Sunset Boulevard Blu-ray delivers stunning video and great audio in this exceptional Blu-ray release
Noir-comic classic about death and decay in Hollywood. Joe Gillis, a handsome but bankrupt screenwriter, is hired by washed-up silent screen star Norma Desmond to pen her a comeback star vehicle. Gillis has had his latest screenplay rejected by the studios, and, desperate, takes up Desmond's offer to write Salome for her. She demands that he stay with her while he writes, and soon he becomes a virtual prisoner of the actress and her gloomy house.
For more about Sunset Boulevard and the Sunset Boulevard Blu-ray release, see Sunset Boulevard Blu-ray Review published by Martin Liebman on October 22, 2012 where this Blu-ray release scored 4.5 out of 5.
Through its examination of a faded star still yearning for the bright Hollywood spotlight, Writer/Director Billy Wilder's Sunset Boulevard tells the
tale
of life's progressions and the dangers of desperately clinging to the past and also holding onto dreams of an implausible future. The picture's focus on
an aging starlet
seems a metaphor for a broader picture, serving a purpose beyond telling the tale of a woman holding her future hostage for a second chance only she
seems to demand. It's a story of the perils of illusion, the denial of the linearity of life, of the dangers of stubborn refusal to accept the natural
process. On the flip side, there's almost something admirable in the character's refusal to sink into obscurity, in her inability to give up on a dream.
What Sunset Boulevard does so well to show the negative side of dreaming, replacing hard work and determination with fantasy, the
dangers of plotting a course and sticking to it come hell or high water, refusing to make corrections on the way towards the goal. It's a dark and
dangerous picture, extraordinarily performed and expertly crafted at every level. Sunset Boulevard is cinema at its most absorbing, telling a
harrowing and gripping story with deep meaning and life insight with the sort of skill reserved for the finest of motion pictures.
Obsessed.
Joe Gillis (William Holden, The Bridge on the River Kwai) is a down-on-his luck Hollywood screenwriter
who's short on cash, behind on his car payments, and who has just had his latest script shot down by Paramount, thanks in large part to the
sharp, harsh, and honest criticism of the young Betty Schaefer (Nancy Olson, Pollyanna). To make matters worse, Gillis is being chased down by a
pair men looking to repossess his car. In a desperate move, Gillis pulls into what he believes to be an abandoned garage, attached to a run-down
mansion. He's called inside, mistaken for a mortician, and meets Norma Desmond (Gloria Swanson, Queen Kelly), a washed-up silent film
star with dreams of a major comeback and a bloated script from her own hand that she believes will be the ticket to a return to prominence. She
hires a reluctant Gillis to edit the script and polish it in preparation for sending to none other than Director Cecil B. DeMille. The longer Gillis
stays,
the more attached Norma becomes. She screens her films for him and grows ever more fond of her new, unwitting companion. When Gillis tries to
set out on his own once again, Norma goes to great length to keep him at bay as she prepares to make her move to reconquer Hollywood and
rediscover past greatness.
Sunset Boulevard overflows with fascinating character arcs and themes. Norma's life is one all but destroyed by fantasy and propped up by
illusion. Everything in her life -- everything but her own overblown sense of self-worth -- is a lie. She lives in denial, fooled into a false sense of
hope by
past
success, the perpetuation of the lie by her butler, and her refusal to view the world through any lens not filtered by her own delusions. That idea
that she lives for the dream by living a dream makes for one of the most complex and
dynamic character studies in film history, packed with complex and dark psychological overtones that manifest in the physical as the picture moves
along to a startling conclusion of violence and delusion. Just as interesting is the Gillis character. He's a man torn between three lives: the life he
wants to live, the life he is forced to live, and the life he cannot live. The first, defined by a budding romance with one of his harshest critics,
seems destined for failure because of his inescapable entanglement with Norma. The second is brought upon by personal failures and debt; the
former is slowly
assuaged by Betty's acceptance of his work and the latter by Norma's charity, but both with dire consequences. Lastly, Gillis finds himself entrapped
by
Norma's overbearing ways which prevent him from finding personal success either as a screenwriter or in a life with a girl he might
love. As Norma unwittingly keeps herself down through delusion of her own making, so too does she keep Gillis down from finding his own life path.
Lastly, there's
Max, Norma's butler. He's a man hiding a shocking revelation that speaks to the power of undying love and both the positive and negative impacts
of life shaped
through falsehoods and illusion for the sake of keeping the peace and maintaining a fragile psyche's ego and mental, emotional, and physical
stabilities intact.
One cannot overlook the role of fate in Sunset Boulevard. Gillis happens to pull into Norma's garage in an effort to escape his problems but
finds only greater emotional upheaval, mental hardship, and physical danger in said escape. Both characters just so happen to work, or worked, in
show business; both just so happen to write; both just so happen to be single. It's more than just coincidence, however; the movie seems to pull
on some cosmic notion of destiny, though it would seem destiny demands sacrifice, whether for Norma's fulling of her dream or Gillis' escape from
Norma's overbearing and self-centered fantasy world. Sunset Boulevard draws on powers of the darkened mind through the prism of the
ultimate in glamour and worldly sense of self worth and success. However, the film's dark themes spread and speak beyond the confines of
Tinseltown. The mystery, uncertainty, and tale of personal struggles defined by money, denial, blown chances, and big dreams are relevant
worldwide. Sunset Boulevard expertly weaves broad themes into a tight and focused story that centers on the world of glamour but truly
enjoys a more universal significance. The film's ideas of fate are perhaps as mystical as its noir stylings and dramatic arc centered on a life defined
by the intangible and unreachable, but they all come together in very real, very accessible, very watchable, very meaningful ways, in ways cinema
rarely achieves with such dramatic, emotional, and technical precision.
Sunset Boulevard also excels as a technical triumph of cinema. The movie is simple, yes, and from an era with greater reliance on smarts
and scripts and set pieces and performances. The picture captivates from the outset; Holden's voiceover work gives the movie the feel of a dark and
absorbing novel sprung to life. His cadence reflects a sense of mystery and doubt, subtle fear, and great concern. The narration builds the story
dramatically but also sets the tone for its themes and establishes a rhythm and style that remains through the picture. Holden's on-screen
performance is just as good, a classic effort depicting a man slowly beaten down by the demands of the life he suddenly finds himself living. Gloria
Swanson excels as Norma, painting a picture of frightening accuracy in depicting a woman incapable of escaping her own false reality and living only
for a moment that absorbs her mind, body, and soul. The movie never
hides her character's qualities, often surrounding her with her own portraits, watching her own movies, talking endlessly about herself, her work,
her
past, her present, her future. The focus on Norma and the effects of her selfishness as they spill into other areas of the world around her -- nearly
all of them parts that want nothing to do with her -- construct a fascinating narrative, a depiction of people frightened to intervene, afraid of what it
will do to them and of what it will do to Norma, to burst her proverbial bubble, to set her straight, to offer to lead her down a healthier path. The
performers all capture an obvious pain that runs deep but defines the superficial, too, even for Norma, who in the film's final moments seems
defined as much by fear and surprise and uncertainty as sheer joy, and all, certainly, shaped by the delusion. The performances are matched by
superb production design, wonderful direction,
great music, and polished editing that
all come together to make one of the best movies in cinema history.
Sunset Boulevard rises on Blu-ray with a faithful and film-like 1080p, 1.37:1-framed transfer that retains the picture's original aspect ratio,
placing vertical black bars on either side of the 1.78:1 high definition display. This is a gorgeous image and one of the finest catalogue titles on Blu-ray,
particularly amongst those photographed in black-and-white. Grain remains over the image, and the transfer offers brilliant details across the board,
from clothes to faces, from old camera equipment to textured exteriors. The image is generally very crisp and naturally sharp; there are certainly a few
softer shots, but the sturdier and more well-defined moments dominate. Black levels are fabulous, whether dark suits or shadowy backgrounds. The
print is meticulous, very clean and exact. Paramount's efforts are to be commended; this is a top-flight transfer and it most certainly does this classic
and historically significant film the justice it deserves.
Sunset Boulevard makes its Blu-ray debut with a minimalist yet true-to-srouce Dolby TrueHD Mono soundtrack. Paramount's audio presentation
is largely dialogue-focused and plays the spoken word with clear syllables and grounded, front-center location. As for the other elements, range is
obviously limited to practically nothing. The presentation hangs right in the middle of things, only presenting sound effects and music rather
than immersing the soundstage in them. In this case, that's perfectly acceptable. The soundtrack's music can be a touch crunchy at times,
lacking precise definition but replicating the original elements to satisfaction. Minor ambient and general sound effects both are presented with suitable
clarity, such as the clack-clack-clack of an old movie projector as heard in an otherwise silent environment. To be sure there are some slightly
muddled and unkempt sound elements, but generally this is a very good, classy presentation that should please purists and satisfy Blu-ray aficionados.
Sunset Boulevard contains fairly exhaustive assortment of extra content. Much of the information repeats -- quite literally, in places --
viewers will discover as they dig through the pieces, but these supplements are nevertheless
quite fascinating and worth the effort, all of them together painting a vivid picture of the entire story of Sunset Boulevard.
Audio Commentary: Ed Sikov, author of "On Sunset Boulevard: The Life and Times of Billy Wilder," reads prepared comments,
beginning with a verbatim reading of the original opening. He also covers the history of the filmmakers, the score, the picture's themes and meanings,
the nuance of the performances, and much more. Sikov is engaging and entertaining, very knowledgeable (even as he reads), and offers plenty of
fascinating insights, making both the visible and nuanced film elements deep and well-defined. Though the track is prepared rather than off-the-cuff,
it plays very
well and makes for a very strong supplement to the film.
Sunset Boulevard: The Beginning (480p, 22:47): The piece features Paramount Pictures Producer A.C. Lyles, Actress Stefanie
Powers, Filmmaker Nicholas Meyer, Author Ed Sikov, and Actress Nancy Olson speaking on Billy Wilder's life and work, his scripts, and use of narration.
The piece continues with discussions on the film's title, casting and the dynamics the four main players brought to the film, defining the characters,
and Cecil B. DeMille's contributions to the film.
Sunset Boulevard: A Look Back (480p, 25:52): Author Ed Sikov, Actress Nancy Olson, Critic Andrew Sarris, Producer A.C. Lyles,
and
Actress Glenn Close speak on the picture's themes, the scrapped opening, filming locales, Writer/Director Billy Wilder's work, reaction to the film,
casting, DeMille's involvement, the film's end, the picture's public acceptance, awards, and the film's legacy.
The Noir Side of Sunset Boulevard (480p, 14:19): Author and former LAPD Sergeant Joseph Wambaugh discusses one of his
favorite films, Sunset Boulevard. He covers his first reactions to the film, Gloria Swanson's work, the picture's noir-inspired elements and
those that drift from noir norm, set design, cast, drama, themes, and more.
Sunset Boulevard Becomes a Classic (480p, 14:29): Critic Andrew Sarris, Actress Gloria Swanson, Author Ed Sikov, Filmmaker
Nicholas Meyer, Actress Glenn Close, and Actress Stefanie Powers speak on audience and critical reaction, the film's themes, its dark look at
Hollywood, awards and nominations, the picture's impact on culture, the Broadway musical version, and more.
Two Sides of Ms. Swanson (480p, 10:37): Gloria Swanson's Granddaughter Brooke Anderson and Actress Linda Harrison speak on the
life
and times of Gloria Swanson, both away from the film and considering her part in Sunset Boulevard.
Stories of Sunset Boulevard (480p, 11:22): Critic Andrew Sarris, Author Ed Sikov, Filmmaker Nicholas Meyer, and Actress
Nancy
Olson speak on the film's opening shot, Olson's work on the film, Billy Wilder's scriptwriting and direction, tales from the shoot, and making the last
scene.
Mad About the Boy: A Portrait of William Holden (480p, 11:13): Producer A.C. Lyles, Actress Stefanie Powers, Actress Nancy Olson, and
Author Joseph Wambaugh speak on Holden's life and career.
Recording Sunset Boulevard (480p, 5:51): Critic Andrew Sarris and Soundtrack Album Producer Robert Townson discuss Franz
Waxman's classic score and re-recording the score in 2002 for a commercial album release.
The City of Sunset Boulevard (480p, 5:36): Author Borislav Stanic, Author Ed Sikov, and Actress Nancy Olson speak on
shooting
locales seen within the film, including the history of each major location.
Franz Waxman and the Music of Sunset Boulevard (480p, 14:27): Film Music Historian John Waxman, Composer Elmer
Bernstein, and Composer John Mauceri take a closer look at the life and work of Sunset Boulevard Composer Franz Waxman.
Morgue Prologue Script Pages (1080p): A reproduction of the "original" and "revised" scripted pages for Sunset Boulevard's
famed cut opening sequence.
Deleted Scene (480p, 1:26): The Paramount Don't Want Me Blues.
Hollywood Location Map (1080p): An interactive Sunset Boulevard map with clickable icons that lead to short video subjects on
the locales.
Behind the Gate: The Lot (480p, 5:05): Producer A.C. Lyles and Film Historian/Author Rudy Behlmer offer a very brief but fascinating
history of Paramount Pictures, the famed gate, and studio expansion.
Edith Head: The Paramount Years (480p, 13:43): A look back at the life and career of the legendary cinema costume designer whose
credits include Sunset Boulevard and Wings.
Paramount in the '50s (480p, 9:33): A feature that looks back at Paramount's best films from the 1950s, including Sunset
Boulevard.
Galleries (1080p): Production, The Movie, and Publicity.
Sunset Boulevard is one of those movies on which one could pen a dissertation, and in any number of academic fields. The movie's that
complex and interesting, that layered and nuanced, that well-developed and revealing with multiple watches. Constraints of time, space, and format
permit only a scratching of the surface here, but hopefully that's enough to pique interest and open avenues of dialogue as to what, exactly,
Sunset Boulevard has to offer as a character study, a superbly crafted film, and a simple slice of classic entertainment. Much has been made of
Sunset Boulevard's rather scathing portrayal of the dark side of Hollywood, and rightly so, but the stronger fascination lies in the character
studies that are the source from which all else springs. The film is deservedly hailed as
one of the best movies ever made, and now it's to be cherished on Blu-ray. Paramount's high definition release offers fantastic video, good audio, and
plenty of insightful, if not occasionally repetitive, bonus content. This is easily one of the best blu-ray releases of the year, and Sunset Boulevard
earns my highest
recommendation.
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Paramount Home Media Distribution has provided a promotional trailer for the new 4K restoration of Billy Wilder's Sunset Boulevard (1950), which will be released on 4K Blu-ray on August 5.
Paramount Home Media Distribution will celebrate the 75th anniversary of Billy Wilder's Sunset Boulevard (1950) with a 4K Blu-ray release, which is scheduled to arrive on the market on August 5.
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