Snow White and the Seven Dwarfs Blu-ray delivers stunning video and great audio in this exceptional Blu-ray release
The fairy tale of Snow White, a beautiful young maiden cast into a deep sleep by her evil
step-mother, but rescued from the dark magic spell through the love of handsome Prince
Charming.
The first animated full color sound motion picture.
It's impossible to dig into Walt Disney's Snow White and the Seven Dwarfs without first mentioning its enormous influence on modern animation and filmmaking as a whole. More than the first animated feature, more than a stunning testament to its artists' craft and talent, more than an incarnation of resurgent hope in Depression-era America, the film is an icon in the industry; an icon that birthed the Disney empire, instantly established animation as a legitimate artform and respected genre, and paved the road for every Pixar powerhouse and traditionally animated feature since. But like Citizen Kane and many other innovative monoliths, the film itself is arguably less impressive than the role it's played in cinematic history. While its artistry is still undeniably magnificent, its characters are endearing animated archetypes, and its story is still able to capture the imagination of young and old minds alike, Snow White doesn't resonate as readily as it did in the 20th Century. It remains an influential classic, sure, but one that has evolved into a different sort of classic than it was seventy, thirty, even ten years ago.
Disney's painstaking restoration is breathtaking...
Most everyone knows the story of Snow White, even those who've never had the opportunity to actually watch it. It's become as much a part of our cultural consciousness as The Wizard of Oz, It's a Wonderful Life, Jaws, and Star Wars. Based on a 19th century Brothers Grimm fairy tale, Snow White and the Seven Dwarfs tells the tale of a young maiden (voiced by Adriana Caselotti) who's so beautiful that she inadvertently invites the wrath and hatred of her stepmother (Lucille La Verne), an evil queen with a penchant for dark magic. After fleeing her stepmother's kingdom, Snow White stumbles upon the woodland cottage of seven diminutive men -- Sleepy (Pinto Colvig), Sneezy (Billy Gilbert), Happy (Otis Harlan), Bashful (Scotty Mattraw), Grumpy (Colvig as well), Dopey (Eddie Collins), and Doc (Roy Atwell) -- who agree to take her in. Before long, they become enchanted with their new guest. She cooks, cleans, and gives them everything a mother would, if they had one. Unfortunately, her stepmother learns the girl is still alive. After disguising herself as a decrepit crone and tricking Snow White into eating a poisonous apple, the girl lies dead. However, the dutiful devotion of her dwarfen hosts and the arrival of a Prince (Harry Stockwell) may just help the slumbering girl escape her eternal sleep.
You have to hand it to Walt Disney. Not only did Snow White solidify his position as a creative and entrepreneurial genius of his day, it represented the culmination of his team's lead, paint, and tears. Surpassing the moviegoing public's every expectation, Disney produced an unequivocal hit; one that has continually blessed his successors in the seventy-two years since. You can see its animators' souls shining through every scene, you can see the faces of the men who brought it to life in every grumpy scowl and dopey expression that graces the screen, you can even see its father's confidence in every emotional encounter and joyous eruption of song. At a time when advisors worried such colorful animation would blind audiences, Disney infused his picture with bold reds and blues (even though he relented a bit and toned down his palette). As critics and cynics predicted the failure of a feature-length animated film, Uncle Walt saw the potential in its form. When money was tough to come by, he sold investors on his vision, opening the door for subsequent features and the parade of soon-to-be masterpieces that would follow. Even today, despite unimaginable strides in computer animation, Snow White stands as a staggering accomplishment. The hours, months, and years that went into its production dances across every frame; Disney's late nights, Sweatbox screenings, and drive for perfection flutter into view as gracefully as the songbirds that land on Snow White's shoulders.
But as astonishing an achievement as the film is, several elements have prevented it from aging as well as other timeless animated entries in the studio's canon. Though the Dwarfs remain some of Disney's most indelible characters, Snow White herself is, sorry to say, a tad grating. As memorable as the film's songs are, as engaging as its playful conversations may be, Caselotti's sometimes-shrill vibrato pierces the air like an icepick to the brain. More often than not, it's bearable -- particularly since it fits in well with the vocal theatrics that dominated the '30s and '40s -- but I can't help but wince a bit every time Caselotti attempts to a crack my glasses. Likewise, while the story is magical and its developments as unforgettable as they come, the film's pacing is quite slow, especially by modern standards. The Dwarfs and the Queen, as well as supporting characters like the Magic Mirror (Moroni Olsen) and the Huntsman (Stuart Buchanan), keep things plowing along nicely, but the title character is a constant killjoy. All of that being said, every issue that haunts Snow White is a minor one simply because each one is a product of the era, rather than a fundamental problem with the film. Yes, Snow White's personality is a relic of a bygone age, and yes, her dependence on every man with a winning smile or a fearsome pickaxe offends modern sensibilities, but to hold such things against Disney's film, beyond personal preference, is fairly narrow-minded.
Snow White and the Seven Dwarfs hasn't stood every test of time, but it has withstood every test that matters. As an early cinematic marvel, it readily reveals its creators' commitment and skill, trotting out a slew of innovative firsts that have inspired every animated film since. As a beloved classic, it still has the power to entertain and entrance, leaving my son as wide-eyed as it left me when I was four... as wide-eyed as it left my parents when they were the same age. As a triumph in filmmaking, it stands as a towering milestone in Walt Disney's sterling career; a near-perfect storm of storytelling, artistry, design, and craftsmanship. As a mesmerizing, heartfelt passion project, it pulses with the enthusiasm of all those who helped make it a reality. Personal nitpicks aside, Snow White isn't just the first animated Disney film, it's one of its strongest. It may be showing some wrinkles, but if its recent restoration proves anything, it will be around for a long, long time, filling young eyes with wonder and old hearts with nostalgia for generations to come.
While upgraded video quality will always be a boon in my book, the thing I love most about the advent of high definition home video is the incentive it provides studios to revisit, restore, and reinvigorate their catalog classics. Disney, arguably more than any other studio (Warner being the biggest exception), has taken such potential to heart, digging into their vault and remastering films that, even five years ago, no one would have dreamed could ever look so good. Arriving just seven months after the studio's stunning restoration of Pinocchio, Snow White earns the same high-quality, high-dollar overhaul, granting new life to the 1937 animated wonder that started it all. Presented with an incredible 1080p/AVC-encoded transfer, the Blu-ray edition of the film is a sight to behold. Colors are bold and rewarding, black levels are deep and inky, and contrast, in spite of some wavering attributable to the original animation cells, is strong and stunning. Detail is equally exceptional, revealing every stroke of its painters' brushes, every stutter in the lineart, and every errant flick of its artists' pens. Sharpness is dependent on the source itself -- several shots are soft by today's animation standards -- but a quick comparison to previous DVD releases of the film showcases the staggering improvements the image has undergone. While Snow White was already considered a handcrafted masterpiece of its day, this Blu-ray revival makes it clear that craftsmanship and sheer artistic passion can leave just as lasting an impression in 2009 as it did seventy-two years ago.
On the technical front, Snow White's transfer doesn't exhibit any significant artifacting, banding, aliasing, or distracting digital tampering. The image is clean and satisfying, offering stable lines and uncluttered fills in each and every scene. Unfortunately, I did catch two minor -- exceedingly minor -- anomalies: a bit of intermittent ringing (which I admit may be a product of the original animation cells rather than edge enhancement) and some nearly negligible mosquito noise (for the most noticeable example of this oddity, study the lineart on the forest animals shortly before they attack the old crone). That being said, both issues are so trivial that I almost feel ridiculous even mentioning them. I can't imagine Snow White will ever look better than it does here. The Blu-ray transfer offers fans a magnificent resurrection of a timeless classic and a fittingly meticulous, undeniably loving restoration of its every weary frame. Kudos, Disney.
Snow White also receives a remarkable audio restoration in the form of an impressive 24-bit DTS-HD Master Audio 7.1 surround track; one that captures the tone and tenor of the film's recordings and gives its original mix a notably authentic facelift. Disney pays the utmost respect to the film's sonic roots, relegating the LFE channel to a support role and granting the rear speakers more subtle responsibilities. While it results in more subdued low-end output and less obvious soundfield immersion, anything more would inject artificiality into Disney's faithful presentation. Voices are clear and intelligible, the musical score is rich and robust, and the songs sound better than ever. Directionality is limited but pans are smooth, creating a front-heavy but effective experience. There are sequences that pack an unexpected punch -- primarily those that occur during a third-act thunder storm and subsequent chase scene -- but anyone expecting a roaring revelation will be sorely (and thankfully) disappointed. Cinephiles, however, will be quite pleased with Disney's oh-so-proficient track, noting the audible nuances the lossless remix uncovers at every turn. As an added bonus, the studio has also included a restored version of the film's original mono track (albeit via a 192kbps Dolby Digital mix), meaning fans will be able to hear Snow White as it was first heard. Both tracks represent an altogether commendable effort sure to leave listeners with a smile.
The studio's passion for Snow White is just as evident in the 3-Disc Blu-ray edition's supplemental package. It not only offers fans a wealth of exclusive features, including a captivating interactive tour of the production, it presents the majority of its content in gorgeous high definition. The only downside? A variety of notable features from the 2001 2-Disc Special Edition DVD are missing. Namely, more abandoned sequences, storyboard to screen comparisons, a 40-minute documentary hosted by Angela Lansbury, and other video and audio extras. Yes, packing the additional content into this set would have probably required a fourth disc, and yes, it would have injected some repetition into the package, but retaining the 2001 DVD's features would have eliminated any need to hang onto previous releases of the film. Still, despite this relatively slight oversight, Disney continues to prove it's one of the studios to beat when it comes to the overall quality, value, and replayability of a classic catalog release.
Audio Commentary (Disc 1): Film historian John Canemaker helms a fascinating commentary culled from interviews with Walt Disney himself. While Disney's reflections run the technical gamut -- detailing the hows and whys of the production and the hard work that went into every frame of the film -- it's Canemaker who glues it all together with insightful observations and engrossing dissections of Snow White's influence on animation, its impact on cinema, and its enduring legacy. He makes a compelling case that the film, even removed from its age and historical significance, is a treasure in its own right; a masterclass in animation and filmmaking that will continue to teach any willing student who approaches.
DisneyView (Disc 1): Don't like the black bars on either side of your screen? Engage this option to fill the black spaces with alternating paintings from artist Toby Bluth.
Hyperion Studios (HD, Disc 2): Disney calls forth the might of Blu-ray's supplemental power with "Hyperion Studios," an interactive... erm... production overview? Studio tour? Extensive glimpse into the craftsmanship and effort that went into the film? "Hyperion Studios" is all of these things, offering animation fans a buffet of art and photo galleries, archive interviews, featurettes, classic cartoons (instrumental to the development of Snow White), and other rare bonus materials. Granted, shuffling around the studio's thirteen rooms and departments (meticulously reconstructed using black and white photographs) is a bit daunting at first, but a handy index (which conveniently adds a check mark next to any feature that's already been viewed) and an easily accessible on-screen menu make it quite easy to get around. At least once you get your bearings. Moreover, additional audio interviews play as the "camera" moves from one department to the next, transforming what could have been simple transitions into an engaging part of the experience. So what wonders await those who venture inside?
Hyperion Exterior: "Where it All Began" (HD, 12 minutes) offers an introduction to the studio, its history, the atmosphere surrounding Snow White's production, and the chemistry between Walt and his staff. "The One that Started It All" (HD, 17 minutes) focuses specifically on Snow White, explaining its significance in cinematic history, its influence, and its impact on the Disney empire and moviegoers at large. "Family Business" (HD, 2 minutes) briefly covers Walt's filmmaking philosophy and the laid-back nature of the studio.
Story Room: "Stories from the Story Room" (HD, 1 minute) includes interviews with the story writers. "Five Bucks a Gag" (HD, 2 minutes) looks at Walt's early attempts to infuse the film with humor by paying writers, you guessed it, five bucks a gag. "In Walt's Words: The Huntsman" (HD, 3 minutes) is another pre-production featurette; one in which voice actors, reading from transcripts, reenact a discussion between Walt and his writers. "Walt's Night Prowls" (HD, 1 minute) touches on the fact that Walt would dig through his animators trashcans at night, scouring for abandoned ideas that he felt were worth saving. "Gabby, Blabby, and Flabby" (HD, 1 minute) looks at the team's struggles to name the Dwarfs. "Babes in the Woods" (HD, 8 minutes) is an early Disney cartoon, presented in its entirety, based on the story of Hansel and Gretel. A massive "Storyboard Art Gallery" (135 images) and an "Abandoned Concepts Gallery" (63 images) round out the room.
Music Room: "Music Room Host" (HD, 1 minute) is an introduction to the Music Room and its workers' responsibilities. "David Hand's Dirty Trick" (HD, 1 minute) includes an archive interview with Hand about a trick he played in the midst of a deadline. "The Music of Snow White" (HD, 6 minutes) is a self-explanatory look at the film's songs and score. "The Skeleton Dance" HD, 6 minutes) is another early Disney cartoon, the first, now-classic Silly Symphony Walt produced.
Art Department: "Creating the World of Snow White" (HD, 7 minutes) covers the visual style, European design roots, and storybook nature of the film's forests and castles. "The Idea Man" (HD, 2 minutes) includes interview outtakes about artist Albert Hurter and his endearing designs. "Music Land" (HD, 10 minutes) is a Hurter-infused Silly Symphony about a forbidden love that develops between two instruments, one from the Land of Symphony and one from the Isle of Jazz. "In Walt's Words: Cleaning the Cottage" (HD, 7 minutes) is another audio reenactment of a discussion between Walt and his team; this one about the cottage cleaning scene with Snow White and her woodland friends. A "Visual Development Gallery" 146 images) and a "Gustav Tenggren Art Gallery" (16 images) are available as well.
Character Design: "In Walt's Words: The Dwarfs" (HD, 6 minutes) is a reenactment of several story meeting transcripts, specifically those concerning the dwarfs. A "Character Design Gallery" (5 images) and a "Color Tests Gallery" (12 images) provide the only other content in this all-too-short section.
Background and Layout: "Setting the Stage" (HD, 4 minutes) touches upon layouts, animation fields, staging, overlays and underlays, pans and, ultimately, the completion of a shot. A "Backgrounds Gallery" (25 images) and a "Layout Gallery" (115 images) close out this portion of the feature.
Animation Department: "Bringing Snow White to Life" (HD, 12 minutes) recalls key animators' influences and inspirations, as well as their individual contributions to the film. "The Animators' Favorite Animators" (HD, 2 minutes) reveals several Snow White animators' favorite cohorts and colleagues. "Blowing Off Steam" (2 minutes) looks at the animators' quaint inner-office pranks and downtime shenanigans. "Goddess of Spring" (HD, 10 minutes) is another Silly Symphony that showcases Disney's efforts to animate believable human characters. "Playful Pluto" (HD, 8 minutes) is an animated short that displays early strides in imbuing characters with personalities. An "Animation Art Gallery" (39 images) wraps up the Animation Department.
Live Action Reference: "Live Action Host" (HD, 1 minute) is an introduction to live action reference with John Huster. "Drawing on Real Life" (2 minutes) explains how Walt came to use actors as a basis for Snow White's animated performances. "Giving Voice to Snow White" (HD, 3 minutes) explores the process behind creating a voice for an animated character, as well as the casting of voice actress Andriana Caselotti. A "Live Action Reference Gallery" (26 images) tops off the department.
Sweatbox: "Sweatbox Host" (HD, 1 minute) gives Eric Goldberg the opportunity to discuss Disney's screening of each stage of animation, as well as the room in which he watched each scene, the Sweatbox. "Sweating it Out" (HD, 1 minute) features archive interviews about Walt's perfectionism. "Deleted Bedroom Fight Scene" (HD, 2 minutes) presents a sequence that was cut from the film.
Ink and Paint: "The Challenges of Ink and Paint" (HD, 2 minutes) introduces the women who put the finishing touches on the film's animation cells. "Life in the Nunnery" (HD, 2 minutes) explores the separation between the animators and the painters and inkers. "Flowers and Trees" (HD, 9 minutes), another Silly Symphony short, was the first Technicolor cartoon and the first animated film to receive an Academy Award. A "Painted Cells Gallery" (14 images) is also included.
Camera Department: "Decoding the Exposure Sheet" (HD, 7 minutes) digs into the balance between Disney's technological innovations and his animation, specifically the use of exposure sheets to organize animated shots. "Stories from the Camera Department" (HD, 2 minutes) serves up more archive interview outtakes about the camerawork and technologies utilized in the film. "The Old Mill" (HD, 9 minutes) is a Silly Symphony Disney used to field-test the multiplane camera.
Sound Stage: "Walt's Early Masters of Sound" (HD, 2 minutes) covers the creation and implementation of the film's sound effects. "Steamboat Willie" (HD, 8 minutes) is the first Disney cartoon that featured synchronized sound, a key element used in the production of Snow White.
Walt's Office: "Working with Walt" (HD, 2 minutes) features comments from Disney's Snow White team members about the man himself. A "Publicity Gallery" (34 images) and a "Production Photos Gallery" (21 images) draws the "Hyperion Studios" tour to a close.
The One that Started It All (HD, Disc 2, 17 minutes): This newly produced retrospective focuses on Snow White's significance in cinematic history, its influence on feature-length animation, and its impact on the Disney empire and moviegoers at large, as well as the various challenges and heated criticism Walt Disney faced during its production.
Classic DVD Bonus Content (Disc 2): "Disney Through the Decades" (SD, 36 minutes) is a rather promotional documentary about the studio's rise over the decades, "Animation Voice Talent" (SD, 6 minutes) focuses on Snow White voice actress Adriana Caselotti, "Dopey's Wild Mine Ride" is an interactive game, and "Heigh Ho" is a karaoke feature.
Snow White Returns (HD, Disc 1, 9 minutes): Ever wonder why Disney didn't make a sequel to Snow White? Find out why.
Deleted Scenes (HD, Disc 1, 11 minutes): Two sequences that were cut from the film, one involving soup and the other involving the construction of a bed.
Family Play (HD, Disc 1): A collection of interactive games and activities that includes a personality quiz called "Mirror, Mirror on the Wall," a kid-friendly guessing game called "What Do You See," a "Bejeweled" knock-off called "Jewel Jumble," and a BD-Live activity called "Scene Stealer."
Music Video (HD, Disc 1, 4 minutes): A music video for Tiffany Thorton's rendition of "Some Day My Prince Will Come."
The Princess and the Frog Sneak Peek (HD, Disc 1, 8 minutes): An extended preview of Disney's upcoming animated feature, The Princess and the Frog.
The 3-disc Blu-ray edition of Snow White and the Seven Dwarfs is a near-definitive release of the animated film that started it all. Its gorgeous restoration is simply the beginning. What follows is a glorious video transfer, a fit and faithful DTS-HD Master Audio 7.1 surround track, and a mammoth collection of special features. Sure, some supplemental content was left behind on the 2001 Special Edition DVD, but that shouldn't prevent any animation enthusiast, Disney fan, or classic cinephile from nabbing this release post haste. I can't imagine anyone -- aside from the dark-hearted stepmothers among you -- will be disappointed or underwhelmed by this fantastic, top-notch release.
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