The Night of the Hunted Blu-ray Review
Thanks for the Mammaries
Reviewed by Casey Broadwater, April 19, 2013
Kino-Lorber and Redemption Films are back with another round of movies by low-budget Euro-sleaze auteur Jean Rollin, best known for his
many,
many,
many lesbian vampire films. His penchant for sapphic bloodsuckers certainly defined his
early career—which blended
le fantastique and surrealism with campily erotic softcore—but by the late 1970s, Rollin had transitioned to
shooting more straightforward grindhouse pornos, making eleven in two short years under the pseudonyms "Michael Gentil" and "Robert Xavier." His
following three movies under his own name are among his most unusual, and show a willingness to explore some new thematic territory. 1978's
The Grapes of Death is a kind of French-ified version of George Romero's
The Crazies, the following year's
Fascination looks at
sanguinary obsession from a different and surprisingly elegant perspective, and 1980's
Night of the Hunted is a strange piece of proto-
Cronenbergian psycho-oddity. Kino/Redemption released
Fascination a few months ago, but this week we'll be taking a look at
Grapes
and
Hunted.
In a filmography filled with vampires and demoniacs and zombies,
Night of the Hunted really does stand out. This isn't even a horror movie,
per se; it's closer to a doomed, light sci-fi romance, following an amnesiac with a weird brain-wasting disease who's forced to live in an ominous black
skyscraper as part of a dystopian medical study.
Hunted is easily the most "modern" of Rollin's films. Gone are the overgrown cemeteries and
derelict chateaus of his early efforts, replaced by stark corporate interiors and angular architecture. Still,
Night of the Hunted has that dreamy
uneasiness that's characteristic of all of Rollin's work.
Granted, that "dreaminess" is often caused by an emphasis on atmosphere over story, since Rollin's movies were usually written quickly and cheaply
on spec for producers looking for a low-budget picture to sell. Rollin himself admits—in an interview on this disc—that he wrote the screenplay for
Night of the Hunted in a single night, and you can definitely believe it. The film has a high-concept premise, but it's low on meaningful drama,
with a lot of the characters' time spent either sneaking around or semi-engaged in substance-less conversations. It could probably be cut down by half
and nothing plot-wise would have to be sacrificed.
Adult film actress and frequent Rollin collaborator Brigitte Lahaie plays Elizabeth, an amnesiac who stumbles out of some dark woods in only a
nightgown, uncertain why and from whom she's running. A passing motorist, Robert (Vincent Gardére), nearly hits her with his car, but then picks her
up and takes her back to his apartment in Paris, where he discovers that she forgets nearly everything immediately after it happens. "You're the only
memory I have now," she tells him, and they immediately get undressed—this is a Jean Rollin film after all—for a lengthy lovemaking scene. When
Robert leaves for work the next morning, however, Elizabeth is kidnapped by the stern Dr. Francis (Bernard Papineau) and his assistant, Solange
(Rachel Mhas), who take her back to the "black tower" she previously escaped, a heavily guarded high rise in the middle of the city. Here, others like
Elizabeth are held in captivity, slowly losing their mental processes. Some go blank-faced; others experience vertigo or lose control of their hands in
sudden Parkinson's-like fits of shudders. How did they get like this? Is Dr. Francis running some cruel experiment? Did
he infect them with this
brain-debilitating disease, or is he trying to
treat them?
Don't hold your breath for answers. Working outside his wheelhouse of desolate gothic imagery, Rollin sets up an intriguing central mystery with this
sleek "black tower," but never develops it into anything beyond a mere setting for stealthy action, some now-quaint softcore nudity, and a few bursts
of violence, like the bludgeoning of a rapist's skull with a hammer or an inmate's self-inflicted scissor wound to the eyes. Once Elizabeth returns to the
tower, we get a brief view of life inside—she wards off the sexual advances of her desperate female roommate and a horny orderly, mostly—but we
don't get any sense of an overarching conspiracy or wider story.
Night of the Hunted is all mood over substance, and the narrative thrust is
simple; Elizabeth meets up with her old friend, the red-headed Veronique (Dominique Journet)—whom she vaguely recalls—and conspires to once
again escape the building, hoping to reunite with her love of all of one night, Robert. How/why does she remember him but forget nearly everything
else? Dunno. Chalk it up to their lust-at-first-sight sexual dynamism, I guess. Not that it
has to make sense—again, this is Jean Rollin we're
talking about—but for how quickly the couple's "love" is established, it's impossible to be as moved by the film's sad and poignant ending as the director
wants us to be. While those uninitiated to the cult of Rollin will probably be unimpressed—or bored by the methodical pacing—
Night of the
Hunted is worthwhile viewing for established fans, if only to see the filmmaker's take on soft sci-fi.
The Night of the Hunted Blu-ray, Video Quality
Like the other Jean Rollin titles—and just about all Kino/Redemption releases, for that matter—
Night of the Hunted is essentially presented "as-
is," with a 1080p/AVC-encoded transfer of a 35mm print that hasn't been significantly touched up or restored. These means you'll see frequent
white/black specks, occasional scratches, and light color fluctuations. None of this is
particularly distracting—especially if you're used to watching low-budget niche horror films from the '60s and '70s—but it is very noticeable. Personally, I
don't mind the light print damage on these kinds of films; it imparts a sense of the film's history, in a way. Regardless, just giving
Night of the
Hunted a new high definition remaster is enough to blow away previous standard definition home video releases. Natural film grain is visible, clarity
is greatly improved—although Rollin doesn't always, or even
often, get his subjects in perfect focus—and the image has a good sense of color
balance and density. The only anomaly I spotted here was some light banding and pixilation—evidence of compression—in a few scenes, but it's hardly
visible from a normal viewing distance.
The Night of the Hunted Blu-ray, Overall Score and Recommendation
The oddest entry in Jean Rollin's filmography,
Night of the Hunted trades the director's normal preoccupations—lesbian vampires, crumbling
cemeteries, deserted beaches—for a soft sci-fi mood piece about an amnesiac and her escape from a medical facility in a sleekly modern high rise. This is
a far cry from
Lips of Blood or
The Iron Cross, and that's precisely why it's worth watching for Rollin's fans. Those less familiar with the
director's work may want to start with his dream-like environmentalist zombie movie
The Grapes of Death—also releasing on Blu-ray next week
—which provides a better, more accessible entry point. As usual, Kino-Lorber and Redemption Films are presenting these Rollin titles as is—that is,
without any significant digital cleanup or restoration—but the films look better than ever in high definition and include a few interesting supplements as
well.