Styx: The Grand Illusion / Pieces of Eight Live Blu-ray offers decent video and superb audio in this excellent Blu-ray release
Filmed on November 9, 2010 at the historic Orpheum Theater in Memphis, TN, Styx performs their classic multi-platinum seventies albums “The Grand Illusion” and “Pieces Of Eight” live in their entirety for the first time.
A&M Records might be thought of as the first "indie" label. Started by trumpeter Herb Alpert and his partner Jerry Moss
in Alpert's garage back in the early sixties, A&M was initially not much more than a vehicle for Alpert to trumpet (sorry)
his own wares. With the unexpected global success of "The Lonely Bull" the partners realized they had a viable
business opportunity on their hands and they rather quickly built A&M into a powerhouse label. By the mid- to late
sixties, they were incredibly successful, a success due largely to Alpert's own sensational sales with The Tijuana Brass,
but also to the similar phenomenal sales of Sergio Mendes & Brasil '66 (in fact many consumers assumed Sergio was
the "M" of A&M in those days) and, to a lesser extent, Julius Wechter & The Baja Marimba Band (Julius did double duty
with the Brass and also wrote one of the Brass' most famous songs, "Spanish Flea"). But Jerry Moss especially knew
that the label couldn't survive with strictly MOR (middle of the road, as "Adult Contemporary" was termed in those days)
fare, and starting in the late sixties, the label really started branching out by signing a number of high profile rock
artists. Even so, A&M continued to be incredibly successful with "easy listening" artists like their major early seventies
success story, Carpenters. Carpenters (the brother-sister team became apopleptic if anyone included a definite article
before their name) had started to fade somewhat by the mid-seventies, but in 1975 A&M had signed a band who had
had recent (if belated) success with their single "Lady" which charted years after its original release on tiny label (and
true indie) Wooden Nickel Records. Styx slowly built their reputation over the next two years with some high charting
albums and decent selling singles until they achieved a breakthrough of sorts in 1977 with The Grand Illusion. A
year later they had another significant hit on their hands with Pieces of Eight, and along with The Police laid
claim to being one of A&M's primary success stories of that era.
To the plangent pre-recorded strains of Richard Wagner, this Styx live concert opens with a Star Wars-esque
crawl
creeping up the giant screen upstage of the performing area, which takes us back to the supposed halcyon days of
1977,
the year in fact of both Star Wars and Close Encounters of the Third Kind. A nicely shot widescreen
short
then begins, showing a kid coming into his bedroom, sorting through his albums (as in long playing records), and then
sticking a Styx record on his turntable. He puts on his headphones, and then suddenly the band is onstage, launching
into The Grand Illusion. However, belying the nostalgia and calls back to a supposedly golden age is a troubling
example of that old adage that you can't go home again: this Styx is minus Dennis DeYoung.
The rest of this Memphis, Tennessee shot concert plays out with a minimum of fuss and bother, and even in fact a
relative lack of glitz and glamour, aside from the huge projection screen which is filled with a variety of fun imagery.
Instead the band simply plays through their two huge selling albums without a lot of talk or sidebars. In fact, about the
only pauses here are at the "ends of sides," when the widescreen footage comes on showing the stylus coming to the
end of the side, and the band exhorts the crowd as to what they should do. "Flip it over!" is the massed reply.
What's interesting about this concert—aside from the somewhat unusual approach of performing two albums live—is
how the benefit of perspective has cast new light on Styx's achievements. It's probably no big surprise to state that
Styx in their heyday were often thought of as a sort of lightweight Yes, and that tendency can't be completely evaded
here. However, it's some of their lesser known material on display here that actually holds up surprisingly well and still
manages to capture some of the magic of old, notably their moody take on "Man in the Wilderness". And even their
minor hit "Blue Collar Man" still sounds refreshing, albeit kind of surprisingly like The Eagles.
The concert closes with a really effective performance of "Aku-Aku", which the band fades out "live", just like on the
original album. Accompanying this final moment is a very cool video, once again nicely shot and presented in
widescreen, which fills up most of the frame, with split screen elements focusing on individual band members. The video
does an evocative pull back that starts on Easter Island and then slowly pulls away wider and wider until the entire
solar system is being shown.
The playlist for this concert is simply the tracks of both albums:
The Grand Illusion
Fooling Yourself (The Angry Young Man)
Superstar
Come Sail Away
Miss America
Man in the Wilderness
Castle Walls
The Grand Finale
Pieces of Eight
Great White Hope
I'm Okay
Sing for the Day
The Message
Lords of the Ring
Blue Collar Man (Long Nights)
Queen of Spades
Renegade
Pieces of Eights
Aku-Aku
The band consists of:
Tommy Shaw (electric and acoustic guitars, vocals)
James "JY" Young (guitar and vocals)
Lawrence Gowan (keyboards and vocals)
Todd Sucherman (drums and percussion)
Ricky Phillips (bass guitar, backing vocals, electric guitar
Styx: The Grand Illusion/Pieces of Eight Live in Concert is presented on Blu-ray courtesy of Eagle Vision and Eagle
Rock Entertainment with an AVC encoded 1080i transfer in 1.78:1. While much of this live concert looks at least acceptable,
there are several troubling artifacts that crop up with fair regularity, including posterizing (especially when the stage is
bathed in blue light), banding and rampant mosquito noise, which seems to be mostly due to whatever camera is
downstage right and frequently is shooting in the darkeness off to the stage left area. Moiré patterns also appear quite a
bit on the projection screen behind the band. All is not bad news, however. Quite a bit of this concert looks quite sharp,
with good, robust colors and some excellent fine detail in the close-ups (one kind of funny example: look at the perfectly
capped teeth of several of the band members when they're singing).
Styx: The Grand Illusion/Pieces of Eight Live in Concert follows Eagle Rock's standard operating procedure of
offering three audio options, a DTS-HD Master Audio 5.1 surround mix, an uncompressed Linear PCM 2.0 stereo mix, and a
standard lossy Dolby Digital 5.1 mix. (Why does Eagle Rock always have the DTS-HD Master Audio 5.1 mix the third choice
on the audio options when you toggle through them?) Fidelity here is excellent, with really nice clarity, especially with
regard to some of the retro synth sounds and the still excellent sounding vocals of the band members. The 5.1 mix isn't
overly spacious or splayed, but there's nice separation of the instruments nonetheless. Styx doesn't really layer sounds to
the hyperbolic levels of some of their seventies prog rock contemporaries, and that helps what is here to shine through
with precision and clarity.
Putting on the Show (1080i; 29:19) is a two part featurette that delves into the backstage scenes of getting this
production on stage. Copious interview segments feature the band as well as Keith Marx, Production Manager for Styx.
Marx has to manage all the roadies and technical crew, and he goes into a lot of detail about what hoops need to be
jumped through to get the show underway. The really interesting thing about this piece is how it actually centers more on
the crew than the band. Everyone from the drum tech to the lighting designer is interviewed, and that helps to give this
featurette a lot of behind the scenes interest.
Styx: The Grand Illusion/Pieces of Eight Live in Concert is a really interesting idea that should certainly appeal to
longtime Styx fans, even without the participation of Dennis DeYoung (who hasn't toured regularly with the band for well
over a decade now). This is no frills concertizing, aside from the projection screen upstage of the band members, and that
helps give this outing a vestige of something approaching "street cred." The band still plays and sings very well, and they
quite ably recreate the sounds of their original albums. The video quality here leaves a little bit to be desired, but the audio
is excellent and the supplementary featurette is uncommonly good. Recommended.
On January 31, Eagle Rock Entertainment will release on Blu-ray Styx: The Grand Illusion/Pieces Of Eight Live. This show was recorded on November 9, 2010 at the historic Orpheum Theater in Memphis, Tennessee, on the tour that saw them perform the classic albums ...
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