The Adventures of Tintin 3D Blu-ray delivers stunning video and reference-quality audio in this exceptional Blu-ray release
Tintin's first encounter with Captain Haddock and the discovery of a clue to the treasure and sunken ship commanded by the captain's ancestor Sir Francis Haddock. But someone else is in also search of the ship and the pair seek protection from a former thief as they set out to find the lost treasure.
For more about The Adventures of Tintin 3D and the The Adventures of Tintin 3D Blu-ray release, see The Adventures of Tintin 3D Blu-ray Review published by Martin Liebman on March 2, 2012 where this Blu-ray release scored 4.5 out of 5.
If Tintin wore a Fedora, carried a whip, and took up archaeology rather than journalism, he could very well be Indiana Jones. Director Steven Spielberg's The Adventures of Tintin
looks
and feels an awful lot like Raiders of the Lost Ark and The Last Crusade and mimics the spirit and style of all of the Indiana
Jones adventures, capturing with uncanny similarity the styles, the era, the action, and the music, all resembling the director's high adventure
series
with darn near every scene. Indeed, The Adventures of Tintin, though based on the comics of Hergé they may be, plays as if a modern day
digital
creation of
an Indiana Jones-worthy adventure. Yet no matter how closely it resembles Spielberg's famed quartet of pictures, there's no denying that
The Adventures of Tintin works very well on its own; there's just enough difference in the stories and styles -- the digital motion capture
versus pure live action, the
absence of a love story, the slightly toned-down violence and the somewhat more family-friendly vibe, the emphasis on playful mystery rather than
hard action and adventure -- that Tintin succeeds as its own entity
and not just a companion to or curiosity for fans of Raiders, Temple, Crusade, and Skull. The Adventures of Tintin is a fun,
rollicking adventure to say the least; it's breathtakingly exciting, structurally captivating, and an amazing achievement of digital filmmaking that's on
the cutting edge of moviemaking technology with every frame.
On the trail.
A young investigative reporter named Tintin (Jamie Bell) and his trusty dog Snowy stumble across a prize that Tintin just has to have: a
replica of the famed vessel Unicorn, a triple-masted, double-decked ship with no less than fifty guns at her disposal. The real
Unicorn set sail in 1776, was lost under mysterious circumstances, and may have been carrying secret cargo. As for its model, it's choice,
one
Tintin acquires for the bargain price of a single Pound. As soon as the money exchanges hands and the product is officially under the auspices of a
new owner, others come-a-calling for it, including Ivan Ivanovitch Sakharine (Daniel Craig), a devious mystery man with long-held ties to
the real Unicorn, a man familiar with the secrets this model holds. Of course, Tintin isn't selling for any price. Misfortune -- or perhaps a
stroke of fate -- strikes; an altercation
between
Snowy and a stray cat destroys the ship, but out slips a secret cylinder which rolls underneath Tintin's cabinet. He heads to that local library to learn
more about the Unicorn but comes home to find the ship missing. He's able to track it -- or rather another replica -- down at Marlinspike
Hall, leading him to another
confrontation with
Sakharine and the revelation of parts of the mystery these models hold. Tintin returns home to a ransacked flat, but he does manage to discover
the lost cylinder and find inside of it one of
three clues necessary to piece together the greater puzzle. He places the slip of paper inside his wallet, which is pinched by a local pickpocket; to get
it back, Tintin
will have to rely on the investigative skills -- or lack thereof -- of a pair of bumbling detectives known collectively as "The Thompsons" (Nck Frost and
Simon Pegg). Moments after losing his wallet, Tintin is kidnapped and imprisoned aboard the
Karaboudjan, a vessel commandeered by none other than Sakharine. There, he meets up with that ship's imprisoned skipper, Haddock
(Andy Serkis), with whom Tintin and Snowy escape and
begin a race against Sakharine to uncover the secrets of the Unicorn while dodging numerous attempts on their lives along their way
towards
destiny.
In essence, there are two readily-evident elements that work the hardest in making The Adventures of Tintin a successful 21st century
movie. The most obvious are the digital renderings, and what a sight to behold they are. The Adventures of Tintin makes use of what is
fundamentally the same technology utilized in the creation of Robert Zemeckis' The Polar Express, but here with appreciably superior results. The
picture is
absolutely sublime, the digital captures and environments perhaps the most photorealistic ever to appear in a picture, certainly of the performance
capture variety and arguably even when comparing it against more "traditional" digital renderings (and what a world to live in when digital
filmmaking can now be
referenced as "traditional"). Though the movie won't be mistaken for live action, it passes itself off as such at least at-a-glance, and it's clear that
the line
between the real and the artificial is already blurred and will be erased out completely in a matter of years, not decades. The Adventures of
Tintin
dazzles with the veritable ease by which it creates an entire world -- buildings, roadways, vegetation, water -- with such convincing attention to
absolute realism, right down to the most subtle little texture, the most minuscule detail that allows the environments to pass off as about 98% real.
And it's
the way water gently rolls with appreciable body and texture, the way clothing naturally wrinkles and shifts with character movement, the way
human and canine hair blow in the breeze that make this so convincing. Every character is detailed right down to the smallest crease in skin,
freckle, or stubble of facial hair. It's truly a sight to behold, even as it carries a certain style reflective of a flat, two-dimensional, decades-old comic.
Yet The Adventures of Tintin proves far greater than the sum of its visual
excellence; there's a nifty, action-packed story populated with quality characters to be enjoyed, too.
At its core, and beyond the superficialities of the animation, lies an entertaining high adventure romp that's clean and family-friendly, perhaps a bit
dark and violent at times, but generally safe for younger audiences. The movie hearkens back to the comic and serial high adventures of its era,
again like Indiana Jones, this movie serving up a fairly simple but rather physically-involved mystery, supported by well-conceived and
superbly-executed action and a light comic underbelly. There's some exemplary action scenes, some things which would prove a bit more
challenging in a straight live-action film -- a character hanging by his collar off the barrel of a rolling tank encased in the shell of a building -- but here
even
the most outrageous stunt fits seamlessly into the whole. The picture is extra-daring but still family-friendly. Better, the characters are very well
put together. Tintin, like Indiana Jones, is something more of a brain but with the physical capacity to pull off some nifty tricks in the midst of
action when the adrenaline is pumping, using a combination of quick wit, physical skill, and an understanding of how things work to his advantage.
The Captain Haddock character boozes his way through the movie, usually to high comic effect and, generally, to the necessity of the
plot. Though by far the elder character, he represents the bumbling sidekick to the mature-for-his-age Tintin. The tandem works very well, even if
the good Captain is often more along for the ride though critical to the plot he may be.
Here's a case where a movie really seems to benefit from its 3D presentation. It's not that the story is any different or that this is a superior
cut to the 2D-only version, but the 3D visuals suit the story, the world, and the characters so well that it's as if the 3D visuals were the last piece of
the puzzle to make this a complete movie. 3D seems a natural for performance capture; it ties the characters and their environments and adventures
together in a way the 2D version can't, even as the 3D film recreates a decades-old flat cartoon. Spielberg's eye for movie magic seems to extend into
3D, and certainly this is the way to see The Adventures of Tintin. The even better news is that Paramount's Blu-ray 3D transfer is
superb. There's a minimal amount of crosstalk which only appears in a handful of scenes, but the transfer is otherwise pristine. The 3D visuals
produce an incredible sense of real space and depth, whether on city streets or peering down the long corridors of the Karaboudjan, the latter
of which produces a very real, very perceptible sense of length. Character bodies and physical locations both appear shapely, both in the foreground
and in the background. Whether round whiskey bottles or Captain Haddock's rotund nose, whether the very real flow of rolling ocean waters or that
tuft of hair on Tintin's head, the 3D transfer brings every object to life with uncanny ease. That same ocean water seems to stretch far back into the
screen and, on the front end, spill out of it. Ditto desert scenes. There aren't really any "gimmick" effects, though Haddock's and the Thomspons'
rather large
noses seem to poke out of the screen when looking almost dead-on at the camera. A few other nifty effects seem to penetrate the boundaries of the
television, but this one is primarily about creating a shapely, very real world, which the film produces and the transfer captures with ease.
Just as important, this Blu-ray 3D release of The Adventures of Tintin features the same stunning collection of visuals found on the
standalone 2D-only release. The image produces all of those intricate details with incredible
clarity and precision; nothing is lost through the 3D process. Fine lines on faces, the grimy walls of the Karaboudjan, even the texture of
rolling water and static sand will dazzle all audiences. The 1080p resolution truly produces amazing results with this sort of material, and viewers will
be astonished at both the end product and the attention to detail with which the digital artists created the film. Colors are equally impressive. They're
just as balanced and brilliant as those on the 2D version, whether Tintin's red/orange hair, Snowy's white fur coat, Haddock's blue sweater, or the
impressive flashes of regal colors as seen at the North African palace. Like the fine details, the color palette produces the most subtle shades with
uncanny efficiency and high definition perfection. Fortunately, black levels remain true as well. Never do they appear too dark or even appreciably
darker than those found on the 2D version of the film. Unfortunately, light banding remains, but is hardly cause for alarm. Indeed, this is a
marvelous transfer whether considering the 2D or 3D elements, and it's even better with the two combined as one. The Adventures of Tintin
benefits greatly from the excellence of the 3D transfer, and audiences will be treated to one of the most dazzling Blu-ray 3D transfers currently on the
marketplace.
The Adventures of Tintin splashes onto Blu-ray with a dazzling, balanced, and ever-effective DTS-HD MA 7.1 lossless soundtrack. It seems
Paramount is embracing 7.1 audio for all of its major new release titles (see Hugo and Puss in Boots). They're all excellent, and this one is no different. The
track delivers fantastic clarity in all situations and with all elements on the track: music, dialogue, and sound effects. John Williams' score plays with
remarkably natural presence; it's seamlessly spaced and enjoys crisp definition throughout the entire range, solidified by a positive low end that ties it all
together. It does play as rather dominant up front, any surround support not immediately evident though certainly not to the detriment of the overall
sense of pleasant immersion the music delivers. Sound effects play with tremendous clarity, attention to detail, and space. Chaotic action scenes deliver
moving and location-specific elements with ease and unflappable clarity, whether swerving cars, gunfire, or chaotic thunderstorms. Supporting elements
prove equally superb. Light city ambience, gently rolling waters, or the hum of a large boat engine are faultlessly executed and help a great deal in
delivering a sense of true, total immersion into the film. Dialogue is consistently clear and focused up the middle of the soundstage and never lost to
surrounding elements. This is another first-class, reference-quality new release soundtrack from Paramount.
This Blu-ray 3D release of The Adventures of Tintin contains all of the supplements included on the standalone 2D version, all available on this
set's dedicated 2D Blu-ray/supplements disc. There are no extras exclusive to the 3D release.
Toasting Tintin: Part 1 (1080p, 1:24): A cast and crew celebration, including a Spielberg toast, for the beginning of the
performance capture elements on January 23, 2009.
The Journey to Tintin (1080p, 8:54): Director Steven Spielberg discusses his first exposure to the character during the reading
of a French review for Raiders of the Lost Ark. The piece looks back at the character and his adventures, Peter Jackson's memory of and take
on Tintin, Hergé's ability to draw his comic in cinematic terms, Spielberg's first efforts to communicate with Hergé before his death, his long history
with the project, the digital elements that were necessary to the making of the film, and the importance of using motion capture technology to give
the
movie the specific look necessary to translate the comic into a film.
The World of Tintin (1080p, 10:46): A fun piece that looks back at the history of the character, the cast and crew's memory of
their exposures to the character, the comic's basics which are reflected in the film, the story and rhythm of the film, the role of Captain Haddock in
the film and the series, the combining of two Tintin adventures for this film, and Steven Moffat and Joe Cornish's work as film's screenwriters.
The Who's Who of Tintin (1080p, 14:18): A close look at the intersection of the human actors and the Hergé characters from
the Tintin universe, with a sprinkling of performance capture animation work.
Tintin: Conceptual Design (1080p, 8:38): Crew members share the process of designing the film, translating the comic world
into a cinematic world, keeping character design true to the original Hergé, and location construction.
Tintin: In the Volume (1080p, 17:54): A detailed look inside "The Volume," a 3D box in which the human performances were
captured. The piece
also examines the similarities and differences in shooting within The Volume and via more traditional methods for live action, Steven Spielberg's work
with the technology, the props with which the actors
interact, the performances of the human actors, the challenges of the process, and more.
Snowy: From Beginning to End (1080p, 10:11): Cast and crew discuss the canine character, speaking on the name change, the
practical models used during the performance captures, animating the final character, and giving it a "voice."
Animating Tintin (1080p, 11:00): Even after the performance captures, there's still the process of animating the movie. This
supplement looks at the incredibly detailed and in-depth work required to bring the final product to vivid, complex life.
Tintin: The Score (1080p, 7:01): An introduction to John Williams' work on the film, composing various pieces even before
much of the film had been made.
Collecting Tintin (1080p, 3:58): A look at the design of Tintin figurines.
Toasting Tintin: Part 2 (1080p, 3:12): A toast to celebrate the completion of the film on September 15, 2011.
The Adventures of Tintin defines light, family-appropriate cinema action and adventure on the grandest of scales. The movie's photorealistic
animation, quality story, and good characters come together with little effort. The Spielberg magic is evident even without a single natural life form to be
seen in the end product, and John Williams' score is as rousing, playful, and full of adventurous spirit as always. Certainly, The Adventures of
Tintin may only be a digital and re-imagined take on the world of Indiana Jones, but it works well enough on its own merits, with its own
characters, its own ideas, and its own rhythm, though certainly the connections -- all the way to the setting and the names appearing under "director"
and "composer" on the billing block -- are impossible to miss. The Adventures of Tintin brings back the classic goodhearted, safe Adventure film,
made by people who love
movies and care as much about heart, plot, and characters as they do sensationalism, all of which this movie offers in abundance. Paramount's Blu-ray
3D
release of The Adventures of Tintin is fantastic. The movie just seems to gel in 3D, that extra dimension the last little piece of the puzzle to
make this almost the perfect watch. The 3D release carries over the same fantastic 7.1 lossless soundtrack and collection of extras. This is certainly a
release in the running for a spot on 2012's "best of" list and earns my highest recommendation.
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