Video
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
Audio
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
German: Dolby Digital 5.1
Italian: Dolby Digital 5.1... (more)
English: DTS-HD Master Audio 5.1 French: Dolby Digital 5.1 German: Dolby Digital 5.1 Italian: Dolby Digital 5.1 Spanish: Dolby Digital 5.1 Portuguese: Dolby Digital 5.1 Russian: Dolby Digital 5.1 (less)
Subtitles
English SDH, French, Spanish, Portuguese, German SDH, Italian SDH, Croatian, Danish... (more)
English SDH, French, Spanish, Portuguese, German SDH, Italian SDH, Croatian, Danish, Dutch, Finnish, Mandarin (Simplified), Norwegian, Romanian, Russian, Swedish (less)
Absurdly comic, highly kinetic, at times shockingly emotional, Three Kings begins when the Gulf War is over. Amid the partying and confusion, four American soldiers, determined to take home more than sand fleas, go off into the Iraqi desert to find millions in stolen Kuwaiti bullion. They are plunged into the heart of a democratic uprising that spins the day and their lives out of control.
It's title might not make much sense, but everything else about Three Kings is just about perfect. One of but a handful of pictures to tell a
story set during the Gulf War of 1991, Director David O. Russell's film is a masterpiece of divergent cinema. The film's brilliant structure that
juxtaposes the jubilation of a rapid victory, the horrors of war, man's innate greed, and the power of the heart and soul to supersede the wants and
needs of the body and mind makes Three Kings a War picture that finds much more meaning beyond its generalized action scenes and combat
setting. That's true of all the genre greats, for what better setting to find the very essence of man than on the field of battle where his faith, principles,
and very life are challenged with every step, every breath, every weapon aimed, every shot fired? Three Kings is a film where the defined war
may be over, but the personal war raging in many men's souls is only beginning. What begins in Three Kings as a snatch-and-grab operation
meant to pad the pockets of several soldiers becomes a hauntingly disturbing and all-too-real glimpse into the terrors that lie beyond lines in the sand
and markings on a map; it's a three-dimensional world in war, and that third plane of existence is home to the repercussions of war, the people who
both suffer and benefit through it, and the place where personal decisions and guiding compasses are put to their truest tests. What's even better is
that Three Kings is just as entertaining as it is dramatically elegant and thematically purposeful; as far as all-around films go, they don't come
much better than this.
I one king be stealin' his gold.
The Persian Gulf War may be winding down, but the true face of the conflict is about to reveal itself to four American serviceman as they quest to
find a stash of gold bullion located around Karbala, a small village that lies beyond the Army's current range of operations. Reservist
Troy Barlow (Mark Wahlberg, The Perfect Storm) and the uneducated Conrad Vig (Spike Jonze, Where the Wild Things Are) discover a map while strip searching
enemy prisoners. They recruit their Staff Sergeant, Chief Elgin (Ice Cube, xXx), to aid them in deciphering its content and, ultimately, lead them on
a mission to steal the gold from under Saddam's nose and leave the war with a few million dollars in gold bricks for their troubles. As fate would
have it, Special Forces Major Archie Gates (George Clooney, Up in the Air) learns of the gold and the men planning to seize it. He
wants in on the action, and armed with a humvee, a few M-16s, and some explosive footballs, the quartet set out in search of their prize. Along the
way, they also see firsthand the horrors of war and the beginnings of genocide that's the result of the Coalition's abandonment of the Iraqi people
following the liberation of Kuwait. The men must choose wealth or honor as they find their fortune but in the process must discover what they're
truly
made of.
Three Kings begins with a surreal sequence of events that depict soldiers who are everything but afraid of the war-torn world around them.
A
grain of sand stuck in an eye and the availability of an extra piece of chewing gum have taken center stage, and it's only when an armed combatant
--
waving a white flag, no less -- appears in the distance do the men finally snap back into the reality of the potentially hostile environment in which
they're
patrolling. It sets the stage nicely for a movie that depicts the war at its end, though as the film moves along, it becomes clear that the real war
begins only after peace is declared, not only for the four plunderers but for hundreds of thousands of locals around Iraq as
seen
through a microcosm of the events that play out in and around Karbala. The film centers around the question as to whether money in the bank or a
clean conscience holds more value; it's no surprise which one wins out at the end, but Three Kings still finds meaning along the way as the
journey unfolds, not only in the realm of absolute right and absolute wrong but in the characters' journey towards moral and personal
enlightenment
that allows them to not necessarily find fault with their plan, but to quickly re-prioritize their mission and risk their futures and lives for a cause in
which they find themselves free to ignore but unable to disregard. They learn that war -- not only in the Gulf but as a general and unforgiving entity
at large -- isn't about facts and figures and what's written in history books or, more relevant to this film's plot, what's reported on television, but
instead the hardships that exist in the wake of war that go unseen, unreported, and unimagined once the final word on the war's been written and
the
streets cleaned after the celebratory ticker-tape parade.
Though it's grounded in well-conceived and purposeful drama, Three Kings is also a picture with built-in energy and plenty of excitement to
spare. Russell's film finds a fantastic balance where the drama remains the focal point but is supported by perfectly-realized humor and several
well-constructed action scenes. The film uses the culture and popular music of its era to perfectly define -- in the first act in particular -- the
easygoing spirit that's to be challenged by film's end, and several popular culture references only add to a few haunting back-and-forth
exchanges between characters during a difficult interrogation session. That injection of popular culture only makes the movie all the more
harrowing as the spoils of everyday life are contrasted -- sometimes harshly -- against the backdrop of genocide that's playing out up the road or in
front of the characters' eyes, leaving them to choose their relaxed and relatively safe life or a dangerous involvement into local matters at the
potential cost of their jobs and lives. Better still, the camaraderie that exists between the primary cast helps both the easygoing spirit of the first act
and the grim realities of the second and third along
tremendously to the point that the dialogue, friendships, and commitment to one another and to a greater cause all seem both personalbly relatable
and naturally developed as the film goes through the paces of setting up the conflict while endearing the Four Kings into the hearts of the
viewers. It's that bond they share that exists even through their unique personalities, the witty dialogue they speak, and the decisions they make
that all
help ground the film in a believable aura that solidifies the picture's many qualities but allows the most important to effortlessly take center stage by
the final
act. Last but not least, Director David O. Russell's picture benefits from some handheld camerawork and a deliberately gritty and unforgiving texture
that works well even if aspects of the film's visual style has, over the last decade, become the de facto look for modern-day war pictures.
Three Kings is a film well-known for its unusual visual scheme. Warner's Blu-ray holds true to Director David O. Russell's intended look, but
the transfer isn't without a few blemishes that seem to exist beyond the film's unique façade. This 1080p transfer retains the edgy rough-and tumble
visuals nicely; grain spikes at times and occasionally appears rather messy and noisy, though the image is relatively free of its swirling and heavy grain
structure in some places. Whites often appear blown out and contrast seems all over the map, both adding their own flavor to the picture's unorthodox
presentation. Colors reflect a more earthen quality but appear stable and handsomely rendered throughout the movie, again insofar as they seem to
replicate the film's theatrical presentation. Detail is often striking, with uniforms, sandy terrain, and facial structures revealing incredible textures and
pinpoint details throughout the film. Additionally, blacks are strong and convincing. Unfortunately, unsightly compression artifacts often lend a chunky
appearance to background images, while light banding is also present. Faces occasionally look pasty and flat, though in a more general sense flesh tones
appear healthy and natural, even through the film's gritty look. A few pops and scratches are evident as well. Three Kings is a difficult picture
to judge; it's certainly not meant to be the most handsome image ever captured on film, and while Warner's transfer delivers it in all its
rough-and-tumble glory and graces it with some incredible detailing and a handsome film-like texture, a few various issues that seem to have crept into
the transfer and that appear to be separate from Russell's vision drop the score a couple of notches.
Warner Brothers graces Three Kings with a strong DTS-HD MA 5.1 lossless soundtrack. The boisterous celebratory music that plays near the
beginning of the film is
loud but suffers from a slightly cramped feel as it seems more confined to the area between the center speaker and front right and left channels; it lacks
the spaciousness and pinpoint clarity of the best tracks, but it's certainly a fair presentation. Such holds true through much of the movie; the track
never quite
opens up fully, though the action scenes do deliver some of exciting sound effects, plenty of surround channel activity, and a fair amount of bass. A
grenade fired from an RPG shoots across the soundstage in one scene while a ricocheting bullet seamlessly bounces through several speakers in another.
Heavy
machine gun fire tears through the listening area at several points throughout the film with a good bit of power and precision. Surrounds are not used
as much in the
film's quieter scenes; ambience is limited allowing the track's perfectly-realized dialogue to remain front-and-center. The soundtrack finds a nice balance
that allows it to play as naturally aggressive but not dominantly so. Music could stand for a bit more space and clarity, but overall, Warner Brothers'
lossless soundtrack suits the movie well.
Three Kings features a quality assortment of bonus materials, including two audio commentary tracks. Track one features Director David O.
Russell sharing
his draw to the script, his reworking of it, shooting locations, the picture's themes and contrasts, the performances of the cast, the picture's many
elements that were grounded in realism, the film's visual style, and plenty more. Russell's commentary is highly enjoyable and uniquely informative;
fans of the film need to give this one a listen. The second track, helmed by Producers Charles Roven and Edward L. McDonnell, is also worthwhile but
not up to the level of excellence established by the director commentary. They discuss the film from a slightly less personal and detached perspective
but still speak on their work as producers, the contributions and work of David O. Russell, the casting process, the rigors of the shoot, the film's visual
style, the
themes and the plot, and more. Both commentaries are of a high quality, but Russell's is the one to choose on a time crunch.
Four featurettes are
next. Under the Bunker: On the Set of 'Three Kings' (480p, 21:32) takes viewers to Arizona for a candid glimpse into the difficulties of the
shoot, the basics of the plot, the casts' training for the roles, shooting locations, the film's authenticity, shooting styles, and more; the piece is
constructed by cast
and crew interview clips, behind-the-scenes footage, and scenes from the film. On the Set of 'Three Kings' with Production Designer Catherine
Hardwicke (480p, 10:15) takes audiences into the various locations and set pieces and showcases the work that went into their creation.
The
Cinematography of 'Three Kings:' An Interview with Director of Photography Newton Thomas Sigel (480p, 7:06) features the DP discussing the
picture's unique visual flair. Finally, Director David O. Russell's 'Three Kings' Video Journal (480p, 13:37) features the director at work during
the
pre-production phase of the filmmaking process, ending with a look at the film's premiere. Next up is An Intimate Look Inside the Acting Process
with Ice Cube (480p, 2:21), a brief piece that features the actor preparing for a scene. A selection of deleted scenes (480p, 6:37) with
optional director commentary is followed by the Three Kings trailer (480p, 2:10).
For whatever reason, the Persian Gulf War of 1991 hasn't found favor with filmmakers; perhaps it's the smaller scale, the absence of turmoil at home, or
the relative ease with which victory was achieved in terms of sheer military strength and tactics. Whatever the reason, the War hasn't generated the
quantity of films born from the Second World War and Vietnam, but that doesn't mean what is available lacks in quality. Indeed, pictures like Bravo
Two Zero, Jarhead, and Three Kings are among the best War films of the past
several decades. What makes Three Kings so special is that the time and place doesn't make much difference in the grand scheme of the story;
the film is constructed around a universal and timeless tale of the human condition that pits man against himself as he weighs his own life and
well-being against those of the less
fortunate, forcing him to decide if personal satisfaction or morality will guide him through the most difficult of obstacles and most challenging of
decisions. Director David O. Russell's picture is smart and meaningful on several levels, but it's also highly entertaining and a technical achievement. It's
a near perfect movie and certainly a classic of its genre. Warner Brothers' Blu-ray release of Three Kings delivers some
entertaining extras and a fine lossless soundtrack, but the 1080p transfer has some issues that seem to exist beyond the intentionally gritty façade
that's the
film's intended appearance. It still makes for a worthy high definition presentation, and fans shouldn't hesitate to pick it up. Recommended.
Warner Home Video has announced the Blu-ray release of Three Kings, with a street date of October 12. This 1999 war movie starring George Clooney had such an unconventional cinematography that when it came out on DVD, the studio added a "do not adjust your set" ...
Veteran site DVD Town has published a post revealing the release dates for many titles that Warner Home Video intends to release on Blu-ray during all of 2010, including some bona fide classics, a comedy wave in August, science-fiction in September, a couple of ...
All countries
