Watchmen: The End is Nigh Complete Experience Blu-ray delivers stunning video and reference-quality audio in this exceptional Blu-ray release
In an alternate reality, it's 1985, costumed superheroes are part of the fabric of everyday
society, and the "Doomsday Clock" - which charts the USA's tension with the Soviet Union - is
permanently set at five minutes to midnight. When one of his former colleagues is murdered,
the washed-up but no less determined masked vigilante Rorschach sets out to uncover a plot to
kill and discredit all past and present superheroes. As he reconnects with his former crime-
fighting legion - a ragtag group of retired superheroes, only one of whom has true powers -
Rorschach glimpses a wide-ranging and disturbing conspiracy with links to their shared past and
catastrophic consequences for the future. Their mission is to watch over humanity...but who is
watching The Watchmen?
"Watchmen" is a great many things to a great many people. To some, it's legendary writer Alan Moore and artist David Gibbons' masterwork; a complex, groundbreaking piece of literature in the guise of a hefty graphic novel; an unrivaled achievement that continues to gather readers to its fold some twenty-three years after it first took the comics industry by storm. To others, it's both daunting and impenetrable; a dense, confusing epic that requires more attention, reflection, and introspection than some readers are willing to invest. Regardless of where you stand, it's difficult to deny the impact and influence "Watchmen" has had on film, comicbooks and, most recently, the profitable mingling of the two. But even though the original graphic novel has been heralded by critics the world over for the last two decades, Moore and Gibbons' subversive superhero stunner has long been considered unfilmable. Screenwriters have thrown down their pens, countless directors have walked away, and studios have shuddered at the notion.
Enter Zack Snyder. Hot off the striking artistry and unexpected success of 300, Snyder brushed aside suggestions that he radically alter the original source, poured over Moore and Gibbons' every page and note, and simply decided to film the unfilmable.
"Dark and depressing" doesn't even begin to describe Snyder's faithful adaptation...
Set in an alternate '80s America (where Richard Nixon is serving his fourth consecutive term as president after using superpowered "heroes" to swiftly win the Vietnam War), Watchmen opens with the death of Edward Blake (Jeffrey Dean Morgan), a washed-up nobody who means little to the policemen scraping his corpse off the sidewalk. However, to a borderline-psychotic vigilante named Rorschach (Jackie Earle Haley), Blake was actually the Comedian, a depraved superhero of sorts who made more than a fair share of enemies over the years. Convinced that Blake's killer is plotting the murder of other former heroes, Rorschach sets out to warn his once triumphant, now scorned and dejected colleagues -- Dan Dreiberg, aka the Nite Owl (Patrick Wilson), a stodgy coward who would rather stay out of sight; Laurie Jupiter, aka the Silk Spectre (Malin Akerman), a perpetually victimized failure who wraps her identity in whatever man she falls for; Adrian Veidt, aka Ozymandias (Matthew Goode), a wealthy, calculating entrepreneur whose greatest asset is his arrogance; and Doctor Manhattan (Billy Crudup), a scientist whose ability to manipulate matter has transformed him into an inhuman demigod. As Rorschach and the ex-heroes begin to uncover the roots of a terrifying conspiracy, the crime fighters encounter far more than they bargained for: a villain willing to sacrifice an entire city to see his twisted agenda come to fruition.
As the story unfolds, Snyder follows in Moore and Gibbons' footsteps and fleshes out the world of Watchmen with meticulous attention to detail. With a wonderfully bleak and wordless montage (set to Bob Dylan's "The Times They Are A-Changing"), he gives viewers a succinct overview of the rise and fall of golden age heroes, the emergence of their cynical and nihilistic replacements, and the world's ultimate reaction to the new regime of superpowers. From there, the young director weaves flashbacks, revelations, and numerous subplots into the central narrative to create a nonlinear experience many comic-to-film adaptations avoid altogether. We learn about the Minutemen (a team of freedom fighters who preceded the Watchmen), their tarnished legacy, the heated rivalries that were abandoned when masked heroics were outlawed, and the in-fighting that occurred behind closed doors. But most of all, Snyder provides glimpses into the soul of each man and woman who crosses the screen; into the very nature of those placed into positions of power and left to their own devices. We're faced with their faltering humanity, their at-times callous disregard for human life, and their raging inner-conflicts.
Long before Watchmen has reached its provocative endgame, Snyder has submerged his audience into the darkest depths of the human heart. Murder, rape, revenge, insolence, pride... regardless of the subject matter at hand, his camera is unflinching, and his fittingly morose atmosphere remains unparalleled. Like Moore and Gibbons, Snyder isn't interested in the flashy superheroics of the genre, nor is he distracted by the bubblegum idealism proliferated by the industry's earliest icons. His eye is pulled toward the bloody edges of sanity; the vicious tit-for-tat genuine vigilantes would bring to the table; the unsettling ease with which normal men and women would abandon their moral fortitude if they had no fear of consequence. He revels in the psychological tatters of his characters' minds, and the duality of their purpose and motivations. He pulls the best out of his cast -- Crudup brings Manhattan to life, Haley is an absolute revelation, and Morgan portrays the Comedian as a fittingly tragic nightmare -- and manages to deliver a grim ensemble piece that leaves no ugly stone unturned.
I know a lot of purists were underwhelmed or disappointed by the results and inevitable omissions, but I didn't have the same hangups. Moore apologists were appalled by a significant change to the third act (involving space-faring calamari of all things). I thought his changes streamlined the story, strengthened Manhattan's purpose in the tale, and eliminated the need for unnecessary exposition he wouldn't have had time to incorporate into the film anyway. Comic shop veterans were annoyed by the number of supporting characters that were neglected by the time-constrained director. I'll wager this new 186-minute Director's Cut will put many of those concerns to rest. Viewers who hadn't cracked Moore's graphic novel were unprepared for the film's meandering pace, dense backstory, and character-centric action. I believe it perfectly represents the tone and atmosphere of everything Moore and Gibbons committed to the printed page. Critics were bothered by the level of faithfulness he brought to the project, confusing his love of the material for a cinematic weakness. I say Snyder's hand is perfectly visible in the piece, as is his flare for the visually dramatic, and I wouldn't have it any other way.
Is that to suggest Watchmen is perfect? No, I'll readily admit to some concerns of my own. Akerman is a bit bland (a shortcoming somewhat remedied by the appearance of several key scenes that have been reinserted into the Director's Cut); the amped-up superheroics of Nite Owl, Silk Spectre, Ozymandias, and others seems to go against Moore's everyday-vigilante concept; and I missed a few emotional gut punches that always resonate with me when I read the original limited series (Jon and Laurie standing amidst thousands of mangled corpses, for one). At the same time, I can't imagine a more remarkable adaptation, and I'm in awe of Snyder's ability to juggle so much and drop so little. I know Watchmen will continue to divide audiences as much as its predecessor will continue to divide modern readers but, once given the opportunity to absorb the film multiple times, I think that Snyder's adaptation will continue to grow on both its fiercest fans and harshest detractors. Personally, I'm enamored with its every sequence, shot, and frame.
I know more than a few people who were blown away by The Dark Knight's arrival on Blu-ray, but I was one of those sad saps who couldn't get past its alternating aspect ratios, its overheated contrast, and the rampant edge enhancement on display. As such, I approached Watchmen with a bit of hesitation, worried Warner's 1080p/VC-1 transfer would suffer a similar fate. I'm pleased to report that isn't the case. Not only does Watchmen retain all the brooding grittiness Snyder intended, it boasts a filmic presentation complete with unobtrusive grain, clean object definition, revealing textures, and striking skintones. That's not to say the film's absorbing gloom and bottomless blacks have been tempered -- just as Gibbons used heavy inks in 1986, Snyder uses similarly stark shadows in 2009 to bathe his rendition of Moore's city in darkness -- but, in my humble estimation, the somber elements of the picture never appear overcooked or artificial. Witness the pores dotting Rorschach's unmasked face, the flecks of blood splashed across the Comedian's stubbly chin, the remnants of a devastated metropolis, the bits of rubble raining down from Jon's emerging fortress, the controls in Dan's ship, the... I could go on and on, but I'll save you three paragraphs.
If I have any complaint it's that the image isn't quite perfect. While artifacting, aliasing, and unintended noise are nowhere to be found, the blue glow of Doctor Manhattan's skin is the source of some faint banding and other minor digital anomalies. Likewise, while it's kept to a bare minimum, slight (almost negligible) ringing appears on occasion. Regardless, the encoders at Warner have outdone themselves with Watchmen, creating a high definition transfer worthy of legitimate praise. I'm sure some viewers will inevitably gripe about Snyder's aesthetic choices but, as far as technical presentations go, this one is stunning.
Warner makes its long-rumored leap to DTS-HD Master Lossless Audio with Watchmen, and what a leap it is. While a Dolby TrueHD track would have delivered an equally impressive sonic payload, the DTS-HD Master Audio 5.1 surround track included on this release is a marvelous, memorable endeavor that captures all the power and fury of Snyder's ode to dark superheroics. Dialogue is crisp, clean, and impeccably prioritized in the mix, imbuing Dan and Laurie's hushed conversations with the same care afforded to their less-than-subtle prison break. LFE output is refined as well, adding heft and presence to every potent punch, gut-churning teleportation, and deafening explosion. Rear speaker aggression rounds out the lossless trifecta with enough ambient effects, musical score support, and atmospheric acoustics to satisfy the needs of a dozen separate audio tracks. Not only are pans as smooth as they come, directionality (while intentionally skewed at times) is precise and the resultant soundfield is eerily enveloping. Even key cues from the soundtrack resonate: Leonard Cohen's baritone lulls in "Hallelujah" are deep and satisfying, Bob Dylan's nasally whine is sharp and stable in "The Times They are A-Changing," and Simon and Garfunkel's "Sound of Silence" has never sounded better.
Despite its comicbook roots, Watchmen is as much an aural experience as it is a visual one. To that end, Warner's faithful DTS-HD Master Audio track fulfills Snyder's every demand and the film's every need. Fans will be bouncing in their seats at the sheer sonic majesty of this one.
This 2-disc PS3 exclusive is slightly different from the standard-issue 3-disc Blu-ray release. It still includes Zach Snyder's 186-minute Director's Cut, Warner's absolutely magnificent Picture-in-Picture track, a half-hour of Focus Points, and three additional documentaries (which can be found on the second disc), but it dumps the Digital Copy of the theatrical cut. In its place, it offers fans a pair of PS3 arcade games -- The End is Nigh Parts 1 and 2 -- that feature Rorschach, Nite Owl, and a whole bunch of pesky criminals.
Maximum Movie Mode: I've returned from the future, dear readers, and I can tell you it's a bright and wonderful place. Warner's Maximum Movie Mode isn't just another Picture-in-Picture visual commentary, it's a sprawling, multifaceted, interactive minefield of information that never relents or grows dry. Director Zack Snyder appears throughout the film, standing confidently in front of two large screens -- one plays the feature itself, and one serves up behind-the-scenes footage and other goodies -- that he uses to immerse viewers in every conceivable aspect of his production. He comments on specific details, pauses the film to point out things fans might have missed the first (or fifth) time around, and takes complete advantage of the rare opportunity presented to him, controlling both the pace and direction of the proceedings. At the end of each chat with the director, the camera darts over Snyder's shoulder towards one of the screens, either returning to the film or engaging in a more traditional PiP experience.
Moreover, as the track barrels along, trivia, timelines, side-by-side comicbook-to-screen comparisons, featurettes, and interview segments pop up for your viewing pleasure. Did I mention the presentation is seamless? Nay, flawless? That's right, there aren't any hiccups, annoying load times, or awkward delays in the track's progression or the film's playback. In fact, the shockingly fluid experience is only put on hold if a user presses enter (when prompted, of course) to access storyboards, interviews, or other supplemental video content. In short, Warner's Maximum Movie Mode is an astounding addition to this release that obliterates every other PiP offering I've ever encountered. The future is an amazing place, my friends, and I hope to return to it again and again for years to come.
Watchmen Focus Points (HD, 36 minutes): You can also view some of the Maximum Movie Mode's individual featurettes from the menu. Included are informative shorts like "The Minutemen," "Sets and Sensibility," "Dressed for Success," "The Ship Has Eyes," "Dave Gibbons," "Burn Baby Burn," "Shoot to Thrill," "Blue Monday," "Attention to Detail," "Girls Kick Ass," and "Rorschach's Mask."
The End is Nigh Parts 1 & 2: For those of you who already purchased and played The End is Nigh Part 1, this release is a waste of time and money. Unless you have extra cash to burn or absolutely can't wait for Part 2's official release (July 29th on PC, July 30th on PSN, and August 26 on XBLA), newcomers are the only ones who will possibly enjoy this edition.
But what about the quality of the games? Are they even worth the additional cost? Sadly, no. The End is Nigh is a decidedly dated beat-em-up that tosses wave after wave of predictable enemies in your chosen character's direction. There's an initial bit of fun to be had playing as Rorschach and Nite Owl -- particularly since each one boasts slightly different fighting styles reflective of their individual personalities -- but button mashing is button mashing. Once you figure out the combo that works for you, your trek through dreary rooms and dismal alleyways becomes a redundant exercise in tapping the same button again and again and again. I haven't had the opportunity to plow through Part 2 yet, but it isn't set to break the mold in any way (other than injecting some new enemy models, levels, and other superficial changes into the mix).
My advice? If you're still interested in the games, download the demo of Part 1 on PSN or XBLA and try playing it for an hour. If you aren't bored out of your skull, this release may be worth your consideration.
The Phenomenon: The Comic That Changed Comics (HD, Game Disc, 29 minutes): This exceedingly thorough, unexpectedly revealing retrospective delves into the creation of Alan Moore and David Gibbons' acclaimed graphic novel. Even though the notoriously reclusive Moore is missing from the mix, the film's cast and crew, a handful of DC Comics executives, Gibbons, and other notable figures dissect the groundbreaking comic, discuss its influence, and its timeless relevance. I would normally cringe at the endless adoration on display, but considering they're talking about a revered work like "Watchmen," the praise rarely seems overenthusiastic or unwarranted.
Real Superheroes: Real Vigilantes (HD, Game Disc, 26 minutes): An in-depth and refreshingly serious examination of vigilantism throughout American history, particularly the '70s and '80s, and even the 21st century. It digs into New York's Guardian Angels organization, the actions and trial of Bernard Goetz, the realities of the Old West, volunteer border patrolmen, overzealous police officers, and an amusing pair of "real" superhero vigilantes (one sporting a low-rent T-shirt, the other a black helmet) in need of immediate counseling. Along the way, the documentary continually turns its attention to Rorschach and the characters of Watchmen, Moore's use of vigilantism as a fundamental launchpad in his original graphic novel, and society's temptation to romanticize and justify such behavior.
Mechanics: Technologies of a Fantastic World (HD, Game Disc, 17 minutes): This secondary featurette is definitely lighter in tone, but remains as informative and candid as the material preceding it. It follows the film's director, production designers, and department heads as they attempt to make the science and technology that appears in the film as plausible as possible.
Music Video (HD, Game Disc, 3 minutes): My Chemical Romance's "Desolation Row."
Exclusive Artwork: The End is Nigh game-disc also includes exclusive artwork for your perusal.
Amazon-Exclusive Poster and History of Watchmen Timeline
BD-Live Interactivity and Exclusive Downloadable Content
Also, allow me to thank message board poster "FungManHin" for being the first reader to point us in the direction of this release (which we didn't have in our database). Your efforts and helpful tips are appreciated, sir!
Like Moore and Gibbons' original masterwork, Zack Snyder's Watchmen will never appeal to the masses as readily as films like The Dark Knight and Iron Man. However, it's a smart and faithful adaptation that challenges its viewers, pushes its fans, and makes the most of its every frame. Thankfully, the Blu-ray presentation of the film is just as rewarding, boasting a near-perfect video transfer, an astounding DTS-HD Master Audio track, and a fantastic PiP Maximum Movie Mode. As for this specific edition, gamers who are willing to sacrifice the Digital Copy included with the regular Director's Cut release will score two overpriced PS3 arcade games. Personally, I would pick up the 3-disc Blu-ray release and download the demos of the two games (via PC, the Playstation Network, or Xbox Live Arcade), but I'm not everyone. Regardless of which Blu-ray edition of the film you choose, Watchmen is a must-have release that videophiles, audiophiles and gamers will be overjoyed to add to their collection.
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