes recommended to fans.
Warner Home Video has announced that three of the catalog titles it had announced on Blu-ray for November 3 –'Heat', 'Logan's Run' and 'The Negotiator'- have been delayed a week and thus will be released on November 10. On the other hand, 'North by Northwest' isn't ...
Warner Home Video has announced that they will bring 'Heat', 'Logan's Run', and 'The Negotiator' to Blu-ray on November 3rd. Technical specs have not been announced at this time, though you can expect a 1080p VC-1 video presentation accompanied by a Dolby TrueHD ...
Our friends at The Digital Bits, always in the hunt for juicy Blu-ray scoops, now have word that Warner Home Video plans to release 'Logan's Run' and 'The Exorcist: The Version You've Never Seen' in 2009, as well as the already mentioned 'Heat'. As already reported, ...
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