Saw IV Blu-ray delivers great video and superb audio in this fan-pleasing Blu-ray release
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grizzly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences.
For more about Saw IV and the Saw IV Blu-ray release, see Saw IV Blu-ray Review published by Martin Liebman on January 18, 2008 where this Blu-ray release scored 3.0 out of 5.
Warning: this review contains spoilers relating to earlier films in the Saw
franchise.
It's not over. The games have just begun.
Those words scare me perhaps more than anything I've witnessed in any of the films of the Saw franchise. A new
Saw movie comes out every Halloween. I would guess that the upcoming Saw
V will follow in the footsteps of this disc and not see the light of day on Blu-ray for about a
year. Thank goodness for life's little miracles. After watching the "quadrilogy" (to steal a word
from Fox) over the course of the past few days, witnessing Saw II, Saw III, and Saw IV for the first
time, I must admit that I'm not completely disappointed with the series. I've been impressed
that each film builds off the events of the previous films in the franchise, and even if things
continue to become more and more illogical, I'll give credit to the writers for trying to make the
Saw franchise into something other horror series just don't even bother shooting for.
I'm also impressed
with the way each movie wraps up at the end, all following a certain visual style as the secrets of
the film, and films past, are revealed to both the protagonists and to the audience. Don't get me
wrong, the Saw
films aren't masterpieces and I doubt I'll ever revisit them again, but they take a novel
approach to horror move franchise filmmaking, and for that I am grateful. That said, the last two
movies have stretched the story line pretty thin, and I can only hope that Saw V
manages to reel the franchise back into some semblance of a level headed, grounded story
without getting overly
complex or laughable.
The face of horror for a new generation.
As Saw IV opens, gore fiends are treated to an autopsy of Jigsaw's body. We see it
performed in excruciating, stomach churning detail. The
doctors find a micro cassette tape in the killer's stomach, which will prove to be important by the
end of the film. Meanwhile, investigators, along with
Officer Rigg (Lyriq Bent, reprising his role from previous films in the series), discover the location
of
detective Kerry's (Dina Meyer, also reprising her role from previous Saw films) corpse.
Investigators believe that the small statured Amanda (Shawnee Smith, veteran of the series) and
Jigsaw (Tobin Bell, Saw star) could not have suspended her body alone and that there
must be a third, as of yet unknown, associate on the loose. This assailant proceeds to attack
officer Rigg and when he awakens, he finds himself victim to a Jigsaw-esque game where he is
given 90 minutes to find detective Matthews (Donnie Wahlberg, Saw II) who is still alive and in the custody of
Jigsaw's mysterious assistant some six months later. Rigg must travel to several locations where
he is forced to choose whether to help victims escape from their traps or allow them to remain as
they are. As Rigg gets closer to finding detective Matthews, subsequent events lead the viewer to
realize that the events of Saw IV are actually happening in conjunction with those of
Saw III and several mysteries are revealed in clever fashion. There's just too much
going on to say anything else without spoiling some part of the film, so I'll stop here and allow
the movie, should you choose to watch it, to unravel the mysteries for you because everything
ties together in a very clever fashion.
Thankfully, Saw IV returns the series back to its roots, foregoing the extreme violence of
the third film in favor of a horror movie with a decent plot, decent writing, chills, scares, and
some mystery and thriller elements tossed in to make it a passable film. This is easily the second
bloodiest
film in the series, but the carnage is nonetheless toned down considerably in this film in
comparison to part III. Officer Rigg proved to be my favorite protagonist (or victim) in the series.
For once we get a somewhat competent hero who attempts the obvious before panicking or
acting foolish. When he awakens in his tub, about to begin the game, he checks the door for
traps and grabs his Beretta handgun before meandering around, calling out for someone, crying,
or doing various other stupid things horror movie victims do. Perhaps he's watched
Scream and knows the rules of horror.
Technically, this is the best Saw yet. It's obvious that the filmmakers are getting
comfortable with not only the characters and the material, but also with how they handle
themselves and the approach they take to making movies. Director Darren Lynn Bousman has
now helmed 75% of the series, and I think that is one of the reasons Saw IV worked as
well as it did, namely because of his passion for the franchise and heavy involvement in it. As
I've
mentioned in my reviews for the other Saw films, these movies are meant as escapist
films, not anything overly profound or important, although there can be a certain higher meaning
too if one wants to dig pretty deep for it. I'm certainly not in love with the series but the
continued reliance on one ongoing story rather than sequel after sequel of disjointed stories that
are mostly carbon copies of one another is certainly a welcome change of pace for this casual
horror fan.
Black bar haters, rejoice. Saw IV is presented in a 1.85:1 aspect ratio and this 1080p
transfer is easily the best yet in the Saw series. This movie retains the dark and grainy
look of the first three films, but this transfer doesn't suffer as badly as its predecessors. Black levels
look almost perfect. They are a nice, dark, inky shade while retaining subtle details in dark scenes
without reverting to artificial brightening to reveal parts of the image. There is a yellow-green tint
about the film that is a bit more pronounced than in previous Saw movies, and
the transfer never misses a beat in rendering this odd look. Considering the unique look of the film,
skin tones are represented about as accurately as could be expected. The image is fairly detailed,
but is quite flat and lacks depth. The detail throughout is high enough to make this
transfer a good one overall. With the overly stylized look of the film, expecting Saw films to
look any better than this is foolish.
A first for any Blu-ray in the Saw series, Saw IV is presented with a high definition
lossless audio track. Accompanying the Dolby Digital 5.1 EX mix, the DTS-HD Master Audio track
sounds great and is easily the best sonic experience of any Saw film to date. This track
offers excellent dynamics with every sound, from the super loud to the extra quiet, rendered with
near
perfect clarity and detail. The sound sweeps across the room in conjunction with the rapid camera
pans. Surrounds are powerful and deliver a big impact, heightening the feel of the film. The good,
deep bass found here is not Earth shattering but is effective nevertheless, providing a solid punch
and
rumble during the most tense and action packed of scenes. Dialogue comes across as clear with no
audible dropouts, drownings, or otherwise distracting issues. There are a few really good loud, scary
musical cues scattered throughout the movie. I was very pleased with this track. DTS-HD MA has
quickly become my favorite high definition codec and it shines on this disc.
While the extras here are not as large in quantity as those found on the Saw III Blu-ray
disc, we are nevertheless treated to a fine helping of supplemental material. First up is a track
featuring producers Oren Koules and Mark Burg and executive producers Peter
Block and Jason Constantine. The participants discuss the movie with a fairly even hand,
providing very good background information on the film. They delve into technical aspects such
as
the color and lighting of the film and discuss having technical advisors present on set as well as
on-screen references to other Saw films.
This is a very good commentary track that fans will want to spend some time with. Next up is a
commentary track featuring director Darren Bousman and actor Lyriq Bent. This is a more
relaxed commentary with some jokes, laughing, and humor thrown into the mix. I generally
enjoy these tracks over the completely technical ones, but the participants in the first track found
just the right tone and pace to make a generally dull track listenable. This one, while good, is
just underwhelming after listening to the first one. It's for the fans only, and if you only have
time to listen to one, choose the first.
If you have reviewed the supplements on the Saw III Blu-ray disc, many of the following
features should look and sound very familiar to you. Darren's Video Diary (1080i, 33:00)
is a good look at various behind-the-scenes production discussions between the crew. We see the
team dealing with leaked story lines, figuring out how to stage scenes, a look into production
meetings, rehearsals of scenes, and so on. Movie fans wanting to know more about the behind-
the-scenes workings of a major Hollywood picture will enjoy this feature. The Traps of 'Saw
IV' (480p, 16:45) looks at the making of seven of the traps from the film from the
brainstorming process to building the devices. The Props of 'Saw IV' (1080i, 8:58)
features a look at the progression of everyday items being turned into tools of torture and
murder.
The 'Saw IV' Music Video by 'X Japan' (480p, 5:07) features a performance of a song
entitled, fittingly, I.V. A bonus deleted scene entitled Police Station (480p,
0:44), a 480p trailer for the upcoming video game Comdemned 2: Bloodshot, the 1080p
theatrical trailer for Saw IV, and Lionsgate's Blu-ray montage conclude the "traditional"
special features.
Saw IV is the first Blu-ray to support profile 2.0 features. Becasue no Blu-ray player on
the
market currently supports profile 2.0, I was unable to test this feature. The Playstation 3 is
scheduled to support profile 2.0 via a firmware update in the near future, so the majority of
Blu-ray fans will soon have access to this feature. Lionsgate calls their first profile 2.0 feature
"MoLog." The packaging of this disc bills this feature as "the world's first interactive Blu-ray
movie blog!" I was actually able to access a portion of the feature, but was informed that the
"server cannot be reached. Please check your player connectivity" when I attempted to register.
When I have access to this feature, I'll be sure to update this review.
One word of note on the packaging of this disc. Lionsgate continues to place security stickers on
three of the four edges of the case. Thankfully, they seem to now be using a sticker that leaves
behind virtually no residue on the case, which is sure to be a fan pleasing move. Unfortunately,
Lionsgate chose not to use the top security sticker with a cut-out where the logo on the front of
the case is (like those used on Warner Brothers Blu-ray discs). Removing the sticker resulted in a
removal of part of the paint of the logo, leaving a sticky and unattractive Blu-ray logo at the top
of the case. The
large, square, and black security sticker on the inside of the case is still present, but this one
comes off much easier, again leaving behind virtually no residue. While Lionsgate has solved two
problems, they have created another. Collectors who purchase these discs for $20-$30 should
not have to live with a ruined case right from the get-go. Hopefully Lionsgate will rectify this
situation once and for all on their future releases.
Saw IV is far from great cinema, but it's passable horror that throws several nice twists and
turns at viewers that will keep them guessing until the surprising ending. This movie turns down
the gore and turns up the story, providing a more streamlined, palatable film that is just fine in the
context of horror and the series. The film is the most polished of the franchise. This comes as no
surprise as many of the same cast and crew have dedicated themselves to the world of
Saw. Concerning the Blu-ray, this disc really shines. We get top notch video and audio
quality that blows away the previous three films and is no slouch standing on its own merits
alongside many of the best Blu-ray discs currently available. The supplements are just fine, too.
Neither fans of high cinema nor casual moviegoers will likely enjoy this film, however. It's plenty
bloody and makes little sense if you are not familiar with the previous entries into the series. As
such, Saw IV is recommended, but only for fans of the series. Everyone else is best served
to start fromthebeginning.
Use the thumbs up and thumbs down icons to agree or disagree that the title is similar to Saw IV. You can also suggest completely new similar titles to Saw IV in the search box below.
Lionsgate Home Entertainment has announced that two of their upcoming
January Blu-ray titles will feature web-enabled features. As we reported from the
Blu-ray Festival, 'War', which is scheduled to hit store shelves on January 1st, will
feature a web-enabled ...
Lionsgate Home Entertainment has announced that they will bring the latest in
the "Saw" franchise, 'Saw IV' to Blu-ray on January 22nd, day-and-date with the
DVD release. Specs have yet to be announced for the release, which will be
presented in the unrated ...
Use the thumbs up and thumbs down icons to agree or disagree that the title is similar to Saw IV. You can also suggest completely new similar titles to Saw IV in the search box below.
