Vampyres Blu-ray offers decent video and mediocre audio in this mediocre Blu-ray release
This English-made horror thriller is the story of two female vampires who hitchhike along a deserted highway in
the English countryside, luring unsuspecting drivers to their gothic mansion for a night of passion - followed by
the victim's murder at the hands of the femme fatale.
Terms like "exploitation" and "cult" are labels that often draw in passers-by to movies that might
otherwise remain untouched -- and often rightfully so -- on dusty video store shelves. Pint-sized
budgets, miniscule production values,
no-name actors, and superficial plots don't always spell doom for those little obscure titles that
promise something dangerous, sexy, or otherwise often forbidden in more mainstream fare, but
there's a line between "alluringly different" and just "painfully dull." Unfortunately, Director José
Ramón Larraz's 1974 Erotic Horror picture Vampyres falls squarely into the latter
category; it's a movie built on nothing but naked bodies and filler material that makes the
88-minute runtime seem like 888 minutes (or maybe 666 minutes to take the "this movie is so
slow
it would be better to be sucked dry by a seductive vampiress/vampirette/whatever those
bloodsuckers of the fairer sex may be called). Vampyres, or Daughters of
Dracula (it's one of those old 1970s Horror films with multiple titles for multiple markets, see
also The Living Dead at
Manchester Morgue) doesn't even have a playfully fun title like 1971's Vampiros
Lesbos. In fact, the "i" for "y" switch-a-roo might be the most interesting thing about this
one, and for those that are watching solely for the eroticism, just keep Blue Underground's spicy
Blu-ray
menu playing on a loop.
That pretty much sums this one up.
For what it's worth, the actual plot of the movie goes something like this: in a chilly
corner
of the English countryside, two bisexual vampires -- Fran (Marianne Morris) and Miriam (Anulka
Dziubinska) -- live in an old, cobweb-infested, and dark castle. They survive by posing as
hitchhikers
and luring gullible men back to their beds, only to kill them by drinking their blood before
morning.
Fran catches a lonely traveler, Ted (Murray Brown), but rather than kill him, she feeds off his
wounded arm, keeping him dazed but alive, allowing for them to continue on with their physical
affair. Meanwhile, travelers John (Brian Deacon) and Harriet (Sally Faulkner) set up their camper
near the vampires' castle, slowly becoming intrigued not only with the location but with the two
young women they see going to and fro and hitchhiking on nearby roads. As suspicions rise as
quickly as the body count, the mysteries of the castle and its resident vampires come into focus
for
all
involved, but will intense seduction and the allure of beautiful women obscure the fact that
neither
Fran nor Miriam are what they seem?
Vampyres is pretty much a one-trick pony spread out into 90 grueling minutes,
interspersed
by some steamy scenes and a bit of bloodletting, neither of which make up for the sheer lack of
story
and purpose. Vampyres is about on par with late-night Cinemax offerings, but with
perhaps just a bit more in terms of production values and a nice-looking filmic structure rather
than a cheap shot-on-video visual tone. The real problem here isn't the erotic content; it's the
lack of focus and the absence of any other reason to watch. Nothing sets Vampyres
apart from anything else in a long list of exploitation films; there's no charm to the shoestring
budget feel of the movie, the acting is mediocre at best, the script is packed with clichés and
poorly-developed characters, and the pacing is sluggish at its fastest. Granted, nobody expects
greatness from something like Vampyres, but the film has to meet audiences partway in
offering a semblance of something beyond the promise of naked and nubile bisexual vampires,
which the movie admittedly delivers in spades.
Additionally, hardcore fans of Vampire cinema might gawk at Vampyres' lack of
adherence to some basic genre tenants, like the creatures' inability to function during the day
(which, perhaps, the film covers -- but never explicitly states -- through the consistently bleak
and
overcast locale), a lack of visible fangs, no coffins, or any number of things normally associated
with such tales. It's no secret from the get-go, however, that Vampyres isn't about
mythos; it's about eroticism, and everything else plays second fiddle to lots of skin but not quite
enough blood. Even as it tries to cobble together a story, Vampyres
seems to go in circles, never really explaining much of what's happening, ultimately lacking any
real purpose or
payoff when it comes to character development. It's sloppy moviemaking to be sure, but
considering the premise, it's not hard to dismiss its many downfalls in favor of the eroticism the
film delivers, eroticism, though, that can be found in somewhat more cohesive and coherent
exploitation pictures that don't gnaw on the nerves quite as badly as
Vampyres.
Blue Underground and Vampyres fans will want to sink their fangs into this good-looking
1080p, 1.85:1-framed transfer. Though it's a bit rough around the edges and not without its
faults, Blue Underground has nevertheless delivered another high quality and, more importantly,
film-like transfer of an aging low budget movie. Despite some washed-out blacks, slight
artifacting, errant speckles, a touch of softness, and an oftentimes painfully flat appearance,
Vampyres looks awfully good for what it is. The transfer retains a fairly heavy layer of
film grain which seems to vanish only in several shots. Not exactly a vibrant image, what colors
there are -- green vegetation mostly -- appear rather dull, though seemingly as part of what
appears to be less-than-stellar film stock used to shoot this low-budget motion picture. The level
of fine detail often fluctuates but as a general rule strikes the viewer as more impressive than
not; the dull color palette and generally dreary tone don't help matters, but there's a fair amount
of clarity and visible detailing on clothing, furnishings, and the like, but outdoor vegetation often
suffers from a clumpy look that's not unsightly but isn't as sharp and detailed as other objects
found throughout the movie. Additionally, flesh tones remain consistently neutral throughout,
here extending from head to toe and not limited to faces. Overall, Vamyres will probably
never look at that much
better than it does here; Blue Underground's transfer seems faithful to the source and should
satisfy fans of low budget exploitative cinema.
Vampyres arrives on Blu-ray with a serviceable trio of soundtracks, a 7.1-channel DTS
lossless mix, a Dolby Digital 5.1 EX lossy presentation, and a Dolby Digital 1.0 track. The DTS mix
proves far richer and fuller than the original 1.0 mono track; it enjoys a more spacious and robust
feel over the film's opening title sequence, which proves to be just about the most
sonically-engaging part of the film. The DTS track spreads things out to each channel, but
most of the rest of the movie is presented with minimal sound effects and is certainly a front-heavy
presentation. There's a good, haunting support structure to be heard in some of the interior castle
scenes; a constant low humming that seems evenly spread about the room and plays as somewhat
convincing adds a nice amount of atmosphere to several scenes. However, outdoor ambience is
limited and not particularly engulfing or convincing, though several rolls of thunder and light falling
rain occasionally make for a halfway pleasurable and realistic environment. Dialogue reproduction is
steady
throughout. Vampyres may not make for a stellar track, but Blue Underground's
presentation acquits itself well enough given the film's age and low budget.
Vampyres lures viewers in with the inclusion of a few supplemental features. First is a
commentary track with Director José Ramón Larraz and Producer Brian Smedley-Aston. The
participants jump straight in and recall the look and performances of the two lead female vampires,
the politics surrounding the production of the picture, the assemblage of the cast, shooting
locations, and more. There are also plenty of interesting anecdotes surrounding the shooting of the
film. Next is Return of the Vampyres -- Interviews with Stars Marianne Morris and Anulka
(480p, 13:39). The piece intercuts recent interviews with both actresses to tell the story of the
movie and its production, interspersed with numerous clips from the film. Rounding out this
collection of extras are the
film's international (1080p, 2:33) and U.S. (480p, 3:05) trailers.
Vampyres isn't a very good movie, but it serves as a pretty good example of low
budget/erotic/exploitative filmmaking. It's rough, unconvincing, poorly-acted, meandering, and
boring, but it's worth checking out as a curiosity if nothing else. There are better cult films out
there, and there are worse, though Vampyres still ranks pretty low on the list. It's a good
film for a lazy afternoon and as a demonstration of filmmaking that's professional but far from
memorable. Blue Underground's high definition release of Vampyres should satisfy fans.
The technical presentation is about what one should reasonably expect of a movie of this sort, and
the
supplements are few but worthwhile. Recommended for fans of cult and unusual cinema.
Blue Underground has announced that they will bring the cult horror film 'Vampyres' to Blu-ray on March 30th. Often edited by censors around the world, the film, which is also known as 'Daughters of Dracula', will be presented uncensored utilizing a new 1.85:1 ...
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