Young Frankenstein Blu-ray delivers stunning video and solid audio in this exceptional Blu-ray release
An affectionate parody that pays homage to the Frankenstein films (from the novel
'Frankenstein' by Mary Shelley) directed by James Whale in the 1930s, 'Young Frankenstein'
is both a zany comedy and a cinematic tour de force. Written by director Mel Brooks and
the film's star, Gene Wilder, 'Young Frankenstein' has all the usual--and in this case slightly
unusual--suspects: the reluctant scientist Frederick Frankenstein, who is actually the
grandson of the infamous creature-creator (pronounced "Fronken-steen" and played by
Wilder), his spoiled fiancé (Madeline Kahn), Igor the pop-eyed hunchback (Marty Feldman),
his dizzy assistant (Teri Garr), the castle's hideous head housekeeper (Cloris Leachman),
and, of course, the Monster (Peter Boyle). Highlights include the sets, which are the original
ones used in the Whale films; the beautiful black-and-white cinematography; and the fine
screenplay. Combining noirish elegance with uproarious sight gags and double entendres is a
feat Brooks pulls off fabulously, directing the wonderful ensemble to act with sensitivity and
humanistic feelings as well as with lunatic abandon. 'Young Frankenstein' is a treat from
beginning to end.
Young Frankenstein is proof-positive that they just don't make 'em like they used to, but
then again, there is only one Mel Brooks (Spaceballs). The famed
comedian/writer/actor/producer/director's Hollywood career spans some 40 years, his movies
entertaining audiences since his 1968 debut and breakthrough comedy hit The
Producers earned him an Oscar and propelled him to the top of the comedy scene. That film
also earned Brooks favorite Gene Wilder (Stir Crazy) an Oscar nod for Best Actor in a
Supporting Role. The comedy duo's collaborations on The Producers, Blazing Saddles, and,
of course, Young Frankenstein is the stuff of Hollywood legend, the three films not only
representing Brooks and Wilder at the top of their games, but also representing three shining
examples of the Comedy genre at its best. Young Frankenstein remains today a classic
of monstrous proportions, its throwback (even for the 1970s) look and feel anything but
abnormal, its laughs still tickling the funny bone like an electric current, leaving audiences
humped over in stitches.
Trust me. I'm a doctor.
Dr. Frankenstein (Wilder) is a professor of anatomy trying to distance himself from a grandfather
known far and wide for being a fringe scientist, robbing graves in an attempt to re-animate dead
tissue. When he receives word that he has inherited the Frankenstein estate in Transylvania,
the professor travels to Europe where he is met by a humpbacked servant named Igor (Marty
Feldman) and a beautiful personal assistant by the name of Inga (Terri Garr, Close Encounters of the Third
Kind). Soon, Dr. Frankenstein becomes familiar with his grandfather's work and
manages to
re-animate the corpse of a recently departed larger-than-life individual (played by Peter Boyle),
but with an "abnormal" brain inserted into the cranium thanks to Igor's mishap at the local brain
depository. The abomination is capable of little more than walking and mumbling, certainly not
the creation Dr. Frankenstein had in mind. Meanwhile, the locals become outraged as they learn
this unholy work has one again been undertaken, and with the help of local inspector Kemp
(Kenneth Mars), they set out to destroy the monster, Frankenstein, and the secret laboratory
once and for all.
Before Young Frankenstein is past its title sequence, movie fans, particularly those who
treasure the classic black-and-white horror films of the 1930s, realize they are in for a treat. The
choice to shoot Young Frankenstein in black-and-white film stock and give to it a
nostalgic look and feel that allows it to nestle in with films shot while Mel Brooks was still in
elementary school proved to be a stroke of genius. The
simple combination of just the right somber music, throwback colorless photography,
large-lettered titles,
and a static shot of a creepy Transylvanian castle atop a steep mountain with only a single,
winding road leading to it creates a sense of excitement and anticipation as the film already takes
on notes of a classic in the making, a sequence as seemingly inconsequential as this lifting the
spirits in preparation for what is to come. What is so amazing about it is just how perfectly it fits
the mood of the rest of the film. Young Frankenstein is not slapstick comedy; it does not
make use of gross-out humor; there are few direct moments of comedy. The levity of the film
stems from its seriousness, the seemingly normal characters, and the dark, somewhat
frightening, foreboding locations. What makes the comedy work is that there is generally
something only ever-so-slightly off. A few alterations and Young Frankenstein could
work nicely as a stand alone spook movie. Instead, like any good parody, it takes it source
material seriously and adds in something just out of the ordinary that transforms the scene from
serious to hilarious. Brooks is a master of the art form; like Blazing Saddles and
Spaceballs, for example, he takes a classic theme, genre, or story and molds it just so to
retain a seriousness about its characters and drama, but certain elements are exaggerated and
lines of dialogue adjusted ever-so-slightly (while relying on the comic timing of the actors) to add
a comedic twist that results in a laugh-a-minute movie. Young Frankenstein is Brooks at
his best, all of the elements lining up just so to create an enduring comedic classic that hasn't
lost it touch in its 34 years, perhaps today overshadowed by the deluge of cheap comedy and
parody, but certainly not bested.
Like any well-scripted comedy, from Animal House to The Blues Brothers,
Young Frankenstein relies on the delivery and timing of its actors to seal the deal and sell
the material, and this entire ensemble nails the finest nuances of the film's Oscar-nominated
screenplay. Gene Wilder, one of the greatest comedians of the past several decades, delivers
what may very well be the defining performance of his career. His portrayal of Dr. Frankenstein
never disappoints, his character's serious intentions and deeds overshadowed by the routine
comedic overtones that accompany him. His delivery flawless, his look appropriately clean yet
somewhat disheveled, his timing impeccable, Wilder sets a standard for deadpan comedy
throughout Young Frankenstein. Marty Feldman plays his character, Igor, with a
childlike enthusiasm, the wide-eyed (a condition inherent to Feldman), humpbacked, goofy
character comic relief in a film packed to the brim with comedic undertones. Teri Garr, too,
delivers a memorable performance as Inga, Frankenstein's assigned Transylvanian assistant who
serves not only as eye candy but is also another character that serves up several great comedic
sequences. Kenneth Mars' performance as inspector Kemp, the foil to the Frankenstein monster
despite himself being a patchwork individual with a stiff wooden arm and an eyepatch, delivers his
thickly-accented dialogue and accentuated movements perfectly. Last but certainly no least,
Peter Boyle serves up the best Frankenstein cinema has ever seen outside of Boris Karloff.
Whether moaning and groaning as hot soup is poured on his lap by a blind hermit (portrayed by
Gene Hackman) or donning a
tuxedo and top hat as he dances the night away with Dr. Frankenstein, Boyle's portrayal of the
monster is exemplary.
Young Frankenstein reanimates on Blu-ray in a handsome 1080p, 1.85:1-framed
transfer. The black-and-white imagery is nothing short of beautiful, and Blu-ray definitely brings
out the very best of this transfer. The film's heavy grain structure is left intact here, and it helps
to add
an authentic, classic, film-like look to the transfer. Detail is very nice; the classroom scene that
opens
the film showcases nice depth in addition to detail. The clothing, chalkboard, and desks
all offer a nice appearance. Likewise, the fine attention to detail and the texture of the
Frankenstein castle walls look marvelous, and the secret laboratory's equipment appears larger
than life, crude, but nevertheless a series of fine looking props that shines on the disc. The film
exhibits the occasional spot and speckle on the print, but nothing that draws attention away from
the overall quality of the image or the look and feel of the film. Blacks are deep and dark,
shadows used to nice effect in several scenes, and some dark corners of the frame in select shots
look fantastic. The image is sharp and clear, never all that soft. Young Frankenstein is a
fine example of how a classic film can look on Blu-ray, in this case a superbly-rendered
black-and-white masterpiece. 20th Century Fox has proven capable of releasing stunning
transfers of the
classic films in their library, with recent examples being Planet of the Apes
and The Omen.
Young Frankenstein is no exception.
Presented with a DTS-HD MA 5.1 lossless soundtrack in addition to the original monaural
soundtrack, Young Frankenstein sounds just fine on Blu-ray, faithful to the original source
and never creating a false, over-exaggerated mix that fails to mesh with the content of the film.
Focused up the middle and rarely spreading out much further, and especially not into the rears, the
audio has a nice classic sound about it. Perhaps just a bit too loud at reference volume, as
demonstrated during the opening music in particular, the track is nevertheless robust but not
exhilarating. Dialogue is strong and clear. Sound effects are never overbearing or juiced up, just
as they were meant to be. The first time Frankenstein ascends to the top of the laboratory in an
attempt to bring the monster to life serves as a fine example. The lossless track builds on the mono
track, providing more clarity and precision, but not necessarily heads-and-shoulders superiority.
Young Frankenstein energizes viewers with a plethora of bonus materials. A
commentary
track with director Mel Brooks is first. Though he meanders a bit at the beginning, splitting
stories
between Columbia Pictures' reluctance to give the film the budget it needed and Fox's willingness
to
support the necessary budget, recounting the cast and crew, and discussing the origins of the
idea,
the track remains enjoyable. He goes on to discuss the shooting process and visual style of the
film,
offer stories pertaining to the background of the cast and crew, and the careful planning and
attention to detail that went into each and every scene. Brooks' affable, easygoing style and
passion for the project make this a track that flows well and is infinitely listenable, the track a
must-listen for fans of the film. Inside the Lab: Secret Formulas in the Making of 'Young
Frankenstein' is a BonusView-enabled (Blu-ray profile 1.1) feature. The feature begins with
Mel Brooks discussing the power of Blu-ray and how it makes him look "beautiful" now, as
opposed to how he looked like "Quasimodo" in standard definition. The color picture-in-picture
track goes on to discuss the influences on the film, parallels between Young Frankenstein
and the trio of Frankenstein films from the 1930s, the performances of the cast, the old
tradition of angry villagers with torches and pitchforks storming the castle, and more. For
viewers without a profile 1.1 player, Fox has once again provided the eleven segments separately,
presented in 480p, for playback on any Blu-ray player. A series of seven deleted scenes (480p,
16:27) are next. It's Alive! Creating a Monster
Classic (1080i, 31:16) is a well-paced look at the making of Young Frankenstein,
examining the origins of
the film (including going back to the original Mary Shelley text for inspiration), the growth of the
cast and crew over the course of the production, some of the on-screen improvisations, the
amazing sets, and more.
Making FrankenSense of Young Frankenstein (480p, 41:52)
features a heavy dose of Gene Wilder, intercut with several other participants, discussing the
origins of the project, writing a detailed script, assembling the film's stellar cast, shooting in
black-and-white, the look and feel of the sets and finding the right lighting scheme, the strengths
Mel
Brooks brought to the film, creating the film's special effects, and plenty of other material.
Transylvanian Lullaby: The Music of John Morris (1080i, 10:29) is a look at the film's
memorable score and the man who wrote it. The Franken~Track: A Monstrous
Conglomeration of Trivia is a basic pop-up trivia track that appears intermittently, offers up
fun facts about the film, and is best watched at the same time as the audio commentary track.
Blücher Button is simply a gag supplement. When selected, the disc remains on the
main menu and the neighing horse sound effect plays, a gag utilized several times throughout
the film when the name Frau Blücher is spoken. A series of outtakes (480p, 5:01) are next. The
disc also contains an isolated score, presented in lossless DTS 5.1. Mexican Interviews is
a series of two interviews in a mixture of Spanish and English, the first with Marty Feldman
(480p, 3:45) and the second with Gene Wilder and Cloris Leachman (480p, 2:53). A massive
series of production photographs (480p, 36:15), a series of TV spots (480p, 3:21), and five
trailers (480p, 7:07) conclude the supplements.
Young Frankenstein is a fine example of Mel Brooks' comedic genius. The film is a
wonderful parody of classic monster movies, shot with black-and-white film stock, taking its musical
cues, sound effects, and dialogue patterns straight out of the 1930s fright flicks, resulting in an
undeniable classic of the Comedy genre. Featuring a cast that, from top to bottom, understands
the film's intent and the importance of comedic timing, Young Frankenstein remains a
hallmark of Comedy, continues to be recognized for its simple, easygoing approach to parody
filmmaking, and only gets better with repeat viewings. 20th Century Fox's Blu-ray release of
Young Frankenstein is equally impressive. Featuring a strong video presentation that
remains true to the intent of the film, including an abundance of film grain, a center-focused
lossless soundtrack, and wide array of bonus materials, Young Frankenstein is a disc that is
worth owning. Highly recommended!
Since the early days of the format, Disney has been at the forefront of Blu-ray support, ensuring that consumers were able to purchase the best high definition home theater experience possible. Their critically acclaimed releases for films such as 'Pirates of the ...
Fox Home Entertainment has confirmed earlier retailer reports that they will bring the Mel Brooks' comedy classic 'Young Frankenstein' to Blu-ray on October 7th. They promises this disc will be one of the most advanced Blu-ray titles to come from the studio yet, ...
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