Ripper Street Blu-ray delivers stunning video and solid audio in this excellent Blu-ray release
In 1889, H Division, the Whitechapel police precinct in the East End of London, struggles to allay fear and keep order in the aftermath of Jack the Ripper's unsolved murders.
What happens in the aftermath of Jack the Ripper? How do the authorities proceed when the
world's first celebrity serial killer abruptly ceases his campaign of slaughter and vanishes,
leaving a terrified populace without the closure of having the perpetrator identified and captured?
That is the intriguing premise behind Ripper Street, an eight-hour series jointly produced by the
BBC and BBC America and aired by both channels beginning on December 30, 2012 in England
and January 19, 2013 in America. Audience response was so strong that a second series was
ordered before the first had completed its run.
In 1888, the killer who came to be known as "the Ripper" butchered five women, all of them
prostitutes working the seedy and crime-ridden London district called Whitechapel. (Other
victims initially attributed to the Ripper were later excluded.) The murders were notable for their
extreme savagery, including grotesque mutilation of the bodies after death. Despite extensive
press coverage, intensive police investigation and even eyewitness testimony, no suspect was
ever confirmed. Theories and legends regarding the killer's identity continue to multiply.
Ripper Street picks up in 1889, six months after what we now know to be the last of the Ripper's
murders. But the officers of H Division, the station responsible for policing Whitechapel and
protecting the district's still-terrified citizenry, didn't know what we know now. They began
every day wondering whether the Ripper would reappear. Indeed, as events in the series often
suggest, there were those in Whitechapel who secretly yearned for the monster's return. Some
were members of the press, who had never before enjoyed such a perfect exemplar of the tabloid
motto, "If it bleeds, it leads." Others were lawmen who had dedicated months of their lives to
capturing the demon who had stalked the city's streets, only to have him vanish like a spirit,
leaving them with no satisfaction for their efforts and no release for their obsession.
Ripper Street is one of those novel-like shows in which each episode tells a self-contained story
but also advances a larger plot (or several) that winds through the series. Series creator Richard
Warlow wrote most of the episodes, and because he did not know at the time whether there
would be anything beyond these initial eight, he made sure to complete the essential dramatic
arcs by the end. Anyone who watches the episodes contained on these two Blu-ray discs will not
feel they've been left hanging.
The central figure in Ripper Street is the current commander of H Division, Det. Inspector
Edmund Reid (Matthew Macfadyen, who was Mr. Darcy in the most recent film version of Pride
and Prejudice and also had a recurring role on MI-5). Reid worked under Chief Inspector Fred
Abberline (Clive Russell), the real historical figure who headed the Ripper investigation. Much
more than Abberline, Reid wants to move beyond the Ripper case to deal with other problems
afflicting poverty-stricken Whitechapel—substantial problems that include an influx of
immigrants from Eastern Europe, the rise of trade unions and labor disputes and the forcible
ejection of local residents from their homes to make way for construction of the London
Underground. In Reid's mind, too much has gone undone while H Division devoted all its
resources to the pursuit of one man.
"Moving on" is a topic of great personal import to Reid, whose marriage to Emily (Amanda
Hale) is suffering the aftereffects of a personal tragedy. The details emerge only gradually, but
the distance between husband and wife is immediately apparent. For a man whose daily routine
brings him into contact with numerous women, many of them available and willing, and on
whom the grim work of policing Whitechapel takes an emotional toll, the inability to find solace
at home poses many dangers.
Reid's approach to police work is a unique amalgam of traditional and modern. The traditional
element is embodied in his fiercely loyal sergeant, Bennet Drake (Jerome Flynn, who plays
Bronn on Game
of Thrones). A former soldier, Drake says little, but when he speaks, it's in the
accent of the locale where he works (unlike Reid, whose intonations and vocabulary indicate a
more comfortable upbringing and better education). A hard man and a brawler whom we first
meet masquerading as a boxer in an undercover sting of illegal gambling, Drake is the man on
whom Reid depends when information must be beaten out of a suspect. But like so many "hard"
men, Drake conceals a soft center, and his weakness proves to be a woman, inevitably the wrong
one.
The contemporary side of Reid's method is represented by an American, Capt. Homer Jackson
(Adam Rothenberg), a former Army doctor and Pinkerton's detective—or possibly not. Capt.
Jackson's background is obscure, and from the opening episode, there are indications that he is
someone other than (or in addition to) what he claims. He resides in a brothel operated by a
madam known as "Long Susan" (MyAnna Buring), with whom he has some sort of unspecified
arrangement that lets him enjoy the favors of her girls. Jackson is, however, a skilled doctor with
a gift for autopsies and an extensive knowledge of chemistry. These talents make him valuable to
Reid, who recruits him as H Division's "surgeon" (the term "pathologist" did not yet exist). In
exchange, Reid looks the other way when it comes to Long Susan.
This unlikely trio can barely get along—Jackson and Drake clash repeatedly—but they function
effectively in the face of major challenges. In the opening episode ("I Need Light"), a woman's
body is found with various signatures of a Ripper murder. Reid quickly determines that many of
these were faked by an ambitious newspaperman, Fred Best (David Dawson), looking for another
gruesome headline. But that leaves the question of who did commit the crime. Identifying the
culprit serves as a reminder to everyone, including Chief Inspector Abberline, that there are other
monsters in London besides the Ripper.
In Episode 2 ("Under My Protection"), a local toymaker is found murdered, and a vigilante group
formed to hunt the Ripper brings Reid the alleged culprit, a boy named Thomas Gower (Giacomo
Mancini). The vigilantes supply evidence, but Jackson's autopsy suggests additional culprits. By
the end, Reid and his colleagues find themselves caught between the vigilantes and a secret
criminal organization, neither of which has any regard for the police.
Episode 3 ("The King Came Calling") opens with people dropping dead in the streets, with
symptoms suggesting cholera. As panic spreads, Jackson doubts that cholera is the cause, but
what is it then? In Episode 4 ("The Good of this City"), one of Long Susan's former girls is
found wandering the street covered in blood with no memory of what happened. Re-tracing her
path leads to a scene of mayhem that somehow relates to evictions from a slum slated for
demolition. In Episode 5 ("The Weight of a Man's Heart"), Sgt. Drake's former commanding
officer, Macoc Faulkner (Iain Glen), suddenly appears in Whitechapel at the same time that a
series of precision robberies of armored carriages begins. When suspicion falls on Faulkner,
Drake's loyalties are split in two—and for a man like Drake, that is agony.
By the sixth episode, the pace of events involving the larger narrative arcs quickens. To avoid
spoilers, the less said, the better.
Ripper Street was shot in Dublin, in part because the series is co-financed by Irish interests and in
part because Dublin offers locations that can be more readily modified to resemble 19th Century
London. In the absence of any special features to provide insight, it's impossible to tell what was
built, what was found, and what was created digitally, but the final result is remarkable in its
scale and detail. Street scenes, complete with multiple extras, are plentiful and varied. Vast
interiors of warehouses, factories and the occasional government building are also featured. The
production sometimes visits the Thames embankment (usually when a body is being put into or
fished out of the water), or detours to some verdant park (usually when an innocent is being lured
to her doom), or looks in on the docks where striking workers are being whipped to a frenzy by
radical activists (or perhaps by someone trying to discredit the activists). Ripper Street's
production values compare favorably to those of BBC America's original series Copper, which is
high praise indeed.
According to IMDb, Ripper Street was shot (by several cinematographers) with the Arri Alexa,
which seems to have become the standard for BBC series. Following its recent trend, BBC Home
Video has presented the eight episodes formatted for 1080p; they are encoded with AVC and
split between two BD-50s. The image throughout is clean, detailed and noiseless, with a color
palette that has been desaturated in post-production to de-emphasize primary colors and leave
numerous shades of brown, rust and ochre, with an occasional scene tinted blue. This has several
notable effects.
First of all, desaturation makes the gory scenes in Dr. Jackson's autopsy room (and occasionally
elsewhere) more bearable, because bright reds are less pronounced. Still, I don't recommend
viewing Ripper Street at mealtime. Second, the earth-toned palette accentuates the impression
that everything in Whitechapel has a layer of grime over it. This is one of the dirtiest areas of
London, both literally and figuratively, and the imagery conveys both the moral and the physical
decay. When the production travels to better parts of the city, the image acquires more color (or
at least a brighter cast). Third, a "faded" palette is a classic visual cue that the story is set in the
past. It complements the period costume and decor and formalized dialogue and contributes to
creating the sense of a bygone (but not too distant) era.
Unlike the cinematography of Copper,
which pushed shadows and blacks to such extremes that
figures were often on the verge of disappearing into darkness, Ripper Street's dark recesses
remain visible at all times. This image's blacks and contrast are managed for visibility, not
concealment. In addition, filtering, banding and compression artifacts were not an issue.
As is typical for British TV fare, Ripper Street has a stereo soundtrack, presented here as DTS-HD MA 2.0. Discrete 5.1 snobbery
notwithstanding, a well-mixed stereo soundtrack can be
astonishingly effective. An example occurs at the beginning of Episode 8 ("What Use Our
Work?"), when a group of policemen sing a song in a bar, and the sound plays over a montage of
events happening elsewhere while they sing. As the scene cuts back and forth between the
coppers singing and other characters, the change in tonal quality between the "live" vocals and
the singing as voiceover reinforces the song's commentary on everything we see. It's an effective
launch to the episode.
Ripper Street's dialogue is clearly articulated, and there are subtitles for anyone whose ear is
unaccustomed to the various accents. What may challenge the American viewer, however, is the
historical slang. A glossary would have been a useful extra. (For example, in the first episode, the
term "snide" occurs frequently. It means counterfeit money.)
Ripper Street's score was written by composer Dominik Scherrer, who, though Swiss, has
penned as Irish-sounding a soundtrack as any Dubliner might have wished. With its dirge-like
fiddle, the series theme wails as though it's mourning for the whole of Whitechapel. (Scherrer is
the regular composer for Agatha
Christie's Marple and has also scored several episodes of a
more contemporary but equally pessimistic police procedural, George Gently.)
BBC Home Video has provided an unfortunately parsimonious selection of supplements.
Especially as compared to their recent edition of Copper, Ripper Street deserved much better.
Inside Looks (1080i; 1.78): These are short promotional pieces; the first two appear to be
for the BBC, while the last is for BBC America.
Language (1:04)
Victorian (1:04)
Ripper Street (2:11)
Character Profiles (1080i; 1.78:1): Brief descriptions, each provided by the actor who
plays the character.
Drake (0:34)
Jackson (0:34)
Reid (0:34)
London Calling (1080i; 1.78:1; 5:04): This featurette on contemporary Whitechapel was
produced for the BBC's Latin American outlets. It contains footage of such tourist
attractions as the popular "Ripper tours". (An 1889 version appears at the beginning of
Episode 1.)
Jack the Ripper (1080i; 1.78:1; 50:04): With so much available material on Jack the
Ripper, the inclusion of this BBC/Discovery Channel/Screen Australia co-production as
Ripper Street's main extra is a cheat of the first order. Produced in 2011, the program
provides no general background on the Ripper case. Instead, it follows a retired member
of Scotland Yard as he propounds yet another in the seemingly endless string of theories
as to the Ripper's identity. (Spoiler alert: For all of the tantalizing speculation, his
findings are inconclusive.) Most of the documentary is devoted to non-Ripper murders
that share a few similarities (and a lot of differences) with the Whitechapel killings. The
sound mix is off, making the narration difficult to hear.
Trailers: At startup, each of the two discs plays trailers that can be skipped with the
chapter forward button and are not available once the disc loads. Disc 1 plays trailers for
Inside Men, Sherlock: Season 2
and BBC America. Disc 2 plays trailers for Orphan Black
and Copper.
Having recently reviewed three police procedurals set in the 19th Century—one British, one
Canadian and one American—I am struck by the presence in all three of forward-thinking figures
with expertise in something that resembles modern criminal forensics. Whether or not such
figures are historically accurate, it seems that contemporary authors find them an essential
ingredient in effective crime stories. It's as if every good mystery needs at least a dash of
Sherlock Holmes or Hercule Poirot. No doubt we in America should take it as a compliment that
Ripper Street's upright Inspector Reid chooses the American Capt. Jackson as his expert, because
he regards all the available English candidates to be "drunks and incompetents". Jackson's
Yankee disdain for convention is the closest that Ripper Street comes to a glint of humor—and
even Jackson doesn't smile a lot. For those who don't mind stories that are bloody, violent and
dark, highly recommended. But BBC Home Video needs to start working on better extras for
Season 2.
BBC Home Entertainment has announced the Blu-ray release of Ripper Street, the compelling new BBC America crime drama set in the backstreets of Victorian London. The series stars Matthew Macfadyen, Jerome Flynn, Adam Rothenberg and MyAnna Buring, and slices its ...
