Thor 3D Blu-ray delivers great video and superb audio in this enjoyable Blu-ray release
The powerful but arrogant warrior Thor is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth, where he soon becomes one of their finest defenders.
A wise king never seeks out war, but he must always be ready for it.
Thor flexes some pretty hefty muscles, but it's can't quite work its way into the upper echelon of Marvel Studios filmed properties. Director
Kenneth
Branagh's foray into the superhero genre is breathtakingly grand in scope, beautifully constructed from top to bottom, and a blast to watch, but it
lacks the all-around greatness
of Iron Man and the thematic and emotional heft of Christopher Nolan's Batman films, the latter of which is not a Marvel property of course but
certainly
the
standard by which live-action Superhero films are judged. Nevertheless, Thor is the very definition of Summer movie awesomeness. It's big
and loud, newcomer-accessible to the characters and the universe they inhabit, and it manages to blend potent action with genuine humor to a
level not often achieved in such big-dollar endeavors. The story is admittedly a little bland and sometimes feels as if it becomes lost underneath the
sheer weight and polish of the production design, action, and flash that permeates most every frame of the movie, but it's easy to follow and makes
for a strong
backdrop for what is nothing less than a fast-moving roller coaster ride through a world where fantasy meets reality and comic book filmmaking
seems
to have reached today's pinnacle for seamless special effects integration. Truly, is there a better universe than that of Thor to show off just
how far moviemaking technology has come?
Well, it's not exactly Grabthar's hammer, but it will have to do.
In the year In 965 A.D., the powerful Frost Giants threatened Earth and pushed her towards a devastating ice age. Mankind valiantly fought the
threat and, with the help of the Asgardians -- led by their mighty king Odin (Anthony Hopkins) -- defeated the Frost Giants and restored peace to the
universe. With the Frost Giants's source of power safely tucked away deep within Asgard, the threat of war no longer loomed over the universe, and
only
blatant treachery could once again bring the two sides to the brink of disaster. Years later, with Odin set to elevate his son Thor (Chris Hemsworth)
to king of Asgard, the Frost Giants infiltrate Asgard and slaughter several of her finest. Thor, his brother Loki (Tom Hiddleston), and a select group of
Asgard's most powerful warriors -- without still-king Odin's blessing -- travel to the Frost Giants's home world of Jotunheim to take them out once
and for all. Unable to claim total victory
and the Frost Giants unwilling to accept a truce from none other than Odin himself, the Asgardians are whisked away before further blood may be
spilled. A furious Odin relinquishes Thor of his powers and sends his now-mortal son into exile on Earth. Fortunately, his mighty hammer, Mjolnir,
accompanies him, but has been enchanted so only a man worthy of wielding its strength may carry it. As Thor attempts to accustom himself to his
new home and limited powers, he's befriended by an astrophysicist named Jane Foster (Natalie Portman) who learns and experiences more than
she's
ever dreamed of when Thor's true whereabouts and potential powers are revealed. Now, with shady government spooks on their trail, Thor
must prove himself worthy of wielding the universe's most powerful weapon, all the while his home planet of Asgard hangs in the balance as a power
struggle threatens the stability of the entire universe.
Thor's success stems from two positive factors. The first is its incredible special effects integration that, combined with an awe-inspiring
vision for Asgard, Jotunheim, and travel between the stars, gives the movie a grand, polished, and even semi-plausible façade, a wonderful setting
against which to build the story and showcase some good old-fashioned hammer-hitting audience-friendly violence. The film thrives on its innate
beauty -- both digital and practical -- and the various real-life sets and people mesh seamlessly with the heavy dose of digital assistance that makes
the movie complete. None of these locales or special effects overwhelm the movie, however, even if they do sometimes compete with the picture's
disappointingly linear and partially generic plot. Fortunately, though, Thor aspires to be little more than a popcorn-munching good time at
the movies, and there's nothing really lost to what amounts to bland character arcs and the usual barrage of superhero antics. The outcome of the
story is never much in doubt, and the various twists prove unimaginative from a structural perspective. Still, the movie is a great success as
cinema-as-spectacle. Rarely is a movie this well put-together and given such attention to detail despite a plot that's hardly noteworthy and recycles
any number of ideas -- redemption and the absolute corruption of unchecked power chief amongst them -- but does so without any pretenses or
allusions to some
importance that's just not there. Branagh smartly uses Thor as a vehicle for big movie fun, and in that light the entire production is
nothing less than an absolute success.
The second factor working in the film's favor is the performance of Actor Chris Hemsworth. The relatively little-known musclebound blonde actor
proves his worth in every scene. He's
capable of playing each area of his multifaceted role with stunning clarity and ease, whether the cocky war-hungry would-be king, the mortal who's
lost his power and struggling to rediscover himself in an alien world, or the powerful revitalized and, in a way, reborn superhero who fights to save
the day on no less than two worlds. Helmsworth demonstrates throughout that he more than looks the part; certainly the long blonde hair, the
beard, and the muscular physique
are necessary to any interpretation of the character, but Helmsworth proves capable of expanding beyond the look and providing to Thor a soul that
evolves and not merely goes through the motions. And that's in spite of the above-referenced thin plot. Nevertheless, the character is given a life
beyond
the generalities called for in the script, a life that Helmsworth briefly demonstrated capable of achieving in Star Trek and is able to expand
upon in a full feature film,
not five mostly forgotten minutes in a movie that doesn't exactly focus his efforts. The remainder of the cast is strong, but not up to Helmsworth's
level.
Anthony Hopkins proves a good but safe choice to play Odin. Hopkins offers little more to the part than a recognizable name and a commanding
screen presence. He's overshadowed -- and rightly so -- by Helmsworth, but carries enough gravitas to convincingly play a character of such
great stature simply by dressing up in the costume and delivering his lines with the precision and command expected of him. Tom Hiddleston seems
to channel Alan Cumming in both look and style throughout and to the point that viewers will be doing double-takes and checking the billing a
second
and maybe even third time to verify the identity of the actor portraying Loki. The remainder of the cast -- even names like Natalie Portman and
Stellan Skarsgård -- feel more like filler than
anything else. Certainly their characters are somewhat integral to the plot, but none of them break free from the shadow of Chris Helmsworth or
make much of an impression thanks to a script that seems to have put them into the movie more for the sake of having them rather than because
the story couldn't work without them.
Lastly, there's the problem of a readily-identifiable unoriginality that runs through the movie. Thor works best in a vacuum, and one that
dictates audiences enjoy the ride -- in this case, the special effects and action -- and not worry about the relatively weak story, overwhelmed
secondary characters, and similarities to other Fantasy stories. On that note, Thor sometimes feels like a grand re-imagining of the 1987
Dolph Lundgren
vehicle Masters of the Universe. The similarities between the two are striking, really, and not just the whole "musclebound blonde alpha
male from another world arrives on Earth" angle. No, Thor so often looks like Masters of the Universe -- a much bigger
budget Masters of the Universe to be sure -- that one can't help but wonder if Branagh and company didn't actually use the relatively
obscure picture as a source of inspiration for the design of Asgard, that locale's color scheme, and various odds and ends props and costumes that
pop up from time to time. Certainly Thor is a far more serious picture than the hammy-but-fun Masters, but make no mistake that
the two share more in common than the filmmakers behind Thor probably care to admit. Second, and far more readily evident, is
Thor's allusions to Arthurian legend, particularly the "sword in the stone" fable about the inability of anyone but the most worthy to pull a
powerful and prized mystical weapon
from its resting place. It just so happens that Thor's hammer, Mjolnir, is subject to an identical ritual that defines much of Thor's second
act. Lastly, the "Destroyer" fire-breathing metallic whateveritis bears an uncanny resemblance to Gort from The Day the Earth Stood Still with the whole metallic body and blast
from the eyes thing. Of course, how much of this goes back to the original comic series is best left for debate amongst those who more closely follow
such things,
but for the casual moviegoer there's no mistaking the film's resemblance to and nods towards other properties that don't necessarily lessen
Thor, but only reinforce that notion that the movie's plot takes a backseat to its admittedly spectacular action, sets, and special effects.
To be blunt, Thor's 1080p Blu-ray 3D transfer is a disappointment. In fact, it bears an almost uncanny resemblance to the recent 3D release
of Priest in that it's a movie that mixes light and dark scenes at regular
intervals. The two also share in common a post-shoot 3D conversion, taking a standard 2D film and digitally altering it into a faux 3D image. Finally,
neither one proves to be even the least bit spectacular in 3D. Sure the studio logo looks fantastic, but it's all down the Paramount mountain from
there. A fair bit of crosstalk plagues the opening credits text, but drops off considerably -- but not completely -- once the film proper begins. Of
course, the first good bit of the movie is shrouded in darkness, which in 3D becomes little more than a blob of murky blackness on the screen.
Definition, detail, and the ability to differentiate one object from another almost vanishes completely. The 3D process just kills ultra-dark scenes --
particularly in these conversions -- and this is no exception. Fortunately, the damage is minimal afterwards, but then again the 3D conversion really
adds nothing to the rest of the film. Sure there's a decent amount of natural depth; a few objects appear more shapely than they do in 2D; and yes,
there are a few scenes where spatial separation between characters is more evident, but the effect isn't so great that the 3D version seems more
worthwhile than the, in this case, natural 2D edition. The 3D transfer fares best with the little things -- the shape of explosions, little golden speckles
that float over a sleeping Odin -- but in terms of the picture's bulk, there's very little here to command the premium and the hassle of 3D, and there
aren't even any worthwhile "jump out of the screen" sort of magical moments to be seen, either.
Otherwise, the 3D transfer retains many of the same attributes of the 2D-only edition. Fine detail never truly excels, but comes close in those brighter
New Mexico scenes. As noted, the 3D process seems to wipe away some of the finer details in the film's darkest scenes, which were already scant to
begin with. Additionally, facial textures sometimes appear just a smidgen smoothed over, not to any excessive degree but enough to stand apart in
various scenes. The color palette remains largely intact; the 3D version is definitely a few shades darker than the standard 2D edition, but the general
golden hue of Asgard and Thor's bright red cape, for instance, both come out relatively unscathed. A hint of softness remains scattered throughout,
but most scenes
retain a good deal of clarity. Light grain retention remains, as does a hint of banding. With the barrage of 3D conversions hitting the market -- and
many of them clearly inferior to the original 2D content -- one must wonder whether this aspect of 3D technology is ready for primetime. If
Thor is any indication, the answer is a resounding "no." It's not that the conversion is a disaster -- far from it -- but it's hard to see the point
when the results are so mediocre, particularly considering a movie that, like Priest, has so many dark scenes that simply fail to take
advantage of the 3D conversion process, losing definition and not really gaining any perceptible depth. Here's hoping that Captain America -- also converted in post rather than filmed natively in
3D -- will fare better on Blu-ray.
Paramount's Blu-ray release of Thor delivers a thunderous DTS-HD MA 7.1 lossless soundtrack. This is an exceptionally well-engineered track.
It's dynamic and incredibly immersive in nearly every moment, whether the most intense action scenes or the quietest dialogue exchanges. The picture
opens with soft music that flows so subtly and naturally through the soundstage that one can only wonder just how far the track may go given the
innate quality of such a relatively inconsequential yet so perfectly balanced and presented bit of score. It doesn't take long for the track to demonstrate
its full range. Every scene is a sonic event as warriors battle on the frigid Norwegian battlefields early in the film. Clanking swords, screaming
combatants, and the general chaos of war spill through all seven channels with a clarity and effortlessness that's second-to-none. The track proves
incredibly dynamic here and elsewhere as sound effects of all ranges, volumes, and styles are seamlessly inserted into the track. That chaotic action is
countered by wonderfully implemented ambience that transports listeners to the deserts of New Mexico, the frosty plains of Jotunheim, and the golden
halls of Asgard. Indeed, the track handles delicate vocal echoes, dripping water, and light winds as well as it does intense rock 'em sock 'em combat
sequences between Thor and the giant metallic fire-breathing foe known as "Destroyer." Bass proves to be a touch unkempt at the very bottom, but it's
nevertheless both efficient and potent in supporting the heaviest sound effects and adding that critical heft that gives the track its body and strength.
Of course, dialogue reproduction is center-grounded, crisp, accurate, and never forced to compete with surrounding music or effects. Soundtracks don't
get much juicier and flat-out entertaining as this one; it's the perfect accompaniment to a flashy summer extravaganza.
All of Thor's 2D supplements carry over into this multi-disc release, but there is unfortunately no 3D-exclusive bonus content to be found.
Audio Commentary: Director Kenneth Branagh delivers a well-versed commentary that smartly ties the movie together. He shares a
wealth of information on the picture's structure, his filmmaking style, the picture's thematic material (and, being a Branagh film, its Shakespearean
qualities), bringing the world of Thor to the screen, the casting process and the work of the actors, the need for character camaraderie and
believability, the picture's tone, the science and logic behind certain elements of the film, the picture's look and special effects, and much more. This is
a strong commentary that's informative and fast paced. Branagh leaves no stone unturned, and fans of the movie will definitely need to give this one
a complete listen.
Marvel One-Shot: The Consultant (1080p, 3:57): A snippet of film that ties together some of the goings-on in the Marvel movie
universe.
From Asgard to Earth (1080p, 19:42): A strong and fast-paced overview piece that looks at the picture's set design, the inspirations
from
various versions of the comic, costume construction, and filming locations.
Our Fearless Leader (1080p, 3:18): The cast talks up the work of Director Kenneth Branagh.
Assembling the Troupe (1080p, 4:44): A short piece that looks at the casting and subsequent work of Chris Hemsworth, Natalie
Portman, and Anthony Hopkins.
Hammer Time (1080p, 6:14): Audiences are introduced to the history and powers of the difficult-to-pronounce Mjolnir hammer. The
piece then examines the importance of getting the design for the movie version absolutely correct.
Creating Laufey (1080p, 5:33): Viewers are granted an inside look at the design of the film's chief Frost Giant, the casting of Colm Feore
to play the part, and the process of applying the necessary makeup.
Music of the Gods (1080p, 2:05): A short featurette that looks at the work of Composer Patrick Doyle.
A Conversation (1080p, 2:23): Co-Comic Book Creator Stan Lee, Co-Producer Craig Kyle, and Comic Book Writer J. Michael Straczynski
discuss Thor.
Road to the Avengers (1080p, 2:57): A meshing of scenes from various Marvel movies and the 2010 Comic Con introduction of the
ensemble cast as they lead up to the release of Joss Whedon's The Avengers.
Deleted Scenes (1080p, 24:34): Thor and Loki Before the Confrontation, Warriors 3 and Sif Turn Over Their Weapons, Thor and
Frigga,
Rah Rah (Extended), Hospital (Extended), Frigga Confronts Odin, Loki is Made King, Selvig Sings with Thor, Warriors 3 and Sif Arrive (Extended),
Darcy's Dog, and Selvig is Saved by Thor. Available with optional director commentary.
Trailers (1080p): Teaser (2:34), Theatrical (2:32), and Avengers Animated (1:19).
2D-Blu-ray Copy: Contains all of the above supplements.
Digital Copy: Sampled on an iPhone 4, the image holds true in basic structure to the Blu-ray. The darker scenes fare well enough and
brighter scenes deliver better-than-serviceable details. Compression artifacts aren't excessive. On the audio side, the two-channel track delivers a
slightly tinny but nevertheless potent and relatively clear presentation. Directional effects are fair and dialogue is adequate.
Thor makes for fine entertainment, but the pinnacle of Superhero moviemaking it is not. Director Kenneth Branagh has chosen spectacle over
plot, and in this case that choice isn't without merit. The story of Thor is one of recycled plot standards and thematic indifference, but the
picture still
works as an extraordinarily fun ride and a showcase of digital movie magic. The film is superficially defined by its breathtaking backdrops -- most of
which aren't real -- and the exemplary performance of lead Actor Chris Hemsworth, who manages to give shape to a relatively flat character.
Thor
is a blast to watch; it moves fast and the action hits hard. It won't win any awards for originality, but it's a comfortable summer movie that does a fine
job of setting part of the stage for the coming Avengers picture. Paramount's 3D Blu-ray release of Thor delivers a technically
competent but fairly dull and purposeless converted 3D transfer, a
first-class DTS-HD MA 7.1 lossless soundtrack, and a better-than-average assortment of extras, none of which which are 3D exclusive. Skip it in favor of
the 2D-only version.
Blu-ray.com and Paramount Home Entertainment are offering three Blu-ray.com members the opportunity to win a Thor-themed Family Fun Prize Pack. Each winner will receive an autographed 3D/2D copy of Thor signed by actor Chris Hemsworth, an electronic Thor hammer ...
As a promotion for Marvel and Paramount Home Entertainment's September 13th Blu-ray release of Thor, Amazon is offering a special discount with the purchase of selected Thor and Iron Man Blu-rays. Buyers who order either the 2D or 3D version of Thor as well as ...
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