W.E. Blu-ray delivers great video and audio in this fan-pleasing Blu-ray release
Two love stories, one historic and one contemporary, are interwoven. The famous romance between King Edward VIII and American divorcée Wallis Simpson is juxtaposed with the affair of a Russian security guard with a New York trophy wife Wally Winstrhop. Wally is obsessed with the story of Edward and the woman he loved, and embarks on her own research of their life together, even attending the Sotheby's auction of the Windsor Estate. She comes to see that their relationship, although glamorous, was not the perfect one that she had imagined it to be.
For more about W.E. and the W.E. Blu-ray release, see the W.E. Blu-ray Review published by Martin Liebman on April 19, 2012 where this Blu-ray release scored 3.0 out of 5.
Madonna makes the move from the microphone to the movies with her first major motion picture W.E., a love story in the shape of a classic, a
picture that desperately wants to ascend to genre heights occupied by only the finest pictures but that proves a bit overzealous on its stumbling
journey up the cinematic slope. The singer-turned-director puts together a fair picture, one that's not without its share of problems but that comes
together serviceably well after a sluggish opening act. Unfortunately, the material lacks depth and the dueling stories work better separately; W.E.
probably would
have succeeded beyond what Madonna's accomplished with the whole had she crafted two separate pictures, one the historical romance and the other
the modern story told against the backdrop of, not intermixed with, the timeless tale of Wallis and Edward, or "W.E." (clever, no?). The picture
feels like some strange mishmash of The Iron Lady meets Julie & Julia, both flash backwards-flash forwards pictures, the former
sharing the same sort of visual stylings as W.E. and the latter about one woman's obsession with another and how that obsession shapes her
life. W.E. never quite gels, however, playing through a sluggish pace that's largely the result of a choppy narrative. Still, it's not bad for a first
major film, and Madonna shouldn't let the criticism dissuade her from stepping behind the camera for another movie in the future.
Tea and smokes.
Wally Winthrop (Abbie Cornish) -- named for the American Wallis Simpson (Andrea Riseborough) who married the English King Edward (James
D'Arcy) -- finds herself
obsessed with one of the most celebrated, and perhaps most misunderstood, fairy tale romances of all time. Wally is herself struggling through an
unhappy marriage. She's married to William (Richard Coyle), a prestigious doctor whom she suspects of infidelity. William overwhelms her,
attempting to control every area of her life. She finds solace in the story of Wallis and King Edward, a classic tale of love conquering even the great
power of the English throne. She attends a lavish Sotheby's auction of all things Wallis and Edward, where she comes to befriend a widower named
Evgeni
(Oscar Isaac), a man who, unlike her husband, shows her respect and an interest in her welfare and obsession with the scandalous English
marriage. W.E. tells both stories simultaneously, that of Wally in the modern world and the timeless tale of Wallis and Edward in mid-20th
century England.
Madonna's W.E. badly stumbles out of the gate but only picks up steam once the director seems to achieve a firmer grasp on the art of
storytelling, not simply making a pretty moving picture. The entirety of Madonna's W.E. enjoys all of the polish and splendor of the finest
period pieces. It's a movie with everything in its place and all very much photogenic, from the smallest accents then and now to the appearance of
the actors who shape the movie beyond the visuals. Yet for as superficially resplendent as the picture may be, it lacks structural cohesion. The
story is fine, but never does it really impart any sort of importance. It follows a casual obsession and really serves only to reinforce what the
character already knows, particularly as she sorts out her own troubled life. The picture does gain traction as the characters become
more fully rounded and the specifics of their lives and circumstances become more clear, but even then the movie enjoys only a casual sort of
relationship with its audience, more showing them the story rather than involving them in it. The end result is a well-made picture
that borders on the dazzling in terms of fit and finish, but most of the plusses run only skin-deep.
The picture also never really solidifies the pacing and structure of the back-and-forth time shifts. They're jolting and clunky, sometimes difficult to
follow in the moment, and the cohesion between then and now and back again seems at best cursory, the film never truly solidifying the transitions
or making them thematically seamless. Once the picture finds its rhythm and the parallels between periods become more clear, it works much
better. The first act borders on the
unwatchable/disastrous simply for a lack of a more immediate understanding of the who's, what's, and why's, with only the when's and where's
really only sinking in on first attempt. The cast does a fine job with the material, but the shifting between periods means less time for character
development and solidification, and the end result is a movie that fails to truly paint the fullest picture possible of its players. That's really the
constant throughout the film; W.E., even considering its two-hour runtime, doesn't seem to have enough minutes in its final product to
make the movie feel complete. That returns the review back to the idea that this movie might have worked better as two separate entities, each
given the
appropriate focus and breathing room to show that there is indeed two tales worth telling in what is here the singular W.E.
W.E. arrives on Blu-ray with a steady and good-looking 1080p transfer. The image appears with a slightly washed out, toned-down color
palette. Rarely is the film extremely vibrant, instead taking on a slightly cold, blue-gray heavy muted appearance. A few brighter green grasses and
various accents offer some vibrancy, but the image is certainly dominated by its particular palette. In turn, black levels appear frequently washed out,
and skin tones look rather pasty and flat. Fine detail, on the flip side, is quite strong. Complex facial details, clothing textures, and the like appear very
nicely defined and accurate. The image enjoys a light grain structure and plays with a handsome film-like texturing. Banding, blocking, and such are
largely absent. This film may be a bit flat and dull by design, but the Blu-ray transfer handles the picture's natural appearance nicely.
W.E.'s DTS-HD MA 5.1 lossless soundtrack impresses with the film's every scene. Music carries smoothly and naturally, filling the soundstage
with the sort of richness and authenticity listeners expect of a high-end lossless presentation. It's very well-spaced and naturally enveloping. Chapter
eight's music enjoys more force and a strong and balanced low end. Chapter eleven's auction/dance montage features the most raw energy, the scene
playing vigorously but sonically balanced and accurate. Ambience carries nicely, whether a ringing telephone or the light background noise at a crowded
auction house. Dialogue is smooth and even as it flows accurately and consistently through the center channel. This is one of those tracks that may
not dazzle in the broadest sense of the term, but the track's exacting execution will please audiophiles.
W.E. contains only one supplement, The Making of 'W.E.' Featuring Madonna (480p, 22:36). This overview piece features cast and
crew speaking on the the picture's dual stories, the history behind the tale, the characters as they were and as they are in the film, casting, costumes,
cast preparation for the roles, shooting locales, Madonna's direction, and more. DVD and Digital Copy discs are also
included.
Set aside any preconceived notions about a period Drama/Romance directed by a Pop legend, or take the name "Madonna" out of the equation entirely,
and see that W.E. shows promise, that there's a fair picture -- or maybe two good ones -- to be enjoyed. The film as it is takes too long to
develop and it never
really solidifies any single aspect insofar as its thematic structure is concerned. It would have played far better as two separate pictures rather than one
that tries to be everything and comes up short, doing a disservice to both sides of the W.E. coin. The film does look fantastic and Madonna's
direction isn't all bad, but the superficialities cannot mask the picture's general shortcomings. Anchor Bay's Blu-ray release of W.E. features
excellent video, strong audio, and one supplement. Fans not concerned with the lack of extras may buy with confidence, but most interested parties
would be best served with a rental.
