Once Upon a Time in Mexico Blu-ray delivers great video and superb audio in this excellent Blu-ray release
The saga of the mythic guitar-slinging hero, El Mariachi, continues in Robert Rodríguez’s bravura action epic 'Once Upon a Time in Mexico'. The new adventure is set against a backdrop of revolution and greed. Haunted and scarred by tragedy, el Mariachi has retreated into a life of isolation. He is forced out of hiding when Sands, a corrupt CIA agent, recruits the reclusive hero to sabotage an assassination plot against the president of Mexico, which has been conceived by the evil cartel kingpin Barillo (Willem Dafoe). But el Mariachi also has his own reasons for returning - blood and revenge. The desperado returns with his two trusted sidekicks Lorenzo and Fideo, and the legend of El Mariachi reaches new levels of excitement and adventure.
They could have also called him Él, as in "Him," but whatever "he" is called, Robert Rodriguez's gun-toting Mariachi is just plain bad. A
superman of the "Mexi-can" variety who eschews the cape in favor of a guitar case full of guns, Rodriguez's lead character is a scruffy, handsome
modern-day superhero whose aim is as true as his motives, whose ferocity is equaled only by his unmatched skill on the guitar. El returns for
this third installment of the director's Mariachi trilogy, and as "part three's" tend to go, this one's the least of the bunch. It also happens to be
the most expensive and by far the most star-studded, and it's also the most complex, the film attempting to weave more than the basic A-to-B-to-C
plots of El Mariachi and Desperado and instead come up with something
that mixes political intrigue, double-crossing, hidden identities, and all sorts of dramatic chaos in with the series' hallmark over-the-top but oh-so-fun,
high-flying, wholly unrealistic, and double-the-guilty-pleasure violence. The added plot and shift in focus from "El" to several additional characters only
seems to confuse the structure and sacrifice what made the first two pictures so great, but even considering how convoluted the storyline may be,
there's
still
enough excess violence in true Robert Rodriguez style to satisfy fans of the series and make Once Upon a Time in Mexico worth a watch.
The boy band.
It's been some time since "El" (Antonio Banderas, The Mask of Zorro) fought the good fight against Moco and pursued the
criminal kingpin Bucho. He's settled down with Carolina (Salma Hayek, Grown Ups), but El's ugly past is about to catch up with the happy
new family. Unfortunately, familial bliss is shattered when El, his wife, and daughter are caught in the crossfire in a shootout against General
Emiliano Marquez (Gerardo Vigil). Some time later, El is recruited by a rogue CIA agent named Sands (Johnny Depp, Secret Window) to kill Marquez. The general is a central player in a
planned coup against the sitting Mexican President. Behind the scenes of the coup is the devious Mexican drug kingpin Armando Barillo (Willem
Dafoe, Spider-Man) who is himself targeted by a former FBI agent (Rubén Blades,
The Devil's Own), also hired by Sands. As identities are revealed and
allegiances challenged, violence erupts and threatens to not only tear apart Mexico, but the very fabric of good and evil in a showdown between
heroes and villains that promises far-reaching personal and political consequences for all involved.
Call it an homage to the Spaghetti Western or a modern-day answer to The Good, the Bad, and the Ugly, but Italy's scrumptious gunslinging
celluloid Fantasies never had this much fast action and slick styling.
Robert Rodriguez's Once Upon a Time in Mexico is a dazzling triumph of sight and sound, a masterpiece of violence-as-art, but unlike its
predecessors, it attempts to weave in a story that's as complex as its high-flying visuals, and they ultimately don't mix as well as Rodriguez likely
imagined. Mexico is fun in spurts and works well as a good-old-fashioned story of revenge, but instead of focusing solely on "El" and his
quest for blood with a few necessary but ultimately anecdotal side characters to bring the story full circle, Rodriguez populates the film with a
plethora of additional characters, all with their own complex arcs, that seem only to get in the way of, rather than prop up, the series' -- and what
should be the
film's -- bread-and-butter: guns, guns, guns. When the violence is on and the bullets are flying, Mexico is a success, regardless of whether
it's El or any other
character pulling the trigger, including an amazing sequence featuring a recently-blinded individual involved in a deadly shootout. Rodriguez's
penchant for crafting top-of-the-line action sequences is unquestioned, and his talent is on full display
here, but one can't help but feel like the movie could stand for a little less talk and a lot more action, to quote a popular Country tune, to stay in line
with what made El Mariachi and Desperado such great films.
Nevertheless, Once Upon a Time in Mexico weaves its story in such a way that the action does remain the focus; it's just not as
front-and-center as Desperado fans might have wished. Though Mexico's ultimately an inferior film, it's not for a lack of effort. To
solidify something of a convoluted
script
that relies heavily on flashbacks and hidden allegiances, identities, and motives to tell its story, Rodriguez has brought on board a veritable who's
who among contemporary Hollywood actors. Banderas and Hayek (sadly in a limited role) return, as does Cheech Marin and Danny Trejo playing a
different, here longer-haired
character who seems to favor guns over knives, and the film also features the likes of Johnny Depp, Mickey Rourke, Willem Dafoe, Eva Mendes, and
Rubén Blades. While most of them never quite disappear into their roles -- even Banderas seems more like Banderas rather than
"El" -- they all elevate the film on several levels, not only lending to it their good looks and professionalism, but adding a bit of star power that helps
offset the slight disappointment that is the script and the shifted focus away from El and into the darker political and personal intrigue of its side
characters. Still, Rodriguez continues with his excess action scenes that are as unrealistic as the A-list actor roster is long; no matter,
watching bad guys get thrown several feet backwards thanks to the blast of a sawed-off shotgun and with the help of some fancy wirework is part of
what
makes this and Rodriguez's Mariachi series so great. His action is as robust as ever, and even if the story isn't quite all it's cracked up to be,
Once Upon a
Time in Mexico is a fun exercise in Action movie excess that's not to be missed.
Once Upon a Time in Mexico is one of the early digitally-filmed pictures, and it looks borderline spectacular through the prism of Sony's near
faultless 1080p, 1.78:1-framed transfer. Detail ranges from strong to exceptional; close-ups of faces reveal every pore on the actors' faces, while the
transfer is also adept at picking up the finest textures as seen on El's new but unfinished guitar or the many roughly-textured stone, brick, and concrete
places and things around the frame. Colors favor a warm, yellowish/orange tinge, but the transfer also reveals brighter shades -- vibrantly green trees or
loud outfits, for instance -- crisply and naturally. Flesh tones do feature that heavy orange push, but blacks appear true throughout. The transfer is
meticulously clean, free of any unwanted debris and featuring minimal noise. Unfortunately, light banding, a touch of shimmering, and one or two
unnaturally jagged edges are visible, but such seem inherent to the source rather than a fault of the transfer. All said, Once Upon a Time in
Mexico looks consistently strong, with several scenes bordering on the superb. Another job well done by Sony.
It wouldn't be a Robert Rodriguez Mariachi movie without a killer soundtrack, and Once Upon a Time in Mexico's DTS-HD MA 5.1 lossless
soundtrack doesn't disappoint. This room-filling, heart-pounding listen leaves no sonic stone unturned; there's no shortage of volume with any of the
picture's many sound effects, most of which represent some form of devastating weapons fire. Shots erupt from all over the soundstage, sending lead
through the listening area and shattering glass and spraying blood every which way but tangibly real. With the raw volume comes not only tremendous
power
but also the necessary clarity to bring it all together. Mexico's track is a bit more refined than Desperado's, but it's not quite as active.
Both offer superb listens, but this one seems just a bit more grounded in reality. The track also excels in delivering precision musical notes as
well as seamless environmental ambience in the form of light blowing winds, chipring insects, or even the metallic clank-clank-clank of El's
spurs. Sony's high-octane lossless soundtrack does the film proud, and with the final piece of the puzzle -- pitch-perfect dialogue -- firmly in-place in the
center speaker, this track may be labeled an unequivocal winner.
Once Upon a Time in Mexico arrives on Blu-ray with a host of extra content, the package headlined by an audio commentary track, another
"film school" feature with Director Robert Rodriguez, the interactive "Cutting Room" tool, and a selection of deleted scenes.
The Cutting Room (1080p): Users may splice together their own Once Upon a Time in Mexico sequence from a selection of
predetermined clips from the film, as well as several musical selections and sound effects clips.
Audio Commentary: Director Robert Rodriguez guides his audience through the making of Once Upon a Time in
Mexico, discussing the plot, the crafting of various scenes, the process of shooting digitally, assembling the cast, character traits, composing the
score, shooting locales,
and plenty more. It's not quite as engaging and endearing as his tracks for El Mariachi and Desperado, but fans will appreciate the
insight and attention to detail.
Deleted Scenes with optional director commentary (480p, 7:24): Sands Phones Dead Man; Mariachi in the Desert; Sands Outside
Restaurant; Goat Milk, Cold; Sands on Internet; One Arm; Jorge; and Spy Dog.
Ten Minute Flick School (48-p, 9:04): Director Robert Rodriguez discusses how computer special effects helped in making Once Upon
a Time in Mexico a more complete and seamless picture on a lesser budget.
Inside Troublemaker Studios (480p, 11:22): Robert Rodriguez takes viewers into his editing room -- formerly his garage -- for a look at
the modern technology that helps him mix soundtracks, edit his films, and work on special effects, all of which allow him to "move at the speed of
thought."
Ten Minute Cooking School (480p, 5:48): Director Robert Rodriguez prepares Puerco Pibil -- Sands' favorite meal -- for his
hungry viewers.
Film is Dead: An Evening with Robert Rodriguez (480p, 13:18): In this extra, the director speaks to a theatrical audience about his new
love for shooting digitally and the advantages thereof, particularly when working on a sequel where a director can take more chances.
The Anti-Hero's Journey (480p, 18:03): Robert Rodriguez and several cast and crew look back on the history of the series and the
characters that populate it, along with the requisite back-patting that tends to infiltrate these sorts of features.
The Good, the Bad, and the Bloody: Inside KNB FX (480p, 19:03): An interesting piece that takes viewers deep into the world of
Once Upon a Time in Mexico's special effects.
Once Upon a Time in Mexico might not be the equal of El Mariachi and Desperado, but it's still a darn good little picture that's
packed with adrenaline-charged action scenes that are sure to satisfy even the most demanding audience. True to Robert Rodriguez's style, he's made
Mexico appear to be a far bigger movie than its budget suggests, much of which seems spent on bringing in an incredible amount of talent to try
and sort out the film's somewhat convoluted plot. While the story never finds the same level of excellence as the action, Mexico works as a solid
final picture in the Mariachi trilogy, albeit one that requires a little more brain power than the other two demanded. Sony's Blu-ray release of
Once Upon a Time in Mexico is all fans could have hoped for. Packed with extras and sporting a strong technical presentation, the last in the
Mariachi trilogy is a winner on Blu-ray. Recommended.
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