Wall Street Blu-ray offers decent video and mediocre audio in this enjoyable Blu-ray release
In this riveting behind-the-scenes look at big business in the 1980's, an ambitious young stockbroker is lured into the illegal, lucrative world of corporate espionage when he is seduced by the power, status and financial wizardry of Wall Street legend Gordon Gekko. But he soon discovers that the pursuit of overnight riches comes at a price that's too high to pay.
The main thing about money, Bud, it makes you do things you don't want to do.
Director Oliver Stone's name has become synonymous with "controversy," but love his films or
despise them, there's no denying an underlying allure to his projects -- not to mention superior
technical craftsmanship and the director's keen sense of storytelling -- that make his pictures well
worth seeing and many of them worthy of the "classic" label that both critics and fans alike have
bestowed on his works, from Platoon to World Trade Center.
One of Stone's best-loved pieces, the 1987 epic of high stakes business, wealth, greed,
arrogance, and the human conscience, Wall Street failed to earn a Best Picture or Best
Director nomination but did land star Michael Douglas (Romancing the
Stone) a well-deserved Oscar win as the year's best actor in a film littered with fine
performances in a story of 1980s excess and the pros and cons of big business and manipulation
in the name of earning more money in a quarter or on a "hot" stock tip than most could hope for
over the span of
multiple lifetimes.
I like money.
Bud Fox (Charlie Sheen, Navy Seals) is a
young
stockbroker with aspirations of being more than one of the dozens of invisible office drones at the
Wall Street firm of Jackson-Steinem. Not only is his career at a standstill, but he's in debt, living
in
a cramped apartment, and taking small loans from co-workers and his father Carl (Martin Sheen,
The Final
Countdown),
a longtime employee of Bluestar Airlines. Fox seizes an opportunity to meet with millionaire
trader Gordon Gekko (Douglas) and piques his interest with an insider tip on the future of
Bluestar. Impressed, Gekko takes Fox under his wing and together they work the system to
mutual
benefit, each quickly earning untold dollars through both a keen insight into the market and
plenty of illegal maneuvers, including corporate espionage and a manipulation of the market and
several large industries. As Fox rises in stature, he meets an alluring interior decorator named
Darien (Daryl Hannah, Blade Runner) and
begins living the high life as a major player on Wall Street. Can Fox withstand the assault on
his soul that's a constant counter to his newfound wealth and power?
Wall Street is a classic tale of evil manipulating good, though not in a "saint and sinner"
sort of way. Instead, it's a dramatized fictional tale of an era where money was king and
everyone was scratching to get to the top, where morals, hard work, honesty, integrity, and any
other semblance of right and wrong often succumbed to the power of wealth and the allure of
stature. Wall Street isn't necessarily an admonishment of the system; it's more a
criticism of those who would manipulate it and cheat their way to the top, offering a hard look at
the consequences not just on the bank account but, far more importantly, on a man's soul.
Wall Street revels in its glossy yet unforgiving look at the high life and the countless
hours of work and manipulation behind it, but the picture's true redeeming value comes in its
final act where the choice between right and wrong is shown to have lasting consequences
on both sides of the ledger, the film demonstrating that the equation that takes from the bottom
for the sake
of the top doesn't always calculate. Indeed, Stone delivers more an indictment of the human
condition as it was in the 1980s rather than the system itself, the picture ultimately about
principles and of allegiance not
only to a financial system but to a system of beliefs and the contrast between dollars in the bank
and the price of a man's soul.
On a more base level, Wall Street is another technically sound and thematically engaging
picture from Oliver Stone. What the film lacks in flow -- it can play as somewhat stiff at times --
it more than makes up for in theme and the performances of an exemplary ensemble cast that
has as background players a collection of talent that could headline any number of pictures.
Terence Stamp, John C. McGinley, Hal Holbrook, and James Spader are the cream of the crop of a
collection of actors that, like the film's leads, positively devour the material and blend in with the
film to give it a completely convincing feel. Leads Michael Douglas and Charlie Sheen are
spectacular in their respective roles, Douglas' Oscar-winning performance scene-chewing in every
frame as a grizzled, no-holds-barred sort that's become a slave to the system and a master of
manipulation, the actor playing the part in a way that allows the audience to at once both admire
and
despise him. Though Douglas walked away with the accolades, Wall Street is the story of
Bud Fox, and Sheen, as he did in Stone's Platoon, plays a fresh-faced and determined but
nevertheless green and unsure individual that gets sucked into a devastating world that wrestles
his soul and torments his spirit, leaving him to choose right or wrong and in the process place
everything he holds dear -- in Wall Street his wealth, stature, and family -- on the line
for the betterment of his emotional well-being. Sheen's performance is every bit the match for
Douglas's, but then again, he doesn't deliver the movie- and career-defining line, "greed is good,"
that helped win Douglas the recognition for his part. Only Darryl Hannah suffocates the film with
an uninspired and dreary effort that plummets the movie from its otherwise brilliantly-conceived
and executed perch.
Wall Street debuts on Blu-ray with a dim and bleak 1080p, 1.85:1-framed transfer. The
picture's opening title sequence inspires absolutely no confidence that Wall Street will be a
particularly handsome film or one that's bound to look great in high definition; it's dark, lacking
depth, and appears smeary, hazy, drab, and features flesh tones with a decidedly red/orange tint.
Unfortunately, the transfer retains these same attributes throughout, lending to the film a harsh
and dreary tone. Fine details can look a bit flat and undefined but general objects -- such as the
dinosaur computer terminals seen throughout the film -- boast adequate detailing, though more
intricate textures and visual nuances are nowhere to be found. A heavy level of grain is layered
over
the entire picture to give it a rough film-like texture, and only a few scattered artefacts and speckles
of dirt
intrude over the picture. It's not that Wall Street boasts a terrible transfer; it's rather
technically sound but one of the least visually-appealing movies one's likely to find on Blu-ray.
Wall Street's DTS-HD MA 5.1 lossless soundtrack is best described as "paltry." There's
virtually no sense of space or depth to the mix, the majority of the material cramped straight up the
middle with little support from the sides and barely a hint of back-channel activity. Of note is that
there's practically no sense of immersion into Fox's hectic office environment. For as bustling and
busy as the locale generally is, there's nary a hint of a support structure to make the listener feel a
part of the environment. Background sound effects are mushy and generally limited to the center,
though a restaurant scene featuring Fox's first meeting with Gekko outside the office does feature a
token back channel presence that's fairly sloppy and not in the least bit a positive addition to the
track. Music occasionally bleeds into the backs but lacks any kind of real heft or clarity, and while
dialogue is sometimes a bit rough around the edges and harsh in tone, there's never a problem with
discernment. Like its video presentation, Wall Street's lossless soundtrack is about as bland
and lifeless as they come.
Wall Street's Blu-ray release features several bonus materials, the collection headlined by
an audio commentary track with Director Oliver Stone that follows his optional introduction to the
film (480p, 1:03). In his commentary track, Stone smartly and engagingly but also reservedly
and perhaps even a bit humbly covers his filmmaking style, the process of following up on his
Oscar win for Platoon, his past works and writing scripts, his decision to craft a
business-centric film and the influence of his father on the project, the work of the cast with
emphasis on Douglas' performance, Stewart Copeland's score, shooting on the floor of the New
York Stock Exchange during real business hours, and much more. Stone occasionally lapses into
the trap of recounting the action on-screen and falls into long gaps of silence, but fans of the film
and its director will nevertheless find enough in here to make it a worthwhile listen. Also
included are two documentaries that both come in at just under an hour in length:
Greed is Good (480p, 56:37) and Money Never Sleeps: The Making of 'Wall
Street' (480p, 47:38). Both documentaries feature many Oliver Stone comments that
overlap from the
commentary but these nevertheless prove quality pieces with various cast and crew sharing their
thoughts on the film's themes and structure, the role of Wall Street in their careers, the
technical aspects behind the making of the film, and much more. Of note is that Greed is
Good also features several real-life Wall Street executives sharing their thoughts on the film,
including its themes, realism, and staying power.
Both pieces also feature extensive clips from the finished product. Also included is a collection of
deleted scenes (480p, 22:39) with optional Oliver Stone commentary and 1080p trailers for Cast Away, The Devil Wears
Prada,
Kingdom of Heaven,
and Phone Booth.
Perhaps the classic film about the 1980s, nothing says "greed" like Wall Street and nobody
says "greed is good" quite like Michael Douglas. Although best known for a singular line and as
another feather in Director Oliver Stone's cap, Wall Street proves a deeper film that's about
the plight of a soul in the unforgiving atmosphere of big business and bigger money, the picture not
necessarily a scathing look at Wall Street at-large but more a critique of the men who would
unscrupulously use the system to satisfy the needs of excess and wealth in the 1980s. 20th
Century Fox's Blu-ray release of the 1980s classic boasts a strong collection of
extras but sports a middling 1080p transfer and a dull lossless soundtrack. Wall Street is a
film that's a necessary addition to any serious collection, and for potential buyers who don't own
the film on DVD, this Blu-ray is worth a purchase given its current bargain price and despite a
mediocre technical presentation that nevertheless seems faithful to the source.
Twentieth Century Fox Home Entertainment has officially announced and detailed Wall Street: Money Never Sleeps for Blu-ray release on December 21, in a Collector's Edition BD. A digital copy will be included. This Oliver Stone sequel to his 1987 hit Wall Street ...
An early announcement to retailers indicates that Twentieth Century Fox Home Entertainment will release Wall Street: Money Never Sleeps in a Collector's Edition Blu-ray on December 21. A digital copy will be included. This Oliver Stone sequel to his 1987 hit Wall ...
During the ongoing 2010 Cannes Film Festival, Wall Street: Money Never Sleeps, Oliver Stone's sequel to Wall Street, was shown out of competition. It will open in theaters in September (delayed from an initial date of April). To mark the occasion, Twentieth Century ...
