The Darkest Hour Blu-ray delivers stunning video and audio in this fan-pleasing Blu-ray release
When aliens attack and swiftly conquer the world by frying our electronic grid and systematically hunting down the disorganized, pathetically under-defended survivors, a small band of tourists in Moscow combine to find a way to annihilate the aliens' powerful defenses.
You don't know who you are until something happens.
Nobody likes those movies where all the good parts find their way into the trailer, those movies that are better enjoyed in a two- or three-minute
compact version rather than the larger ninety-minute full-on experience. The Darkest Hour is one of those movies. It's not an awful
experience stretched out to ninety minutes by any stretch of the imagination, but the full film doesn't really do much more than repeat the sort of
stuff that appears in the trailer. If anything, it's too slow. Once the initial "cool" factor of the usual alien invasion and post-apocalyptic hubbub fades
away at the end of the first act, viewers are left with pretty much a series of repeating scenes that feature characters wandering around and hiding out
from the aliens, slowly piecing together what they're here for, how to kill them, and how to avoid their own demise. It's all very straightforward, and
pretty much
all that changes is the background and character rotation as some are killed off and others appear to take their place. The movie works well enough as
mindless entertainment with a little scientific muscle behind it, but a game-changer or genre-definer The Darkest Hour most certainly is not.
We've got to install microwave rifles!
Two young Americans, Sean (Emile Hirsch) and Ben (Max Minghella), have travelled to Moscow to sell software, but they arrive only to find another
businessman, Skyler (Joel Kinnaman), has stolen their idea. They're dead in the water, their trip's a waste, and they head to a club to drink their
troubles away. There, they not only run into Skyler, but they meet two English-speaking girls, Natalie (Olivia Thirlby) and Anne (Rachael Taylor),
with whom they quickly bond. But just as the night's getting started, the lights go out. Cell phones are dead and confusion reigns. Outside, a
brilliant golden light fills the nighttime sky. Soon, individual collections of light descend to the surface. The partiers quickly learn that they're not
friendly. One touch and victims disintegrate into a pile of unrecognizable ash. In the panic, Sean, Ben, Skyler, Natalie, and Anne find refuge in a
storeroom stocked with but limited supplies. As the days pass and their food runs low, they decide to seek help on the outside, knowing that staying
put is just
as much a death sentence as is venturing out. They find a dead city with few traces of life and the alien life forms harvesting Earth's resources now
that most of the resistance has been reduced to dust.
Imagine Pitch Black meets the science and after-effects of an electromagnetic
pulse blast meets Attack the Block or any other small-band-of-survivor-Alien-attack
movie
and see a pretty clear picture of what The Darkest Hour looks like, at least as a general rule. Director Chris Gorak's picture lacks the
superior
characters, plot lines, and honest energy of those films, but it does mesh those ideas and play with a smooth polish and shine that carries the movie
above and beyond today's lower-grade rubbish floating around and masquerading as big and mean end-of-the-world Thrillers. But it's not a top-tier
picture by any stretch of the imagination, either.
The Darkest Hour generally entertains, if watching characters run and hide and turn into dust all "Buffy" style is one's idea of entertaining.
The
premise is suitably interesting and the atmosphere sometimes even reaches a peak of halfway frightening, but mostly transparent characters and a
plot built for action rather than drama or emotion largely negate the positives the film brings to the table.
The picture lingers about in limbo because it's at best not quite ready for primetime, at worst just another wannabe Action/Sci-Fi flick that's only
concerned with special effects and gunplay, not building character dynamics, establishing personalities, shaping anyone worth truly rooting for. The
film sets up its protagonists against a businessman who steals their idea and, no surprise, they are forced together in the game of survival after the
event. Other than dumbing the businessman down and allowing the two main "heroes" to cuss him out a few times, there's no real purpose behind
establishing their relationship at the beginning, other than for another familiar face to show up when everything goes down. Granted, a movie like
this doesn't need good characterization, but it sure would help. Look at something like Aliens and compare it to The Darkest Hour. James Cameron's
film manages to vividly portray every last Marine and all of the civilians who accompany them, a handful a little more than the others to be sure, but
the
movie works because the audience comes to care about the characters, not just because it looks cool and there's a lot of gunplay. The Darkest
Hour recycles characters from the generic screenplay handbook, giving audiences no reason to care if they make it through or turn into vapor
because, well, wait, who just died? Anyone? Bueller?
The Darkest Hour's 1080p transfer impresses with nearly every square inch of the frame. The digital photography practically passes for film
quality.
Never does it look flat or lifeless, instead capturing an authentic, sometimes nearly film-like texture. The image appears razor-sharp, even at a distance.
Viewers will enjoy the crisp lines and accurate definition of buildings and various objects even at some length away from the camera. Close-up shots are
equally revealing. Skin and clothing textures are first-rate, and the transfer captures every last little detail on both intact and war-torn structures and
objects. Colors are wonderful, balanced and accurate whether in the bright sunlight or within the darkest hiding spots. The entire palette enjoys natural
brilliance, with tremendous distinction even between the most subtle shades. Black levels are excellent, and flesh tones are even. Viewers will see very
light banding or a trace of aliasing in a handful of shots, but this is otherwise a rock-solid, highly enjoyable, pretty much reference-quality transfer from
Summit.
The Darkest Hour shines on Blu-ray. Summit's DTS-HD MA 5.1 lossless soundtrack delivers expectational audio from beginning to end. A strong
collection of haunting, airy notes deeply penetrate the soundstage during the opening titles. Drifting surround support and a fine sense of wide-open
space creates a fairly chilling sonic effect. The track plays popular music in the following minutes, once overlaying the film and shortly thereafter in a
dance club. Both deliver clean, crisp notes, excellent spacing, natural immersion, and superb and fine-tuned bass. Action effects deliver the goods. The
sound of humans being ripped apart by the creatures plays with a clear sense of tearing and spilling all over the stage. Gunfire is delivered accurately
and with a strong, crisp edge. It plays with good power and authenticity, and even the sound of brass hitting pavement plays with a true-to-life flair.
The heaviest, most prominent effects -- including building collapses -- play with tremendous strength, but not at the expense of nearly pinpoint clarity
and natural immersion into the chaos. The track also handles more subtle sound effects, such as water lightly rolling up against a ship's hull, with a
pure, realistic sensation. Dialogue is firm, clear, and balanced in the center channel, never lost under the heaviest effects. This is another first-rate
soundtrack from Summit.
The Darkest Hour contains an average assortment of extras: a short film, a featurette, deleted scenes, and an audio commentary.
Survivors (1080p, Dolby Digital 5.1, 8:10): A short film based in the world of The Darkest Hour that's actually a little bit better
than the main feature.
The Darkest Hour: Visualizing an Invasion (1080p, 12:09): A detailed look at the process of creating the film's most crucial visual
effects.
Deleted and Extended Scenes (1080p, 4:48): Anne and Natalie at the Airport, Skyler Brags to Tess, Ben and Vika Talk About Their
Siblings, A Toast to the Fallen Comrades, and Natalie and Sean Talk About Anne and Ben. With optional director commentary.
Audio Commentary: Director Chris Gorak discusses the history of the production, its similarities to Red Dawn, the assemblage and
work of the cast, shooting in Moscow, specific filmmaking locations within the city, working in 3D, challenges of the shoot, a delay in the shoot due to
natural disaster, the specifics of the plot, visual effects, score and sound design, and more. Despite some brief gaps in the track, it's nicely informative
and does well to shed light on the specifics of the filmmaking process.
The Darkest Hour serves its purpose as acceptable mindless entertainment. It's slick, well made, kind of snazzy sometimes, but that's about it.
Dull characters and a repetitive cadence keep the movie from ascending beyond mediocrity. This is the perfect example of the go-nowhere modern
movie. It's nowhere near as awful those bottom scrapers in terms of raw production value, but it's also a fine example of how a movie suffers when
nobody cares about the characters. The bottom line is that most will be entertained in a brain dead sort of way, but audiences shouldn't expect the next
great Sci-Fi masterpiece. Summit Entertainment's Blu-ray release of The Darkest Hour features stellar video and audio. A few supplements are
included. This would make a good rainy day rental.
For the week ending on April 15th, the alien invasion thriller The Darkest Hour secured the top spot on the Blu-ray sales chart. The film's home media debut is especially strong when considering its struggles at the box office last winter; the estimated $30 million ...
Blu-ray.com and Summit Entertainment are offering three Blu-ray.com members the opportunity to win a copy of director Chris Gorak 's The Darkest Hour, starring Emile Hirsch, Olivia Thirlby, Max Minghella and Rachael Taylor. The alien-invasion thriller arrives on ...
This April, Summit Home Entertainment will bring The Darkest Hour to Blu-ray. The sci-fi adventure follows a group of young professionals vacationing in Moscow as they lead the resistance against a violent alien invasion. The Darkest Hour streets on April 10 ...
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