Poirot: Series 3 Blu-ray delivers great video and solid audio in this exceptional Blu-ray release
Agatha Christie's brilliant Belgian detective is on the case in the third series of this television adaptation, which aired on ITV in the U.K. and PBS in the U.S. The setting is 1930s Europe and the glittering Art Deco era, where Christie's dapper sleuth solves the thorniest of cases with his formidable intellect. Includes "The Mysterious Affair at Styles".
For more about Poirot: Series 3 and the Poirot: Series 3 Blu-ray release, see the Poirot: Series 3 Blu-ray Review published by Michael Reuben on March 8, 2012 where this Blu-ray release scored 4.5 out of 5.
Series 3 of Poirot opens with the first truly standalone movie of the series, a dramatization
of Agatha Christie's first novel, The Mysterious Affair at Styles. First broadcast on September
16, 1990, to celebrate the 100th anniversary of Christie's birth, Styles broke the mold of the
previous episodes. It was detached from the remainder of the series, airing six months after the final
episode of Series 2 and not quite four months before the first one-hour episode of Series 3. It was
a feature-length film, running two hours (with commercial breaks), and it was the first broadcast
of Poirot to open without the famous Art Deco titles and jaunty theme by Christopher Gunning
that had established the tone for each previous investigation. And unlike earlier episodes,
which were set in the 1930s (often requiring the series' adapters to shift the time periods of the
original stories and creatively insert references to contemporary events), Styles retained
Christie's original setting: 1917, when the Belgian sleuth first arrived on the shores of what would become
his adopted land as a refugee from the ravages of World War I. The creators of Poirot were
exploring new territory, and Styles would establish a template for many subsequent
films.
Still, plenty of life remained in the one-hour format, and Christie had written numerous stories about
Poirot that had yet to be dramatized. On January 6, 1991, ITV began airing another set of ten one-hour
episodes of Poirot. These constitute the remainder of Series 3, making
this the series of Poirot with the longest total running time.
If you are reading a review of Series 3, I assume you are already familiar with the history of
Poirot and the background of David Suchet's career-defining portrayal of Christie's eccentric
detective. If not, please refer to the reviews of Series 1 and Series 2. Overall, Series 3 retains the
jolly tone and lightness of touch that defined the previous outings. But a darkening tone appears
that would become more pronounced as the show progressed. Eventually, the many terrible cases
that the great Poirot investigates will take their toll, and in Series 3 the earliest signs of deep
sadness and anger begin to show. But good humor generally prevails, usually at the expense of
the stalwart but clueless Captain Hastings (Hugh Fraser), the reliable Miss Lemon (Pauline
Moran) and the dogged Chief Inspector Japp (Philip Jackson). Even Poirot himself becomes the
butt of the joke in a priceless encounter at a wax museum in the episode entitled "The Tragedy at
Marsdon Manor".
Working their first case . . .
The Mysterious Affair at Styles opens with a marvelous period recreation of London in 1917.
Signs of the war are everywhere, as soldiers and military vehicles pass in all directions. Hastings
is in hospital recovering from wounds suffered at the front both physical and psychological. A
chance encounter with an old friend, John Cavendish (David Rintoul), leads to an invitation to
spend the weekend at Styles Court, the Cavendish country home in Essex. Hastings is only too
glad for the change of scene, but he quickly discovers that he's stepped into the thick of a family
drama. John's mother, the former Emily Cavendish (Gillian Barge), has remarried a shifty and
much younger man named Alfred Inglethorp (Michael Cronin), whom John and his brother
Lawrence (Anthony Calf) are certain is a fortune hunter. The elderly woman's companion,
Evelyn Howard (Joanna McCallum), despises Inglethorp and is certain he plans to harm her
mistress. Meanwhile, John and his wife, Mary (Beattie Edney), seem to be having some sort of
marital problems. There are tensions, overheard arguments, mysterious comings and goingsin
short, not a happy household. All of this would be mere unpleasantness, except that early one
morning the elderly Mrs. Inglethorp dies of what is later determined to be strychnine
poisoning.
As luck would have it, Hastings has encountered another old acquaintance in the village: a
certain Belgian detective who arrived in town with a group of his countrymen seeking asylum
from "the Bosch" currently occupying his country. Hastings had met Poirot during a trip to
Belgium before the war, when Hastings himself had briefly been a suspect in a criminal inquiry,
and he'd been duly impressed with the diminutive investigator's astute (if eccentric)
methods. At Hastings' suggestion, John Cavendish engages Poirot to probe Mrs. Inglethorp's
death, which, in the usual manner of Christie's full-length stories, is the result of an enormously
complex scheme that takes a long time and many red herrings to unravel. But justice is ultimately
servedand a partnership is born.
The one-hour episodes of Series 3 are notable for the variety of locales and circumstances in
which Poirot's "little grey cells" are called upon to apply their talents. Rarely in Series 3 do we
find Poirot comfortably ensconced in his apartment at Whitehaven Mansions awaiting delivery of
his morning tisane from Miss Lemon. Whitehaven Mansions is more likely to be a stopover for
checking the mail or packing for departure on some exotic outing. The nomadic nature of Series
3 may have been tough on the show's location scouts and production designers, but it's great fun
for the viewer, especially with Blu-ray's ability to render the locations and period recreation in all
their detail.
Country manors were a favorite setting for Agatha Christie, and in a series of Poirot that
begins in Styles Court, it's only fitting that country locales of all sorts should play host to crime and its
finest adversary. "Wasp's Nest" takes place in a country village where Poirot meets an old friend,
John Harrison (Martin Turner), who is engaged to a pretty model, Molly Deane (Melanie Jessup).
Miss Deane used to be involved with a local artist named Claude Langton (Peter Capaldi), but
that's all over now. Or is it? Under a placid exterior, Poirot sees crime in the making. In "The
Tragedy at Marsdon Manor", Poirot suffers one of the hazards of notoriety. He is summoned to
the village of Marsdon Leigh on the pretext of solving a murder, only to learn that the murder is
fictional, and his new "client" is a mystery author who can't work out the solution to his own plot. But
then a real murder occurs, and Poirot remains to find the culprit. In "The Mystery of Hunter's
Lodge", Poirot accompanies Hastings on a weekend shooting party and catches the flu. But no
viral infection can slow down "the little grey cells" when the host of the party, Harrington Pace
(Bernard Horsfall), is shot dead late Saturday night by a mysterious man who knocks at the door,
appearing from nowhere, then disappearing again.
In "The Theft of the Royal Ruby", Poirot is literally dragooned into service at Christmas by the
Foreign Office so that he can recover a priceless ruby stolen from an Egyptian prince. He must go
undercover at the country home of a famous egyptologist, Colonel Lacey (Frederick Treves), who
knew the ruby was in England and also happens to be having money problems. Poirot's
ostensible purpose for visiting the Laceys is to investigate Desmond Lee-Wortley (Nigel Le
Vaillant), the unsavory boyfriend of the colonel's granddaughter, Sarah (Helena Michell). Beneath the
holiday merriment, there are strange occurrences: drugged coffee, mysterious warnings about plum
pudding, a body on the front lawn and, ultimately, a mad dash to escape in an airplane.
In "How Does Your Garden Grow?", Poirot is receiving the singular honor of having a rose
named after him, when a lady in a wheelchair, Amelia Barrowby (Margery Mason), solicits his
aid. She herself has a fine garden, but when Poirot and Miss Lemon go to visit her in Surrey, it's
too lateshe's been poisoned. Complicating the picture is the fact that Mrs. Barrowby's
attendant, Katrina Reiger (Catherine Russell), is Russian and has been seen visiting the Soviet
embassy.
"The Million Dollar Bond Robbery" takes Poirot even farther than the English countryside
across the Atlantic with Hastings on the maiden voyage of the Queen Mary, where they have
been hired by the London & Scottish Bank to help protect a shipment of bearer bonds. The bonds
vanish from a locked strongbox to which only the bank official on board has a key, but Poirot has
a different theory (and, of course, he is correct).
Even when Poirot remains in London, Series 3 finds him in unique situations. "The Affair at the
Victory Ball" sees Poirot take to the BBC to broadcast the solution to a murder that occurred
among a group of actors at a masked ball following one of their radio plays. The reaction of the
listening public to Poirot's performance is classic. "The Mystery of the Spanish Chest" opens
and closes with fencing duels. Poirot must enter a venerable athletic club with a long
tradition of dueling to confront the killer.
"The Double Clue" offers several spectacles that are unique in the Poirot series. One is Chief
Inspector Japp literally begging for Poirot's help, when he faces dismissal for failing to solve high-profile jewel thefts involving members of the
aristocracy. The other is Hastings and
Miss Lemon attempting to "investigate" on their own, when Poirot seems to be ignoring the case
in favor of the charms of a Russian countess, Vera Rossakoff (Kika Markham). The resolution is
unlike anything else in Poirot.
Finally, there is "The Plymouth Express", perhaps the darkest tale in Poirot to date, which
involves an Australian mining magnate, Halliday (John Stone), and his daughter, Florence
(Shelagh McLeod), whom her father fears is the target of a fortune hunter. Halliday hires Poirot
for what we would now call a "background check", but it turns out that Florence is in even
greater danger than anyone suspected. No case that we have seen Poirot handle to date has
disturbed him so deeply.
A complete list of the episodes follows:
Poirot continued to be shot on 16mm film in these early years. The image on the 1080p, AVC-encoded Blu-rays for Series 3 is consistent
with that for Series 2, which is to say that it eschews
the somewhat stylized fluorescence of Series 1, preferring a more realistic texture in skin tones,
clothing and surfaces. Though the image is on the soft side, the detail remains remarkable and the
sharpness is a testament to both the quality of which 16mm photography is capable and the
degree to which careful image harvesting can produce a superior Blu-ray from such sources.
Black and contrast levels continue to be spot on, and grain is generally well controlled without
evidence of any inappropriate digital tampering. As in Series 2, occasional shots are significantly
grainier than the norm, and these tend to be night-time scenes photographed from a distance, where
lighting conditions would be less than optimal. ("The Tragedy at Marsdon Manor" has more
examples than most episodes.) Compression artifacts were non-existent.
With Series 3, Acorn Media has switched to lossless encoding of Poirot's mono soundtrack,
specifically PCM 2.0. This will no doubt be welcome news to those whose "golden ears" can tell
the difference between the uncompressed PCM track and the previous two series' DD 2.0. As the
preceding sentence probably suggests, I was not struck by any obvious difference. Dialogue
remains clear, well-articulated and always intelligible (unless, of course, one has a problem with
English or Belgian accents, in which case there are optional subtitles). Christopher Gunning's
memorable theme, in its many arrangements and variations, plus the incidental music by various
composers (including Gunning and Richard Hewson), continues to have a pleasant musicality
and excellent bass extension. The track may be monaural, but it has real presence.
I prefer to leave my system's matrix decoder engaged, which causes the two identical channels
to collapse to the center speaker. When played through a good set of stereo speakers in "direct"
mode, the track should provide a wide soundstage, much like a typical theatrical array.
What more is there to say? By this point in its history, everyone involved in Poirot had
thoroughly mastered their craft, and the series had reached its height. Later years would bring
debates over whether too many creative liberties were being taken with Christie's vision (these
rose to a crescendo with the adaptation of Murder on the Orient Express), but that era lay in the
future. This is a season that any serious fan of Hercule Poirot must add to their Blu-ray
collection. Highest recommendation.
Blu-ray.com and Acorn Media are offering six Blu-ray.com members the opportunity to win a copy of Poirot: Series 1 or Poirot: Series 2, featuring the beloved Belgian detective that appeared in more than 80 Agatha Christie stories. The 2-disc sets arrive on January ...
Next year, Acorn Media will bring Series 3 of Poirot to Blu-ray. The popular television adaptation of Agatha Christie's mystery novels stars David Suchet (The Bank Job) as beloved Belgian sleuth Hercule Poirot. This series set presents the program not just in ...
