The American President Blu-ray Review
Ms. Wade Goes to Washington, Finds True Love
Reviewed by Michael Reuben, September 28, 2012
Before Aaron Sorkin turned the White House into a weekly television drama with
The West
Wing, he first made it the setting for an unlikely romantic comedy in
The American President.
Reteaming with director Rob Reiner, whose helming of Sorkin's first screenplay,
A Few Good
Men (1992), resulted in a box office hit, Sorkin used the trappings of office and the perils of
politics to erect the obstacles without which no movie romance can flourish. Along the way,
Sorkin let his fictitious chief executive, a former history professor catapulted onto the national
stage almost against his will, deliver a few well-phrased civics lessons pitched at the idealist
level of the film classic that the heroine invokes when she first visits the White House: Frank
Capra's
Mr. Smith Goes to Washington. The reference was Sorkin's wink to the audience. He
knew he was writing a fairy tale.
Still, Sorkin and Reiner like dressing up their stories in the disguise of realism. Although the
president played by Michael Douglas in no way resembles former President Clinton,
The
American President bears the unmistakable stamp of the first Clinton administration in the issues
that roil the White House staff and echo through the election year during which the story takes
place. All one has to do is compare the film to the election year when the Blu-ray is being
released to see how much has changed. The domestic economy that is such a matter of current
concern is barely touched upon in the film, because seventeen years ago the nation enjoyed
widespread prosperity. The Middle East was a concern, as it had been for decades, but the threat
of terrorism is never discussed, nor is the country engaged in any military actions abroad. Old
media still dominates the news cycle, and the internet and blogosphere have yet to become the
powerful forces for shaping opinion that will make them transformative in just a few years.
All these elements give
The American President a dated quality that should help sustain its
fantasy element, but it may not yet be dated
enough. The two political footballs tossed back and
forth in the plot—and they're both McGuffins—are global warming and gun control, two issues
still guaranteed to fray tempers and trigger heated debate, even though they're not currently at (or
even near) the top of the national agenda. For any viewer with passionate feelings about either or
both issues, their treatment in
The American President is likely to be a distraction. For anyone
who can look past the talking points, the film is an entertaining, well-constructed and often
amusing variation on the rituals of adult courtship.
President Andrew Shepherd (Douglas) is entering the fourth year of his first term, having been
elected by an extremely thin margin. One question that haunts him is how much of his victory is
owed to a "sympathy vote" elicited by the death of his wife from cancer shortly before the
election. The non-stop demands of office have filled the void, and the President is comforted in
his personal life by the task of raising his teenage daughter, Lucy (Shawna Waldron).
Currently Shepherd's numbers are high, but he and chief of staff A.J. MacInerney (Martin Sheen,
Sorkin's future president on
The West Wing) have pinned his reelection hopes on passage of a
comprehensive crime bill. They figure that every senator and congressman will want to be part of
the process, now that the President's popularity is surging. The domestic policy advisor, Lewis
Rothschild (Michael J. Fox), wants to take a stronger stand on banning handguns, but Shepherd
feels the time isn't right. (Party affiliations aren't stressed in the film, but there are enough
references to make it clear that Shepherd is a Democrat.)
As he would later do in
The West Wing, Sorkin depicts the Oval Office as a non-stop parade of
people asking for the President's attention, and director Reiner stages these entrances and exits
for comic payoff later in the film, when Shepherd's romantic issues become the focus of the
story. In addition to Lewis and A.J., he includes a press secretary, Robin McCall (the reliable
Anna Deavere Smith); a deputy chief of staff, Leon Kodak (David Paymer); a secretary, Mrs.
Chapil (the late Anne Haney); and an intense personal aide, Janey Basdin (Samantha Mathis, all
glasses and straight, severe hair). Secret Service are everywhere. One of the charms of Douglas'
performance as Shepherd is the way he conveys the man's bemusement that it takes so many
people to provide for the needs of one individual—and then his frustration when those needs
cease to follow any recognized script and the entire staff behaves like deer in the headlights.
Into this machine of wheels within wheels arrives Sydney Ellen Wade (Annette Bening), a high-powered lobbyist retained by the Global Defense
Council or "GDC", an environmental
organization that feels slighted by the White House and wants Sydney to get them taken
seriously. On her first day, she attends a GDC meeting with A.J. at which she laces into his boss
as "the chief executive of fantasy land", unaware that President Shepherd has slipped quietly into
the room behind her. Shepherd is charmed not only by her forthrightness, but also by her quick
recovery after he announces his presence and invites her to a private sidebar. Before anyone
knows quite how it happened, Sydney has been invited to be the President's official escort at a
state dinner in honor of the French President and his wife (Clement von Franckenstein and Efrat
Lavie), where her turn around the dance floor with Shepherd makes the front page of every paper.
And then the real headaches begin.
Shepherd's chief rival is Senator Bob Rumson (Richard Dreyfuss, displaying a genuine flair as a
career politician). As soon as the President acquires a girlfriend, Rumson senses an opportunity
to shift the campaign to a discussion of "character". Should we call her "the First Mistress"? he
asks suggestively. To the horror of his staff, Shepherd refuses to respond, claiming (somewhat
incredibly in a modern media world) that his personal life is his own business. But as his poll
numbers slip, so does congressional support for his signature crime legislation and with it his
reelection prospects. Now Shepherd has to reconsider the support he initially promised Sydney
for her environmentalist client. Suddenly the personal and the political are on a collision course.
Conflicts between romantic desire and professional aspirations have been a fertile source of
comedic inspiration since at least
Adam's Rib (a clip of which appears briefly on TV in the film),
but it's a difficult mixture to blend successfully. Among other essentials, you need a screenwriter
of Sorkin's caliber, which is rare enough, but you also need an actress who can convincingly
portray the moxie and intellectual capacity to face off against her romantic counterpart while
maintaining the emotional openness to make the love story credible. Katherine Hepburn made it
look easy (though obviously it isn't), and Rosalind Russell managed it in
His Girl Friday.
Annette Bening works in the same great tradition, and her performance as Sydney Ellen Wade
balances perfectly with that of Michael Douglas, who smartly underplays Andrew Shepherd's
quick-wittedness so that he doesn't always seem to be one-upping everyone in the room (which
his status as president would easily let him do). The film's real story is about how this pair, who
are obviously made for each other, finally connect across the barriers of their unusual jobs, just as
the President finally figures out his own unique way to give a woman flowers by the end of the
film.
The American President Blu-ray, Video Quality
Warner's 2004 DVD release of
The American President was not enhanced for 16:9 widescreen; I
don't have definitive information about the 2008 re-release on DVD, but the film's fans have
been looking forward to Blu-ray treatment so that Oscar winner John Seale's (
The English
Patient) widescreen Panavision cinematography can be seen in all its glory and production
designer Lilly Kilvert's recreation of the White House can be seen in its full detail.
The image on Warner's 1080p, AVC-encoded Blu-ray is generally good, with some concerns that
place it a notch or two below the level of quality we've come to expect from Warner catalog
releases. The image is clean and well-detailed, with deep blacks and a saturated palette of rich
colors befitting the majesty of the nation's capital and the executive branch. There is no
indication of detail filtering, and the film's grain structure is fine but still visible. Although
Warner has used a BD-25, the lack of extras and the limited audio options allow the film to
reside on the available digital real estate without compression issues.
The fly in the ointment is a small amount of artificial sharpening, visible in an occasional but
slight edge halo. The haloing itself is sufficiently fleeting that most viewers probably won't
notice it, but the presence of such sharpening lessens the film-like appearance of the transfer
generally. Digital "enhancement" of this nature is a leftover from the DVD era, and its return in
any transfer for Blu-ray is unwelcome. Possibly some colorist felt the need to "stabilize" this
image from an era before the advent of digital intermediates, but if so more sharpening was
applied than was needed to compensate for an issue in the raw scan. Maybe all those complaints
on the internet about pre-DI films being "soft" or not sharp enough have done some damage after
all.