It seemed perpetually delayed and a movie that might never see itself splashed up across cinema screens. The remake of the 1980's red scare
Russian
invasion Action movie Red Dawn perhaps might have been best left in the can after all.
Perhaps. On one
hand it's a slick, high-tech, thrilling Action film with plenty of fast-moving gunplay. On the other it's a shell of the original, a classic "remake in name
only" and in many ways a disgrace next to Writer/Director John Millius' original classic. Watch it for its own merits, and it's an enjoyable little
romp filled with endless gunfire but little character depth or plot complexities. Compare it to the original and, well, there really is no comparison.
Gone
is the deeply-rooted sense of family and togetherness from the original, the literal bonds of blood and the figurative bonds of brothers-and-sisters in
arms with a common purpose, shared ideals, very real fears, and unmistakable pains, all set against a building anti-war narrative. This new Red
Dawn seems to only care about the next
time a character gets to fire a gun or make something explode; the dramatic undercurrents feel tacked on with little thought, and it seems even Jed
and Matt are brothers only because they were brothers in the original. this new Red Dawn isn't the worst movie ever made, but it does feel
rather
superfluous and in some ways like a missed opportunity to really tell a harrowing tale of survival in the midst of chaos. Instead it's just
another run-and-gun nothing of an Action movie that hides its gaping hole at substance with loud noises and slick filmmaking techniques.
Sacre Bleu! Invaders!
Jed Eckert (Chris Hemsworth) is a Marine back home in Spokane, Washington, on leave from Iraq. His younger brother Matt (Josh Peck) is
quarterback of the high school football team. Though Matt loses the big game, he finds favor from his father Tom (Brett Cullen, who delivers the
best scene in the
movie) for his courage and leadership on the field. The lights go out that night, and the next morning Jed and Matt awaken to heavy rumbles and
the sight of paratroopers dropping from the sky. It doesn't take long for them to have a run-in with a foreign military leader named Captain Cho
(Will
Yun Lee) before they flee to the mountains, per their father's wishes. Jed and Matt pick up a few stragglers along the way but fail to recover Matt's
girlfriend Erica (Isabel Lucas) before she's taken prisoner by the invading North Korean forces. Amongst the survivors is Daryl (Connor Cruise), son
of Spokane's mayor (Michael Beach). When the survivors witness the North Korean's brutality firsthand, the Eckert brothers and those under Jed's
care find
they have no choice but to adopt guerrilla warfare tactics, to "create chaos" and bring the invaders to their knees.
Before even watching the movie -- never mind what it does right or wrong on the screen in terms of action and drama -- and knowing only the
hubbub
and backstory surrounding it, it's easy to see that the Red Dawn remake betrays the
original. John Millius' original picture was a take-no-prisoners anti-Hollywood sort that dared to tackle a very dangerous subject and portray
America's
enemies as America's enemies, unafraid of whatever backlash he might receive for telling the story he wanted to tell, as he wanted to tell it, politics
or
any sort of criticism be damned. The movie certainly scared a lot of people, rattled more than a few nerves, and was misunderstood by some as a
shallow
guns-blazing picture with no real depth or purpose beyond the superficial rather than a somewhat deep and heartfelt anti-war picture that slowly
takes shape as the movie progresses. It's funny;
those criticisms now apply to the remake -- it's a real gung-ho go-get-'em sort -- but the real story
here
is the new film's change in enemy invaders from the Chinese to the North Koreans after a Chinese newspaper decried the choice of fictional villain,
claiming
that the film was guilty of "planting hostile seeds against China." Think John Millius would have given a damn what Pravda might have
said about his film were it made in an era of more readily accessible digital information and it had caught wind of the script? That's a rhetorical
question. Millius did write the story for the video game Homefront about a North Korean invasion of the United States, but that's
beside the point and an entirely different project for an entirely different medium; the problem is this film's caving to pressure, and besides, it still
feels a little far-fetched for North Korea to represent the invading and occupying antagonist.
Indeed, it's a little tough to swallow the "North Korea" pill. This is a country that cannot feed its own people or keep the lights on at night, and the
regime certainly doesn't give its people the freedom to provide and produce for themselves. Even with all of its saber-rattling, nuclear tests, and
all the money it pours into its military at the expense of its people, a full-blown invasion and
occupation of Northwestern America seems a bit preposterous at this stage in the world game. There's a scene in the movie in which North Korean
leaders attempt to propagandize and win over a throng of American citizens by promising to restore power and utilities to the city. One can't help
but to
think of this image and chuckle at the
movie's illogic and the scene's irony but
also feel a very real sense of sadness for people so oppressed. There's also another scene, far more telling and realistic, in which Jed comments that
most of the North Koreans probably don't even want to be in the United States (contextually, on a military occupation mission). Nevertheless, the
film opens with
a hodgepodge of news segments that are collectively a current events newscast montage about what, politically and militarily, North Korea is and
where it is
headed, from Kim Jong-il's death to the nation's highly publicized nuclear tests and direct threats against the mainland United States. In
that regard, the film feels very much up-to-date and on the cutting edge of the modern geopolitical landscape. But an all-out occupation? Even
with additional international help (no more discussion so as not to spoil anything in the movie)? Hopefully the movie is and
remains a work of far-out fiction rather than some harbinger of things to come.
As for the movie, well, it's enjoyable enough if one watches just to soak in a straightforward Action movie with precious little depth. The action
comes
on thick and rarely relents for more than few minutes after the opening ten that establishes the North Korean threat and the Eckert family
members. Still, sometimes less is more; the original film did it all with a few text blurbs and a snarky comment about the football scoreboard still
showing the not-so-kind results from the night before. The new film does away with the original classic's classroom landing scene and instead opts
for an admittedly cool moment in which Jed and Matt awaken to the thunder of explosions and the sight of paratroopers dropping into their
neighborhood. The picture spends more time with the survivors as they train in the mountains (extended montage one) and employ their newfound
guerrilla tactics against targets around Spokane (extended montage two) than the original film, filling time with more action and less on its
characters and emotions. Suffice it to say, the remake keeps some things the same and drastically changes others (and ruins the blood-drinking
scene
by both keeping it and changing it), enough so that it's certainly its own movie but still recognizable as "Red Dawn" even with the
facelift. The movie is really, really slick, way more polished than the original, but that doesn't mean it's necessarily better. The music here is terribly
generic; the uplifting patriotic-meets-rah-rah score from the original goes a long way in shaping the old movie. Not so here. The addition of Jed's
status as a Marine on leave rather than simply a skilled woodsman lessens the impact of the group's evolution into a potent guerrilla force. Rather
than mature into it, Jed now largely beats it into them. It's a disappointing movie all around. At its best it's a throwaway Action movie that's fun to
watch for all the explosions and gun play, and at its worst -- and that's most of the movie -- it's a disgrace to the original.
Red Dawn looks great on Blu-ray. 20th Century Fox's high definition presentation rarely offers anything less than stunning visuals whether
bright daylight or dim interiors. Detail is striking. The image is remarkably sharp and crystal clear, revealing film-perfect skin textures, clothing details,
and structural city elements both intact and war-torn. Woodland foliage and grasses are incredibly precise and well defined; every twig, branch, leaf, and
blade of grass is unique, and never do such elements appear clumpy or smeary. Very light grain remains over the entirety of the picture. Colors are
fantastic, very natural and accurate, again no matter the place or time. City grays, woodland greens, orange jumpsuits, red cargo containers, day or
night, it doesn't matter. Fox's transfer handles the entire palette with ease. There is a very minor warmth to the image, reflected mostly in
ever-so-slightly orange-tinted flesh tones. Black levels are usually perfect with only one or two shots looking a bit gray or washed out. The print is
blemish-free, and no banding, blocking issues, or digital tinkering is evident. This is pretty much everything a new release Blu-ray transfer should be.
Red Dawn storms onto Blu-ray with an incredible reference-quality DTS-HD Master Audio 5.1 lossless soundtrack. This one's all about the
action. Gunfire sounds utterly fantastic. It erupts from all over the stage and never settles down. It's heavy, focused, and downright exciting. The
thump-thump of automatic weapons fire practically shreds the stage, heavy machine guns tear straight through, and explosions rock the listening area
to its core. Every action scene seems to best the last; this is a symphony of gunplay that all Action movie fans will want to hear. The track also delivers
heavy din and minor ambience with ease. Whether hard hits and chaotic spectator din at the early football game or gentle woodland atmosphere later
on, the track proves all-immersive away from the mayhem of war. Music is smooth and accurate with perfect spacing, effortless surround support, and
faultless clarity. Of course, dialogue is perfectly delivered. They don't get much more action-packed and sonically satisfying than this.
Inexplicably, even for a movie as bad as this, not a single supplement is included. The package does, however, contain a DVD and both iTunes and UV
digital copies of the film.
To recap, the new Red Dawn is all polish and no substance, all action and no depth. The gunplay's fast and furious, the explosions come
frequently, and the movie's as
slick as a new movie can be. On the other hand, it spits in the face of the original in so many ways, and not just by glossing over the deeper
thoughtfulness, characterization, and emerging anti-war stance of the original. Fans who grew up with the 1984 film, those who love it to death and
get what it's all about
will absolutely hate this remake. Casual fans of the original might like it well enough, and newcomers craving some action will find a slick, well-made
movie with endless gunfire. 20th Century Fox's Blu-ray release of Red Dawn contains no supplements but it does offer killer video and reference
audio. Rent it.
For the week that ended on March 10th, Walt Disney Home Entertainment's Wreck-It Ralph scored the top position on the Blu-ray and overall package media lists. This CGI-animated comedy was a critical favorite last November despite a slightly underwhelming domestic ...
Twentieth Century Fox Home Entertainment has officially announced that it will release a combo pack edition of Dan Bradley's Red Dawn (2012), starring Chris Hemsworth, Isabel Lucas and Josh Hutcherson. The release will be available for purchase on March 5th.
