The Ugly Truth Blu-ray delivers stunning video and audio in this fan-pleasing Blu-ray release
Abby Richter is a romantically challenged morning show producer whose search for Mr. Perfect
has left her hopelessly single. She's in for a rude awakening when her bosses team her with
Mike Chadway, a hardcore TV personality who promises to spill the ugly truth on what makes
men and women tick.
You have to be two people: the saint and the sinner.
What an appropriate title -- with an emphasis
on the "ugly" -- for one of the lesser Romantic Comedies of the decade. The Ugly Truth
waddles through genre clichés but does so not with spunk, spirit,
or even a good old-fashioned sense of fun, but with generic, unlikable characters; a boring and
predictable story; and not even a hint of charm. The Ugly Truth suffers not from genre
overexposure but rather obvious underexposure as to what makes movies like these work. It
dares
to step over the comfortable PG-13 boundaries that represent the genre norm, doing so with
heightened
vulgarity, innuendo, and sexually-charged sight gags that don't make up for the sheer lack of
magnetism between its characters
and
the absence of any real humor or originality in its script. This is no 50 First Dates or
even
Actress Katherine Heigl's own 27 Dresses; The
Ugly Truth, rather, leaves a sour aftertaste that's best cured by a double-dose of 13 Going on 30.
Tell me the ugly truth...just don't call me ugly.
Television producer Abby Richter (Heigl) is struggling to keep her station's ratings high,
and her dating life could stand a boost as well. A perfectionist both in the broadcast booth and on
the dating circuit, Abby is always striving for the best broadcasts and searching for the man that
meets all of her stringent criteria. When the network hires the vulgar yet highly-rated host of
the public access show "The Ugly Truth" named Mike Chadway (Gerard Butler, 300), ratings soar
but Abby sours on the condescending and brutally honest relationship "guru" who openly prefers
a thin waist and a big chest to brains and charm. When Abby meets her dream man, Mike offers
to help her -- with strings attached. If his advice wins over Abby's man, she'll put aside her
differences with his style and go with the flow, but if his advice fails her, Mike promises to quit.
Of
course, this requires they actually spend time together, but will it be time enough for them to
realize that, just maybe, opposites really attract?
The Ugly Truth flops at every turn; for every chance the film has to take off and venture
out into that oh-so-scarry but rich, fertile, and open land called "Originality," it retreats and
huddles
into the corner of its comfortable little abode in Clichéville. It need be stated straight away that
Romantic Comedies, by definition, all share the same ending, so there's no harm, no foul in the
sheer predictability of the outcome between the Abby/Mike relationship. However, the referee's
arm
will be sore when this one is over for the necessarily excessive throwing of the yellow penalty flag
in
almost every scene. The film constructs itself not around a tightly-woven story but rather a
series
of loosely-related events all with the same goal of ending up in some
wannabe-humorous-but-ultimately-trite-and-out-of-place sight or
verbal
gag, most of which don't work particularly well in The Ugly Truth thanks to the film's
inability to decide of it's sweet and innocent or raunchy and despicable. It certainly leans towards
the latter in most every scene, and by extension any semblance of sweetness and sincerity are
pushed by the
wayside, a deathblow to any Romantic Comedy. On those rare occasions where the movie tries
to shed its bad-boy attitude and revert back to genre norms, the damage has already become
irreversible, and The Ugly Truth flounders even when it shouldn't.
In all fairness, there are fleeting glimpses of fun and a moment or two where the performances
move past the mundane, but under the sheer weight of the missteps alone it's hard to find -- let
alone
appreciate -- the few things the movie gets right. Gerard Butler seems to have his character's
self-confident and brash façade down pat, but when the movie tries to shift gears in the final act
and paint him as something different, neither he nor the script pull it off with any sort of
believability. Heigl and Butler show hints of decent chemistry; they deliver a few good tit-for-tat
dialogue moments, though oddly enough the best comes before the two have even met and are
arguing about the "perfect man" over the telephone via an on-air call-in show. A few gags work
well enough; most Romantic Comedies tend to stray -- though with an innocent wink-and-a-nod
-- into slightly more raunchy territory, but they never take the material too far. Several of the
jokes in The Ugly Truth would have worked nicely in a lighter film, but again don't really
add up to much when they have nothing to play against but more -- and more excessive -- of the
same.
One thing that's definitely not ugly about The Ugly Truth is Sony's gorgeous
1080p, 2.40:1-framed transfer. It's becoming old hat to review these pristine and film-like
transfers from the studio, but it never gets old watching them. This transfer instantly transports
viewers to the local high-quality multiplex thanks to its incredible detail, rich color palette, stunning
detail, crisp definition, and nice sense of depth. As typical of a Romantic Comedy, the colors
throughout take on a slightly warm tint, but they appear stable and pleasing to the eye in every
scene. The Ugly Truth is abundantly colorful, and many scenes jump off the screen thanks
to both the color reproduction and solid level of detail that's seen in practically every scene;
whether the darker, bluish-gray interior of the television control booth or several bright exteriors,
fine detail on every surface impresses a great deal. Black levels are marvelous, and flesh tones
never veer too far from a natural shade, despite the warmth of the color palette. Rounded out by a
very subtle but nicely-preserved grain structure, The Ugly Truth represents another
fantastic new release from Sony.
The Ugly Truth features a strong DTS-HD MA 5.1 lossless soundtrack that's as good as the
video transfer. Other than music, there's little more than dialogue and light atmospherics to be
found herein, but each is so wonderfully presented that the general lack of a whiz-bang,
action-packed soundtrack is soon forgotten once the various pop songs blare through the sound
system. Music plays with fantastic power but also pitch-perfect clarity. It also comes with a good
bit of bass in tow and a noticeable rear-channel presence. A club scene in chapter 13 -- featuring a
song with a decidedly Latin beat -- excels with a wonderfully crisp delivery and a healthy low end
that turns the living room floor into the dance floor. While several musical pieces represent the
sonic highlight of the track, it's made complete by solid atmospherics in several locales. Ringing
phones in offices, clanking dishes and silverware in a restaurant, and a light but impressive general
din throughout does well to compliment each and every environment, including a baseball game
scene in
chapter nine that effectively places the listener in the bleachers. Rounded out by strong dialogue
reproduction, The Ugly Truth delivers another superb soundtrack from Sony.
The Ugly Truth features several extras. First is a commentary with Director Robert
Luketic and Producer Gary Lucchesi that covers only select scenes: Opening Sequence,
Mike's First Broadcast, Abby Meets Colin, Mike Coaches Abby, The
Baseball Game, Vibrating Panties, The Late, Late Show with Craig Ferguson,
Mike and Abby Dance, Mike's Disappointment, and The Hot Air Balloon.
Next up is a collection of six deleted and alternate scenes (1080p, 16:22), two alternate endings
(1080p, 5:12), and a gag reel (1080p, 10:22). The Truth is Ugly: Capturing the Male &
Female Point of View (1080p, 12:48) features cast and crew discussing the "ugly truth" of
the "battle of the sexes," juxtaposed with footage from the film and behind-the-scenes clips. The
piece also briefly delves into a few traditional comments as the cast and crew also discuss the
film's
themes, various scenes, and more. The Art of Laughter: A Making of Hilarious
Proportions (1080p, 15:53) looks at the comedic performances of the cast and the traits
that make the characters funny. Also included is BD-Live functionality; Sony's "MovieIQ" that
offers live, up-to-date details about every scene, including cast and crew filmographies and
biographies, soundtrack listings, and more; and 1080p trailers for Julie & Julia,
Black
Dynamite, An Education, It Might Get Loud,
Lorna's Silence, Angels & Demons,
Coco Before Chanel, Year One, and Whatever Works.
Perhaps the highlight of this set is the first-time inclusion of the on-the-Blu-ray-disc digital copy
that may
be transferred from the Playstation 3 (PS3) to a PSP system. The digital copy's
icon appears below the movie's icon on the PS3 XMB (Xross Menu Bar) and is accompanied by a
written reminder that the digital copy must be redeemed by 11/30/10 and is not available on
rental discs. Clicking on the icon signs users into the PlayStation Network where a prompt to
enter the included code appears on-screen. Following code entry, the digital copy is transferred to
the PS3 hard drive. Once the process is complete, an icon for the film will again appear under the
"video" tab of the XMB. To transfer to the PSP, highlight the digital copy's icon, press the
"option" (green triangle) key on the remote, and scroll to "copy." From there, users will be
prompted to connect the PSP to the PS3 via a USB cable, and then to select "USB Connection"
from the PSP's "Settings" menu in the XMB. Once the PSP is connected, users may need to
once again select "copy" under the digital copy's "options" screen on the PS3 to begin the
transfer. Once the
transfer is complete, the film will appear under the "Video" tab of the PSP's XMB. When the
movie plays, the "X" button and "start" button both pause the film; the "circle" button and the
"select" button return users to the XMB; the "triangle" button reveals a series of options;
the "square" button reveals a menu to select scenes from the film at either 15 second, 30
second, one minute, two minute, or five minute intervals; the "left" and "right" arrow keys on
the directional pad fast forward and reverse the film in increments of 1x, 2x, and 3x speeds; the
"up" and "down" arrows on the directional pad increase and decrease the playback speed from a
range of 0.5 speed to 2.0 speed; and the "left" and "right" shoulder buttons serve as chapter
skips, though there are no set chapters here, and the "left" button only returns the film to the
beginning. The video quality, as replayed on Sony's new PSP Go, is excellent and surpasses the
typical quality found on the iPod Touch, offering improved color, detail, and no apparent severe
blocking. The audio is understandably puny when listened via the built-in speakers; headphones
produce more volume, a bit more clarity, a decent sense of space, and strong dialogue
reproduction, but there's not much to get excited about with The Ugly Truth; more
action-packed films should be more telling. Also included is a traditional digital copy on disc two.
Replayed on a Second Generation iPod
Touch, the visual presentation impresses, delivering strong colors, wonderful detail,
and a fine sense of depth. The soundtrack, too, is solid. Ambient crowd noise during the baseball
sequence, for example, does a fine job of replicating the feel of the ballpark, and dialogue is strong
and consistently intelligible.
A Romantic Comedy need not be meaningful but it does require its characters be affable and its
story be charming to work, but The Ugly Truth instead goes for, well, the ugly, and the
result is a movie that follows basic genre clichés but fails in its attempt to branch out and delve into
raunchier territory that sacrifices the lighthearted innocence that defines the best the genre has to
offer. Nevertheless, genre aficionados and fans of the film will love Sony's technical presentation of
The Ugly Truth; delivering pristine visuals and a wonderful lossless soundtrack, not to
mention a decent collection of extras, this Blu-ray is a beautiful thing.
Beginning with the November 10th Blu-ray releases of 'Godzilla' and 'The Ugly
Truth', Sony Pictures Home Entertainment will include a digital copy especially
for the PSP on select Blu-ray disc releases. The announcement comes just
days before the release ...
Sony Pictures Home Entertainment has announced the Blu-ray release of 'The Ugly Truth' on November 10, day-and-date with the DVD. 'The Ugly Truth' is a romantic comedy about a romantically-challenged morning show producer (Katherine Heigl, '27 Dresses') who is ...
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