Love and Other Drugs Blu-ray delivers stunning video and great audio in this enjoyable Blu-ray release
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.
Love & Other Drugs is two films trying to be one. Call it cinematic copulation. The first is a pin-sharp satire of the pharmaceutical industry
during the prescription drug boom of the 1990s. The other is a weepy romance about a sick, self-loathing girl and the immature guy who grows up and
learns to love her despite her illness, finally freeing her to love herself. These two stories rub against each other frantically, belly to narrative belly,
generating a few passionate sparks but not quite enough to start a fire. There's also some comedy that wants to edge its way into the action, but this
is no ménage a trois. The comedy—the odd man out—just sits limply in the corner…watching. Okay, this is getting creepy. Let's drop that
particular metaphor and start over. Director Edward Zwick—who normally helms war epics like Glory, The Last Samurai, and
Defiance—briefly elevates Love & Other Drugs above the soppy kitsch of other rom-coms, but the film's edgy-for-Hollywood sex and
smart dialogue unfortunately gives way to the kind of Kleenex-required melodrama we've seen a thousand times before.
It all starts snappily. Jake Gyllenhaal is Jamie, a natural born charmer who schmoozes his way from an underachiever's gig selling hi-fi systems to a
potentially high-paying career as a pharmaceutical rep for Pfizer. It's 1996, the big drug companies are ramping up production on new meds to push
on a ready-and-willing public, and there's a veritable war going on between Pfizer's Zoloft and Eli Lilly's Prozac for market dominance in the mental
health field. Jamie's job? To flirt with receptionists and office managers—the gatekeepers—in order to gain access to doctors and convince them to
write prescriptions for Zoloft. He's good at this, the flirting part at least. He brings flowers and sweet-talks the front desk girls, even sleeping with
them if that's what it takes to get inside. He's an absolute lady-killer. Where Jamie has trouble is in making the hard sell, a litany of Zoloft factoids
that he's learned to recite in the time it takes for a match to burn out. When it comes to Dr. Stan Knight (Hank Azaria)—an influential general
practitioner who's buddy-buddy with Trey Hannigan (Gabriel Macht), the aggressively competitive Prozac rep—Jamie decides to take a different tact:
straight up bribery. He gives Dr. Knight one thousand bucks in exchange for the privilege of shadowing him for the day as an "intern," hoping the
face-time will lead the doctor to switch to prescribing Zoloft.
It leads to something else entirely. In one of the most awkward Meet Cutes in rom-com history, Jamie gets smacked in the face for ogling the bare
breast of one of Dr. Knight's patients, Maggie Murdock (Anne Hatheway), a feisty artist who catches on quick to the fact that Jamie is a rep and not
an intern. (She should know; she's dated a rep before—Trey Hannigan, surprise surprise.) Nonetheless, Jamie and Maggie end up going out for coffee
and before you can say "side effects may include diminished sex drive," they're pawing off each other's clothes on the floor of her loft apartment.
What follows is a booty call montage that doesn't skimp on the nudity. Hathaway and Gyllenhaal both look comfortable au naturale in front
of the camera, their perfect Hollywood bodies posed in bed like figures in a particularly steamy Renaissance painting. But here's the rain on the sexy
parade: Maggie is in stage one of Early Onset Parkinson's disease.
Yes, Love & Other Drugs is one of those movies, the "disease of the week" romance. You can see where this is going. Wary of men
who define her in the context of her illness, Maggie just wants a "friends with benefits" scenario minus the friendship, and Jamie—who has just
starting shilling Pfizer's new "dick drug," Viagra—is more than content with this strictly carnal arrangement. At first. This professional ladies' man,
after years of meaningless sex and fake connections with women, falls hard for Maggie. Will she let him in? Will she come to accept her condition?
And will his feelings last even after he discovers that her disease is only going to become more debilitating? I think you know the answer to all
three.
There are two ways of looking at Love & Other Drugs. Either it's too serious at the end to be truly funny at the beginning or it's too funny in
the beginning to be so serious at the end. I'm leaning toward both. Two-thirds of the way through the film there's a drastic shift in tone when Jamie
gets some solicited advice from the longsuffering husband of a stage four Parkinson's-afflicted wife: "Find yourself a healthy woman." From here on
out, we're in waterworks central, leaving behind everything that made the early sections of the film so smart and sexy. We've essentially gone from
the crisp satire of Thank You for Smoking to the bleary-eyed Terms of Endearment in a single scene. It's a bit rich for my blood, but
there are legions of pillow-hugging romance fans—with hankies at the ready—primed to sob over Jamie and Maggie's romantic conflict. This is one of
those critic-proof films that audiences either scoff at or scarf up.
I will say this: Love & Other Drugs is in a totally different class from the sub-set of flaky, cornball rom-coms that typically star the likes of,
say,
Kristen Bell and Josh Duhamel. (Here's looking at you, When in Rome.) This is partly due to the directorial eye of the venerable Edward
Zwick—treading territory somewhat similar to his late-80s TV series thirtysomething—who treats the movie's sex and nudity with an
unselfconscious matter-of-factness that's refreshingly mature. Sex is a part of these characters' lives; why fetishize it? You also can't discount the
star power that Jake Gyllenhaal and Anne Hathaway bring to the film. Gyllenhaal does smug-but-vulnerable as good as anyone, and although I'm
usually no Hathaway apologist, she's quite good here—alternately sexy, bitchy, and emotionally broken. It's definitely a step-up for her,
performance-wise. In the end, it all comes down to how willing you are to be carried away by the film's swing from pharmaceutical spoof to outright
tearjerker.
If you thought Jake Gyllenhaal and Anne Hathaway were the only eye candy on display here, think again. Like most of 20th Century Fox's contemporary
releases, Love & Other Drugs arrives on Blu-ray with a 1080p/AVC-encoded transfer that's simply spectacular, with a rich, natural filmic look and
an image that has real depth. Let's start with the basics: The film's fine 35mm grain structure is fully intact—no smeary DNR, leaving faces coated in
waxy digital residue—and there's not a hint of edge enhancement or any other digital tweaking. Clarity, without exception, is stunning. Facial texture,
the threading on clothing, the surfaces of furniture and props—all are rendered with satisfying detail. Likewise, color is vivid but realistic, with perfectly
balanced skin tones—hey, there's a lot of skin—and bright accent hues, all built on a foundation of rock solid black levels and tight contrast. The picture
itself seems to be on Viagra, popping out like…well, you get the idea. Finally, with the film seated comfortably on a roomy 50 GB disc, there are no
compression or encode issues worth noting.
As is true with most rom-coms, Love & Other Drugs' DTS-HD Master Audio 5.1 surround track may not contain any aural showpiece/demo
moments, but it more than capably handles the film's limited sound requirements. Obviously, the most important element here is dialogue, which is
balanced, clean, and comprehensible throughout. Next comes the film's score—by James Newton Howard—and the various 1990s pop tunes used to give
period flavor, all of which sound great, broadcasting from every channel with punch and clarity. Finally, we have the mix's soundfield-filling ambience,
which is perhaps too quiet to generate a real sense of immersion, but definitely adds to the experience. You'll hear bar-room chatter, cheering in the
rears during a pharmaceutical rep training seminar, city street sounds in Chicago, etc. As you'd expect from the release of a modern film, there are no
crackles, hisses, or sudden drop-outs. Overall, the track complements the film well.
Love & Other Drugs: An Actor's Discussion (1080p, 8:00): Gyllenhaal and Hathaway discuss the process of working together. Director
Edward Zwick and the film's writers also show up to say a few words.
Beautifully Complex: Anne Hathaway is Maggie (1080p, 2:57): Hathaway dissects her character.
Reformed Womanizer: Jake Gyllenhaal is Jamie (1080p, 3:34): Likewise, Gyllenhaal parses his character's psychology.
Selling Love & Other Drugs (1080p, 3:10): A quick featurette about Jamie Reidy, the real life pharmaceutical rep whose memoir inspired
the film.
Theatrical Trailer (1080p, 2:25)
BD-Live Exclusive: Jake's Favorite Scene (720p, 1:01)
While Love & Other Drugs is definitely smarter—and sexier—than the average rom-com, it still sticks close to the genre's long-established
equations and formulas. It's just not as daring or divergent as it could be. Still, I understand—sometimes you just need a 1000 milligram quick fix of
undiluted romantic escapism. The heady chemical cocktail of Jake Gyllenhaal and Anne Hathaway may cause some to overdose, but for romance fans
who dig stories about sick chicks and the dudes who care for them, Love & Other Drugs will probably be the perfect prescription. Let's not forget
the disc's near-perfect high definition presentation, which just might arouse picture quality boners in hardcore videophiles. Recommended for rom-com
connoisseurs only.
Twentieth Century Fox Home Entertainment has announced the romantic comedy/drama Love & Other Drugs for Blu-ray release on March 1. From director/producer Edward Zwick and based on the best-selling book Hard Sell: The Evolution of a Viagra Salesman by Jamie Reidy, ...
