In the great tradition of Comedies of errors, Planes, Trains & Automobiles offers audiences a wild ride where everything that could go wrong
does go wrong in the noble but ever-obvious futile effort to return home to Chicago from New York for Thanksgiving. Through all the madness,
however, it tells a heartwarming story
of developing friendship and the importance of kindness in the midst of nonstop chaos. It's one of John Hughes' best films -- if not the best
-- a
distinction made all the more impressive considering his short but incredible body of directorial work, which includes Comedy masterpieces like Uncle Buck and Ferris Bueller's Day Off, not to mention the somewhat more
Drama-oriented coming-of-age detention film The Breakfast Club. Like its name suggests, Planes, Trains &
Automobiles has a little bit of everything, including a pairing of Comedy masters whose instant chemistry is the stuff of genre legend and, even
through the incessant humor, are the film's rocks, its true secret to Comedy success. Additionally, the movie's simplicity, charm, and
heartwarming and honest little touches round it into a complete and unforgettable picture that's as moving as it is gut-busting funny with every
watch.
Sleep tight.
Neal Page (Steve Martin) just wants to get home for Thanksgiving. Unfortunately, home is in snowy Chicago, and he's trapped in a business
meeting in New York. He fails to flag down a cab, despite his best efforts both monetary and otherwise, and he winds up missing his
plane. Seated across from him in the terminal and awaiting the same later flight is Del Griffith (John Candy), a shower curtain ring salesman who
lugs around an oversized trunk, the same man who "stole" Neal's cab hours earlier. As fate would have it, they're also seat mates aboard the
Chicago-bound
flight, but they're diverted from the Windy (Snowy) City to Wichita where stranded travelers have booked every room around, that is every room
except
for the one that Del just so happened to grab upon landing. And so Neal's and Del's daylong journey together becomes a shared night in a cheap
motel. Little do they
know that their stay together -- which sees Del trash the place with his slovenly habits and Neal unload his frustrations on his fellow stranded
traveler -- is but the first stop on a journey of self-discovery, blossoming friendship, and a whole lot of travel mishaps.
The various mishaps of Planes, Trains & Automobiles are cause for great comedy and incessant humor, but the strengths don't just come
from
the individual events. Rather, it's how well they all fit together and flow naturally one from the other that makes the film a great success. This isn't
simply a picture where things just
happen. It's far smarter than that, a creative masterpiece of a movie that's as well thought-out and obviously put together people who
seem to know all-too-well the ins-and-outs of travel, not only during the holidays but in a more general sense. Both the expected and the
unexpected
happen. It's not just flight delays and a shortage of money, but some truly ingenious situations that are innocently scary, incredible, and even
flat-out
gross. But the movie doesn't resort to potty humor. It's funny in a more classical style, one of the last bastions of truly great comedy before the
genre's devolution into nothing but sex and raunchiness and crude jokes. No, this is humor about the day-to-day operations of this thing called life.
It's
genuine and built around that age-old principle of "it could happen to you!," which gives added weight to and earns extra laughs from every
very-plausible
situation and scenario that pops up through the course of the film.
It's more than just a road trip-gone-wrong Comedy, though. Planes, Trains & Automobiles works so well thanks to the magical pairing of
veteran comedians Steve Martin and John Candy and the effortlessness with which they play every angle their parts demand, from pure anger to
absolute compassion. The dynamics that both pull them apart and slowly bring them together serve as the glue that makes the movie complete.
Martin's understated misery that ferments and slowly boils into a rage -- twice -- and Candy's happy-go-lucky, take it in stride, go-with-the-flow
attitude make them the perfect odd couple. As their trip drags on and as the casualties on their mental well-being mount and their hope and money
disappear, they come to understand that it's the differences that make them stronger as a unit as they deal with one crisis after another. Their
story encapsulates what it's all about to be human. The differences are at first a cause for resentment, mistrust, annoyance, and general grief, but
as reality sets in and their shared time together becomes more than a necessary nuisance, their understanding of one another grows and their basic
human goodness overwhelms both their initial negative impressions and the constant bleakness of their circumstances and bad luck. This is a movie
about bonding and compassion between the most unlikely of friends and amidst the most unusual string of events, and combined with the picture's
ending that's at once both heartbreaking and heartwarming, it's no wonder that Planes, Trains & Automobiles is as endearing, joyous,
satisfying, touching, and yes, funny as just about any other movie out there.
The bad news is that Planes, Trains & Automobiles is another Paramount catalogue title that suffers through some unsightly noise reduction.
The good news is that the end result is nowhere near as atrocious as what was seen in another recent release of a 1980s vintage film, Footloose. Indeed, Planes, Trains & Automobiles displays obvious
noise reduction that yields pasty skin textures and frozen grain fields that, like Footloose, tend to move around in globs as if pulled
and warped by an unnatural attraction between human and solid surface. Fortunately, the image isn't a total loss. Fine detail is still fair, even on
some facial textures. The transfer also manages to reveal in great detail the texture of Neal's sports jacket and overcoat and the tiniest little
signs of wear and tear on Del's rugged old beater of a travel trunk. There's a crispness and clarity about the image, and detailing is still boosted by the
increase in resolution over standard definition. Still, the noise reduction is cause for concern, though in this case it's not a total deal breaker simply
because it's not quite as severe as the abomination that is Footloose. Black crush is also a running problem, but there's not a complete loss of
shadow detail in some of the darker scenes. Colors look good and represent the transfer's finest asset. Bright hues and dreary and cold grays alike are
natural and pleasant. Lastly, the transfer is home to a few random pops and speckles, but nothing super distracting. Yes, this transfer is a
disappointment. It's a bit better than it might have been if Footloose is representative of the bottom of big studio barrels, but it's
nevertheless
bad enough to warrant and wish for a remastered presentation somewhere down the road. Planes, Trains & Automobiles deserves nothing less.
Planes, Trains & Automobiles sounds a whole lot better than a Chatty Cathy doll. For the most part, this is a dialogue film that has little need for
major sound effects or even prominent supportive elements. Fortunately, dialogue is strong, clear, and balanced, but the track handles its various odds
and ends quite well, too, even if they're generally few and far between. Music plays with a wide, enveloping feel. Each note is crisp and satisfying, clear
and accurate in every instance. City ambience in the early New York taxicab sequence is nicely integrated, with honking horns, background chatter, and
the general chaotic din of last-minute, pre-holiday hustle and bustle. The same may be said for various crowded airport scenes, but with a slightly less
pronounced volume. Both the track's ability to yield seamless directional effects and a strong low end are tested when a halting but still rumbly train
comes
to a stop in chapter ten. The effect is handled without incident. All said, this is a good performer, nothing sonically special but a fine track and a solid
companion for a 1980s Comedy.
Planes, Trains & Automobiles' supplements are relatively few in number, but there's an enthralling two-part John Hughes retrospective that's
nearly worth the price of admission by itself.
Getting There is Half the Fun: The Story of Planes, Trains and Automobiles (480p, 16:38): John Hughes, Steve Martin, and
John
Candy speak to the press. They discuss the casting, the quality of the script, Hughes' writing process, the film's string of F-bombs in one scene, edits
and shortened
scenes, shooting the famous "bed" scene, and more. The supplement is intercut with additional cast and crew interviews.
John Hughes: Life Moves Pretty Fast (1080p): This two-part feature contains John Hughes: The Voice of a Generation (27:39)
and
Heartbreak and Triumph: The Legacy of John Hughes (25:52). The former features a parade of celebrities -- and Hughes himself -- speaking
on
the famed 1980s writer/director. Explored is his rapid-fire writing style, the way he shapes his characters, the reality and truths of life that are the
foundations of his scripts, and more, all within the context of clips from numerous John Hughes films. The second feature concentrates on his
connection with his actors and the need for them to become the character, not merely play the character. It also explores his work as a director, the
role of music in his films, his personal difficulties in the film industry, and his death. These are two fascinating complimentary pieces that not only
explore John Hughes the writer and director, but John Hughes the man. They both only enhance one's appreciation of his films, and fans will want to
give these features their full attention.
John Hughes for Adults (480p, 4:02): A brief look at Hughes' foray into adult-centered film rather than teen-centric pictures.
A Tribute to John Candy (480p, 3:01): Cast and crew discuss Candy's range as an actor, his work in Planes, Trains &
Automobiles, and his lovable real-life persona.
Planes, Trains & Automobiles is such a wonderful little movie. It's a Comedy first and foremost, but there's an underlying element that makes it
even better than the sum of its laughs: its heart. This is really the story of a developing friendship and not just a display of one misadventure
after the other. It's about coming together, working through problems, and gaining an appreciation for and understanding of the needs of others. It's
the
perfect movie to watch on a down a day, a day when the world seems to be closing in, when hope seems distant, when the future looks bleak. It's a
movie that doesn't hide the fact that life has its ups and downs, but it also serves as a reminder of how people must choose to make it through the
tough
times, to look on the bright side, to never lose site of the end goal, to find the silver lining in the darkest cloud, to anticipate the best even in the
midst of the worst. That's its real strength, and there's nothing more noble than that. Paramount's Best Buy exclusive Blu-ray release of Planes,
Trains & Automobiles features substandard but nevertheless watchable 1080p video, a quality lossless soundtrack, and some strong supplements.
Highly recommended based on the strength of the film and in spite of the wishy-washy video.
Best Buy apparently continues to secure timed exclusives on Blu-ray. On September 25th, the retailer giant will have on its shelves three new catalog titles from Paramount Pictures: David Zucker's The Naked Gun: From the Files of Police Squad! (1988), John Hughes' ...
Planes, Trains & Automobiles Blu-ray, Forum Discussions
