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<title>Blu-ray.com - Blu-ray Movie Reviews</title>
<link>http://www.blu-ray.com</link>
<pubDate>Mon, 20 May 2013 02:10:18 -0400</pubDate>
<lastBuildDate>Mon, 20 May 2013 02:10:18 -0400</lastBuildDate>
<ttl>30</ttl>
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<description>The latest Blu-ray.com reviews of Blu-ray movies</description>
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<copyright>Copyright 2002-2013 Blu-ray.com. All rights reserved.</copyright><item>
<title>Things to Come (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Things-to-Come-Blu-ray/68384/#Review</link>
<guid>http://www.blu-ray.com/movies/Things-to-Come-Blu-ray/68384/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;William Cameron Menzies' "Things to Come" (1936) arrive on Blu-ray courtesy of Criterion. The supplemental features on the release include a brand new audio commentary with film historian and writer David Kalat; new video interview with writer and cultural historian Christopher Fraying; new visual essay by film historian Bruce Eder; unused footage with special effects by Laszlo Moholy-Nagy; experimental work by artist Jan Tichy; and audio recording taken from a single-sided 78 r.p.m. gramopho&lt;a href="http://www.blu-ray.com/movies/Things-to-Come-Blu-ray/68384/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, William Cameron Menzies' &lt;i&gt;Things to Come&lt;/i&gt; arrives on Blu-ray courtesy of Criterion.&lt;br&gt;&lt;br&gt;

Though the framing is identical, the high-definition transfer used for this release is not identical to the one Network used for their Blu-ray &lt;a href="http://www.blu-ray.com/movies/Things-to-Come-Blu-ray/40462/#Review"&gt;&lt;i&gt;release&lt;/i&gt;&lt;/a&gt; of &lt;i&gt;Things to Come&lt;/i&gt; in the United Kingdom. Brightnes&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There is only one standard audio track on this Blu-ray disc: English LPCM 1.0. For the record, Criterion have provided optional English SDH subtitles for the main feature. &lt;br&gt;&lt;br&gt;

There are some sporadic clarity fluctuations, but they also appear on the Network release. Depth and crispness are not seriously compromised. Overall dynamic movement, however, is quite limited. The dialog is easy to follow. Also, there is no problematic background hiss. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Commentary&lt;/i&gt;&lt;/b&gt; - David Kalat discusses the production history of &lt;i&gt;Things to Come&lt;/i&gt;, H.G. Wells' novel as well as his political orientation (there is plenty of very interesting information about the writer's meeting with the Soviet authorities and the socio-political climate in Europe at the time when the film was made), the structure of the film and its prophetic messages, etc. The audio commentary was recorded exclusively for Criterion in 2013. &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I think that fans of William Cameron Menzies' &lt;i&gt;Things to Come&lt;/i&gt; will have to consider getting the Network Blu-ray release of the film in addition to Criterion's upcoming release. The new audio commentary by David Kalat makes this release an essential one to own, but on the Network release there is also a terrific commentary by Nick Cooper. I feel that with the two releases one could have a very impressive Ultimate Edition of this spectacular classic film. HIGHLY RECOMMENDED. ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Things-to-Come-Blu-ray/68384/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sun, 19 May 2013 15:55:44 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Ultimate Gangsters Collection: Classics (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Ultimate-Gangsters-Collection-Classics-Blu-ray/57361/#Review</link>
<guid>http://www.blu-ray.com/movies/Ultimate-Gangsters-Collection-Classics-Blu-ray/57361/#Review</guid>
<description>&lt;b&gt;Stick 'Em Up!&lt;/b&gt;&lt;br&gt;&lt;br&gt;Simultaneously with their individual release on Blu-ray, Warner Home Video is issuing a box set of four black-and-white films from the Thirties and 
Forties, each of them a bona fide classic from the era when the studio was the undisputed king of crime pictures. With the exception of &lt;i&gt;Little 
Caesar&lt;/i&gt;, which suffers from some source damage, the audio and video presentations are top notch, and the box set has the advantage of a fifth 
disc (unfortunately a DVD) with a terrific documentary &lt;a href="http://www.blu-ray.com/movies/Ultimate-Gangsters-Collection-Classics-Blu-ray/57361/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;B&gt;Little Caesar 3.5/5 &lt;/b&gt;&lt;/br&gt;&lt;/br&gt;

The major issues with Warner's 1080p, AVC-encoded Blu-ray of &lt;EM&gt;Little Caesar&lt;/EM&gt; are inseparable
from the source material, which, despite efforts at clean-up, still suffers from obvious damage. A
significant number of vertical scratches last anywhere from a few seconds to half a minute. None
of them renders any of the image unwatchable, but they are quite noticeable. Frames are missing
in several spots, causing obvious jumps. Fortunately, none of t&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;B&gt;Little Caesar 4.0/5 &lt;/b&gt;&lt;/br&gt;&lt;/br&gt;

The film's mono soundtrack is encoded as lossless DTS-HD MA 1.0, and it's a pleasure to hear
Robinson's distinctive speech patterns as Rico at such high fidelity. The clarity doesn't do all
that much of the rest of the dialogue a favor, though, because many of the remaining
performances are quite weak. However, Thomas E. Jackson's turn as the sarcastic Lt.
Flahertythe second best performance in the filmcomes through better than I've ever heard it
b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Extras for each film are discussed separately under the film's individual review. The box set
contains a separate DVD with additional extras and a printed hardcover insert similar in design to
the Warner digibooks.&lt;/br&gt;&lt;/br&gt;


&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;&lt;EM&gt;Public Enemies: The Golden Age of the Gangster Film&lt;/EM&gt;&lt;/STRONG&gt; (480i; 1.78:1, enhanced;
1:45:43): Written and directed by Constantine Nasr, this 2008 documentary was made for
Turner Classic Movies and has been included with several previou&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;One can only hope that the &lt;EM&gt;Ultimate Gangsters Collection: Classics&lt;/EM&gt; will turn out to be Volume
1, with many more volumes to follow, because these four films only scratch the surface of
Warner's prodigious output in the crime and gangster genre during the era before television and
antitrust litigation ended the old studio system. In the meantime, this box set is an excellent
value, especially with its fifth disc of extras. Highly recommended.&lt;/br&gt;&lt;/br&gt;
... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Ultimate-Gangsters-Collection-Classics-Blu-ray/57361/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sun, 19 May 2013 13:35:50 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>White Heat (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/White-Heat-Blu-ray/44157/#Review</link>
<guid>http://www.blu-ray.com/movies/White-Heat-Blu-ray/44157/#Review</guid>
<description>&lt;b&gt;Mother's Little Helper&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;EM&gt;Note: "White Heat" is available either separately or as part of the &lt;A HREF="http://www.blu-ray.com/movies/Ultimate-Gangsters-Collection-
Classics-Blu-ray/57361/"&gt;Warner Ultimate Gangsters
Collection: Classics&lt;/A&gt;.&lt;/EM&gt; &lt;/br&gt;&lt;/br&gt;


After James Cagney's contract with Warner Bros. expired in the early Forties, he formed his own
production company and swore he'd never make another gangster film. "Movies should be
entertaining, not blood baths," the actor famously grumbled. "I'm sick of &lt;a href="http://www.blu-ray.com/movies/White-Heat-Blu-ray/44157/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;EM&gt;White Heat&lt;/EM&gt; was shot by director Walsh's frequent collaborator Sidney Hickox, a highly regarded
Warner cinematographer, who also shot &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/To-Have-and-Have-Not-Blu-ray/56056/"&gt;To Have and Have 
Not&lt;/A&gt;&lt;/EM&gt; and &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/The-Big-Sleep-Blu-ray/43670/"&gt;The Big Sleep&lt;/A&gt;&lt;/EM&gt; for Howard
Hawks. Hickox's gritty, realistic style is beautifully represented on Warner's 1080p, AVC-encoded picture, for which the source mater&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The film's original mono soundtrack is presented as lossless DTS-HD MA 1.0, and it's
impressive. &lt;EM&gt;White Heat&lt;/EM&gt; may only have one channel of sound, but the mix is elaborate, whether
it's the noises of the train intermingling with the intrusion of Cody's gang in the opening
sequence, or the stew of sound effects in the prison cafeteria scene, or the cacophony during the
attempted payroll heist at the end of the film. Listen closely, and there are plenty of individual
noises to pick out.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The extras have been ported over from Warner's 2005 DVD.&lt;/br&gt;&lt;/br&gt;


&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Commentary with Dr. Drew Casper&lt;/STRONG&gt;: A professor at the University of Southern
California and author of &lt;EM&gt;Postwar Hollywood: 1946-1962&lt;/EM&gt;, Casper is an enthusiastic
commentator and a devoted fan of &lt;EM&gt;White Heat&lt;/EM&gt;. In addition to background on Cagney's
and Walsh's career and the making of the film, he points out many aspects of the film's
construction and Walsh's directorial technique.&lt;/L&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Most people know Cody Jarrett's famous last line"Made it, Ma! Top of the world!"but
they've never sat and watched &lt;EM&gt;White Heat&lt;/EM&gt; from start to finish. That's unfortunate. No screen
actor has ever surpassed James Cagney's ability to combine menace with irresistible charm, or to
convey danger with a simple glance that's impossible to resist. Stanley Kubrick once asked
Steven Spielberg to name his top five favorite actors of all time, then gave the younger director a
gentle ribbing when... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/White-Heat-Blu-ray/44157/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sun, 19 May 2013 00:49:32 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Town That Dreaded Sundown (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Town-That-Dreaded-Sundown-Blu-ray/57129/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Town-That-Dreaded-Sundown-Blu-ray/57129/#Review</guid>
<description>&lt;b&gt;Where were you when the lights went out?&lt;/b&gt;&lt;br&gt;&lt;br&gt;What is it about a villain who wraps his head in a sack that is so instantly frightening and iconic?  Films have 
been awash with this image for years.  Some of the sacked bad guys have appropriately been scarecrows, as in 
the two similarly titles films &lt;a href="http://www.blu-ray.com/movies/Night-of-the-Scarecrow-Blu-ray/66810/"&gt;&lt;i&gt;Night 
of the Scarecrow&lt;/i&gt;&lt;/a&gt; and &lt;a href="http://www.blu-ray.com/movies/Dark-Night-of-the-Scarecrow-Blu-ray/24112/"&gt;
&lt;i&gt;Dark Night of the Scarecrow&lt;/i&gt;&lt;/a&gt;, &lt;a href="http://www.blu-ray.com/movies/The-Town-That-Dreaded-Sundown-Blu-ray/57129/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Town That Dreaded Sundown&lt;/i&gt; is presented on Blu-ray courtesy of Shout! Factory with an AVC encoded 1080p 
transfer in 2.40:1.  This film basically disappeared for years, and the good news is that the elements utilized for this 
transfer are in mostly excellent shape, with only occasional white specks and a few flecks of dirt cropping up from time to 
time.  The basic image is decently sharp, though viewers will need to understand the low budget filming conditions coming 
into this e&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Town That Dreaded Sundown&lt;/i&gt; features a lossless DTS-HD Master Audio Mono mix delivered via a 2.0 mix.  
Fidelity is quite good, though the track is obviously narrow and shallow sounding.  Dialogue is always easy to hear and 
both environmental sound effects and the rather good (and at times twangy) score also are also rendered faithfully.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;b&gt;Blu-Ray Supplements:&lt;/b&gt;


&lt;ul&gt; &lt;li&gt;&lt;b&gt;Small Town Lawman:  An Interview with Actor Andrew Prine&lt;/b&gt; (1080p; 9:41) finds Prine talking about his 
love for the "circus" 
of 
filmmaking.  He offers an honest assessment of the film and gives some background on the filming.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Survivor Stories:  An Interview with Actress Dawn Wells&lt;/b&gt; (1080p; 5:17).  Wells, who still looks fantastic, has 
a rather bemused 
take 
on her involvement with the film.  She relays a funny/sca&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Shout! Factory continues to mine some great little "lost" classics for its Scream Factory imprint, and this package is among 
the best the label has yet released.  &lt;I&gt;The Town That Dreaded Sundown&lt;/i&gt; takes its quasi-documentary ambience 
seriously (at least if one forgets the regrettable comedy bits Pierce gives to himself as Sparkplug), and the story is riveting.  
If occasionally things are unintentionally funny (I for one will never look at a slide trombone quite the same way), there are ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Town-That-Dreaded-Sundown-Blu-ray/57129/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 18 May 2013 20:21:12 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Stand Up Guys (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Stand-Up-Guys-Blu-ray/67270/#Review</link>
<guid>http://www.blu-ray.com/movies/Stand-Up-Guys-Blu-ray/67270/#Review</guid>
<description>&lt;b&gt;You'd stand up, too, if you had taken that much Viagra.&lt;/b&gt;&lt;br&gt;&lt;br&gt;One of the oddest sights on view during the press junket surround &lt;I&gt;Stand Up Guys&lt;/i&gt; theatrical release was the 
guest appearance of Christopher Walken on &lt;I&gt;The Daily Show&lt;/i&gt;, where the veteran actor confessed to being 
chatty with co-stars Al Pacino and Alan Arkin while they killed time in between takes.  &lt;I&gt;Chatty&lt;/i&gt;?  Christopher 
Walken?  It was enough to send host Jon Stewart into gales of falsetto laughter.  If only some of that same 
sensibility had crept into the final film. &lt;a href="http://www.blu-ray.com/movies/Stand-Up-Guys-Blu-ray/67270/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Stand Up Guys&lt;/i&gt; is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1.  
Fine object detail is often at astounding levelsfor better or worse, considering the creased faces on displaydue to 
director Fisher Stevens and Director of Photography Michael Gradys (&lt;a href="http://www.blu-
ray.com/movies/Wonderland-Blu-ray/13880/"&gt;&lt;i&gt;Wonderland&lt;/i&gt;&lt;/a&gt;) penchant for close-ups throughout the film.  Every 
crag and chin hair is easily noticeable on b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Stand Up Guys&lt;/i&gt;s lossless DTS-HD Master Audio 5.1 has some surprising oomph courtesy of both the ubiquitous 
source cues (Stevens fills the film with old soul tunes) as well as some of the set pieces including the boisterous car chase.  
Surround activity is fairly consistent, though it really only becomes totally noticeable in the aforementioned instances.  
Otherwise, dialogue is anchored front and center, with only occasional foley effects dotting the surrounds.  Fidelity is 
exce&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; 

&lt;li&gt;&lt;b&gt;Director Commentary&lt;/b&gt;.  Stevens is incredibly articulate and does a good job &lt;I&gt;describing&lt;/i&gt; what he wanted 
to achieve with this film.  The question remains as to whether he actually realized that vision. &lt;/li&gt; &lt;br&gt;


&lt;li&gt;&lt;b&gt;The Lowdown on Making &lt;I&gt;Stand Up Guys&lt;/i&gt;&lt;/b&gt; (1080p; 11:54) starts with various participants defining what 
a stand up guy is, 
and then features more interviews with the principal cast and crew, as well as behind the scenes footage.  &lt;/li&gt; &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Stand Up Guys&lt;/i&gt; starts out promisingly enough, and had it hewed more closely to what it &lt;I&gt;seems&lt;/i&gt; to be about 
in those opening momentsa character study of two aging criminalsthe film could have been much more enjoyable, even 
if it never quite made it to blockbuster status.  But once that Farrelly sensibility creeps in (not that theres anything wrong 
with that sensibility &lt;I&gt;per se&lt;/i&gt;its just that it doesnt fit in &lt;I&gt;this&lt;/i&gt; film), things careen more and more off the rails ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Stand-Up-Guys-Blu-ray/67270/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 18 May 2013 18:57:06 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>All Ladies Do It (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/All-Ladies-Do-It-Blu-ray/64734/#Review</link>
<guid>http://www.blu-ray.com/movies/All-Ladies-Do-It-Blu-ray/64734/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Tinto Brass' "Cosi fan tutte" a.k.a "All Ladies Do It" (1992) arrives on Blu-ray courtesy of British distributors Arrow Video. The supplemental features on this release include an original trailer for the film; reversible sleeve featuring original and newly illustrated artwork by The Red Dress; and collector's booklet featuring new writing on the film by critic David Flint, illustrated with rare production stills. In English or Italian, with optional English and English SDH subtitles for the &lt;a href="http://www.blu-ray.com/movies/All-Ladies-Do-It-Blu-ray/64734/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Tinto Brass' &lt;i&gt;All Ladies Do It&lt;/i&gt; arrives on Blu-ray courtesy of British distributors Arrow Video. &lt;br&gt;&lt;br&gt;

The high-definition transfer appears to have been struck from a dated master with a number of serious issues. The most problematic aspect of the presentation is the fact that the entire film is framed incorrectly. It appears that the image has been zoomed in and then recut. As a result, it i&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There are two standard audio tracks on this Blu-ray release: English LPCM 2.0  and Italian LPCM 2.0. For the record, Arrow Video have provided optional English SDH subtitles for the English version of the film and optional English subtitles for the Italian version of the film. &lt;br&gt;&lt;br&gt;

The English track serves the film rather well. Even during the outdoor party sequence from the second half dynamic movement is fairly modest, but there is pleasing depth. The dialog is clean and easy to follow,&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Trailer&lt;/i&gt;&lt;/b&gt; - original trailer for &lt;i&gt;All Ladies Do It&lt;/i&gt;. In English, not subtitled. (4 min). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Cover art&lt;/i&gt;&lt;/b&gt; - reversible sleeve featuring original and newly illustrated artwork by The Red Dress. &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Booklet&lt;/i&gt;&lt;/b&gt; - collector's booklet featuring new writing on &lt;i&gt;All Ladies Do It&lt;/i&gt; by critic David Flint, illustrated with rare production stills. &lt;/ul&gt;&lt;/li&gt;
&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;There isn't a lot of respect for the work of Italian director Tinto Brass on this side of the Atlantic, but I think that he sees and films women a lot like the great Federico Fellini did. His films are treated and labeled differently because they show more of what Fellini only suggested. &lt;i&gt;All Ladies Do It&lt;/i&gt;, one of Brass' better films, is now available on Blu-ray, but the presentation is far from impressive. This is very unfortunate because if there is a label that can treat Brass and his wo... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/All-Ladies-Do-It-Blu-ray/64734/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 18 May 2013 05:38:46 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Tarzan (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Tarzan-Blu-ray/34218/#Review</link>
<guid>http://www.blu-ray.com/movies/Tarzan-Blu-ray/34218/#Review</guid>
<description>&lt;b&gt;The original swinger.&lt;/b&gt;&lt;br&gt;&lt;br&gt;When it comes to film (and television) adaptations of his work, Edgar Rice Burroughs has had a pretty hard time of it 
overall when you pause to really think about it.  Even putting aside the supposedly disastrous &lt;a 
href="http://www.blu-ray.com/movies/John-Carter-3D-Blu-ray/34573/"&gt;&lt;i&gt;John Carter&lt;/i&gt;&lt;/a&gt; (a misfire, to be 
sure, but not the out and out horror some people claimed), Burroughs most iconic character, Tarzan, has often received 
short shrift on both the large and small screens&lt;a href="http://www.blu-ray.com/movies/Tarzan-Blu-ray/34218/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Tarzan&lt;/i&gt; is presented on Blu-ray courtesy of Disney / Buena Vista with an AVC encoded 1080p transfer in 1.78:1.  
Disney received a technical achievement special Oscar for the new technology they introduced for rendering backgrounds in 
this film, and it was a well deserved accolade.  The vaunted Disney multi-plane technique is taken to a whole new level in 
this film, aided by some extremely well done CGI which itself adds an air of dimensionality throughout the film.  This high 
defin&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Unfortunately Disney made the odd decision to release &lt;I&gt;Tarzan&lt;/i&gt; with only Dolby Digital 5.1 mixes in a variety of 
languages.  This may be the main reason American consumers, who could otherwise enjoy this region free disc, may want 
to hold off until the expected Diamond Edition of the film is released stateside, a release that will almost undoubtedly 
feature lossless audio.  Its an especial shame since the sound design of &lt;I&gt;Tarzan&lt;/i&gt; is evocative, including excellent use 
of the su&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Deleted Scene:  Alternate Opening&lt;/b&gt; (480i; 2:13) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;"You'll Be in My Heart" Music Video Performed by Phil Collins&lt;/b&gt; (480i; 4:17) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Disneypedia:  Living in the Jungle&lt;/b&gt; (480i; 5:54) combines animation with live footage (probably from those old 
Disney &lt;I&gt;True Life 
Adventures&lt;/i&gt; to impart a few facts.  &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Has it really been fourteen years since &lt;I&gt;Tarzan&lt;/i&gt; was released?  My eldest son, who leaves next year for his college 
life, was a toddler when this film came out, and my wife reminded me that when we took him to see &lt;I&gt;Tarzan&lt;/i&gt; in the 
theaters, he brought along his Tarzan action figure and held it up to the screen every time Tarzan appeared.  The magic 
and connection my then young son experienced is still very much in evidence in this film, one that was widely lauded upon 
its releas... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Tarzan-Blu-ray/34218/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 17 May 2013 23:23:26 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>OMD Live: Architecture &amp; Morality &amp; More (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/OMD-Live-Architecture-and-Morality-and-More-Blu-ray/68625/#Review</link>
<guid>http://www.blu-ray.com/movies/OMD-Live-Architecture-and-Morality-and-More-Blu-ray/68625/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;Despite its seminal position in the British New Wave movement and its popularity in its native England and throughout 
Europe, Orchestral Manuvres in the Dark had a rather surprising lack of huge chart success in the United States.  
According to the almost always reliable Joel Whitburn &lt;I&gt;Billboard&lt;/i&gt; statistics, the group only charted six albums 
between 1982 and 1988, with none of them getting above position 38 and in fact only one of them, &lt;I&gt;in the dark/the 
best of OMD&lt;/i&gt;, being cer&lt;a href="http://www.blu-ray.com/movies/OMD-Live-Architecture-and-Morality-and-More-Blu-ray/68625/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;OMD Live:  Architecture &amp; Morality &amp; More&lt;/i&gt; is presented on Blu-ray courtesy of Eagle Rock Entertainment with an AVC 
encoded 1080i transfer in 1.78:1.  Considering the ubiquitous lighting scheme on display throughout this concert, some may 
wonder if theyre actually watching Blue Man Group.  The nonstop bluish hue that permeates much of this concert robs even 
close-ups of appreciable fine detail.  More problematic are the nonstop projections in back of the band, many of which 
devolv&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;OMD Live:  Architecture &amp; Morality &amp; More&lt;/i&gt; features two boisterous audio options, a DTS-HD Master Audio 5.1 
surround mix and an LPCM 2.0 stereo fold down.  Both of these tracks offer really aggressive low end, something that 
makes the percussion and drumming especially vibrant.  The surround mix offers clear prioritization, though it also offers a 
bit too much screaming audience adulation for my personal taste.  Fidelity is excellent throughout both of these tracks.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;Li&gt;&lt;b&gt;Alternate Edits&lt;/b&gt; include: &lt;blockquote&gt;

&lt;li&gt;&lt;i&gt;Joan of Arc (Maid of Orleans)&lt;/i&gt; (480i; 3:50) &lt;/li&gt;
&lt;li&gt;&lt;i&gt;The New Stone Age&lt;/i&gt; (480i; 3:50) &lt;/li&gt; &lt;/blockquote&gt; &lt;/li&gt;

&lt;li&gt;&lt;b&gt;Interviews&lt;/b&gt; include: &lt;blockquote&gt; 

&lt;li&gt;&lt;i&gt;The Band&lt;/i&gt; (1080i; 19:21) &lt;/li&gt; 
&lt;li&gt;&lt;i&gt;Hari  Haralambous&lt;/i&gt; (1080i; 5:21) &lt;/li&gt; &lt;/blockquote&gt; &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;OMD Live:  Architecture &amp; Morality &amp; More&lt;/i&gt; is a great compilation of one of the bands biggest legacy albums as well 
as a nice assortment of other songs, including several which charted in the United States.  The band sounds as polished 
and inviting as ever.  This Blu-ray has some video issues that may bother some viewers, but the audio is superb.... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/OMD-Live-Architecture-and-Morality-and-More-Blu-ray/68625/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 17 May 2013 19:34:32 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Nightfall (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Nightfall-Blu-ray/65741/#Review</link>
<guid>http://www.blu-ray.com/movies/Nightfall-Blu-ray/65741/#Review</guid>
<description>&lt;b&gt;Forget it, Jake, it's Hong Kong.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;I&gt;Nightfall&lt;/i&gt; is a film that starts out with a viscerally intense sequence that would seem to set the stage for a high 
octane action thriller, but which instead is a weirdly anachronistic prelude for what turns out to be a kind of (ironic) Hong 
Kong reimagining of certain aspects from Roman Polanskis &lt;a href="http://www.blu-ray.com/movies/Chinatown-Blu-
ray/69244/"&gt;&lt;i&gt;Chinatown&lt;/i&gt;&lt;/a&gt;.  For those of you who love the Polanski film and have never been able to quite erase 
Faye Dunaways&lt;a href="http://www.blu-ray.com/movies/Nightfall-Blu-ray/65741/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Nightfall&lt;/i&gt; is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.35:1.  This Red 
shot feature offers crisp and appealing fine object detail, though as is so often the case with contemporary films, 
&lt;I&gt;Nightfall&lt;/i&gt; has been really aggressively color graded virtually nonstop through its running time, with some decisions 
that at least slightly deprive the image of that fine detail.  The opening sequence is a case in point, with a deliberately 
yellow s&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Unlike the &lt;a href="http://www.blu-ray.com/movies/Nightfall-Blu-ray/48564/"&gt;Hong Kong&lt;/a&gt; release of &lt;I&gt;Nightfall&lt;/i&gt; 
on Blu-ray which included a DTS-HD Master Audio 7.1 track, Well Go USAs release features a DTS-HD Master Audio 5.1 track 
(as well as a standard Dolby Digital 2.0 option).  The 5.1 mix is extremely aggressive and often incredibly lush in its 
surround activity.  The opening sequence for example is rife with fantastic foley effects swirling through the side and rear 
channel&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;Li&gt;&lt;b&gt;Making Of&lt;/b&gt; (480i; 47:42) is a fairly in depth look at the film, with several interview with the principal cast 
and crew, as well as 
behind the scenes footage and snippets from the completed film.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Theatrical Trailer&lt;/b&gt; (1080p; 00:56) &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Nightfall&lt;/i&gt; is never dull despite its overly predictable plot, but its too full of coincidences and logical gaps for its own 
good.  Had the film been a bit more artfully structured it might have had a more visceral impact, one meeting the 
expectations set by the blistering opening scene.  As it stands, &lt;I&gt;Nightfall&lt;/i&gt; remains a passably entertaining quasi-
mystery that is probably most alluring for its rather unique visual sensibility.  This Blu-ray offers excellent video and audio, ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Nightfall-Blu-ray/65741/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 17 May 2013 14:44:50 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Public Enemy (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Public-Enemy-Blu-ray/43561/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Public-Enemy-Blu-ray/43561/#Review</guid>
<description>&lt;b&gt;"Oh, Tommy, I Could Love You to Death!"&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;EM&gt;Note: "The Public Enemy" is available either separately or as part of the &lt;A HREF="http://www.blu-ray.com/movies/Ultimate-Gangsters-
Collection-Classics-Blu-ray/57361/"&gt;Warner Ultimate
Gangsters Collection: Classics&lt;/A&gt;.&lt;/EM&gt; &lt;/br&gt;&lt;/br&gt;


The year after Edward G. Robinson became a star in &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Little-Caesar-Blu-
ray/57357/#Review"&gt;Little Caesar&lt;/A&gt;&lt;/EM&gt;, another Warner Bros. contract
player named James Cagney exploded onto movie screens as bootleg&lt;a href="http://www.blu-ray.com/movies/The-Public-Enemy-Blu-ray/43561/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Although &lt;EM&gt;The Public Enemy&lt;/EM&gt; is only one year older than &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Little-Caesar-Blu-
ray/57357/#Review"&gt;Little Caesar&lt;/A&gt;&lt;/EM&gt;, its source material is in
considerably better shape, with only an occasional vertical scratch betraying the age of the
element and no missing frames or jumps. Once again, Warner has provided a nicely film-like
transfer on this 1080p, AVC-encoded Blu-ray. The image features natural-looking grain, deep
blacks, well-balanced con&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The film's mono soundtrack is encoded as lossless DTS-HD MA 1.0, and it's a fine track.
Cagney's distinctive rhythms and intonations are reproduced with all the clarity of the original
Vitaphone recording, and they're all the more vivid for the contrast with the various tones and
accents from the remaining cast, whether it's Robert O'Connor's Irish lilt as Paddy Ryan or Jean
Harlow's undisguised Bronx intonation. Most of the violence occurs off-screen, but the gunshots
are numerous and have&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The extras have been ported over from Warner's 2005 DVD.&lt;/br&gt;&lt;/br&gt;


&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Commentary with Robert Sklar&lt;/STRONG&gt;: Sklar, who passed away in 2011, was a historian
specializing in cinema and author of the book &lt;EM&gt;City Boys: Cagney, Bogart, Garfield&lt;/EM&gt;,
among others. His commentary is conversational and informative, though with an
increasing number of pauses near the end. Sklar provides a wealth of detail on Cagney's
background and the logistics of producing &lt;EM&gt;The Public E&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;After the success of &lt;EM&gt;The Public Enemy&lt;/EM&gt;, Cagney struggled for the rest of his career against
typecasting, interspersing gangster roles with comedies and musicals wherever possible,
including his Oscar-winning turn as song-and-dance man George M. Cohan in 1942's &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Yankee-Doodle-
Dandy-Blu-ray/43533/"&gt;Yankee
Doodle Dandy&lt;/A&gt;&lt;/EM&gt;. But popular culture chooses its own icons, and just as Clint Eastwood (who has
cited Cagney as a major influence) wi... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Public-Enemy-Blu-ray/43561/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 17 May 2013 13:29:14 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Black Sabbath (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Black-Sabbath-Blu-ray/63451/#Review</link>
<guid>http://www.blu-ray.com/movies/Black-Sabbath-Blu-ray/63451/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Mario Bava's "I tre volti della paura" a.k.a "Black Sabbath" (1963) arrives on Blu-ray courtesy of British distributors Arrow Video. The supplemental features on the release include the re-edited and re-dubbed version AIP version with Les Baxter's score; audio commentary with Mario Bava expert Tim Lucas; new featurette highlighting the difference between the two version of the film; short video introduction by journalist and Italian horror expert Alan Jones; video interview with actor Mark Da&lt;a href="http://www.blu-ray.com/movies/Black-Sabbath-Blu-ray/63451/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 1.84:1, encoded with MPEG-4 AVC and granted a 1080p transfers, Mario Bava's &lt;i&gt;Black Sunday&lt;/i&gt; and &lt;i&gt;I tre volti della paura&lt;/i&gt; arrive on Blu-ray courtesy of British distributors Arrow Video.&lt;br&gt;&lt;br&gt;

Please note that the screencaptures included with our review appear in the following order:&lt;br&gt;&lt;br&gt;

1. Screencaptures #1-19 are from &lt;i&gt;Black Sabbath&lt;/i&gt;.&lt;br&gt;
2. Screencaptures #21-30 are from &lt;i&gt;I tre volti della paura&lt;/i&gt;.&lt;br&gt;&lt;br&gt;

As it is the case with&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There are two standard audio tracks on this Blu-ray disc: Italian LPCM 2.0 and English LPCM 2.0. For the record, Arrow Video have provided optional optional English subtitles for &lt;i&gt;I tre volti della paura&lt;/i&gt; and optional English SDH subtitles for &lt;i&gt;Black Sabbath&lt;/i&gt;. &lt;br&gt;&lt;br&gt;

The two versions of the film have very different music scores. I prefer Roberto Nicolosi's score for &lt;i&gt;I tre volti della paura&lt;/i&gt; because the solid brass section infuses the film with a certain Gothic/jazzy flavor t&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;&lt;b&gt;Blu-ray&lt;/i&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Twice the Fear&lt;/i&gt;&lt;/b&gt; - a very informative featurette highlighting the differences between &lt;i&gt;Black Sabbath&lt;/i&gt; and &lt;i&gt;I tre volti della paura&lt;/i&gt;. Extracts from the two films are simultaneously compared with text explanations. With imposed English subtitles where necessary. (33 min). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Commentary&lt;/i&gt;&lt;/b&gt; - Mario Bava expert Tim Lucas offers an outstanding analysis of the two versions of the film and addresses some of the &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This is yet another impressive release of a classic Mario Bava film from the folks at Arrow Video. I would like to recommend &lt;i&gt;Black Sabbath&lt;/i&gt; not only to fans of European horror, but also to those who enjoy stylish giallo and psychedelic films. I guarantee you won't be disappointed. On a slightly different note, seeing how beautiful the young Michele Mercier looks in high-definition, I  really hope that someone will bring to Blu-ray Bernard Borderie's &lt;i&gt;Angélique&lt;/i&gt; films. Buy with confide... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Black-Sabbath-Blu-ray/63451/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 16 May 2013 23:58:00 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Viva Zapata! (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Viva-Zapata-Blu-ray/67921/#Review</link>
<guid>http://www.blu-ray.com/movies/Viva-Zapata-Blu-ray/67921/#Review</guid>
<description>&lt;b&gt;Brando as the Reluctant Revolutionary&lt;/b&gt;&lt;br&gt;&lt;br&gt;Stop me if you've heard this onetwo former communists and a white Method actor in brown-face make a movie...&lt;br&gt;&lt;br&gt;

Okay, so there's no punchline to that would-be joke, but the film in question, of course, is 1952's &lt;i&gt;Viva Zapata!&lt;/i&gt;, written by John Steinbeck, 
directed by Elia Kazanthe two one-time communistsand starring a hispani-fied Marlon Brando, whose career was in quick ascendance after his 
powerful turn in Kazan's previous effort, the Tennessee Williams adaptation &lt;i&gt;A Stree&lt;a href="http://www.blu-ray.com/movies/Viva-Zapata-Blu-ray/67921/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;I always look forward to 20th Century Fox's remasters of Elia Kazan films, not only because the films themselves are so good, but because Fox does such 
a damn good job presenting them in high definition for the first time. &lt;i&gt;Viva Zapata&lt;/i&gt; arrives on Blu-ray with a 1080p/AVC-encoded transfer that 
has obviously been given a careful frame-by-frame restoration. You might spot a few fleeting white specks and a few instances of light brightness 
fluctuations across the duration of the movie, b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Rather than try to rework the original single-channel audio into a 5.1 mix, 20th Century Fox has given us a lossless DTS-HD Master Audio mono track 
that's true to source. Like the transfer, there are no significant age-related damage issues here. Crackles, hisses, and pops have been largely attenuated, 
and though the sound has a somewhat thin dynamic rangelike most films from the 1950sclarity is strong, and the mix can stand being turned up 
rather loud. Most importantly, dialogue is alwa&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The only extras on the disc, unfortunately, are the film's Theatrical Trailer (HD, 3:18) and Spanish Trailer (HD, 2:48).&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Viva Zapata&lt;/i&gt; isn't nearly as well-known or well-regarded as Kazan and Brando's other famous collaborations&lt;i&gt;A Streetcar Named Desire&lt;/i&gt; 
and &lt;i&gt;On the Waterfront&lt;/i&gt;but if it's not an &lt;i&gt;important&lt;/i&gt; film, it is a curious and entertaining one, part romanticized biography, part 
corruption-of-power fable, and part white-washed political history. For as &lt;i&gt;wrong&lt;/i&gt; as it seems now, Brando in brown-face is legitimately excellent 
as the titular revolutionary, simmering in the conflic... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Viva-Zapata-Blu-ray/67921/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 16 May 2013 23:01:54 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>WWE WrestleMania XXIX (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/WWE-WrestleMania-XXIX-Blu-ray/66161/#Review</link>
<guid>http://www.blu-ray.com/movies/WWE-WrestleMania-XXIX-Blu-ray/66161/#Review</guid>
<description>&lt;b&gt;Simply the best. &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;New York tough to Jersey strong.&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
WrestleMania is the one event every year -- not just in the WWE but in the broader world of sports and sports entertainment -- that seems to regularly 
outdo itself, if not always in substance certainly in style and pomp and circumstance, all dripping with a sense of history and electricity that's matched 
only by the best of the sports world.  Yet even the Super Bowl, the World Series, or any of the A-list annual sporting events suffer throug&lt;a href="http://www.blu-ray.com/movies/WWE-WrestleMania-XXIX-Blu-ray/66161/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;WrestleMania XXIX&lt;/i&gt;'s high definition transfer might be the best released by the WWE yet.  It reveals a nice little uptick in stability and detail over 
previous releases, which helps to showcase the finest little details seen in some of the many up-close-and-personal shots that put the home audience 
almost right in the middle of the action. Clarity is excellent and the sharpness and resolution allow for even distant elements -- notably fans and the 
signs they hoist -- to appear with a&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;WrestleMania XXIX&lt;/i&gt; features a good, though certainly not spectacular, Dolby Digital 5.1 soundtrack.  This is basically the average WWE new 
release event style soundtrack.  It delivers ringside commentary with largely faultless clarity and center-front placement.  The track offers a good general 
surround element throughout, though the back channels never do get the same kind of love as do the fronts; the main three dominate the proceedings 
and there's a lack of real-sounding envelopme&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;WrestleMania XXIX&lt;/i&gt; contains supplements across both discs.
&lt;br&gt;&lt;br&gt;
&lt;b&gt;Disc One:&lt;/b&gt;
&lt;br&gt;&lt;br&gt;
&lt;ul style="margin:1px 0px 0px 32px"&gt;
&lt;li&gt;&lt;b&gt;Intercontinental Championship Match&lt;/b&gt; (HD, 8:15):  Wade Barret vs. The Miz.  WrestleMania XXIX -- April 7, 2013. 
&lt;/li&gt;&lt;table&gt;&lt;tr&gt;&lt;td height=4&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;li&gt;&lt;b&gt;WrestleMania XXIX Post-Show from MetLife Stadium&lt;/b&gt; (HD, 22:50): Scott Stanford, Jim Ross, Kofi Kingston, and Dusty Rhodes break 
down the night that was. Wrestler interviews &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;It's WrestleMania.  It's Cena vs. Rock.  It's Triple H vs. Lesnar.  It's Undertaker vs. Punk.  Add in a few more superstars and several additional quality 
matches and the table is set for the best WrestleMania of them all.  Is it?  It's close, that's for sure.  A few of the matches fall a little flat, but the 
trifecta main event squeezes out every last drop of adrenaline and then digs deeper to find just a little bit more.  Now the question is who will challenge 
Cena, who will take on the ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/WWE-WrestleMania-XXIX-Blu-ray/66161/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 16 May 2013 21:58:41 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Scalene (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Scalene-Blu-ray/45864/#Review</link>
<guid>http://www.blu-ray.com/movies/Scalene-Blu-ray/45864/#Review</guid>
<description>&lt;b&gt;Rashomemento.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;I&gt;Scalene&lt;/i&gt; takes a dash of Akira Kurosawas legendary &lt;a href="http://www.blu-ray.com/movies/Rashomon-Blu-
ray/53148/"&gt;&lt;i&gt;Rashômon&lt;/i&gt;&lt;/a&gt; and mixes it into some of the structural complexity of Christopher Nolans modern 
masterpiece &lt;a href="http://www.blu-ray.com/movies/Memento-Blu-ray/18419/"&gt;&lt;i&gt;Memento&lt;/i&gt;&lt;/a&gt;, but instead of a 
heady soufflé the results here are curiously flat and more than a bit unseemly.  Margo Martindale (&lt;a 
href="http://www.blu-ray.com/movies/Justified-The-Comp&lt;a href="http://www.blu-ray.com/movies/Scalene-Blu-ray/45864/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Scalene&lt;/i&gt; is presented on Blu-ray courtesy of Breaking Glass Films with an AVC encoded 1080p transfer in 2.33:1.  
This digitally shot feature looks rather good in high definition, with accurate looking color, generally consistent contrast and 
excellent fine object detail, especially in the films many extreme close ups.  This was obviously done on a very small budget, 
and some of the natural lighting schemes dont offer sufficient shadow detail.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Scalene&lt;/i&gt; only has two lossy audio options, Dolby Digital 5.1 and Dolby Digital 2.0.  These suffice well enough, for the 
most part, delivering dialogue and score (which, like the film itself, owes a tip of the hat to &lt;a href="http://www.blu-
ray.com/movies/Vertigo-Blu-ray/7748/"&gt;&lt;i&gt;Vertigo&lt;/i&gt;&lt;/a&gt;) with good if unremarkable fidelity.  The film has a surprising 
amount of dynamic range.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Perceiving Reality:  The Making of &lt;I&gt;Scalene&lt;/i&gt;&lt;/b&gt; (480i; 3:29:33).  Can you say "overkill"?  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Featurette From Dances With Films (World Premiere/Q&amp;A/Awards Ceremony)&lt;/b&gt; (1080p; 15:18) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Photo Gallery&lt;/b&gt; (1080p; 1:20) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Teaser Trailer&lt;/b&gt; (720p; 1:08) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Theatrical Trailer&lt;/b&gt; (720p; 1:52) &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Scalene&lt;/i&gt; is an interesting effort, but its conceit is ill founded and doesn't serve the film in any discernable way, at 
least with regard to the backwards time flow of Janice's story.  The performances are the best thing here, but as a film, 
&lt;I&gt;Scalene&lt;/i&gt;, like its referent triangle, is uneven.... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Scalene-Blu-ray/45864/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 16 May 2013 21:58:12 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Tiger &amp; Bunny: Set 2 (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Tiger-and-Bunny-Set-2-Blu-ray/66169/#Review</link>
<guid>http://www.blu-ray.com/movies/Tiger-and-Bunny-Set-2-Blu-ray/66169/#Review</guid>
<description>&lt;b&gt;We'll return to our sponsors after this brief word from our show.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Have you ever wondered why for example a star of a television sitcom sips a Pepsi and not a Coke or why for example 
Tom Hanks has a Wilson ball and not a Voit or some other brand in &lt;a href="http://www.blu-ray.com/movies/Cast-
Away-Blu-ray/320/"&gt;&lt;i&gt;Cast Away&lt;/i&gt;&lt;/a&gt;?  Its the fine art of what is called product placement, and it is a 
multimillion (maybe even multi&lt;I&gt;billion&lt;/i&gt;) dollar a year effort in the entertainment industry.  It's not by mere chance 
that a film features a Chevy or &lt;a href="http://www.blu-ray.com/movies/Tiger-and-Bunny-Set-2-Blu-ray/66169/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;My comments about &lt;a href="http://www.blu-ray.com/movies/Tiger-and-Bunny-Set-1-Blu-ray/58414/"&gt;&lt;i&gt;Tiger &amp; Bunny: 
Set 1&lt;/i&gt;&lt;/a&gt; hold largely true for this second set.  &lt;I&gt;Tiger &amp; Bunny&lt;/i&gt; is presented on Blu-ray courtesy of Viz Media 
and Warner Home Video with an AVC encoded 1080p 
transfer in 1.78:1.  This is an extremely engaging series from a purely visual angle, one which combines some nice looking 
CGI with more traditional elements.  The bulk of the series features extremely sharp li&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There's really no appreciable difference between the audio mixes of the two &lt;I&gt;Tiger &amp; Bunny&lt;/i&gt; Blu-ray sets, so my 
comments on the first volume are equally &lt;I&gt;a propos&lt;/i&gt; here.  &lt;I&gt;Tiger &amp; Bunny&lt;/i&gt; features lossless DTS-HD Master 
Audio 2.0 mixes in both the original Japanese as well as an English 
dub.  This is a series that &lt;I&gt;really&lt;/i&gt; could have benefited from an immersive surround mix, and my hunch is a lot of 
audiophiles are going to be at least minimally disappointed that there&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Masakazu Katsura Illustration Gallery&lt;/b&gt; (1080p) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Tamura &amp; Katsura Exclusive Interview&lt;/b&gt; (1080p; 13:44) features the producer and original character designer of 
the series talking 
about their inspirations for the series and its production.  In Japanese with English subtitles.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Production Art&lt;/b&gt; (1080p) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Japanese Trailers&lt;/b&gt; (1080p; 3:57) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Clean Opening&lt;/b&gt; (1080p; 1:30) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Clea&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;The pure visual allure of &lt;I&gt;Tiger &amp; Bunny&lt;/i&gt; kept me interested enough in this series that I was pretty easily able to 
overlook some of its less appealing elements.  The basic premise is undeniably derivative, as outlined in the review of the 
first volume of episodes, but perhaps more problematic in this second set is the kind of lackluster group of opening 
episodes we get before the endgame arc starts being introduced around episode 19.  Things improve pretty markedly at 
that point, a... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Tiger-and-Bunny-Set-2-Blu-ray/66169/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 16 May 2013 21:37:54 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Side Effects (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Side-Effects-Blu-ray/67472/#Review</link>
<guid>http://www.blu-ray.com/movies/Side-Effects-Blu-ray/67472/#Review</guid>
<description>&lt;b&gt;Not a bitter pill to swallow... at first.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Every review of &lt;i&gt;Side Effects&lt;/i&gt; should begin with the words: "Stop! Do not read this review!" So, with that in mind, stop! Do not read this review! Unfortunately, even that simple disclaimer gives far too much away, as it hints at the twists and turns director Steven Soderbergh's theatrical trailers so elegantly and successfully kept hidden. In fact, to watch the trailers is to watch an entirely different movie; a topical drama that shines a harsh light on the ills of the pharmaceutical indu&lt;a href="http://www.blu-ray.com/movies/Side-Effects-Blu-ray/67472/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Cold cast with stale yellows, sickly greens, humorless blues and sterilized whites, &lt;i&gt;Side Effects&lt;/i&gt; and its faithful, film-like 1080p/AVC-encoded transfer present the already minimalistic image at its most distinctly Soderberghian, with the director/cinematographer's telltale style dominating every frame. Colors are accurate and effective, as is contrast, and black levels are deep and foreboding. Fleshtones are reasonably well-saturated too (pale or jaundiced as they occasionally appear), an&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Universal's DTS-HD Master Audio 5.1 surround track is a noteworthy representation of the film's restrained but convincing sound design, from the noise of a bustling hospital to the quiet expanse of Jonathan's apartment, the alienating acoustics of a sparsely populated courtroom, and the nervous energy hanging in the air at a mental institution. Dialogue is clean, clear and intelligible, despite being beholden to any given interior or exterior environment's natural acoustic properties, and voices&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul style="margin:1px 0px 0px 28px"&gt;

&lt;li&gt;&lt;b&gt;Behind the Scenes&lt;/b&gt; (HD, 3 minutes): An amusing but hollow spoof that offers zero insight into the film.&lt;/li&gt;&lt;table&gt;&lt;tr&gt;&lt;td height=4&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;li&gt;&lt;b&gt;Ablixa Website Experience&lt;/b&gt; (HD): View Ablixa's mock website, view an ad for the drug, and complete a questionnaire with Jude Law's character in this brief interactive experience.&lt;/li&gt;&lt;table&gt;&lt;tr&gt;&lt;td height=4&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;li&gt;&lt;b&gt;Ablixa Commerical&lt;/b&gt; (HD, 1 minute): The websit&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I suspect &lt;i&gt;Side Effects&lt;/i&gt; will continue to grow on me (as it already did my second time through), although I doubt I'll ever stop wondering what sort of thriller it might have been had Soderbergh stuck with the more relevant Big Pharmaceutical, corporate-culture commentary that dominates his first act. Its performances are outstanding, its script sharply penned, its direction confident and its story absorbing. Soderbergh isn't the 21st century's answer to Hitchcock, but, here, he at least sh... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Side-Effects-Blu-ray/67472/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 16 May 2013 03:34:46 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Petrified Forest (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Petrified-Forest-Blu-ray/57355/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Petrified-Forest-Blu-ray/57355/#Review</guid>
<description>&lt;b&gt;An Icon Is Born&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;EM&gt;Note: "The Petrified Forest" is available either separately or as part of the &lt;A HREF="http://www.blu-ray.com/movies/Ultimate-Gangsters-
Collection-Classics-Blu-ray/57361/"&gt;Warner Ultimate
Gangsters Collection: Classics&lt;/A&gt;.&lt;/EM&gt;&lt;/br&gt;&lt;/br&gt;


&lt;EM&gt;The Petrified Forest&lt;/EM&gt; isn't exactly a gangster movie, but it became famous for one gangster
character, Duke Mantee, who was played by a then-unknown actor named Humphrey Bogartan
unusual name that Warner Brothers tried to get Bogie to cha&lt;a href="http://www.blu-ray.com/movies/The-Petrified-Forest-Blu-ray/57355/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;EM&gt;The Petrified Forest&lt;/EM&gt; was shot by Sol Polito, one of the studio's top cinematographers during the
Thirties and Forties and a key architect of the Warner visual style in that period. The source
material for this 1080p, AVC-encoded Blu-ray has been wonderfully preserved (or restored) with
minimal visible damage and none of the major scratches or frame jumps that are visible on &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Little-
Caesar-Blu-ray/57357/#Review"&gt;Little
Caesar&lt;/A&gt;&lt;/EM&gt;. Shar&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The film's original mono track is included in lossless DTS-HD MA 1.0, and it sounds just fine,
with a nice balance of clear vocals, desert winds, radio bulletins and the sounds of a working
diner. There's an appropriately moody score by Warner in-house composer Bernhard Kaun
(uncredited), but by far the greatest challenge for the film's audio track is reproducing Leslie
Howard's nimble vocal performance. He delivers a lot of dialogue, often very fast, with all the
practiced ease of an exper&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Commentary with Eric Lax&lt;/STRONG&gt;: Lax is a film scholar and a biographer of Bogart, who also
appears in the "Menace in the Desert" featurette described below. He talks continuously,
although it is obvious that he is reading from prepared notes. His commentary is dense
with historical information about each of the major, and some of the minor, cast in &lt;EM&gt;The
Petrified Forest&lt;/EM&gt;, as well as the history of its production and related subjects.&lt;/LI&gt;&lt;/br&gt;&lt;/br&gt;

  &lt;LI&gt;&lt;STR&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;It can be a disorienting experience for viewers who know Bogart primarily as Rick in
&lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Casablanca-Blu-ray/33623/"&gt;Casablanca&lt;/A&gt;&lt;/EM&gt;, Sam Spade in &lt;EM&gt;&lt;A 
HREF="http://www.blu-ray.com/movies/The-Maltese-Falcon-Blu-ray/7707/"&gt;The Maltese Falcon&lt;/A&gt;&lt;/EM&gt; or Philip Marlowe in &lt;EM&gt;&lt;A 
HREF="http://www.blu-ray.com/movies/The-Big-Sleep-Blu-ray/43670/"&gt;The Big Sleep&lt;/A&gt;&lt;/EM&gt; to
experience his performance as Duke Mantee. Mantee has none of the rogue's charm ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Petrified-Forest-Blu-ray/57355/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 16 May 2013 00:00:09 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Le cerveau (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Le-cerveau-Blu-ray/64144/#Review</link>
<guid>http://www.blu-ray.com/movies/Le-cerveau-Blu-ray/64144/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Gérard Oury's "Le cerveau" a.k.a "The Brain" (1969) arrives on Blu-ray courtesy of French label Gaumont. The supplemental features on the release include an original trailer for the film; exclusive new documentary produced by Pierre-Henri Gibert; exclusive new video interview with writer Philippe Durant; documentary film produced by Philippe Durant; and more. In French, with optional English and French SDH subtitles for the main feature. Region-Free.&lt;/i&gt;&lt;a href="http://www.blu-ray.com/movies/Le-cerveau-Blu-ray/64144/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 2.34:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Gérard Oury's &lt;i&gt;The Brain&lt;/i&gt; arrives on Blu-ray courtesy of French label Gaumont.&lt;br&gt;&lt;br&gt;

As it is the case with all films that enter Gaumont's Classiques Collection, the transfer for &lt;i&gt;The Brain&lt;/i&gt; has been sourced from a brand new master. Generally speaking, the film does look quite impressive. Close-ups frequently convey very good depth (see screencapture #4), while larger panoramic shots also&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There is only one audio track on this Blu-ray disc: French DTS-HD Master Audio 2.0. For the record, Gaumont have provided optional English and French SDH subtitles for the main feature. When turned on, they appear inside the image frame. &lt;br&gt;&lt;br&gt;

The lossless track opens up the film very well during the shootouts and the chase sequences. Indeed, overall dynamic intensity is good, but you should not expect the lossless track to test the muscles of your audio system. The dialog is stable, well &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;&lt;b&gt;Blu-ray&lt;/i&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Bande-annonce&lt;/i&gt;&lt;/b&gt; - original trailer for &lt;i&gt;The Brain&lt;/i&gt;. In French, not subtitled. (4 min, 1080p).&lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Gerard Oury: La politesse du rire&lt;/i&gt;&lt;/b&gt; - in this new featurette, writer and director Danièle Thompson (&lt;a href="http://www.blu-ray.com/dvd/Avenue-Montaigne-DVD/20232/"&gt;&lt;i&gt;Avenue Montaigne&lt;/i&gt;&lt;/a&gt;), film critic Philippe Durant, actor Christopher Thompson (&lt;i&gt;La buche&lt;/i&gt;), writer Bernard Stora (&lt;i&gt;L'effrontée&lt;/i&gt;) and&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Gérard Oury's &lt;i&gt;The Brain&lt;/i&gt; is a light and very entertaining comedy from the '60s that is perfect to see late at night. The film is already available on Blu-ray in North America, courtesy of Olive Films, but this English-friendly French release comes with plenty of very informative supplemental features. I think that it is the all-around better release. RECOMMENDED.  ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Le-cerveau-Blu-ray/64144/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 20:17:16 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Philadelphia (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Philadelphia-Blu-ray/65403/#Review</link>
<guid>http://www.blu-ray.com/movies/Philadelphia-Blu-ray/65403/#Review</guid>
<description>&lt;b&gt;You call this brotherly love?&lt;/b&gt;&lt;br&gt;&lt;br&gt;My eldest sister was a public health official at the dawn of the AIDS era and one of her job duties was to provide AIDS 
awareness and education to the residents of several rural communities in Eastern Oregon.  Its perhaps hard to imagine 
such a thing now, but people were seriously concerned about things like AIDS being transmitted through the air or casual 
touches, and in hardscrabble farming communities like the ones my sister was working in there was a none too subtle 
whiff of homopho&lt;a href="http://www.blu-ray.com/movies/Philadelphia-Blu-ray/65403/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Philadelphia&lt;/i&gt; is presented on Blu-ray courtesy of Twilight Time with an AVC encoded 1080p transfer in 1.85:1.  A lot 
of this film takes place in dark interior spaces, and this high definition presentation can only do so much with elements that 
dont intrinsically offer much shadow detail to begin with.  Similarly, much of the film is bathed in brown tones, which means 
there arent a lot of bright primary colors which allow the transfer to really pop in a traditional wow manner.  Wi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Philadelphia&lt;/i&gt;s lossless DTS-HD Master Audio 5.1 springs mostly to life in its two beautiful bookending songs as well 
as in some of the busy Philadelphia cityscape sequences.  Otherwise, dialogue tends to be anchored in the front channels, 
though occasionally there are some smart uses of the surrounds to indicate Becketts declining health (and perhaps mental) 
state, including neatly muffled noises that surround him in the trials climactic moment.  Fidelity is very good, but dynamic&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Deleted Scenes&lt;/b&gt; (480p; 11:18) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Courthouse Protest Footage and Interviews&lt;/b&gt; (480i; 4:26) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Making of &lt;I&gt;Philadelphia&lt;/i&gt;&lt;/b&gt; (480i; 5:59) is a vintage featurette that has some interesting behind the scenes 
footage.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Original Theatrical Trailer&lt;/b&gt; (480p; 3:03) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Isolated Score Track&lt;/b&gt; is presented via DTS-HD Master Audio 2.0.  As good as Howard Shore's score is, this track 
unfortunately does not &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Philadelphia&lt;/i&gt; may strike some as overly mawkish and simple minded, but one has to place the film in its proper 
historical context to really appreciate what a valiant effort it was.  While some aspects of the film have not aged particularly 
well, the two lead performances still have awesome power and visceral intensity.  The supporting cast is also wonderful, 
even if Robards is forced to chew the scenery with abandon (at least hes balanced by a touchingly understated turn by 
Joanne... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Philadelphia-Blu-ray/65403/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 17:50:24 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Tenchi Muyo (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Tenchi-Muyo-War-on-Geminar-Blu-ray/66183/#Review</link>
<guid>http://www.blu-ray.com/movies/Tenchi-Muyo-War-on-Geminar-Blu-ray/66183/#Review</guid>
<description>&lt;b&gt;Would you believe Kenshi Muyo?&lt;/b&gt;&lt;br&gt;&lt;br&gt;You might want to call it &lt;I&gt;Bewitched&lt;/i&gt; Syndrome, namely the sudden change of a major character in a long 
running series with absolutely no explanation given to the audience, which is left to simply accept this "new world 
order".  &lt;I&gt;Bewitched&lt;/i&gt; had its share of these changes, most notably Dick Sargent replacing Dick York as 
Samantha Stephens husband in the final three years of the long running series, though a number of other supporting 
characters had seen two (or more) actors p&lt;a href="http://www.blu-ray.com/movies/Tenchi-Muyo-War-on-Geminar-Blu-ray/66183/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Tenchi Muyo!:  War on Geminar&lt;/i&gt; is presented on Blu-ray courtesy of FUNimation Entertainment with an AVC encoded 
1080p transfer in 1.78:1.  Though this bears the typical FUNimation imprimatur of being an HD native source, I personally 
have to wonder if perhaps this is another case of a pre-upconverted source being labeled as HD simply because it was 
provided to FUNimation in that format.  While theres nothing horrible here in terms of outright stair stepping or similar SD 
give awa&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Tenchi Muyo!:  War on Geminar&lt;/i&gt; features Dolby TrueHD 5.1 mixes in English and Japanese.  The mixes here are quite 
similar, though the English dub sounds at least relatively more aggressively mixed, especially during the noisy 
&lt;I&gt;mecha&lt;/i&gt; sequences.  There's good surround activity in most episodes, though those with a heavier action element 
tend to fare best in this regard.  Dialogue and the nice score are very cleanly presented and are well prioritized.  Fidelity is 
excellent and &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Episode 1 Commentary&lt;/b&gt;.  At last!  FUNimation may have finally gotten the memo that even ardent fans 
grow tired of the jokey, party ambience commentaries that seem to be this label's stock in trade.  Perhaps due to 
&lt;I&gt;Tenchi 
Muyo!:  War on Geminar&lt;/i&gt;'s longer episode length, this commentary features a whole host of different interview 
subjects 
who have been edited fairly seamlessly together to finally provide some salient information on what goes into preparing 
a 
new&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I have a fairly soft spot in my heart for the original &lt;I&gt;Tenchi Muyo!&lt;/i&gt; and that probably means Ive given more slack to 
this newest outing than I might have otherwise.  Similarly, my hunch is those who have the same fondness for Tenchi will 
find enough in Kenshis story to warrant checking out this series, despite its flaws, while those who havent yet been 
initiated to the wild and wooly Tenchi universe will probably find this outing one big yawn.  Even longtime Tenchi fans will 
hav... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Tenchi-Muyo-War-on-Geminar-Blu-ray/66183/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 14:09:00 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>A Common Man (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/A-Common-Man-Blu-ray/67013/#Review</link>
<guid>http://www.blu-ray.com/movies/A-Common-Man-Blu-ray/67013/#Review</guid>
<description>&lt;b&gt;Mishandled audio further pulls down an already struggling release. &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;I'm not Superman.  Invisible Man, more like.&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
Director Chandran Rutnam's &lt;i&gt;A Common Man&lt;/i&gt; is a remake of the highly rated and critically acclaimed 2008 Bollywood Thriller &lt;a 
href="http://www.blu-ray.com/movies/movies.php?id=10466"&gt;&lt;i&gt;A Wednesday&lt;/i&gt;&lt;/a&gt;.  Unfortunately, Rutnam's film doesn't warrant the same 
level of praise.  His well-intentioned film is one that probably doesn't need to 
exist considering the close proximity of the original version.  This is a stale, la&lt;a href="http://www.blu-ray.com/movies/A-Common-Man-Blu-ray/67013/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;A Common Man&lt;/i&gt; features a snazzy, sharp, and highly enjoyable high definition transfer.  Anchor Bay's 1.78:1 image appears razor sharp in 
nearly every scene and reveals pinpoint details and picture-perfect clarity in nearly every shot.  It's very bright -- brilliant, at times -- and showcases HD 
video eye candy throughout.  Details are spectacular.  Of course, clothing and facial textures are top-notch, but the many distance and overhead city 
shots reveal an amazing level of accuracy,&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;For the most part, &lt;i&gt;A Common Man&lt;/i&gt;'s Dolby TrueHD 5.1 lossless soundtrack excels, except in one key area.  Before the deal breaking negative, 
the positives: from the open, listeners will enjoy a rather robust room-filling sound signature.  Balanced bass, smooth surround details, crisp notes, and 
welcoming ambient support give shape to a fine general presentation.  Rumbling trains, passing traffic, revving motorcycle motors, the din of a police 
station, and all sorts of sound effects cr&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Anchor Bay's Blu-ray release of &lt;i&gt;A Common Man&lt;/i&gt; is featureless. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Chances are &lt;i&gt;A Common Man&lt;/i&gt; will at the very least spark an interest in tracking down a copy of &lt;i&gt;A Wednesday&lt;/i&gt;.  The Ben Kingsley remake 
is, sadly, not up to the challenge of delivering meaningful, hard-hitting drama, instead settling for a fairly lazy, slow structure that's all downhill after a 
rather strong open.  The picture does little right -- even Kingsley's performance feels a little flat beyond the first act -- and only hints at the material's 
potential rather than 
capita... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/A-Common-Man-Blu-ray/67013/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 12:37:36 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Ghostbusters (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Ghostbusters-Blu-ray/69723/#Review</link>
<guid>http://www.blu-ray.com/movies/Ghostbusters-Blu-ray/69723/#Review</guid>
<description>&lt;b&gt;A stepping stone to a new era of movie watching at home.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Why worry?  Each of us is wearing an unlicensed nuclear accelerator on his back&lt;/i&gt;.  
&lt;br&gt;&lt;br&gt;
Released both at the peak of the last great age of Comedy and featuring three of the funniest of all 
the funny men in the business, 1984's &lt;i&gt;Ghostbusters&lt;/i&gt; delivers a deliciously over-the-top and 
completely inane movie experience that remains one of the greats of the genre.  Molding the laughs 
in the context of a special effects-laden supernatural extravaganza, &lt;i&gt;Ghostbusters&lt;/i&gt; earns &lt;a href="http://www.blu-ray.com/movies/Ghostbusters-Blu-ray/69723/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Sony's commitment to releasing the finest Blu-ray products is evident with every spin of a Sony-branded disc.  The consistency of product -- from the 
latest blockbusters to the most cherished classic titles from years gone by -- is arguably tops in the entire industry, and why shouldn't it be; Sony 
was a lead Blu-ray design and advocacy outfit, its PlayStation 3 console offered disc playback and instant wide format adoption, and the first wave of 
titles released back in 2006 bore the 
Son&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Sony's "Mastered in 4K" Blu-ray release of &lt;i&gt;Ghostbusters&lt;/i&gt; features what appears to be the same Dolby TrueHD 5.1 lossless soundtrack found not 
he previous release.  Though not particularly engaging in every scene, this one holds up rather nicely and the lossless 
soundtrack, while not a revelation, does bring out some subtleties that seemed lost in the shuffle 
of 
previous home video releases.  Both the music and sound effects enjoy a nice boost here, some 
of 
the film's softer musi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Sony's 4K Blu-ray release of &lt;i&gt;Ghostbusters&lt;/i&gt; contains no supplements. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Smartly written and perfectly played, &lt;i&gt;Ghostbusters&lt;/i&gt; remains a seminal work in the Comedy 
genre.  Intertwining deadly-serious overtones with lighthearted fun, the film manages to take 
absurd material and craft it into an exciting and side-splitting Paranormal Comedy featuring Bill 
Murray, Dan Aykroyd, Harold Ramis, and Rick Moranis at the very top of their games.  Also enjoying 
fine 
performances from Ernie Hudson, Sigourney Weaver, Annie Potts, and William 
Atherton, &lt;i&gt;Ghostbust... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Ghostbusters-Blu-ray/69723/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 12:08:12 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Beautiful Creatures (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Beautiful-Creatures-Blu-ray/68604/#Review</link>
<guid>http://www.blu-ray.com/movies/Beautiful-Creatures-Blu-ray/68604/#Review</guid>
<description>&lt;b&gt;"Bless your heart, sugar. You must have been first in your litter!"&lt;/b&gt;&lt;br&gt;&lt;br&gt;So begins -- and hopefully soon ends -- the post-&lt;i&gt;Twilight&lt;/i&gt; age; an era sure to be defined by shameless pilfering, intense déjà vu, desperate market searches and hurried box office seizures, as studios and once-respectable filmmakers willingly sell their souls to score the next, big teen-driven supernatural mega-franchise. There's an Edward and Jacob-sized hole in adolescent cinema's still-racing heart, dear readers, and whoever manages to fill that hole will inherit a disturbingly literal &lt;a href="http://www.blu-ray.com/movies/Beautiful-Creatures-Blu-ray/68604/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Beautiful Creatures&lt;/i&gt; staggers between its dark, moon-cast nights and hot, twice-baked days with an unexpectedly inconsistent 1080p/AVC-encoded video presentation. As far as technical issues go, there aren't many. A bit of banding here, some unwieldy grain there; a spot of ringing, a pinch of over-saturated and three cups of crush. The real distractions -- jarring, intermittent softness, murky nighttime scenes and a sometimes significant, often negligible loss of shadow detail -- are most l&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Beautiful Creatures&lt;/i&gt;' DTS-HD Master Audio 5.1 surround track doesn't have enough opportunities to conjure any real magic, but its strong, assertive support of the film lends power and presence where they might otherwise be none. LFE output is firm and unyielding, licking its lips when casters go into battle and grabbing hold of the chaos that ensues when all hell breaks loose. The rear speakers follow suit, even though they're far more engaging when spells are being cast than when Ethan an&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul style="margin:1px 0px 0px 28px"&gt;

&lt;li&gt;&lt;b&gt;Behind the Scenes&lt;/b&gt; (HD, 24 minutes): In an unfortunate trend that's sure to be replicated again and again, Warner has promoted its "Focus Point" featurettes to full-fledged extras, complete with separate menu entries and individual listings on the back cover. The six featurettes available aren't any longer than usual, though, and don't delve any deeper. They merely provide the &lt;i&gt;appearance&lt;/i&gt; of a value-packed supplemental package, when in fact&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Beautiful Creatures&lt;/i&gt; pines for &lt;i&gt;Twilight&lt;/i&gt; glory but comes up short, delivering a deformed clone with more superpowers but less heart or appeal. And considering the &lt;i&gt;Twilight&lt;/i&gt; series had its own share of debilitating issues, &lt;i&gt;Creatures&lt;/i&gt; is something of a mess, over-sold, overacted and overwhelmingly dull. Warner's Blu-ray release is a bit more satisfying, but it struggles with consistency with a decent but problematic video presentation, a solid DTS-HD Master Audio 5.1 surrou... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Beautiful-Creatures-Blu-ray/68604/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 09:55:35 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Safe Haven (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Safe-Haven-Blu-ray/67664/#Review</link>
<guid>http://www.blu-ray.com/movies/Safe-Haven-Blu-ray/67664/#Review</guid>
<description>&lt;b&gt;The title is an anagram of "Fans Heave." If you're a Nicholas Sparks fan, you just might.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Safe Haven&lt;/i&gt; might've been a decent little romantic thriller for the chick-flick set. &lt;i&gt;Might've&lt;/i&gt; being the operative word in that sentence. 
The film is the eight big screen adaptation of a Nicholas Sparks noveland the second helmed by &lt;i&gt;Chocolat&lt;/i&gt; director Lasse Hellström, after 
&lt;i&gt;Dear John&lt;/i&gt;and all the hallmarks are here: the lovey-dovey scene in the pouring rain, the weepy handwritten letters, the tragic cancer death, 
the date at the beach, all accompanied by the franti&lt;a href="http://www.blu-ray.com/movies/Safe-Haven-Blu-ray/67664/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Let's give &lt;i&gt;Safe Haven&lt;/i&gt; thisit's quite handsome on Blu-ray, with a 1080p/AVC-encoded presentation that's sharp and wonderfully colorful. Shot 
digitally with Arri Alexa HD cameras, the material has a filmic look that's low on source noiseeven in darker scenesand completely free of compression 
issues like banding, macroblocking, or harsh artifacts. (No artificial-looking post-production blunders like edge enhancement or extreme color boosting 
either.) The image is simply pleasing fro&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The film's lossless DTS-HD Master Audio 5.1 surround track is satisfying too, if understandably low-impact considering this is a romance with only light 
thriller elements. Dialogue is central to the mixit's always clear and understandableand the soundfield is filled out with lots of appreciable ambience in 
the rear channels, from gull sounds and ocean breezes to pounding rain, blasts of thunder, and arcing Fourth of July fireworks. For this kind of film, the 
sound design is quite good, a&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Deleted and Extended Scenes (HD, 5:19):&lt;/b&gt; Five previously cut or truncated scenes.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Alternate Ending (HD, 3:37):&lt;/b&gt; Ugh. Just as bad as the original. No drastic changes here, just some minor added shots and rearranged 
editing.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Igniting the Romance in &lt;i&gt;Safe Haven&lt;/i&gt; (HD, 9:15):&lt;/b&gt; A short making-of piece featuring interviews with director Lasse Hellström, 
author Nicholas Sparks, and the key actors, focusing mostly on the performances and the arcs&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Safe Haven&lt;/i&gt; could've been one of the better Nicholas Sparks adaptations; it has romance, cute leads, some oh-no-what's-gonna-happen-next 
thrills, and a gorgeous North Carolina setting. Unfortunately, it also has an unintentionally comic bad guy and a twist ending that'll make you want to 
punch a wall. Fans of the author's other work might still find that their entertainment needs are met here, but &lt;i&gt;Safe Haven&lt;/i&gt; won't win the writer 
any new followers, especially among those who re... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Safe-Haven-Blu-ray/67664/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 02:20:24 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Leave Her to Heaven (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Leave-Her-to-Heaven-Blu-ray/65407/#Review</link>
<guid>http://www.blu-ray.com/movies/Leave-Her-to-Heaven-Blu-ray/65407/#Review</guid>
<description>&lt;b&gt;. . .or hell as the case may be.&lt;/b&gt;&lt;br&gt;&lt;br&gt;If Douglas Sirk and Alfred Hitchock had ever deigned to collaborate, the result might have been something very like 
&lt;I&gt;Leave Her to Heaven&lt;/i&gt;, a sumptuous 1945 Fox film that was one of the studios major success stories during that 
legendary decade.  Part psychological thriller and part roiling melodrama, &lt;I&gt;Leave Her to Heaven&lt;/i&gt; was based on a 
huge bestseller that may have seemed a bit unusual to have become such a sensation in the halcyon days of a post-
World War II America.  &lt;I&gt;Lea&lt;a href="http://www.blu-ray.com/movies/Leave-Her-to-Heaven-Blu-ray/65407/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Leave Her to Heaven&lt;/i&gt; is presented on Blu-ray courtesy of Twilight Time with an AVC encoded 1080p transfer in 
1.37:1.  As has become legend in film preservation circles, the geniuses at Fox literally discarded all of their original 
Technicolor elements in the 1970s and so a glut of Fox classics that were originally released in Technicolor now exist 
courtesy of safety dupes.  The difference is easily noticeable as even a cursory 
examination of the screenshots accompanying this review&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Leave Her to Heaven&lt;/i&gt; features a lossless DTS-HD Master Audio Mono track that reveals some low level distortion in 
the lower midrange which is instantly noticeable in Alfred Newman's first cue (simply toggling to the isolated score track, 
which does not have this distortion, will reveal the easily audible difference).  There's nothing &lt;I&gt;too&lt;/i&gt; distracting about 
this anomaly, and it tends to diminish over the course of the film, but those with finely attuned listening ears will no do&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Audio Commentary with Richard Schickel and Darryl Hickman&lt;/b&gt;.  These two were obviously recorded 
separately and then edited together.  Schickel tends to concentrate on actor biographies and the production of the film 
while Hickman gives a more personal reminiscence of what being on set was like.  He is &lt;I&gt;not&lt;/i&gt; kind to Gene Tierney, 
lets just leave it at that.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Isolated Score&lt;/b&gt; is presented via a DTS-HD Master Audio 2.0 track, and while it has the typ&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Analysts and critics have been arguing over just which genre &lt;I&gt;Leave Her to Heaven&lt;/i&gt; should be pigeonholed into.  Is it a bizarre brighly 
colored &lt;i&gt;noir&lt;/i&gt;?  Is it a doomed romance?  Is it a turgid melodrama?  Well, yes, yes and yes.  That's one (or perhaps &lt;I&gt;three&lt;/i&gt;) of the 
reasons the film still is so fascinating to watch.  It will strike some as too slow, with a too hyperbolic third act (especially once Vincent Price's 
crusading attorney springs into dunderheaded action), but th... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Leave-Her-to-Heaven-Blu-ray/65407/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 15 May 2013 01:09:37 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Unbelievable Truth (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Unbelievable-Truth-Blu-ray/66910/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Unbelievable-Truth-Blu-ray/66910/#Review</guid>
<description>&lt;b&gt;An improbable comedy.&lt;/b&gt;&lt;br&gt;&lt;br&gt;One of the most intriguing aspects of being a parent is seeing what kind of romantic entanglements your children 
experience.  When I was in my twenties, I had a rather exotic girlfriend who was several years my senior and who just 
so happened to be a French Moroccan woman who made her living as a belly dancer.  When I took this woman to meet 
my parents at a family reunion and she came in her belly dancing attire and performed for my assorted relatives, I had 
never seen such a combination&lt;a href="http://www.blu-ray.com/movies/The-Unbelievable-Truth-Blu-ray/66910/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Unbelievable Truth&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 
1.78:1.  This early Hartley effort wasnt just shot on a &lt;I&gt;shoestring&lt;/i&gt; budget, it was shot on a veritable &lt;I&gt;aglet&lt;/i&gt; 
budget, and so the surprising thing is how polished so much of the film looks, especially in this solid high definition 
presentation.  Colors are somewhat muted but generally accurate looking and fine detail is quite admirable throughout the 
film.  Ther&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Unbelievable Truth&lt;/i&gt; features a lossless DTS-HD Master Audio Mono track that serves the films pretty small scale 
sonic ambitions perfectly well.  The bulk of this film consists of dialogue scenes, either monologues or between two people, 
without even a glut of ambient environmental effects to provide much depth.  There are some nice effects, however, notably 
in the nice opening sequence where the wind is whipping through some foliage, or some of the seaside scenes later in the 
&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;&lt;I&gt;The Unbelievable Truth&lt;/i&gt; and its Consequences&lt;/b&gt; (480p; 17:35) is a nice little retrospective with the 
principal cast and 
Hartley looking back on the production.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Opera No. 1&lt;/b&gt; (480i; 8:20) is a fun musical short by Hartley with a young Parker Posey.  &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;The Unbelievable Truth&lt;/i&gt; finds its filmmaker and cast doing rather remarkable work considering this was such an early 
effort for so many of them.  The film doesnt quite gel, and is a bit too pretentious for its own good, but theres a lot of 
nicely down low key humor here that will appeal to most Hartley fans.  This Blu-ray offers very good video and audio and it 
comes with a couple of appealing supplements.  &lt;b&gt;Recommended&lt;/b&gt;.... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Unbelievable-Truth-Blu-ray/66910/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 14 May 2013 22:04:42 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Parked (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Parked-Blu-ray/67011/#Review</link>
<guid>http://www.blu-ray.com/movies/Parked-Blu-ray/67011/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;The disastrous world economy of the past several years has left a high number of once relatively prosperous victims in 
its wake.  Many of you probably personally knowor at least have heard ofpeople who have lost their jobs, their 
homes, and virtually everything that once helped define who they thought they were (for a decidedly unusual take on 
this basic premise, I refer you to the recently released &lt;a href="http://www.blu-ray.com/movies/Upstream-Color-Blu-
ray/66046/"&gt;&lt;i&gt;Upstream Color&lt;a href="http://www.blu-ray.com/movies/Parked-Blu-ray/67011/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Parked&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 2.35:1.  This is a 
largely flawless high definition presentation which offers superior fine object detail, especially in the films many close-ups.  
&lt;I&gt;Parked&lt;/i&gt; is yet another film that has been pretty aggressively color graded, with about equal amounts of ice cold blue 
and a warmer amber color.  The yellow sequences look rather nice and relatively sharp, though the effulgent saffron hue &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Parked&lt;/i&gt;s lossless DTS-HD Master Audio 2.0 mix is surprisingly active given the small scale of much of this film.  The 
seaside sequences have a lot of nicely done ambient environmental effects.  Dialogue is very cleanly presented (though the 
Irish accents can be a bit thick for American listeners), and the films charming (if occasionally annoying) score also sounds 
nicely clear and well defined.  Fidelity is excellent, though theres little to no dynamic range in this track.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Parked&lt;/i&gt; is ultimately fairly predictable fare, but with a beautifully understated by Colm Meaney and some equally 
effective work by flashier co-star Colin Morgan, it becomes a bit easier to forgive the films resolutely rote processional 
toward salvation.  The film has a sort of dour undercurrent running through it, which may turn off some prospective viewers, 
but considering the plight of the homeless around the world, Fred and Cathal dont have it as bad as many, and at least 
the... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Parked-Blu-ray/67011/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 14 May 2013 14:51:31 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Little Caesar (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Little-Caesar-Blu-ray/57357/#Review</link>
<guid>http://www.blu-ray.com/movies/Little-Caesar-Blu-ray/57357/#Review</guid>
<description>&lt;b&gt;It Wasn't the End of Rico&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;EM&gt;Note: "Little Caesar" is available either separately or as part of the &lt;A HREF="http://www.blu-ray.com/movies/Ultimate-Gangsters-Collection-
Classics-Blu-ray/57361/"&gt;Warner Ultimate Gangsters
Collection: Classics&lt;/A&gt;.&lt;/EM&gt; &lt;/br&gt;&lt;/br&gt;


Edward G. Robinson had a long and fruitful acting career, creating an array of indelible portraits
that included the insurance investigator Barton Keys in &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Double-Indemnity-Blu-
ray/35597/"&gt;Double Indemnity&lt;/A&gt;&lt;&lt;a href="http://www.blu-ray.com/movies/Little-Caesar-Blu-ray/57357/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;The major issues with Warner's 1080p, AVC-encoded Blu-ray of &lt;EM&gt;Little Caesar&lt;/EM&gt; are inseparable
from the source material, which, despite efforts at clean-up, still suffers from obvious damage. A
significant number of vertical scratches last anywhere from a few seconds to half a minute. None
of them renders any of the image unwatchable, but they are quite noticeable. Frames are missing
in several spots, causing obvious jumps. Fortunately, none of these breaks occur at key moments
in the &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The film's mono soundtrack is encoded as lossless DTS-HD MA 1.0, and it's a pleasure to hear
Robinson's distinctive speech patterns as Rico at such high fidelity. The clarity doesn't do all
that much of the rest of the dialogue a favor, though, because many of the remaining
performances are quite weak. However, Thomas E. Jackson's turn as the sarcastic Lt.
Flahertythe second best performance in the filmcomes through better than I've ever heard it
before. The various pistols and machine gu&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The extras have been ported over from Warner's 2004 DVD.&lt;/br&gt;&lt;/br&gt;


&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Commentary with Richard B. Jewell&lt;/STRONG&gt;: A film historian at the University of Southern
California, Jewell narrates, explicates and provides historical context as the film unspools
on the screen. It's an OK commentary, but there's nothing here that can't easily be
learned elsewhere.&lt;/LI&gt;&lt;/br&gt;&lt;/br&gt;

  &lt;LI&gt;&lt;STRONG&gt;&lt;EM&gt;Warner Night at the Movies 1930&lt;/EM&gt;&lt;/STRONG&gt;&lt;/LI&gt;
  &lt;UL&gt;
    &lt;LI&gt;&lt;EM&gt;Introducti&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Like &lt;EM&gt;Scarface&lt;/EM&gt;, the novel of &lt;EM&gt;Little Caesar&lt;/EM&gt; by W.R. Burnett was inspired by Al Capone's rapid
ascent to the pinnacle of Chicago's criminal empire. Capone's ruthlessness, his penchant for
flaunting his activities and his status as a semi-celebrity sparked the imagination of more than a
few writers, actors and directors. But even if Capone was ultimately undone by his refusal to
keep a low profile, he had a certain native shrewdness that one never sees in Robinson's Rico.
Rico... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Little-Caesar-Blu-ray/57357/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 14 May 2013 11:50:13 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Hoodlum Empire (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Hoodlum-Empire-Blu-ray/66749/#Review</link>
<guid>http://www.blu-ray.com/movies/Hoodlum-Empire-Blu-ray/66749/#Review</guid>
<description>&lt;b&gt;Hearings impaired.&lt;/b&gt;&lt;br&gt;&lt;br&gt;The general consensus might be that so-called reality television is a relatively recent phenomenon (leaving aside for a 
moment just how &lt;I&gt;real&lt;/i&gt; some of these shows actually are), but the earliest days of television were rife with all 
sorts of reality programming, efforts that were often easier to produce and much less costly to broadcast than actual 
scripted fare.  At around the same time that audiences were just beginning to tune in in droves to the likes of Uncle 
Miltie and &lt;I&gt;&lt;a href="http://www.blu-ray.com/movies/Hoodlum-Empire-Blu-ray/66749/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Hoodlum Empire&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.37:1.  This 
is yet another generally very solid high definition presentation from Olive, with good contrast and pleasing detail.  The 
elements have their requisite minor age related wear and tear, but the biggest drawback to this particular release is some 
stock footage that is noticeably more washed out and ragged than the bulk of the film.  Otherwise, though, this effort is 
ano&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Hoodlum Empire&lt;/i&gt;s lossless DTS-HD Master Audio Mono track has some minimal distortion, especially in the early 
going, but settles down to provide a surprisingly full bodied audio presentation, one which delivers the dialogue cleanly and 
clearly as well as offering quite a bit more dynamic range than might be expected, courtesy of the flashbacks to World War 
II.  Fidelity is very good throughout this track, without even much hiss to hamper the high end.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This is yet another really odd choice for Olive to bring to Blu-ray.  I have to hand it to this little label that could (and often 
&lt;I&gt;does&lt;/i&gt;), for theres no other distributor that I can think of that so regularly offers such a variety of lesser known films 
on high definition.  But &lt;I&gt;Hoodlum Empire&lt;/i&gt; unfortunately doesnt have a lot to recommend it other than a very colorful 
supporting cast.  Few contemporary audience members are going to know enough about, let alone &lt;I&gt;care&lt;/i&gt; abo... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Hoodlum-Empire-Blu-ray/66749/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 14 May 2013 11:34:37 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Medium Cool (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Medium-Cool-Blu-ray/66271/#Review</link>
<guid>http://www.blu-ray.com/movies/Medium-Cool-Blu-ray/66271/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Haskell Wexler's "Medium Cool" (1969) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an original trailer for the film; exclusive new video interview with director Haskell Wexler; extended excerpts from Paul Cronin's documentary "Look Out Haskell, It's Real!"; new featurette with director Haskell Wexler; excerpts from Paul Cronin's documentary "Sooner or Later"; audio commentary with director Haskell Wexler, editorial consultant Paul Golding, and actres&lt;a href="http://www.blu-ray.com/movies/Medium-Cool-Blu-ray/66271/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Haskell Wexler's &lt;i&gt;Medium Cool&lt;/i&gt; arrives on Blu-ray courtesy of Criterion. &lt;br&gt;&lt;br&gt;

Recently restored in 4K, with the digital restoration approved by director Haskell Wexler, &lt;i&gt;Medium Cool&lt;/i&gt; looks stunning on Blu-ray. From start to finish detail is indeed outstanding, while clarity is consistently very pleasing. Despite the shaky camera movement, contrast levels are also remain stable&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There is only one standard audio track on this Blu-ray disc: English LPCM 1.0. For the record, Criterion have provided optional English SDH subtitles for the main feature. &lt;br&gt;&lt;br&gt;

It is clear to me that various stabilizations have been performed as balance (between dialog and music) and clarity are indeed very good. Despite the fact that the film was shot in a very specific manner (classic cinema verite style), dynamic movement is also very good. The dialog is always very crisp, clean, and e&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Trailer&lt;/i&gt;&lt;/b&gt; - original trailer for &lt;i&gt;Medium Cool&lt;/i&gt;. In English, not subtitled. (4 min, 1080i).&lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Haskell Wexler&lt;/i&gt;&lt;/b&gt; - in this exclusive new video interview, director and cinematographer Haskell Wexler explains how &lt;i&gt;Medium Cool&lt;/i&gt; came to exist and its unique message. Mr. Wexler also talks about the socio-political climate in America at the time when the film was completed. The interview was conducted by Criterion in 2013. In English, not subti&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This is American Cinema at its very best - powerful, thought-provoking, incredibly original. While revisiting the film, now beautifully restored in 4K, I kept thinking about many of Jean-Luc Godard's most radical films. As impressive as many of them are, I dare say not a single one of them matches the brilliance of &lt;i&gt;Medium Cool&lt;/i&gt;. Structurally, it is a flawless film. And regardless of whether one agrees or disagrees with its message, it is an indisputable fact that it is very much relevant t... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Medium-Cool-Blu-ray/66271/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 14 May 2013 04:21:05 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>WWE: The Best of In Your House (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/WWE-The-Best-of-In-Your-House-Blu-ray/63896/#Review</link>
<guid>http://www.blu-ray.com/movies/WWE-The-Best-of-In-Your-House-Blu-ray/63896/#Review</guid>
<description>&lt;b&gt;Take it in.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;I feel like I'm in a time warp.&lt;/i&gt; 
&lt;br&gt;&lt;br&gt;
Big hair; loud clothes; electric pinks, lime greens, teals, and magentas; standard definition; and professional wrestling, all coming directly IN YOUR 
HOUSE, like, literally, Hakushi, Razor Ramon, Stone Cold Steve Austin, and Ken Shamrock are going to wrestle IN YOUR HOUSE!  Or not.  OK, so the 
name really 
wasn't spectacular -- it's not like all of the other Pay-Per-View events weren't broadcast "in your house" too -- but 
whatever.  Back&lt;a href="http://www.blu-ray.com/movies/WWE-The-Best-of-In-Your-House-Blu-ray/63896/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;The Best of In Your House&lt;/i&gt; features pretty much the same sort of transfer fans have seen in previous standard definition-sourced Blu-ray 
releases from WWE.  The HD Todd Pettengill segments look like pretty much any other; he appears in a dark-walled but well-lit room.  The shadowy 
backgrounds can look a bit blocky, and light aliasing is seen at times, but generally the HD video source appears crisp and del defined, revealing the 
cardboard textures of the cutouts and the clothing and &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;The Best of In Your House&lt;/i&gt; features the WWE-standard Dolby Digital 5.1 soundtrack, and there's really not much at all to it.  The Pettengill clips 
offer straightforward dialogue that comes through cleanly and accurately from the center.  The audio accompanying the standard definition video doesn't 
offer much room for detailed exploration.  It's also very much focused up the middle with terribly limited range but adequate clarity.  There's certainly a 
light muddiness to even the rings&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;The Best of In Your House&lt;/i&gt; contains several additional matches and moments.
&lt;br&gt;&lt;br&gt;
&lt;b&gt;Disc One Blu-ray Exclusives:&lt;/b&gt;
&lt;br&gt;&lt;br&gt;
&lt;ul style="margin:1px 0px 0px 32px"&gt;
&lt;li&gt;&lt;b&gt;Todd Pettengill Outtakes&lt;/b&gt; (HD, 2:39): Some fun moments with the host. 
&lt;/li&gt;&lt;table&gt;&lt;tr&gt;&lt;td height=4&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;li&gt;&lt;b&gt;In Your House Sweepstakes Winner&lt;/b&gt; (HD, 1:22): A young boy receives a tour of his new home.  
&lt;/li&gt;&lt;table&gt;&lt;tr&gt;&lt;td height=4&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;/ul&gt;
&lt;br&gt;&lt;br&gt;
&lt;b&gt;Disc Two Blu-ray&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;The Best of In Your House&lt;/i&gt; will delight wrestling fans who pine for the good old days of loud clothes, big hair, exaggerated colors, and some of the 
finest wrestling the world has ever seen.  The short-lived &lt;i&gt;In Your House&lt;/i&gt; Pay-Per-View will be remembered for the legacy built by the passage of 
some of the finest performers of all time through its lifespan.  Though it's gone the way of the cassette tape, the LaserDisc, and the "WWF" monicker, 
&lt;i&gt;In Your 
House&lt;/i&gt; holds up as an... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/WWE-The-Best-of-In-Your-House-Blu-ray/63896/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 13 May 2013 23:01:52 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Tomorrow You're Gone (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Tomorrow-Youre-Gone-Blu-ray/67452/#Review</link>
<guid>http://www.blu-ray.com/movies/Tomorrow-Youre-Gone-Blu-ray/67452/#Review</guid>
<description>&lt;b&gt;Was He Ever Here?&lt;/b&gt;&lt;br&gt;&lt;br&gt;

&lt;EM&gt;Tomorrow You're Gone&lt;/EM&gt; (hereafter "&lt;EM&gt;TYG&lt;/EM&gt;") is a classic example of a film that tries to sustain itself
on atmosphere alone and fails miserably. Because director David Jacobson and screenwriter
Matthew F. Jones are primarily interested in a dank sense of grim foreboding, they never bother
to tell any kind of story, even a fractured and crazy one, as David Lynch might do. They just keep
piling one vague hint on top of another, and early on you suspect (rightly so) that most o&lt;a href="http://www.blu-ray.com/movies/Tomorrow-Youre-Gone-Blu-ray/67452/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Whatever the shortcomings of &lt;EM&gt;Tomorrow You're Gone&lt;/EM&gt; as a film, the image on Image
Entertainment's 1080p, AVC-encoded Blu-ray provides little to find fault with. Photographed
digitally with the Arri Alexa by Michael Fimognari (&lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Beautiful-Boy-Blu-ray/26701/"&gt;Beautiful Boy&lt;/A&gt;
&lt;/EM&gt;), the image is clean, detailed
and sharp but with the film-like texture for which the Alexa is justly renowned. Blacks are deep
and solid, which is critical, because&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The dynamic range and bass extension in the Blu-ray's lossless DTS-HD MA 5.1 track become
evident early on when Charlie first approaches Moe's Bar and Grille where the Buddha's name
will get him a room. The distant throbbing from the bar's pounding sound system will put your
system's subwoofer to work. The best surround showcases, however, are the subjective moments
that reflect Charlie's state of mind, when present events merge with memories in an aural
cocktail that swirls around Charlie,&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Other than introductory trailers (in 1080p) for &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/movies.php?id=67393"&gt;The Numbers Station&lt;/A&gt;
&lt;/EM&gt; and &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Day-of-the-Falcon-Blu-ray/63237/#Review"&gt;Day of the Falcon&lt;/A&gt;&lt;/EM&gt;, the
disc contains no extras. These trailers play at startup and can be skipped with the chapter forward
button, but cannot be played once the disc loads.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I was a fan of &lt;EM&gt;Down in the Valley&lt;/EM&gt;, but I can't recommend Jacobson's long-delayed follow-up,
despite the Blu-ray's technical superiority. The story is too unfocused, the performances too
detached, and the whole effort provides too little reward for the investment of your time in
watching. Not recommended.&lt;/br&gt;&lt;/br&gt;... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Tomorrow-Youre-Gone-Blu-ray/67452/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 13 May 2013 22:15:26 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Lifeforce (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Lifeforce-Blu-ray/44295/#Review</link>
<guid>http://www.blu-ray.com/movies/Lifeforce-Blu-ray/44295/#Review</guid>
<description>&lt;b&gt;She wants to suck yourwell, does it really matter?&lt;/b&gt;&lt;br&gt;&lt;br&gt;At least the astronauts in &lt;a href="http://www.blu-ray.com/movies/Alien-Blu-ray/5086/"&gt;&lt;i&gt;Alien&lt;/i&gt;&lt;/a&gt; werent 
aware they were bringing anything, let alone something nasty, back with them after setting out on their interstellar 
explorations.  No such 
slack can be given to the spacemen in another screenplay co-written by &lt;I&gt;Alien&lt;/i&gt;s Dan OBannon, the troubled 
1985 Tobe Hooper film &lt;I&gt;Lifeforce&lt;/i&gt;.  On paper &lt;I&gt;Lifeforce&lt;/i&gt; seemed to have just about everything going for it a 
mid-ei&lt;a href="http://www.blu-ray.com/movies/Lifeforce-Blu-ray/44295/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Lifeforce&lt;/i&gt; is presented on Blu-ray courtesy of Shout! Factorys imprint Scream Factory with an AVC encoded 1080p 
transfer in 2.35:1.  
According to the commentary by Hooper included on this Blu-ray, Hooper himself oversaw this restoration and high 
definition transfer, personally color timing the film to get it to his original vision.  The results are laudatory, especially for 
anyone who has seen previous home video incarnations of the film.  While some of the changes are rather subt&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Lifeforce&lt;/i&gt; features lossless DTS-HD Master Audio 5.1 and 2.0 tracks, which one assumes are meant to mimic the 
original six track 70mm presentation and two track 35mm presentation respectively.  The 5.1 track offers some excellent 
surround activity in the films special effects sequences, especially when the lifeforce is being sucked out any given victim, at 
which point there are great panning whooshing foley effects.  Dialogue is cleanly presented and Henry Mancinis rather 
un-Ma&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;&lt;i&gt;Lifeforce&lt;/i&gt; Theatrical Release&lt;/b&gt; (1080p; 1:41:17).  This is the truncated version that was released 
in the United States.  
Most of the missing footage is up front in the establishing moments.  There are also some slight differences in the music.  
Despite being 
encoded via MPEG-2, this presentation looks almost as good as the extended cut.  Unfortunately the soundtrack is 
delivered via Dolby Digital 
5.1, but otherwise this is a fantastic bonus to be included on this&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Its probably best to think of &lt;I&gt;Lifeforce&lt;/i&gt; as a vampire movie with some space elements thrown in, rather than an 
outer space special effects extravaganza that has vampires in it.  That in fact was most likely one of the reasons the film 
failed to really resonate with audiences years ago, since the marketing of the film made it seem like a sci-fi spectacular.  
There are some undeniably silly aspects to the film (watching Railsback and Stewart almost lock lips may bring a giggle to 
th... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Lifeforce-Blu-ray/44295/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 13 May 2013 14:51:47 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Aladdin (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Aladdin-Blu-ray/37383/#Review</link>
<guid>http://www.blu-ray.com/movies/Aladdin-Blu-ray/37383/#Review</guid>
<description>&lt;b&gt;When you wish upon a lamp. . .&lt;/b&gt;&lt;br&gt;&lt;br&gt;Disneys own corporate magic lamp had grown a bit tarnished over the years.  The vaunted Mouse House helped to 
invent the long form animated film and then created one undisputed masterpiece after another, films so legendary they 
still resonate down the halls of film history:  &lt;a href="http://www.blu-ray.com/movies/Snow-White-and-the-Seven-
Dwarfs-Blu-ray/5220/"&gt;&lt;i&gt;Snow White and the Seven Dwarfs&lt;/i&gt;&lt;/a&gt;, &lt;a href="http://www.blu-
ray.com/movies/Pinocchio-Blu-ray/754/"&gt;&lt;i&gt;Pinocchio&lt;/i&gt;&lt;/a&gt;, &lt;a href="http://www.blu-ray.com/movies/Aladdin-Blu-ray/37383/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Aladdin&lt;/i&gt; is presented on Blu-ray courtesy of Disney / Buena Vista with an AVC encoded 1080p transfer in 1.85:1.  
This is a fantastic looking high definition presentation that offers beautifully saturated colors and nicely crisp line detail.  The 
image is almost inerrantly sharp and crystal clear, though there are just a couple of moments of unexpected (relative) 
softness that creep in from time to time (look at the screenshot of the Genies head erupting from Aladdins body for a goo&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Aladdin&lt;/i&gt; features a great sounding lossless DTS-HD Master Audio 5.1 mix that offers some wonderfully immersive 
moments right from the get go.  One of the nicest things about this surround track is the unusually widely splayed musical 
elements (listen to how the finger cymbals reverbate through the side and rear channels in the opening number for a great 
example).  The crowded marketplace scenes as well as some of the action sequences also provide ample opportunity for 
nice sounding&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Filmmakers' Audio Commentary&lt;/b&gt; features co-writers, producers and directors John Musker and Ron 
Clements along with co-producer Amy Pell.  Though this was recorded some ten years after the film's original release, the 
three still have strong and vivid memories of the rather convoluted pre-production phase, not to mention casting, 
recording and animating.  This is enjoyable, highly interesting fare, often relatively technical without being hard to follow. 
&lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Aladdin&lt;/i&gt;s U.S. Diamond Edition is rumored to be in the works but has not yet officially been announced, so for those 
who cant wait for this release on Blu-ray, this region free disc without any problematic PAL 1080/50i content is a fantastic 
opportunity.  The Blu-ray offers spectacular video and audio and comes replete with some great supplementary material 
(albeit in standard definition).  &lt;b&gt;Highly recommended&lt;/b&gt;.... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Aladdin-Blu-ray/37383/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 13 May 2013 13:26:11 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Verdict (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Verdict-Blu-ray/67072/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Verdict-Blu-ray/67072/#Review</guid>
<description>&lt;b&gt;One of the best courtroom dramas? Guilty.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Calling a courtroom drama &lt;i&gt;The Verdict&lt;/i&gt; is akin to titling a sports movie &lt;i&gt;The Big Game&lt;/i&gt;it doesn't really say anythingbut don't let that 
put you off director Sidney Lumet's 1982 malpractice thriller, which was nominated for five Academy Awards and plays host to one of star Paul 
Newman's most memorable performances. Lumet, of course, made his debut in 1957 with &lt;i&gt;12 Angry Men&lt;/i&gt;widely considered the second best 
movie in its sub-genre after &lt;i&gt;To Kill a Mockingbird&lt;/i&gt;and his&lt;a href="http://www.blu-ray.com/movies/The-Verdict-Blu-ray/67072/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;The Verdict&lt;/i&gt; is handed down on Blu-ray with a 1080p/AVC-encoded transfer that looks like it was possibly sourced from an old master, but still 
makes an appreciable upgrade from standard definition. 20th Century Fox hasn't given the film the frame-by-frame restorative treatment it's given 
other classics recently; the image is often marked with black and white specks that come and gothough never distractingly, or in large numbersand 
the grain structure perhaps seems a bit &lt;i&gt;too&lt;/i&gt; &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The disc includes two English audio optionsthe default 5.1 mix and a mono track, both in the lossless DTS-HD Master Audio codecbut they're 
practically indistinguishable. The film's audio was originally mono, and the extended multi-channel mix here really only adds some quiet bleeding room 
for the few rare scenes where Lumet decides to use music. Most of the time, the rear speakers are completely silent. (As they should be, movie audio 
purists would argue.) This is an almost entirely dial&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Commentary by Sidney Lumet and Paul Newman:&lt;/b&gt; Do you want to listen to a commentary by Sidney Lumet? &lt;i&gt;Of course you want 
to listen to a commentary by Sidney Lumet&lt;/i&gt;. I don't mention Newman, because this is one those patchwork tracks where the comments from the 
two were recorded separately, and Newman only shows up once for a few brief words, but this is a must-listen nonetheless, with Lumet pointing out 
many of the tricks of his trade.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;The Making of &lt;i&gt;The V&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;A twisting account of one broken man versus the massive legal machine, &lt;i&gt;The Verdict&lt;/i&gt; is a brilliant courtroom drama and character study from 
director Sidney Lumet and writer David Mamet, both doing what they do best. This is a solid film on all sidesthe plotting, the ensemble cast, the dreary 
atmosphereand it holds up well to repeat viewings. 20th Century Fox's Blu-ray release is a straight port of the DVDcomplete with a decent-if-
outdated-looking transferbut if you don't yet own ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Verdict-Blu-ray/67072/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 13 May 2013 12:31:25 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Great Expectations (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Great-Expectations-Blu-ray/63703/#Review</link>
<guid>http://www.blu-ray.com/movies/Great-Expectations-Blu-ray/63703/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Mike Newell's "Great Expectations" (2012) arrives on Blu-ray courtesy of Lionsgate Films-UK. The supplemental features on the disc include an introduction to the film by cast and crew members; video interviews with cast and crew members; deleted and extended scenes; and a gallery of stills from the film. In English, with optional English SDH subtitles for the main feature. Region-B "locked". &lt;/i&gt;&lt;a href="http://www.blu-ray.com/movies/Great-Expectations-Blu-ray/63703/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Mike Newell's &lt;i&gt;Great Expectations&lt;/i&gt; arrives on Blu-ray courtesy of Lionsgate Films-UK.&lt;br&gt;&lt;br&gt;

The high-definition transfer is quite beautiful. Shot on Kodak Vision2 and Vision3, the film boasts a wide range of warm and very natural colors that are beautifully reproduced on the Blu-ray. What impresses the most, however, is the outstanding image depth where light is restricted. The footage with Mi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There is only one standard audio track on this Blu-ray disc: English DTS-HD Master Audio 5.1. Also included is a Descriptive Audio LPCM 2.0 track. For the record, Lionsgate Films-UK have provided optional English SDH subtitles for the main feature. When turned on, they appear inside the image frame. &lt;br&gt;&lt;br&gt;

Richard Hartley's music score definitely benefits from the lossless treatment. The overall dynamic intensity is also very good, which is something that might surprise some viewers because&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Introducing Great Expectations&lt;/i&gt;&lt;/b&gt; - in this short video piece, director Mike Newell, screenwriter David Nicholls and cast members discuss &lt;i&gt;Great Expectations&lt;/i&gt; and the different conflicts in the film. In English, not subtitled. (6 min). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;The Characters of Great Expectations&lt;/i&gt;&lt;/b&gt; -  Director Mike Newell, producers Stephen Woolley and Elizabeth Karlsen, screenwriter David Nicholls, and actors Jeremy Irvine, Helena Bonham Carter, Holliday Grainge&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I thoroughly enjoyed  Mike Newell's &lt;i&gt;Great Expectations&lt;/i&gt;. Publicity for it has been limited, possibly because the film arrived too soon after the recent BBC TV series, and this is indeed quite unfortunate because it is a wonderful adaptation of Charles Dickens' classic novel. The cast is spectacular and the production values very solid. If you have been avoiding the film because of mixed reviews, my advice to you is to completely ignore them and see it. I guarantee you will enjoy it. HIGHLY... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Great-Expectations-Blu-ray/63703/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sun, 12 May 2013 17:13:01 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Burning (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Burning-Blu-ray/61796/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Burning-Blu-ray/61796/#Review</guid>
<description>&lt;b&gt;Fire bad.&lt;/b&gt;&lt;br&gt;&lt;br&gt;The internet is a remarkable device that has provided unparalleled connectivity.  Case in point:  I received copies of 
some original 
charts by the late easy listening maestro Percy Faith a few months ago (Faith's arrangements are one of my 
unashamed not so guilty pleasures), including a fantastic quasi-Baroque jazz-rock 
number of his called &lt;a href=http://www.youtube.com/watch?v=l0Mr99XDgAA&gt;&lt;i&gt;We Were Havin Some Fun at the 
Conservatory, When. . .&lt;/i&gt;&lt;/a&gt;.  I was interested to see a &lt;a href="http://www.blu-ray.com/movies/The-Burning-Blu-ray/61796/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Note&lt;/i&gt;:  It's site policy not to post overly graphic or gruesome screenshots, but I knew some would want at least one 
screenshot of 
Cropsy.  I've placed a softer looking shot of him after the shot of the main menu for those who want to look.  &lt;br&gt; &lt;br&gt;

&lt;I&gt;The Burning&lt;/i&gt; is presented on Blu-ray courtesy of Shout! Factorys imprint Scream Factory with an AVC encoded 1080p 
transfer in 1.85:1.  The elements here are in very good shape, with only a couple of very minor blemishes and a &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Burning&lt;/i&gt; features a DTS-HD Master Audio Mono track delivered via DTS-HD Master Audio 2.0.  Things sound really 
good here, albeit obviously very narrow.  Dialogue (and screams) are presented with authority, and Wakemans synth 
laden score comes through loud and clear.  The film has fairly wide dynamic range which the DTS-HD Master Audio offering is 
able to support easily.  Fidelity is excellent and there are no damage issues to report.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Blood n Fire Memories:  A Detailed Look at the Creation of the Films Make-Up Effects with Special Effects 
Artist Tom Savini&lt;/b&gt;.  Savini urges viewers not to watch this short before seeing the film, and he's right, for he gives 
away the goods on several key special effects.  Interestingly, Savini himself played Cropsy's legs in the opening scene 
where Cropsy might be thinking, a la Frankenstein's monster, "fire bad".
(1080p; 18:01) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Slash &amp; Cut:  An Inte&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;The Burning&lt;/i&gt; is a surprisingly effective little chiller that still delivers some fantastic scares over thirty years (wow!) 
after its release.  Director Tony Maylam himself mentions in his commentary that hes kind of nervous about home video 
releases of films like this since theyre of such a certain time and sensibility, and how sometimes its better to just let them 
go.  But revisiting &lt;I&gt;The Burning&lt;/i&gt; now shows a rather well made little film that does what its supposed to do:... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Burning-Blu-ray/61796/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 11 May 2013 17:56:21 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Bletchley Circle (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Bletchley-Circle-Blu-ray/65785/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Bletchley-Circle-Blu-ray/65785/#Review</guid>
<description>&lt;b&gt;They eat Da Vinci for breakfast.&lt;/b&gt;&lt;br&gt;&lt;br&gt;The Bletchley Circle has an irresistible hook for crime-solving entertainment, following the actions of four brilliant codebreakers from WWII as they reteam to track down a serial killer in their hometown nearly a decade later. Im surprised this isnt a Hollywood blockbuster, as the premise is ripe for maximum genre exposure. Instead of overblown theatrics, we have this humble ITV production thats made its way to America via PBS in an effort to show the audience theres a little more bite to&lt;a href="http://www.blu-ray.com/movies/The-Bletchley-Circle-Blu-ray/65785/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;The AVC encoded image (1.78:1 aspect ratio) presentation for Bletchley Circle reveals a slight muddiness to the viewing experience that brings down the natural vibrancy of the cinematography. Blacks are generally solidified, failing to provide depth and character, pulling texture out of set design and locations. Soft lightning suffocates colors, diluting hues during indoor encounters, while skintones push too unnaturally at times. The image strengthens considerably when the action moves to ext&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The 2.0 PCM track generally does an adequate job with the primary audio goals of the series, providing a suspenseful balance of mystery and tense code-breaking, featuring a supportive score with crisp dramatic intention. Theres also a pleasing heaviness to the mix that brings out moments of suspense. Dialogue exchanges are generally cared for, with decent separation between characters, and the group dynamic is successfully arranged. A few moments sound slightly muffled, though this appears to b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Interviews&lt;i&gt;&lt;/i&gt;&lt;/b&gt; (28:10, HD) offers a sit-down with key creative personnel and the cast to explore just how The Bletchley Circle came to be. Instead of a mindless discussion of motivation and series highlights, the conversation goes surprisingly in-depth, touching on most production departments and creative achievements, discussing particulars of costuming, locations, direction, and performance. The interviewees are articulate and come prepared to share their experiences with t&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;The Bletchley Circle is saddled with an awful title, yet the show remains enthralling throughout all three episodes, inspecting brilliant women carry out a dangerous game theyre unprepared to finish. Perhaps weve seen this type of programming before, but theres a heaviness of heart and depiction of intellect thats gripping, while giving four gifted actresses an opportunity to carry a mini-series with layered, confident performances, helping to create a suspenseful, sharp effort.    ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Bletchley-Circle-Blu-ray/65785/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 11 May 2013 10:44:54 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Three Faces West (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Three-Faces-West-Blu-ray/66909/#Review</link>
<guid>http://www.blu-ray.com/movies/Three-Faces-West-Blu-ray/66909/#Review</guid>
<description>&lt;b&gt;John Wayne vs. The Dust Bowl, with the Nazi Menace thrown in for no extra charge.&lt;/b&gt;&lt;br&gt;&lt;br&gt;One of the side benefits of the glut of John Wayne movies Olive Films has been releasing on Blu-ray over the past many 
months is the chance to 
see 
some of Waynes lesser remembered vehicles, including a lot of his early Three Mesquiteers shorts.  At least a couple of 
these outings like &lt;a href="http://www.blu-
ray.com/movies/Lady-for-a-Night-Blu-ray/62193/"&gt;&lt;i&gt;Lady for a Night&lt;/i&gt;&lt;/a&gt; and &lt;a href="http://www.blu-
ray.com/movies/A-Man-Betrayed-Blu-ray/64011/"&gt;&lt;i&gt;A Man Betrayed&lt;/i&gt;&lt;/a&gt; s&lt;a href="http://www.blu-ray.com/movies/Three-Faces-West-Blu-ray/66909/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Three Faces West&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.37:1.  
Aside from some fairly ragged looking stock footage (most utilized to show the disastrous effects of the draught in the Dust 
Bowl), this is another really solid looking effort from Olive that boasts good contrast, deep blacks and nicely varied gray 
scale.  Fine detail is very good if not overwhelming and the image is suitably sharp given the age of the elements.  Theres &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Three Faces West&lt;/i&gt; features a lossless DTS-HD Master Audio Mono track that sounds really nice considering its age.  
Especially full bodied is Victor Youngs nicely vigorous score, one that traffics in gorgeous string work for the romantic 
aspects but which features a lot of energetic brass motifs for some of the more heroic sequences.  Dialogue is cleanly and 
clearly presented and theres not even much ostensible hiss to be heard here, perhaps because its masked by the 
ubiquitous s&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Three Faces West&lt;/i&gt; is among the most wildly improbable of any of the contemporary Wayne outings from this era, 
but unlike some of his other modern day enterprises, this one is &lt;I&gt;so&lt;/i&gt; odd that any shortcomings are subsumed by the 
overall weirdness of the story, making this a perhaps unexpectedly involving and enjoyable film.  Coburn definitely needed 
a dialect coach, but Gurie, whose Hollywood career was distressingly short lived, is lovely (and spunky) and Wayne is 
resolute and... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Three-Faces-West-Blu-ray/66909/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 11 May 2013 10:16:12 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Southern Comfort (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Southern-Comfort-Blu-ray/52052/#Review</link>
<guid>http://www.blu-ray.com/movies/Southern-Comfort-Blu-ray/52052/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Walter Hill's "Southern Comfort" (1981) arrives on Blu-ray courtesy of British distributors Second Sight Films. The only supplemental feature on the disc is the exclusive new documentary "Who Will Live, Who Will Die". In English and small portions of French, with optional English SDH subtitles for the main feature. Region-B "locked". &lt;/i&gt;&lt;a href="http://www.blu-ray.com/movies/Southern-Comfort-Blu-ray/52052/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Walter Hill's &lt;i&gt;Southern Comfort&lt;/i&gt; arrives on Blu-ray courtesy of British distributors Second Sight. &lt;br&gt;&lt;br&gt;

The high-definition transfer appears to have been struck from a dated source, and more often than not it clearly shows. While some close-ups with plenty of natural light look decent (see screencapture #12), the darker footage tends to look quite rough (see screencapture #4). Occa&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There is only one standard audio track on this Btu-ray disc: English LPCM 2.0 (with small portions of French). For the record, Second Sight have provided optional English SDH subtitles for the main feature. &lt;br&gt;&lt;br&gt;

Dynamic  movement is quite limited. Even the shootouts do not impress with any sizable intensity. 
The music score by the legendary Ry Cooder (&lt;a href="http://www.blu-ray.com/movies/Paris-Texas-Blu-ray/58315/#Review"&gt;&lt;i&gt;Paris, Texas&lt;/i&gt;&lt;/a&gt;) sounds marginally fuller and better ro&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Who Will Live, Who Will Die&lt;/i&gt;&lt;/b&gt; - in this outstanding new video interview, director Walter Hill discusses the production history of &lt;i&gt;Southern Comfort&lt;/i&gt;, his relationship with the cast during the shooting of the film, its key themes and whether it should be viewed as an allegory, etc. In English, not subtitled. (45 min). &lt;/ul&gt;&lt;/li&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I have to speculate that at some point Walter Hill's &lt;i&gt;Southern Comfort&lt;/i&gt; will appear on Blu-ray in North America. However, until such a release materializes, this Region-B "locked" release should be treated as the film's best presentation on the home video market. It is not as pleasing as Second Sight's presentation of David Cronenberg's &lt;a href="http://www.blu-ray.com/movies/Scanners-Blu-ray/61090/#Review"&gt;&lt;i&gt;Scanners&lt;/i&gt;&lt;/a&gt; -- there is plenty of room for sizable improvements -- but it rep... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Southern-Comfort-Blu-ray/52052/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 10 May 2013 23:35:14 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Flirt (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Flirt-Blu-ray/66486/#Review</link>
<guid>http://www.blu-ray.com/movies/Flirt-Blu-ray/66486/#Review</guid>
<description>&lt;b&gt;The three faces of Hal.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Hal Hartley is a bit of an imp at times, and one has to wonder if perhaps he watched Akira Kurosawas iconic &lt;a 
href="http://www.blu-ray.com/movies/Rashomon-Blu-ray/53148/"&gt;&lt;i&gt;Rashômon&lt;/i&gt;&lt;/a&gt; and decided to put his own 
decidedly unique spin on the &lt;I&gt;idea&lt;/i&gt; of the film, if not its story.  The Kurosawa masterpiece of course is about an 
event told from a number of different perspectives, with the viewer left to wonder which (if any) of them is the truth.  In 
&lt;I&gt;Flirt&lt;/i&gt;, Hartley revi&lt;a href="http://www.blu-ray.com/movies/Flirt-Blu-ray/66486/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Flirt&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.78:1.  This 1995 
vintage film looks very good in high definition, though some may wish that colors were a bit more robustly saturated.  The 
entire film is kind of pale looking, not necessarily due to inconsistent contrast, but seeming to be just a bit on the washed 
out side.  Otherwise, though, things are sharp and well detailed here.  Hartley tends to favor midrange shots throughout a 
lo&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Flirt&lt;/i&gt; features a lossless DTS-HD Master Audio 2.0 mix, but to my ears this is simply a mono mix pumping out over two 
channels, a conclusion confirmed (if not absolutely given the inaccuracy of much information on the internet) by the IMDb, 
which lists the films original soundtrack as mono.  All of this said, fidelity is just fine for a piece which is made up almost 
entirely of dialogue between two characters at a time.  Occasional depth is achieved in some of the cityscapes feature&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;Li&gt;&lt;b&gt;NYC 3/94&lt;/b&gt; (480i; 10:02) is a rather odd little short by Hartley which looks like it was done on videotape.  
&lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;&lt;i&gt;Flirt&lt;/i&gt; Trailer&lt;/b&gt; (1080p; 1:43) &lt;/li&gt; &lt;/ul&gt;
&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Hal Hartley remains an acquired taste and those who tend to love his work will no doubt adore &lt;I&gt;Flirt&lt;/i&gt;, while those 
who find Hartley too self-conscious and precious will probably have a similar reaction to this piece.  Even diehard fans may 
wonder if theres much there there aside from the admittedly fun gimmick of seeing the same story play out three times in 
slightly different ways with different characters.  &lt;i&gt;Flirt&lt;/i&gt; does show one thing that Hartley tends to do very well, name... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Flirt-Blu-ray/66486/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 10 May 2013 20:12:55 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Dexter: The Seventh Season (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Dexter-The-Seventh-Season-Blu-ray/53941/#Review</link>
<guid>http://www.blu-ray.com/movies/Dexter-The-Seventh-Season-Blu-ray/53941/#Review</guid>
<description>&lt;b&gt;A welcome return to form...&lt;/b&gt;&lt;br&gt;&lt;br&gt;When last we left darkly dreaming Showtime fan-favorite &lt;i&gt;Dexter&lt;/i&gt;, the meticulously clever serial series was badly, perhaps even fatally wounded. Desperate and often predictable, it spent eleven increasingly painful sixth season episodes hobbling, then limping, then crawling towards a hastily manufactured endgame. I worried it would bleed out before reaching the finale. At one point, I feared dear &lt;i&gt;Dexter&lt;/i&gt; dead.  But then, against all odds, it pulled itself off the floor -- beaten, batt&lt;a href="http://www.blu-ray.com/movies/Dexter-The-Seventh-Season-Blu-ray/53941/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Dexter: The Seventh Season&lt;/i&gt; features a crisp, source-accurate 1080p/AVC-encoded video presentation that, for the most part, is comparable to previous series releases. The image is occasionally a bit softer, with less vibrant contrast and more problematic nighttime and low-lit scenes, but it strikes me as a product of small differences in the show's photography, not necessarily an encoding issue. I did notice a slight -- &lt;i&gt;slight&lt;/i&gt; -- increase in banding, noise and crush, but none of it &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Likewise, &lt;i&gt;The Seventh Season&lt;/i&gt;'s Dolby TrueHD 5.1 surround track is a lot like its predecessors: polished, proficient and primed for Dexter's next kill. Dialogue is clear and intelligible, prioritization carefully balances Hall's narration with the rest of the soundscape, and shots, slashes, hacks and stabs are as pulpy and gristly as ever. LFE support isn't overly aggressive but shepherds anything that comes its way with a firm hand. Rear speaker activity, though restrained, is quite envel&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The only extra (of sorts) included with &lt;i&gt;Dexter: The Seventh Season&lt;/i&gt; is an UltraViolet Copy of the pilot episode of Showtime's new upcoming drama, &lt;i&gt;Ray Donovan&lt;/i&gt;. Nothing more, nothing less. The DVD version of &lt;i&gt;The Seventh Season&lt;/i&gt;, on the other hand, includes the &lt;i&gt;Ray Donovan&lt;/i&gt; pilot, the first two episodes of &lt;i&gt;The Borgias: Season Two&lt;/i&gt;, the first two episodes of &lt;i&gt;House of Lies: Season One&lt;/i&gt;, and cast/character biographies. Granted, there still isn't an actual &lt;i&gt;Dexter&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;The end is near, with &lt;i&gt;Dexter&lt;/i&gt; poised to go out on a high note. Live or die, imprisoned or free, Season Seven sets the stage for Dexter Morgan's final days, and does so with such a keen awareness of what the story needs and where it needs to go that the series can only benefit from its contributions. It isn't the best season the show has given fans (most agree on that honor going to Season Four), but it leaves Season Six in a crumpled heap on the floor. Hopefully, &lt;i&gt;Dexter&lt;/i&gt;'s eighth and... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Dexter-The-Seventh-Season-Blu-ray/53941/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 10 May 2013 14:30:16 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Miracle of the Bells (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Miracle-of-the-Bells-Blu-ray/66811/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Miracle-of-the-Bells-Blu-ray/66811/#Review</guid>
<description>&lt;b&gt;A Star is Dead.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Alida Valli was &lt;I&gt;supposed&lt;/i&gt; to be the next Ingrid Bergman, an exotic but accessible foreigner who wasnt just 
another pretty face but who could actually act.  David O. Selznick had helped to create Bergmans American film career 
by bringing her to Hollywood to recreate her role in an American version of what had been one her biggest Swedish 
successes, &lt;I&gt;Intermezzo&lt;/i&gt;.  But the David O. Selznick of the late thirties was not the David O. Selznick of the late 
forties, and the change&lt;a href="http://www.blu-ray.com/movies/The-Miracle-of-the-Bells-Blu-ray/66811/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Miracle of the Bells&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 
1.38:1.  This is another generally very solid high definition presentation from Olive, one that only has a few minor blemishes 
to report in terms of its elements, as well as some momentary print through and flicker thats most noticeable in what would 
have been the first reel.  Otherwise, though, this transfer offers excellent contrast and a generally very pleasing image.  &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Miracle of the Bells&lt;/i&gt; lossless DTS-HD Master Audio Mono track unfortunately features some pervasive distortion, 
especially in the all important midrange, something thats instantly noticeable in the theme music playing during the credits 
sequence but which continues unabated in one degree or another for much of the rest of the film.  The good news is that 
most if not all of the dialogue isnt overly affected by this anomaly (though occasional lines, like the stage managers shou&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;The legendary Ben Hecht co-adapted the bestselling novel by Russell Janney which provided the source material for &lt;I&gt;The 
Miracle of the Bells&lt;/i&gt;, and while there are glimmers of Hechts wit and poetry in the dialogue, the film itself is probably too 
unfocused to ever totally connect with the audience.  That said, its still a wonderful opportunity to see the lovely Valli at the 
height of her rather short lived Hollywood career.  This Blu-ray features generally excellent video though the a... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Miracle-of-the-Bells-Blu-ray/66811/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 10 May 2013 14:24:20 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>An Officer and a Gentleman (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/An-Officer-and-a-Gentleman-Blu-ray/444/#Review</link>
<guid>http://www.blu-ray.com/movies/An-Officer-and-a-Gentleman-Blu-ray/444/#Review</guid>
<description>&lt;b&gt;On Blu-ray Where It Belongs&lt;/b&gt;&lt;br&gt;&lt;br&gt;Because of its romantic subplot and famous ending, &lt;EM&gt;An Officer and a Gentleman&lt;/EM&gt; is often
regarded as a classic helping of Hollywood corn, but in fact Hollywood didn't want to make the
film. The script by Douglas Day Stewart, who was himself a former Naval officer and a veteran
of the training procedures detailed in the film, had been kicking around the studios for eight years
before it was handed to director Taylor Hackford. The president of Paramount, Michael Eisner
(later an infamo&lt;a href="http://www.blu-ray.com/movies/An-Officer-and-a-Gentleman-Blu-ray/444/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;EM&gt;An Officer and a Gentleman&lt;/EM&gt; was shot by DP Donald E. Thorin, whose intriguing Eighties resumé
also includes director Hackford's &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Against-All-Odds-Blu-ray/18450/#Review"&gt;Against All Odds&lt;/A&gt;
&lt;/EM&gt; and Michael Mann's &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Thief-Blu-ray/47071/"&gt;Thief&lt;/A&gt;&lt;/EM&gt;. Thorin made the
most of the production value supplied by the locations in the town of Port Washington, and his
work is crisply and clearly represented&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Paramount's 2000 DVD offered the film's original mono soundtrack in Dolby Digital. The
studio's "special collector's edition" DVD in 2007 offered a choice between 5.1 and mono
tracks, both in DD. This Blu-ray from Warner offers a single 5.1 option in English, which has
been encoded as lossless DTS-HD MA 5.1. &lt;/br&gt;&lt;/br&gt;


The omission of the film's original mix is unfortunate, but at least the 5.1 remix has been
handled conservatively. The sound remains in front, with the soundstage expand&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The extras have been ported over from Paramount's 2007 "special collector's edition" DVD,
although the director's commentary and trailer first appeared on the 2000 DVD. The only item
missing is the photo gallery.&lt;/br&gt;&lt;/br&gt;


&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Commentary with Director Taylor Hackford&lt;/STRONG&gt;: Recorded in London in 1999,
Hackford's lively commentary is full of interesting details about the making of the film.
Some of the content is repeated in the various documentaries, but much is uniqu&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Warfare, technology and the military have all changed in the last thirty years. I doubt, for
example, that many current DIs are still using Sgt. Foley's "steers and queers" line. But &lt;EM&gt;An
Officer and a Gentleman&lt;/EM&gt; has held up well, because the drama at its core is as relevant now as it
was then. People still try to better themselves, and many of them discover that the real challenges
always lie within. If they're lucky, the right mentor appears at the right moment, though not
always in... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/An-Officer-and-a-Gentleman-Blu-ray/444/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 10 May 2013 01:19:45 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>K-11 (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/K-11-Blu-ray/65948/#Review</link>
<guid>http://www.blu-ray.com/movies/K-11-Blu-ray/65948/#Review</guid>
<description>&lt;b&gt;Dropping the soap is the least of your problems.&lt;/b&gt;&lt;br&gt;&lt;br&gt;K-11 marks the directorial debut for longtime script supervisor Jules Stewart, though shes probably best known as the mother of Twilight superstar and famed stammer queen Kristin Stewart. Only able to talk her kid into a voice cameo for her first helming gig, Stewart is left without star power and a decent budget to bring her prison epic to life, with only a few tricks, some unusual sexual tension, and an overabundance of quirk and chaos to help sell her vision to the audience. K-11 is an&lt;a href="http://www.blu-ray.com/movies/K-11-Blu-ray/65948/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;The AVC encoded image (2.40:1 aspect ratio) presentation for K-11 does feature particularly strong fine detail, with facial details a standout, capturing a realistic sense of skin, with make-up particulars on Mousey remain especially vivid. Prison textures are also open for inspection, lending a cold, concrete starkness to the image, showing equal presence with fabrics. Colors are generous, making the most out of deep reds for bloodshed and tattoo ink, while various shades of blue are preserve&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The 5.1 DTS-HD MA sound mix only really expands beyond the front stage for faint incidents involving distance and for echoing prison announcements, rarely engaging the surrounds for any meaningful reason. Dialogue exchanges are locked tightly, sustaining subtle changes in vocal inflection and accent work, while degrees of concern and panic register crisply. The group dynamic is also welcoming and properly arranged. Scoring is largely forgettable, though it never intrudes on the performances. Low&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Commentary&lt;i&gt;&lt;/i&gt;&lt;/b&gt; with co-writer/director Jules Stewart and producer Tom Wright, Jr. is a dry affair that struggles to drum up much excitement for the picture. The participants stick closely to technical tidbits, emphasizing the authenticity of the prison setting and the inmate dynamic, also pointing out individual crew efforts, including scoring and sound design. Stewart is in control of the informational flow, and while she delivers a great deal of BTS footage, her energy is lac&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;K-11 is habitually ugly, as Stewart often mistakes extended scenes of suffering and rape for tension, and the revenge-fueled climax resembles sitcom shenanigans, with resolutions coming too easy for the characters. While its an undeniably original look at the prison genre, K-11 is far too messy and unfocused, growing more unbearable and baffling with every directorial and editorial mistake Stewart makes.     ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/K-11-Blu-ray/65948/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 09 May 2013 22:30:10 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Enforcer (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Enforcer-Blu-ray/66748/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Enforcer-Blu-ray/66748/#Review</guid>
<description>&lt;b&gt;Humphrey Bogart, Inc.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Humphrey Bogart was at the end of his long and incredibly fruitful career at Warner Brothers when &lt;I&gt;The Enforcer&lt;/i&gt; 
was released in 1951.  Though Bogart had actually been a Fox contract player in the early to mid 1930s, it was his 
Broadway success in Robert E. Sherwoods &lt;I&gt;The Petrified Forest&lt;/i&gt; which brought him to the attention of Warner 
Brothersthough not necessarily in a good way.  When Warner optioned the film rights to the play, they had absolutely 
no interest in casting Boga&lt;a href="http://www.blu-ray.com/movies/The-Enforcer-Blu-ray/66748/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Enforcer&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.37:1.  This is 
one of the nicer looking catalog releases weve seen lately from Olive, with excellent contrast and an overall nicely detailed 
image.  Robert Burks shadow drenched cinematography is well rendered here, with appealingly dark blacks and well 
modulated gray scale.  Close-ups reveal very good fine object detail.  As is typical with these older releases that have not 
und&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Enforcer&lt;/i&gt;s lossless DTS-HD Master Audio Mono track suffices quite well for what is in essence a dialogue driven 
feature.  When the film does have some amped up sonic effects, including things like Ricos perilous fall to his death or, 
later, a shootout, the track performs reasonably well given appropriate expectations.  Things still have a slightly boxy 
sound, but the midrange is surprisingly full.  Theres no real damage to report here.  Fidelity is very good, though dynamic 
&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Humphrey Bogarts swan song with Warner Brothers is a really interesting film.  If Martin Rackins screenplay is a little too 
convoluted for its own good, its fascinating to see a procedural like this one, especially since it so clearly presages current 
day efforts like Dick Wolfs &lt;I&gt;Law and Order&lt;/i&gt; franchise (and how many &lt;I&gt;Law and Order&lt;/i&gt; episodes can &lt;I&gt;you&lt;/i&gt; 
count where the cops are trying to keep a nervous witness safe and then have to deal with unexpected consequences?).  
... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Enforcer-Blu-ray/66748/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 09 May 2013 18:57:15 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Texas Chainsaw 3D (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Texas-Chainsaw-3D-Blu-ray/66809/#Review</link>
<guid>http://www.blu-ray.com/movies/Texas-Chainsaw-3D-Blu-ray/66809/#Review</guid>
<description>&lt;b&gt;That Leatherfacewhat a cutup.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Any horror film aficionado knows its next to impossible to keep a nefarious villain down.  Even when it appears the bad 
guy has expired, its a standard horror trope to have him (or occasionally her) spring suddenly back to life for one last 
shock before the final credits roll.  But a number of horror franchises have taken almost ludicrous steps at times to keep 
their chief baddie coming back to wreak more havoc, a trend that might even be traced back to one of the most iconic 
horror fi&lt;a href="http://www.blu-ray.com/movies/Texas-Chainsaw-3D-Blu-ray/66809/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Texas Chainsaw 3D&lt;/i&gt; is presented on Blu-ray courtesy of Lionsgate Films with both MVC (3D) and AVC (2D) encoded 
1080p transfers in 2.40:1.  This is a rather impressive looking high definition presentation, despite lots of tinkering in post 
that variously color grades several sequences or intentionally distresses others to give them an old appearance.  Colors 
are generally very robust, especially the lurid reds that populate the many chainsaw and mallet sequences.  Fine object 
deta&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Texas Chainsaw 3D&lt;/i&gt;s lossless DTS-HD Master Audio 7.1 mix is expectedly hyperbolic but is no less enjoyable for that 
fact.  The track is of course full to the brim with fantastic panning buzzing effects as Leatherface wields his chainsaw to and 
fro, and there are the requisite LFE effects meant to provoke startle responses (which they inevitably do).  The best 
sequences in terms of surround activity are two of the chase segments, one where two people are trapped in a barn while 
Lea&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Audio Commentaries&lt;/b&gt;.  Probably the single biggest selling point of this release, at least for &lt;I&gt;Texas 
Chainsaw&lt;/i&gt; 
completists, will be the various commentaries featured on this disc.  All of these have their positive elements, even if 
occasionally material is 
repeated among them.  Theres a lot of background on the &lt;I&gt;Texas Chainsaw&lt;/i&gt; franchise imparted, as well as what 
was aimed for in this 
reboot.  My own personal favorite was the Tobe Hooper commentary, but al&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Texas Chainsaw 3D&lt;/i&gt; is undeniably laughable some of the time, but it also has some very effective sequences.  My 
hunch is franchise aficionados are going to be split down the middle (hmmm. . .how appropriate) on this release, with some 
liking (or at least tolerating) this reboot and others hating it down to its bloody guts.  Whatever your personal reaction, you 
may well want to check out this Blu-ray for the really stellar assemblage of supplementary material, including three very 
i... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Texas-Chainsaw-3D-Blu-ray/66809/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 09 May 2013 15:20:55 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>One Hour Photo (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/One-Hour-Photo-Blu-ray/67058/#Review</link>
<guid>http://www.blu-ray.com/movies/One-Hour-Photo-Blu-ray/67058/#Review</guid>
<description>&lt;b&gt;A picture worth at least 1,000 words.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Think hardwhen was the last time you dropped off a roll of 35mm film at a photo lab for processing and prints? It's probably been close to a decade, 
as digital cameras first outsold film models around 2003. For a lot of people, even the idea of getting prints made from digital files off of a memory card 
seems quaint, especially now that smartphones take and export photos directly to those twin repositories of social oversharing, Facebook and 
Instagram. Our present concept of "privacy"and&lt;a href="http://www.blu-ray.com/movies/One-Hour-Photo-Blu-ray/67058/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;One Hour Photo&lt;/i&gt;'s 1080p/AVC-encoded Blu-ray debut is somewhat disappointing from a visual standpoint, as it looks so obviously sourced from 
an old transfer/master. Black and white specks occasionally dot the printthere's been no significant digital cleanup hereand worse, many scenes 
suffer from what looks like telecine jitter, with the image shaking slightly but very noticeably inside the frame. This isn't camera shake; it's actually most 
visible during static, locked-down shots th&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;On the other hand, the film's lossless DTS-HD Master Audio 5.1 surround track is free of any age or source-related issues and sounds excellent, with 
great fullness and clarity. Considering the minimal level of out-and-out action in the film, the sound design isn't incredibly intricate or immersive, but the 
mix nails the basics. Dialogue, most importantly, is always clear and easy to understandno muffling, pops, or peakingand although the track is very 
front-heavy, effects-wise, there is &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The film's Blu-ray debut contains all the material from the prior DVD release, along with several new extras curated by Mark Romanek himself. In the 
extras menu, the supplements are broken down by pre-production, production, and post-production:&lt;ul&gt;

&lt;li&gt;&lt;b&gt;Commentary by Mark Romanek and Robin Williams:&lt;/b&gt; The director and his starwho's in a more thoughtful and reserved mood here than 
usualshare a highly informative conversation about the making of the film and the story's underlying &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;A lot has changed about personal photography since &lt;i&gt;One Hour Photo&lt;/i&gt; debuted in 2002. We're less private with our photos, for one, and with the 
advent of Instagram, Sy's assertion that most people don't take snapshots of the little things"the used Band-Aid, the guy at the gas station, the wasp 
on the Jell-O"rings false, disproved by thousands upon thousands of photos of latte foam and half-eaten sandwiches and other mildly interesting bits of 
daily minutiae. Still, the film is maybe ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/One-Hour-Photo-Blu-ray/67058/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 09 May 2013 14:25:41 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Amateur (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Amateur-Blu-ray/65292/#Review</link>
<guid>http://www.blu-ray.com/movies/Amateur-Blu-ray/65292/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Hal Hartley's "Amateur" (1994) arrives on Blu-ray courtesy of British distributors Artificial Eye. The supplemental features on the disc include cast and crew interviews as well as a standard featurette with additional comments from director Hal Hartley and cast members. In English, without optional English SDH subtitles for the main feature. Region-B "locked".&lt;/i&gt; &lt;a href="http://www.blu-ray.com/movies/Amateur-Blu-ray/65292/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer,  Hal Hartley's &lt;i&gt;Amateur&lt;/i&gt; arrives on Blu-ray courtesy of British distributors Artificial Eye. &lt;br&gt;&lt;br&gt;

The Blu-ray release represents a major upgrade in quality over the R1 DVD release of &lt;i&gt;Amateur&lt;/i&gt; which Sony Pictures released back in 2003. Excluding some extremely light compression artifacts that occasionally sneak in but never become distracting, the high-definition transfer excels in ever&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There is only one standard audio track on this Blu-ray disc: English LPCM 2.0. For the record, Artificial Eye have not provided optional English SDH subtitles for the main feature. &lt;br&gt;&lt;br&gt;

&lt;i&gt;Amateur&lt;/i&gt; is primarily a dialog driven feature. Naturally, dynamic movement in quite limited. The music score by Jeffrey Taylor and Hal Hartley occasionally makes itself felt - mostly during sequences where the gentle piano themes are heard - but it never dramatically alters the film's atmosphere. The&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Interviews with Cast&lt;/i&gt;&lt;/b&gt; - Director Hal Hartley, actors Martin Donovan, Damain Young, Isabelle Huppert, Elina Lowensohn, and producer Ted Hope discuss &lt;i&gt;Amateur&lt;/i&gt;, its production history and unique characters. In English, not subtitled. (15 min). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Professional Amateurs - The Making of Hal Hartley's "Amateur"&lt;/i&gt;&lt;/b&gt; - standard featurette with raw footage from the shooting of &lt;i&gt;Amateur&lt;/i&gt;. Also included are comments from director Hal Hartley, Mart&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This is shaping up to be a very special year for fans of director Hal Hartley and his work. In the United Kingdom, Artificial Eye are bringing to Blu-ray &lt;i&gt;Amateur&lt;/i&gt;, &lt;a href="http://www.blu-ray.com/movies/Simple-Men-Blu-ray/65291/"&gt;&lt;i&gt;Simple Men&lt;/i&gt;&lt;/a&gt;, and &lt;a href="http://www.blu-ray.com/movies/The-Unbelievable-Truth-Blu-ray/65290/"&gt;&lt;i&gt;The Unbelievable Truth&lt;/i&gt;&lt;/a&gt;, while in North America Olive Films have upgraded &lt;a href="http://www.blu-ray.com/movies/Trust-Blu-ray/59147/#Review"&gt;&lt;i&gt;Trus... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Amateur-Blu-ray/65292/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 09 May 2013 04:31:24 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Solti Centenary Concert (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Solti-Centenary-Concert-Blu-ray/68017/#Review</link>
<guid>http://www.blu-ray.com/movies/Solti-Centenary-Concert-Blu-ray/68017/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;Sir Georg Soltis immortal recording of &lt;a href="http://www.blu-ray.com/movies/Wagner-Der-Ring-des-Nibelungen-George-
Solti-Blu-ray/56588/"&gt;&lt;i&gt;Der Ring des Nibelungen&lt;/i&gt;&lt;/a&gt; topped my list of classical Blu-rays last year, even though it 
was only an audio Blu-ray.  Soltis contributions to 20th century classical music are legendary, and with the centenary of 
Soltis birth last year, fans were treated to two more celebrations.  &lt;a href="http://www.blu-ray.com/movies/Sir-Georg-
Solti-Journ&lt;a href="http://www.blu-ray.com/movies/Solti-Centenary-Concert-Blu-ray/68017/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Solti Centenary Concert&lt;/i&gt; is presented on Blu-ray courtesy of Unitel Classica and ArtHaus Musik with an AVC encoded 
1080i transfer in 
1.78:1.  While theres nothing horribly wrong with this high definition presentation, it never really pops as strongly as many 
other contemporary classical Blu-ray releases.  The image is sometimes a bit on the soft side and colors tend to be muted.  &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Solti Centenary Concert&lt;/i&gt; features two excellent sounding audio options, a DTS-HD Master Audio 5.1 surround mix 
and an LPCM 2.0 stereo mix.  Both feature excellent fidelity which capably supports both the varied music as well as the 
spoken interludes.  Hall ambience is very nicely rendered in the surround mix. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Solti's Vision&lt;/b&gt; (1080i; 20:47) profiles Solti's World Orchestra for Peace on the occasion of its fifteenth 
anniversary.  &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This is a wonderful compendium of pieces which Solti himself considered to be unusually important in his musical history and 
development.  Aided by a stellar cast of guest stars and the fantastic World Orchestra for Peace, and with the really 
wonderful commentary by Lady Valerie Solti, &lt;I&gt;Solti Centenary Concert&lt;/i&gt; is a suitably celebratory outing that helps all 
classical music lovers to remember just what an iconic figure Solti was.  &lt;b&gt;Recommended&lt;/b&gt;.... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Solti-Centenary-Concert-Blu-ray/68017/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 20:26:35 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Mahler: Symphony No. 4 (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Mahler-Symphony-No-4-Blu-ray/68020/#Review</link>
<guid>http://www.blu-ray.com/movies/Mahler-Symphony-No-4-Blu-ray/68020/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;Mahler fans have had a field day over the past couple of years with a number of stellar and relatively high profile releases.  
Topping these has no doubt been the &lt;a href="http://www.blu-ray.com/movies/Mahler-Symphonies-1-7-Blu-ray/22655/"&gt;
&lt;i&gt;Mahler: Symphonies 1-7&lt;/i&gt;&lt;/a&gt; conducted by Claudio Abbado and featuring his hand picked Lucerne Festival 
Orchestra.  Weve also had a more complete cycle of sorts, &lt;a href="http://www.blu-ray.com/movies/Mahler-
Symphonies-1-10-Totenfeier-Das-Lied-&lt;a href="http://www.blu-ray.com/movies/Mahler-Symphony-No-4-Blu-ray/68020/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Mahler Symphony No. 4&lt;/i&gt; is presented on Blu-ray courtesy of Accentus Music with an AVC encoded 1080i transfer in 
1.78:1.  Leipzigs Gewandhaus looks very nice in this high definition presentation, as do the players, many of whom are 
featured in extreme close-ups that boast very admirable fine detail.  Colors are nicely saturated and accurate looking and 
contrast is strong.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Mahler Symphony No. 4&lt;/i&gt; features both a lossless DTS-HD Master Audio 5.1 surround mix as well as an uncompressed 
LPCM 2.0 stereo fold down.  Both of these tracks sound excellent, though personally I found the 5.1 mix a little too full of 
hall ambience at times, especially in the vocal final movement, where Landshamer tends to sound just a little diffused, at 
least when compared to the more focused 2.0 mix.  Otherwise, though, both tracks offer sterling fidelity and good dynamic 
rang&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Welte-Mignon&lt;/b&gt; includes:  &lt;blockquote&gt;
&lt;li&gt;&lt;i&gt;The Welte-Mignon Piano Player Device&lt;/i&gt; (1080i; 3:49) &lt;/li&gt;
&lt;li&gt;&lt;i&gt;Mahler Plays Mahler, Symphony No. 4, 4th Movement&lt;/i&gt; (1080i; 7:38) &lt;/li&gt; &lt;/blockquote&gt; &lt;/li&gt;

&lt;li&gt;&lt;b&gt;Riccardo Chailly on Mahler 4&lt;/b&gt; (1080i; 15:18) &lt;/li&gt; &lt;/ul&gt;

&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;There are a lot of Mahler choices out there in the Blu-ray world, but some of the highest profile releases have several 
pieces, which for Mahler neophytes, may be too much of a good thing.  For those wanting to bite off a smaller chunk of 
Mahlers often gargantuan opuses, this version of the Fourth is appealing and features a really fascinating supplement.  
&lt;b&gt;Recommended&lt;/b&gt;.... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Mahler-Symphony-No-4-Blu-ray/68020/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 19:18:19 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Escape (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Escape-Blu-ray/66451/#Review</link>
<guid>http://www.blu-ray.com/movies/Escape-Blu-ray/66451/#Review</guid>
<description>&lt;b&gt;Great or merely passable?&lt;/b&gt;&lt;br&gt;&lt;br&gt;Zooming up into the Top 5 of my personal list of favorite filmmaker names, I present:  Roar Uthaug.  Uthaug became 
something of an overnight sensation in 2006 when his horror film &lt;a href="http://www.blu-ray.com/movies/Cold-Prey-
and-Cold-Prey-2-Blu-ray/24849/"&gt;&lt;i&gt;Cold Prey&lt;/i&gt;&lt;/a&gt; became a huge success in his native Norway and then went on 
to enjoy considerable worldwide acclaim (note that the Blu-ray link includes a sequel that Uthaug did not direct).  
Uthaug was already on the radar of&lt;a href="http://www.blu-ray.com/movies/Escape-Blu-ray/66451/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Escape&lt;/i&gt; is presented on Blu-ray courtesy of Entertainment One with an AVC encoded 1080p transfer in 2.38:1.  
Though technical data on this film is a bit hard to come by, my hunch is this was digitally shot, for the film has the smooth 
ambience of this format as well as the above average fine object detail that usually graces HD native presentations.  Quite 
a bit of color grading has been done to the film, leaving various segments bathed in either blue or amber.  The film very 
artfu&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Escape&lt;/i&gt; features Norwegian language tracks in both lossless DTS-HD Master Audio 5.1 and Dolby Digital 5.1 as well 
as a pretty abysmal English dub in Dolby Digital 2.0.  My advice is to stay far, far away from the English dub, as there 
appears to have been little to no effort to match dialogue to lip movements.  The DTS-HD Master Audio 5.1 track is quite 
effective, especially since the film doesnt rely solely on dialogue and has a lot of ambient environmental effects dotting the 
su&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Trailer&lt;/b&gt; (1080p; 3:01) &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;The Visual Effects&lt;/b&gt; (720p; 2:40).  I was quite surprised to see that at least some of this film was green 
screened (actually 
&lt;I&gt;blue&lt;/i&gt; screened, but who's counting?), as the effects are quite seamless and look completely natural.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Deleted Scenes&lt;/b&gt; (1080p; 5:41).  Personally I think Uthaug made a mistake by excising some of the early scenes 
with Signe's family, 
as that helps to establish some sort of em&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Escape&lt;/i&gt; actually caught me at least a little by surprise.  I went into the film expecting little to recommend it, but I 
found myself unexpectedly caught up in the chase scenario as well as the gorgeous Norwegian countryside that is so 
remarkably on display throughout the film.  This could have been a total knockout had a little more time and care been 
taken in developing the back stories of the characters, but whats here is often exciting, aided by good direction and some 
excellen... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Escape-Blu-ray/66451/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 14:48:13 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Superman: Unbound (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Superman-Unbound-Blu-ray/65511/#Review</link>
<guid>http://www.blu-ray.com/movies/Superman-Unbound-Blu-ray/65511/#Review</guid>
<description>&lt;b&gt;Entertaining but inconsistent. It's at least a dramatic step up from 'Brainiac Attacks'...&lt;/b&gt;&lt;br&gt;&lt;br&gt;It isn't often that adults get a chance to pull off a real, genuine do-over. We spend our childhoods declaring them, quickly 
erasing mistakes (often to our friends' helpless frustration) and taking a second, third or sixteenth swing, until we get the 
results we were hoping for. Later in life, there's failure, failure and still more failure. Screaming "do-over!" in the middle of a 
business meeting or performance review only elicits strange looks and unscheduled trips to human resources. And&lt;a href="http://www.blu-ray.com/movies/Superman-Unbound-Blu-ray/65511/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Superman: Unbound&lt;/i&gt;'s 1080p/AVC-encoded video presentation has its share of issues, and all of them are the usual 
Warner Bros. Animation suspects. Aliasing pops up throughout. Lines pixelate and the image softens ever so slightly whenever 
the virtual camera pushes in or pulls out from a hand-drawn element. Mild to moderate macroblocking and banding haunt the 
backgrounds and, sometimes, the animated characters in the foreground. And the razor-thin line art -- a departure from the 
thi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Punch for punch, pound for pound, &lt;i&gt;Superman: Unbound&lt;/i&gt;'s DTS-HD Master Audio 5.1 surround track is more 
impressive. While its sound design is limited and a touch two-dimensional -- even for a DCU animated original movie -- I'm not 
sure its crisp, clear voices, hearty explosions and exciting soundscape could sound much better. The LFE channel is given 
ample opportunity to show off, with crunching robot heads, erupting flames, alien invasions, sacked cities and more 
superpowered throw-&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul style="margin:1px 0px 0px 28px"&gt;

&lt;li&gt;&lt;b&gt;Audio Commentary&lt;/b&gt;: With director/producer James Tucker, screenwriter Bob Goodman and comic industry writer 
Mike Carlin discuss the film, its production and the original Geoff Johns comic, "Superman: Brainiac," upon which the animated 
movie was based. No sign of Johns, though, and he's precisely what would make this commentary more interesting.&lt;/li&gt;
&lt;table&gt;&lt;tr&gt;&lt;td height=4&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;li&gt;&lt;b&gt;Brainiac: Technology and Terror&lt;/b&gt; (HD,&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Dynamic animation and terrific voicework can't save &lt;i&gt;Superman: Unbound&lt;/i&gt; from its lagging story and somewhat 
anticlimactic third act. It does make for an entertaining, action-packed 75-minutes, though, so Superman fans will enjoy its 
punchy popcorn-n-comicbooks sensibilities. Warner's Blu-ray release is hit or miss too, with a problematic video presentation, a 
commendable DTS-HD Master Audio 5.1 surround track, and a solid selection of special features. All told, and at such a 
reason... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Superman-Unbound-Blu-ray/65511/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 13:29:51 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>National Parks Exploration Series - Voyageurs National Park - Spirit of the Boundary Waters (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/National-Parks-Exploration-Series-Voyageurs-National-Park-Spirit-of-the-Boundary-Waters-Blu-ray/63942/#Review</link>
<guid>http://www.blu-ray.com/movies/National-Parks-Exploration-Series-Voyageurs-National-Park-Spirit-of-the-Boundary-Waters-Blu-ray/63942/#Review</guid>
<description>&lt;b&gt;Voyage to Voyageurs. &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Allowed to be free.&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
Mill Creek has done it again with the mouthful-of-a-title &lt;i&gt;National Parks Exploration Series: Voyageurs National Park - Spirit of the Boundary 
Waters&lt;/i&gt;, a simple but well put-together Documentary that highlights one of the United States' most beautiful stretches of land, this one hailing 
from the northernmost stretches of the nation across the border with Canada, nestled high up on the Minnesota map.  For fans familiar with the broad 
spectrum of &lt;i&lt;a href="http://www.blu-ray.com/movies/National-Parks-Exploration-Series-Voyageurs-National-Park-Spirit-of-the-Boundary-Waters-Blu-ray/63942/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;National Parks Exploration Series: Voyageurs National Park - Spirit of the Boundary Waters&lt;/i&gt; doesn't offer viewers the prettiest high definition 
experience, but Mill Creek's 1.78:1-framed presentation isn't all bad.  It reveals some fantastic details in close-up shots, particularly of the Bog plants and 
cat tails.  Close-ups for various rangers and other interviewees reveal adequate clarity of texturing on faces and clothes.  Clumps of trees can look a bit 
smeary and undefined at medi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;National Parks Exploration Series: Voyageurs National Park - Spirit of the Boundary Waters&lt;/i&gt; features a Dolby Digital 2.0 soundtrack that gets the 
job done, but nothing more.  Mill Creek's sound presentation is all about the basics, not clarity or realism.  Narration comes through best, with a 
naturally deep and even and commanding presence.  Interviewee dialogue is a little more iffy, largely because of the uncontrolled nature of the sound 
recording process. Gusty winds and ambient e&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Mill Creek's Blu-ray release of &lt;i&gt;National Parks Exploration Series: Voyageurs National Park - Spirit of the Boundary Waters&lt;/i&gt; contains no 
supplemental content. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Those who have been collecting the &lt;i&gt;National Parks&lt;/i&gt; releases -- whether for private consumption, classroom duty, or whatever the case may be -- 
will definitely want to pick up &lt;i&gt;National Parks Exploration Series: Voyageurs National Park - Spirit of the Boundary Waters&lt;/i&gt;.  It's not a special 
release, but it's consistent, in-line with the other Documentaries in the series.  And that's a wonderful thing.  It doesn't enjoy the best production 
values, 
but it's an honest, well-narrated... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/National-Parks-Exploration-Series-Voyageurs-National-Park-Spirit-of-the-Boundary-Waters-Blu-ray/63942/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 12:43:13 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>2013 Rose Bowl Presented by Vizio (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/2013-Rose-Bowl-Presented-by-Vizio-Blu-ray/61162/#Review</link>
<guid>http://www.blu-ray.com/movies/2013-Rose-Bowl-Presented-by-Vizio-Blu-ray/61162/#Review</guid>
<description>&lt;b&gt;The Roses are wilted on Blu-ray.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Everyone loves a good playoff game...except for the BCS, apparently.  Every year the debate rages over the validity of the current college football 
postseason system and the fairly wide demand for an overhauled playoff seeding system.  Sure, playing in the Rose Bowl is cool, but having the chance 
to hoist that National Championship trophy would be even sweeter, even if it meant going through several teams rather than one.  But playoffs or no, 
the grandeur of these top-rated bowl games is &lt;a href="http://www.blu-ray.com/movies/2013-Rose-Bowl-Presented-by-Vizio-Blu-ray/61162/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Those who watched the game on television will be pleased (or probably saddened, really) to know that this release almost perfectly replicates a watchable 
but imperfect broadcast source.  &lt;i&gt;2013 Rose Bowl Presented by Vizio&lt;/i&gt; rushes onto Blu-ray with a meager MPEG-2 encoded, 1.78:1 high definition 
transfer that looks like it was pulled off the living room DVR.  Unlike 
the usually excellent &lt;a 
href="http://www.blu-ray.com/movies/movies.php?id=70"&gt;WWE&lt;/a&gt; releases that often improve, a b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;2013 Rose Bowl Presented by Vizio&lt;/i&gt; features a completely uninspired Dolby Digital 2.0 soundtrack.  Again, it's simply no better than the 
broadcast sound.  Ambient crowd noise is cramped up the middle and wholly unrealistic, featuring no range and only the most basic clarity.  The same 
may be said of the band music: low-end clarity, no range, no sense of immersion.  The good news is that the play-by-play is never forced to compete 
with the rest of the track, never lost in the shuffle &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;2013 Rose Bowl&lt;/i&gt; contains only the post-game trophy presentation ceremony (HD, 10:26).  Unlike the National Championship game disc, it's only 
available through the main menu and is not tacked onto the end of the game.  A DVD copy is also included. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;2013 Rose Bowl Presented by Vizio&lt;/i&gt; is a disappointing barebones college football home video presentation, but fans of the Stanford Cardinal will 
probably want to own it, anyway, but only if the game doesn't still reside on the living room DVR.  For those who still have it, it's the same thing, minus 
commercials and with a basic quarter-by-quarter chapter select.  Whether that's worth the cost of the disc is up to each viewer, especially considering 
the lackluster 
picture and sound ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/2013-Rose-Bowl-Presented-by-Vizio-Blu-ray/61162/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 12:37:37 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Details (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Details-Blu-ray/67015/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Details-Blu-ray/67015/#Review</guid>
<description>&lt;b&gt;The devil is in these "Details," and he's having a whale of a time with all this mischief. &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Life just...went on.&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
&lt;i&gt;The Details&lt;/i&gt; can be as charming as it can be repulsive, as humorous as it can be dark, as likable as it can be despicable.  It's a classic 
"everything spirals out of control" film, a story in which so may little things -- the title "details" -- come together in peculiar ways, and always playing 
to some emotion tied to the adjectives listed above. That doesn't make it an uneven picture.  On the contrary, it knows exactly what it's doing with 
ever&lt;a href="http://www.blu-ray.com/movies/The-Details-Blu-ray/67015/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;The Details&lt;/i&gt; features a largely beautiful high definition transfer.  Anchor Bay's film-sourced transfer does show one instance of rather noticeable 
banding across a bright sky and a few soft shots along the way, but otherwise there's zero room for complaint.  Details are usually nothing less than 
striking; there's a variety of shots to open the film -- a platter full of cheese, worm-ridden sod, and so on -- that reveal practically lifelike textures and 
attention to detail that could &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;The Details&lt;/i&gt; delivers a balanced, enjoyable, and sometimes immersive DTS-HD Master Audio 5.1 lossless soundtrack.  There's the expectedly fine 
music clarity, playing smoothly and evenly across the front with light surround support.  Minor ambient effects are also clearly delivered.  Chirping birds 
and other small but mood-critical exterior atmospherics are nicely integrated into the track.  More robust interior elements, such as the din of a church 
service or the reverberations insid&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;The Details&lt;/i&gt; contains only an "Alternate Beginning" (SD, 2:06) and an "Alternate Ending" (SD, 4:51).&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;The Details&lt;/i&gt; isn't a perfect movie, but it's a solid entry with its value coming in how absurdly it all comes together.  The movie blends surprises 
and predicability nicely, and it's fascinating to watch how all of the varied pieces come together and fall apart.  It's a morally empty movie -- even the 
good deeds often turn out poorly, though characters do often show some doubt and disappointment in themselves and in one another -- but a unique 
experience that should satisfy more open... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Details-Blu-ray/67015/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 10:53:19 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Stitches (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Stitches-Blu-ray/60441/#Review</link>
<guid>http://www.blu-ray.com/movies/Stitches-Blu-ray/60441/#Review</guid>
<description>&lt;b&gt;The last clown you want at your birthday party.&lt;/b&gt;&lt;br&gt;&lt;br&gt;If Stephen King's &lt;i&gt;It&lt;/i&gt; gives you nightmares, if the thought of accidentally wandering into a Juggalo convention makes you nauseated, if the 
image of John Wayne Gacy painted up as Pogo at a birthday party sends shudders down your spineI'd advise you to stay far, far away from 
&lt;i&gt;Stitches&lt;/i&gt;, a deranged Irish horror comedy that invokes the evil clown archetype to full effect. Granted, more people probably &lt;i&gt;say&lt;/i&gt; they 
suffer from coulrophobiathe fear of clownsthan those who legit&lt;a href="http://www.blu-ray.com/movies/Stitches-Blu-ray/60441/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Stitches&lt;/i&gt; is a low-budget indie horror movieand looks it, with often flat lighting and low-budget indie horror movie cinematographybut I have 
no complaints about the film's Blu-ray release, which features a 1080p/AVC presentation that's consistently sharp and free from distractions. Shot 
digitally, the image does have some inherent source noisemost noticeable in darker scenesbut I didn't spot any major compression artifacts or 
encode glitches, nor DNR or harsh edge enhancement. T&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Stitches&lt;/i&gt; clowns onto Blu-ray with a lossless DTS-HD Master Audio 5.1 surround track that's rarely noteworthy but doesn't make any obvious 
aural mistakes either. The sound design is pretty typical for this kind of indie horror movie. Dialogue sits at the forefrontit's always clean and easy to 
understand, despite the occasionally heavy Irish accentsand the perimeter of the mix is used for ambience and occasional cross-channel movements. 
Party chatter. Wind and rain and rumbling thun&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Commentary with Actor Ross Noble and Writer/Director Conor McMahon:&lt;/b&gt; The film's director and star have a laugh-filled conversation 
about the making of the movie; definitely worthwhile for Noble's often hilarious observations about his first feature film appearance.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Making Of (HD, 20:03):&lt;/b&gt; A fun, well-paced production documentary with the usual assortment of interviews and behind-the-scenes 
footage.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Bloopers (HD, 4:13): &lt;/b&gt;Your usual assortment &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I wasn't expecting much from &lt;i&gt;Stitches&lt;/i&gt;the Blu-ray cover art and general premise don't exactly inspire viewer confidencebut the film is a 
bloody/funny riff on 1980s-style horror, with over-the-top kills, ridiculous sight gags, and a surplus of black humor from comedian Ross Noble in his first 
feature film role. I can see the movie amassing a cult audience of low-budget slasher fans, who will appreciate writer/director Conor McMahon's 
dedication to the genre's best attributes. Curiou... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Stitches-Blu-ray/60441/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 01:41:17 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Last Stand (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Last-Stand-Blu-ray/53271/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Last-Stand-Blu-ray/53271/#Review</guid>
<description>&lt;b&gt;Stand and deliver.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Whats a former Governator to do when his political career has come to a screeching halt and his former illustrious film 
career is a mere shadow of its formerly extremely beefy self, both due to the inexorable effects of aging as well as to 
well publicized personal foibles?  Arnold Schwarzenegger has had some major image rehabilitation to undertake after 
the disastrous announcement of his affair with a longtime housekeeper which had resulted in an illegitimate child, and 
perhaps wisely A&lt;a href="http://www.blu-ray.com/movies/The-Last-Stand-Blu-ray/53271/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Last Stand&lt;/i&gt; is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1.  
This digitally shot feature often looks spectacular on Blu-ray, with appealingly robust colors (which can admittedly verge into 
lurid territory when some of the blood and guts elements start to be displayed).  Fine object detail is excellent and this high 
definition presentation also boasts superior contrast which helps some of the nighttime sequences to really bristle w&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Zowie&lt;/i&gt;.  That may not be a technical term, but it may well be the best way to describe &lt;I&gt;The Last Stand&lt;/i&gt;s 
incredibly forceful lossless DTS-HD Master Audio 7.1, certainly one of the most immersive surround tracks Ive heard so far 
this year.  From the first moments, when the whip pan sound of the Corvette zooming down an abandoned highway zings 
through the side channels, its clear this film is going to be one heck of a sonic ride.  Over and over again well crafted foley 
effect&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Not In My Town:  Making &lt;I&gt;The Last Stand&lt;/i&gt;&lt;/b&gt; (1080p; 28:11) is a fairly interesting EPK-fest with 
interviews and behind the 
scenes footage.  Producer Lorenzo di Bonaventura offers several interesting observations.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Cornfield Chaos:  Scene Breakdown&lt;/b&gt; (1080p; 11:21) takes a look at the great climactic car chase between the 
two Chevrolets that 
caps the film.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;The Dinkum Firearm &amp; Historic Weaponry Museum Tour&lt;/b&gt; (1080p; 11:21) t&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Theres absolutely nothing new under the blazing Arizona sun in &lt;I&gt;The Last Stand&lt;/i&gt;, but I was actually a little shocked 
at how breezily entertaining this film is.  Its often quite gruesomely violent, but it has the requisite Schwarzenegger-esque 
sense of humor (replete with lame one liners) and the action is impeccably well staged.  Youll see virtually every plot point 
coming from a mile (or more) off, but chances are you wont really care all that much because theres enough mayhem t... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Last-Stand-Blu-ray/53271/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 01:07:40 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Wuthering Heights (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Wuthering-Heights-Blu-ray/65946/#Review</link>
<guid>http://www.blu-ray.com/movies/Wuthering-Heights-Blu-ray/65946/#Review</guid>
<description>&lt;b&gt;Brontë Laid Bare&lt;/b&gt;&lt;br&gt;&lt;br&gt;A swoon-worthy story of mis-fated love on the foggy Yorkshire moors, Emile Brontë's 1847 novel &lt;i&gt;Wuthering Heights&lt;/i&gt; was practically written 
cinema-ready, primed for big screen frock drama adaptation with all the bells and whistlesthe sweeping romance, the lavish costumes, the manners 
and manors and libido-surging sexual repression. It most memorably got this treatment with director William Wyler's 1937 film, starring Laurence 
Olivier as the byronic hero Heathcliff and Merle Oberon as &lt;a href="http://www.blu-ray.com/movies/Wuthering-Heights-Blu-ray/65946/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;The first thing you'll probably notice about &lt;i&gt;Wuthering Heights&lt;/i&gt; is the decisionsomewhat unusual nowadaysto frame the picture in the old 
Academy ratio of 1.33:1, which results in black bars on the sides of a widescreen 16:9 television. (Unlike the U.K. Blu-ray release, Oscilloscopes version 
is also slightly windowboxed, with black bars on the top and bottom as well, perhaps to prevent overscan issues.) In an interview with indiewire.com, 
Arnold says she prefers this ratio "because &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The other thing that separates &lt;i&gt;Wuthering Heights&lt;/i&gt; from the usual frock drama aesthetic is that there's no score here to help us understand how 
to feel about any given scene. Instead, Arnold relies strictly on the natural sounds of her characters' environment. Thankfully, the sound design
encoded in a lossless DTS-HD Master Audio 5.1 surround trackis excellent from start to finish, with immersive ambience filling in the sometimes long 
gaps between moments of conversation. Rain pours &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Video Essay with Film Critic David Fear (HD, 19:37):&lt;/b&gt; &lt;i&gt;Time Out New York&lt;/i&gt; critic David Fear discusses the history of the novel 
and its previous cinematic adaptations, eventually focusing on Arnold's film, its themes, and its "you-are-there verite style." Essentially, an essay set to 
stills and footage from the film. Well worth watching.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Theatrical Trailer (HD, 2:05)&lt;/b&gt;&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Oscilloscope Releases:&lt;/b&gt; Trailers for &lt;i&gt;The Law&lt;/i&gt;, &lt;i&gt;Four Lovers&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Andrea Arnold's &lt;i&gt;Wuthering Heights&lt;/i&gt; is not your normal Victorian Women's Lit 101 adaptationall superfluous period piece frippery has been 
burned away, leaving a scorched earth of raw emotion and ugly social realities. It's not what you might call easy viewing, but it's alive and real in a way 
that view films of this genre are, all while staying true to the themes and conflicts of Emily Brontë's novel. This is one of 2011's best filmsfrom the 
ragged performances to the spartan script... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Wuthering-Heights-Blu-ray/65946/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 08 May 2013 00:20:25 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Back to 1942 (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Back-to-1942-Blu-ray/65734/#Review</link>
<guid>http://www.blu-ray.com/movies/Back-to-1942-Blu-ray/65734/#Review</guid>
<description>&lt;b&gt;The war on hunger.&lt;/b&gt;&lt;br&gt;&lt;br&gt;My wifes parents come out to Oregon every year to spend a few months with us (well, mostly with &lt;I&gt;her&lt;/i&gt;, but I 
digress).  This year they ended up staying at a 
high end retirement community that had separate apartments which were rentable for people just like my in-laws who 
were coming in for a few weeks and who didnt want a long term commitment.  A nice side benefit to this arrangement 
is that as residents, my in-laws were able to take advantage of all the activities this place af&lt;a href="http://www.blu-ray.com/movies/Back-to-1942-Blu-ray/65734/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Back to 1942&lt;/i&gt; is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1.  This is 
a curiously bland looking high definition presentation, one that offers very good fine object detail but which has been 
desaturated to a point where it almost seems like its a colorized black and white film.  The CGI here is kind of middling as 
well, looking pretty soft and offering unconvincing animation at times, especially when it comes to things like flames.  Th&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Back to 1942&lt;/i&gt; features a lossless DTS-HD Master Audio 5.1 mix in the original Mandarin.  (I should point out that I am 
going by what Well Go USA has listed on the Blu-ray and this label has made errors before in misidentifying Cantonese as 
Mandarin.  As I am not a native Chinese speaker, I must defer to this information until or unless a native Chinese speaker 
can tell me otherwise.)  Fidelity is excellent throughout this track and surround activity is also quite consistent.  The fil&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Trailer&lt;/b&gt; (1080p; 1:37) &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Back to 1942&lt;/i&gt; has many compelling elements, especially for those who are interested in the history of World War II 
and/or China, but it really fails to connect on a fundamental heart level, at least until the closing moments.  There are some 
huge set pieces here which will probably satisfy epic lovers (despite some less than fantastic CGI elements), and the basic 
story is certainly worthy of attention, but theres a strange distance to this film that keeps many of the characters at a... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Back-to-1942-Blu-ray/65734/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 07 May 2013 20:42:03 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Upstream Color (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Upstream-Color-Blu-ray/66046/#Review</link>
<guid>http://www.blu-ray.com/movies/Upstream-Color-Blu-ray/66046/#Review</guid>
<description>&lt;b&gt;The grub of life.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Have you ever had a dream where you keep dreaming that youve woken up, only to realize youre still dreaming, only 
now youre dreaming youre awake?  This Chinese nesting box of consciousness may be about the only way to 
adequately impart the hallucinogenic and disorienting qualities of writer-director Shane Carruths impressive yet 
unfathomable &lt;I&gt;Upstream Color&lt;/i&gt;.  Carruth seems well positioned to be another Terrence Malick, at least in terms 
of constructing labyrinthine and often i&lt;a href="http://www.blu-ray.com/movies/Upstream-Color-Blu-ray/66046/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Upstream Color&lt;/i&gt; is presented on Blu-ray courtesy of New Video Group with an AVC encoded 1080p transfer in 2.34:1.  
This digitally shot feature has been intentionally bled of color for much of its exterior footage, while shots of whats going 
on &lt;I&gt;inside&lt;/i&gt; the bodies are often vivid and brightly hued.  Fine detail is exceptional, though Carruth tends to favor 
shallow focus, which means that sometimes things go slightly soft and fuzzy at times due to what appears to focus being 
&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Upstream Color&lt;/i&gt; features lossless DTS-HD Master Audio mixes in both 5.1 and 2.0.  I &lt;I&gt;highly&lt;/i&gt; recommend 
listening to the 5.1 mix if your home theater setup allows for it, as this film has a &lt;I&gt;really&lt;/i&gt; subtle and evocative mix.  
This is not in your face (and/or ears) mix, but it features some fascinating foley effects that often segue into each other.  A 
perfect example is when Jeff is pulling the paper sleeves off the straws and the crinkling sound of the papers being fold&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Im tempted to say Carruths ultimate point in &lt;I&gt;Upstream Color&lt;/i&gt; is to show us that were stronger together than 
separately, no matter how alien we may feel or whatever wounds were trying to heal.  That may be &lt;I&gt;way&lt;/i&gt; too 
reductive for a film this intentionally provocative, but it probably suffices as well as any other generic answer to the all 
important question What does this movie &lt;I&gt;mean&lt;/i&gt;?  Disengage your rational mind when you watch &lt;I&gt;Upstream 
Color&lt;/i&gt; and simply le... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Upstream-Color-Blu-ray/66046/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 07 May 2013 19:18:23 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Barrymore (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Barrymore-Blu-ray/65708/#Review</link>
<guid>http://www.blu-ray.com/movies/Barrymore-Blu-ray/65708/#Review</guid>
<description>&lt;b&gt;Oh What a Noble Mind Is Here O'erthrown!&lt;/b&gt;&lt;br&gt;&lt;br&gt;John Barrymore was a handsome rogue, an impossible scoundrel, a habitual drunkard and one of
the greatest actors that America ever produced. Equally at home on stage or screen, Barrymore
was born into a famous theatrical family and, after dabbling in painting, continued what he called
"the family business" as an actor. So did his brother Lionel (best known today as Mr. Potter in
&lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Its-a-Wonderful-Life-Blu-ray/6097/"&gt;It's a Wonderful Life&lt;/A&gt;&lt;/EM&gt;) and&lt;a href="http://www.blu-ray.com/movies/Barrymore-Blu-ray/65708/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Shot on hi-def video by cinematographer Bernard Couture, a frequent collaborator of director
Erik Canuel, &lt;EM&gt;Barrymore&lt;/EM&gt; arrives in a first-class 1080p, AVC-encoded presentation from Image
Entertainment that captures the tiniest flicker of star Christopher Plummer's precisely calibrated
performance. The blacks in this image are deep and solid, and the shadow detail is precisely
delineated so that Canuel's and Couture's artful use of shadows in the wingswhich is crucial to
the expanded &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;EM&gt;Barrymore&lt;/EM&gt;'s original 5.1 soundtrack is provided as lossless DTS-HD MA 5.1, and it's a far more
active affair than one might expect from such a dialogue-driven film. Because Frank's lines are
delivered from the wings, good stereo separation is essential. Depending on the perspective of
the moment, his voice issues from either the left or the right, while Barrymore remains in the
middle. In one memorable sequence, Barrymore insists that Frank switch to the other side, and
we hear him&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;&lt;EM&gt;Backstage with Barrymore&lt;/EM&gt;&lt;/STRONG&gt; (1080p; 1.78:1; 58:53): This substantial and detailed
documentary covers two subjects. The first is the history of the play and film &lt;EM&gt;Barrymore&lt;/EM&gt;,
from its initial Broadway production through its Toronto revival and filming. Included are
extensive interviews with the entire creative team, including Plummer, Canuel, stage
director Gene Saks and playwright William Luce. The second subject is an artistic
biography of Plummer &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Rarely has a singular theatrical performance been translated to the screen and preserved with
such care as in &lt;EM&gt;Barrymore&lt;/EM&gt;. The usual method of setting up multiple cameras to record a live
performance is better than nothing, but seldom does one experience such care in redesigning the
makeup, sets, costumes and even the performances for the camera so that the drama can unfold
cinematically with an effect that approximates its live impact. In this instance, such a record is
especially c... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Barrymore-Blu-ray/65708/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 07 May 2013 12:10:36 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Fringe: The Complete Fifth Season (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Fringe-The-Complete-Fifth-and-Final-Season-Blu-ray/64709/#Review</link>
<guid>http://www.blu-ray.com/movies/Fringe-The-Complete-Fifth-and-Final-Season-Blu-ray/64709/#Review</guid>
<description>&lt;b&gt;All good things must come to an end...&lt;/b&gt;&lt;br&gt;&lt;br&gt;I think it's time we, the insatiable, network-bashing citizens of geekdom, start asking ourselves a few tough questions, even 
though it calls for a bit of devil's advocating and a willingness to risk being branded a heretic in the &lt;i&gt;Fringe&lt;/i&gt; forum 
thread. So brace yourselves accordingly, dear readers. In a survival-of-the-fittest television ecosystem, is mid-series 
cancellation always the worst fate that can befall a struggling show? How often does the final season of a beloved classic &lt;a href="http://www.blu-ray.com/movies/Fringe-The-Complete-Fifth-and-Final-Season-Blu-ray/64709/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Much like its predecessors, &lt;i&gt;Fringe: The Complete Fifth and Final Season&lt;/i&gt; arrives on Blu-ray with a strong but less-than-
ideal video presentation with a few notable flaws. Crush is rampant, delineation is quite uncompromising and noise spikes 
somewhat erratically on occasion. None of it amounts to a significant distraction -- especially since the series' hyper-exposed 
palette and stark contrast leveling is the chief culprit in each instance -- but clarity still takes a hit as darkness&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Warner's DTS-HD Master Audio 5.1 surround track is easily the series' best audio mix to date; fierce and aggressive when 
called upon, attentive and diligent at all times, and delicate whenever subtlety and a gentle touch is required. Dialogue is clean, 
clear and intelligible at all times, regardless of how intense or violent our heroes' predicament becomes, and effects are 
presented with style. Wet, fleshy gore increases the &lt;i&gt;ick&lt;/i&gt; factor of key scenes dramatically, rippling implosions&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul style="margin:1px 0px 0px 28px"&gt;

&lt;li&gt;&lt;b&gt;Audio Commentary&lt;/b&gt;: Executive producer J.H. Wyman and editor Jon Dudkowski deliver a serviceable overview of 
"Black Blotter" and the series' run, touching on bits and pieces of the rest of the season as well. Unfortunately, &lt;i&gt;The 
Complete Fifth and Final Season&lt;/i&gt; is somewhere in the neighborhood of twelve commentaries too short. It would have been 
far more exciting to have at least one commentary per episode and to hear from more of the c&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Fringe&lt;/i&gt;'s fifth and final season left me a bit too cold, and Olivia, Peter, Walter and Astrid were my only solace. The story 
was too one-dimensional for the series, the setups too repetitive, the payoffs too predictable and the mysteries too contrived. 
Even so, the character beats stand as some of the show's finest, and I shed a tear or two by series end. On the whole, Wyman 
and company brought things to a decent close. Just not a great one. Warner's Blu-ray release is much better, s... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Fringe-The-Complete-Fifth-and-Final-Season-Blu-ray/64709/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 07 May 2013 10:46:36 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Pierre Etaix (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Pierre-Etaix-Blu-ray/64061/#Review</link>
<guid>http://www.blu-ray.com/movies/Pierre-Etaix-Blu-ray/64061/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;The films of Pierre Etaix arrive on Blu-ray courtesy of Criterion. The two-disc set includes "Rupture" (1961), "Happy Anniversary" (1962), "The Suitor" (1962), "Yoyo" (1965), "As Long As You've Got Your Health" (1966), "Feeling Good" (1966), "Le Grand Amour" (1969), and "Land of Milk and Honey" (1971). The supplemental features on this release include video introductions to the films by Pierre Etaix, as well as Odile Etaix's documentary film "Pierre Etaix, Un destine anime" (2011). The releas&lt;a href="http://www.blu-ray.com/movies/Pierre-Etaix-Blu-ray/64061/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Encoded with MPEG-4 AVC and granted 1080p transfers, the Pierre Etaix films arrive on Blu-ray courtesy of Criterion. (Each film, including the shorts, has a progressive transfer). &lt;br&gt;&lt;br&gt;

The screencaptures used with this review appear in the following order:&lt;br&gt;&lt;br&gt;

1. Screencaptures #1-4 are from &lt;i&gt;Rupture&lt;/i&gt;&lt;br&gt;
2. Screencaptures #5-9 are from &lt;i&gt;Happy Anniversary&lt;/i&gt;&lt;br&gt;
3. Screencaptures #10-19 are from &lt;i&gt;The Suitor&lt;/i&gt;&lt;br&gt;
4. Screencaptures #19-23 are from &lt;i&gt;Yoyo&lt;/i&gt;&lt;br&gt;
5. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There are seven standard audio tracks on this Blu-ray release. (See listings below). For each film, Criterion have included optional English subtitles. (The intertitles on &lt;i&gt;Yoyo&lt;/i&gt; are also subtitled). &lt;br&gt;&lt;br&gt;

1. &lt;i&gt;Rupture&lt;/i&gt;: French Dolby Digital 1.0.&lt;br&gt;
2. &lt;i&gt;Happy Anniversary&lt;/i&gt;: French Dolby Digital 1.0.&lt;br&gt;
3.  &lt;i&gt;The Suitor&lt;/i&gt;: French LPCM 1.0.&lt;br&gt;
4. &lt;i&gt;Yoyo&lt;/i&gt;: French LPCM 1.0&lt;br&gt;
5. &lt;i&gt;As Long As You've Got Your Health&lt;/i&gt;: French LPCM 1.0.&lt;br&gt;
6. &lt;i&gt;Feeling Good&lt;/i&gt;: &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Pierre Etaix, Un destine anime&lt;/i&gt;&lt;/b&gt; - a documentary film focusing on Pierre Etaix's career and acting technique. Completed by the legendary actor's wife, Odile Etaix, in 2011, the documentary features interviews with his son Marc Etaix, screenwriter Jean-Claude Carrière (&lt;a href="http://www.blu-ray.com/movies/The-Discreet-Charm-of-the-Bourgeoisie-Blu-ray/44814/#Review"&gt;&lt;i&gt;The Discreet Charm of the Bourgeoisie&lt;/i&gt;&lt;/a&gt;, &lt;a href="http://www.blu-ray.com/dvd/The-Horseman-on-the-Roof-&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This is a phenomenal release, one of the very best to be produced by a U.S. distributor since the high-definition format was launched. It reintroduces to the world a true master, one that should be admired as much as Jacques Tati, Louis de Funès, Toto, Buster Keaton, and Charlie Chaplin. I would like to recommend it to everyone, even to those of you who reside on the other side of the Atlantic. If you don't have a Region-Free player, buy one now, and import Criterion's release. I guarantee it wi... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Pierre-Etaix-Blu-ray/64061/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 07 May 2013 04:08:54 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Men (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Men-Blu-ray/66906/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Men-Blu-ray/66906/#Review</guid>
<description>&lt;b&gt;Wounded Warrior Project, circa 1950.&lt;/b&gt;&lt;br&gt;&lt;br&gt;The airwaves are currently full of some heart wrenching commercials for the Wounded Warrior Project, a laudable outfit 
that 
helps to provide rehabilitation and support services to our many returning veterans who have suffered unimaginable 
injuries, as well as to their families which must attempt to pick up the shattered pieces of their loved ones' lives.  
Wounded Warrior was formed in 2002, which begs the question as to how we as a nation cared for 
servicemen and women injured in confl&lt;a href="http://www.blu-ray.com/movies/The-Men-Blu-ray/66906/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Men&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.37:1.  The 
elements used for this transfer are in generally very good condition, though theres a bit of print through thats especially 
obvious in the early going.  There are the expected number of small blemishes and scratches that show up from time to 
time, but otherwise this high definition presentation features really solid contrast and a decently sharp and well defined 
image.  No &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Men&lt;/i&gt; features a lossless DTS-HD Master Audio Mono track that ably supports this quiet, dialogue driven film.  
Theres a rather atypical score by Dimitri Tiomkin (Tiomkin of course would join Kramer, Zinnemann and Foreman on &lt;I&gt;High 
Noon&lt;/i&gt; in a couple of years) which features an unusual opening theme consisting completely of paradiddles on the 
snare drum and other percussive effects.  Tiomkins score sounds just a tad brittle once it segues into more traditional 
orchestral m&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;The Men&lt;/i&gt; was quite a bit ahead of its time and in its own way presages much later films like the Jon Voigt  Jane 
Fonda outing &lt;I&gt;Coming Home&lt;/i&gt;.  The film manages some fairly weighty subjects with appropriate depth and 
seriousness, but its also surprisingly spry and uplifting quite a bit of the time.  Anyone who can make it through the final 
moments with Brando and Wright without a lump in their throat is a better man (or woman) than I.  This Blu-ray features 
very good video and... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Men-Blu-ray/66906/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 06 May 2013 20:18:45 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>A Glimpse Inside the Mind of Charles Swan IIl (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/A-Glimpse-Inside-the-Mind-of-Charles-Swan-IIl-Blu-ray/66890/#Review</link>
<guid>http://www.blu-ray.com/movies/A-Glimpse-Inside-the-Mind-of-Charles-Swan-IIl-Blu-ray/66890/#Review</guid>
<description>&lt;b&gt;Sunset Kingdom.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Theres been a long running custom in American sitcoms that when a supposedly major star deigns to matriculate to 
the small screen, quite often the character he or she is playing is given the same first name as the performer.  This goes 
back to the 
halcyon days of such fare as &lt;I&gt;I Love Lucy&lt;/i&gt;, but it has continued unabated through the intervening decades.  Its 
as if show creators are hedging their bets that audiences wont cotton to an actor in a format like this playing a role 
w&lt;a href="http://www.blu-ray.com/movies/A-Glimpse-Inside-the-Mind-of-Charles-Swan-IIl-Blu-ray/66890/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;A Glimpse Inside the Mind of Charles Swan III&lt;/i&gt; is presented on Blu-ray courtesy of Lionsgate Films with an AVC 
encoded 1080p transfer in 1.85:1.  As Roman Coppola makes clear in his commentary on this Blu-ray, this film was digitally 
shot on a fairly meager budget, and it appears that several scenes were done utilizing natural light.  With that in mind, 
some of the dank interiors of Charlies home look a little underwhelming, without sufficient contrast or shadow detail.  
Otherwise&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;A Glimpse Inside the Mind of Charles Swan III&lt;/i&gt; features a nicely done lossless DTS-HD Master Audio 5.1 mix that 
really springs to life in the films fantasy sequences, whether those be the song and dance segments or some of the more 
outlandish imaginary moments, as when Charlie and Kirby face a gaggle of scantily clad Native American women.  Surround 
activity is fairly consistent in these sequences.  Dialogue is clean and always prioritized front and center, and the wonderful 
song &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;Li&gt;&lt;b&gt;A Glimpse Behind the Glimpse:  Making the Mind of Charles Swan III&lt;/b&gt; (1080p; 24:54) is a surprisingly 
interesting piece that has 
some good interviews with Coppola and how some of the graphic art of the seventies inspired the film.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;A Glimpse Into the Mind of Charles White III&lt;/b&gt; (1080p; 12:10) is another interesting piece on one of the real life 
graphic artists whose 
work inspired Coppola.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Commentary with Writer/Director Roman Cop&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Maybe my expectation bar was simply set awfully low to begin with, but I found a lot of &lt;I&gt;A Glimpse Inside the Mind of 
Charles Swan III&lt;/i&gt; really rather enjoyable.  Is it self indulgent?  &lt;i&gt;Undoubtedly&lt;/i&gt;.  Is it too precious for its own good?  
&lt;i&gt;Absolutely&lt;/i&gt;.  Has Charlie Sheen completely worn out whatever limited welcome was left to him?  &lt;i&gt;No comment&lt;/i&gt;.  
But Coppola is a filmmaker still finding his way, and a certain amount of slack should be granted him while he develops hi... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/A-Glimpse-Inside-the-Mind-of-Charles-Swan-IIl-Blu-ray/66890/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 06 May 2013 18:55:53 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Hoax (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Hoax-Blu-ray/492/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Hoax-Blu-ray/492/#Review</guid>
<description>&lt;b&gt;The Madoff of Biography&lt;/b&gt;&lt;br&gt;&lt;br&gt;Richard Gere may be best known for playing heroes and romantic leads, but his best
performances have been as rogues and villains. The corrupt cop in &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Internal-Affairs-Blu-
ray/42639/"&gt;Internal Affairs&lt;/A&gt;&lt;/EM&gt;, the ethically
challenged lawyers in &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Chicago-Blu-ray/257/"&gt;Chicago&lt;/A&gt;&lt;/EM&gt; and &lt;EM&gt;&lt;A 
HREF="http://www.blu-ray.com/movies/Primal-Fear-Blu-ray/3433/"&gt;Primal Fear&lt;/A&gt;&lt;/EM&gt; and his breakthrough appearan&lt;a href="http://www.blu-ray.com/movies/The-Hoax-Blu-ray/492/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Shot by British DP Oliver Stapleton (&lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/The-Guilt-Trip-Blu-ray/62518/"&gt;The Guilt Trip&lt;/A&gt;&lt;/EM&gt;) and 
finished on a digital intermediate&lt;EM&gt;, The
Hoax&lt;/EM&gt; is presented in a 1080p, AVC-encoded presentation that is one of Echo Bridge's better
efforts. Presumably sourced from digital files, the master reveals a substantial amount of natural
grain and fine detail in such demanding scenes as the masked ball where Irving receives the bad
news about his nove&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The film's original soundtrack is presented as lossless DTS-HD MA 5.1. &lt;EM&gt;The Hoax&lt;/EM&gt; is a dialogue-driven film, but the dialogue reflects some 
interesting editing choices that become more
pronounced as the film progresses and Clifford Irving's mental state deteriorates under the
growing stress. Voices are sometimes in his imagination and sometimes real, and the sound
editing plays tricks on the ear so that you don't always know which is which. Individual sound
effects such as the pop o&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Echo Bridge has included some, but not all, of the features that accompanied &lt;EM&gt;The Hoax&lt;/EM&gt; on
Miramax's 2007 DVD. Omitted is a second commentary with producers Leslie Holleran and
Joshua D. Maurer, and a featurette entitled "Mike Wallace 'Reflections on a Con'".&lt;/br&gt;&lt;/br&gt;


&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Commentary with Director Lasse Hallström and Screenwriter William Wheeler&lt;/STRONG&gt;:
Hallström and Wheeler chat amiably, alternating between comments on specific scenes
and more general exchanges&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Compared to the era depicted in &lt;EM&gt;The Hoax&lt;/EM&gt;, our current age of instant digital communication has
made people both more skeptical and more credulousmore credulous, because the vaguest
rumor or least reliable scrap of information can be instantly Googled, re-Tweeted and consumed
worldwide within a matter of hours before anyone has had time to vet it; and more skeptical,
because so many reports of that nature have turned out to be incomplete, misleading, outdated or
just plain false. A... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Hoax-Blu-ray/492/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 06 May 2013 14:38:08 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Assassin's Blade (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Assassins-Blade-Blu-ray/65709/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Assassins-Blade-Blu-ray/65709/#Review</guid>
<description>&lt;b&gt;Romeo and Mulan-iet.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;I&gt;The Assassins Blade&lt;/i&gt; is evidently based on an ancient Chinese folktale known as The Butterfly Lovers (the 
original 
Westernized title of the film itself), but anyone with even a passing familiarity with either &lt;I&gt;Romeo and Juliet&lt;/i&gt; or 
Disneys 
&lt;a href="http://www.blu-ray.com/movies/Mulan-and-Mulan-II-Blu-ray/62074/"&gt;&lt;i&gt;Mulan&lt;/i&gt;&lt;/a&gt; will certainly 
recognize a 
number of elements that are shared between these disparate offerings.  While the original legend of The Butterfly 
Lo&lt;a href="http://www.blu-ray.com/movies/The-Assassins-Blade-Blu-ray/65709/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Assassins Blade&lt;/i&gt; is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.35:1.  Having never seen 
this film in its theatrical exhibition, I cant really comment with any precision as to whether this Blu-ray recreates its cinematic appearance, but I 
&lt;I&gt;can&lt;/i&gt; say there are some kind of strange anomalies going on here.  While its obvious the film has been &lt;i&gt;very&lt;/i&gt; aggressively color 
graded at the DI stage, often to the ever popular blue side of&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Assassins Blade&lt;/i&gt;s lossless DTS-HD Master Audio 5.1 mix in the original Cantonese has bursts of fantastic surround activity but then 
tends to retreat (or advance as the case may be) to the front channels for most of the dialogue sequences.  Since this isnt a no holds barred 
&lt;I&gt;wuxia&lt;/i&gt;-fest, those who want their soundtracks filled with nonstop immersion and LFE are most likely going to be at least minimally 
disappointed with the rather restrained affair on tap here, but fideli&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Trailer&lt;/b&gt; (480i; 1:07) &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;The Assassins Blade&lt;/i&gt; would have done better to have focused either on the love story or the martial arts angle rather than trying this ill 
fitting hodgepodge of ideas.  The stars are charismatic, but the comedy isnt very funny, the action is too sporadic, and the love story never 
exciting enough to warrant much interest.  The film is often quite lovely to look at, but this is a folktale that perhaps suffers from having been 
lost in translation.  Still, those who don't mind an uneas... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Assassins-Blade-Blu-ray/65709/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sun, 05 May 2013 21:29:27 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>In the Name of the Father (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/In-the-Name-of-the-Father-Blu-ray/66493/#Review</link>
<guid>http://www.blu-ray.com/movies/In-the-Name-of-the-Father-Blu-ray/66493/#Review</guid>
<description>&lt;b&gt;That was then, this is now.&lt;/b&gt;&lt;br&gt;&lt;br&gt;It probably goes without saying that Daniel Day-Lewis is among the most esteemed actors of his generation, and some 
might argue that he is &lt;I&gt;the&lt;/i&gt; most esteemed actor of his generation.  Day-Lewis became the only performer to 
have won three Best Actor Academy Awards when he was feted this year for &lt;a href="http://www.blu-
ray.com/movies/Lincoln-Blu-ray/57078/"&gt;&lt;i&gt;Lincoln&lt;/i&gt;&lt;/a&gt; (trivia buffs will know that Walter Brennan won three Best 
&lt;I&gt;Supporting&lt;/i&gt; Actor Oscars and Katharine Hepb&lt;a href="http://www.blu-ray.com/movies/In-the-Name-of-the-Father-Blu-ray/66493/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;In the Name of the Father&lt;/i&gt; is presented on Blu-ray courtesy of Universal Studios with a VC-1 encoded 1080p transfer in 1.85:1.  Perhaps 
surprisingly given that this is a Universal catalog release, it has &lt;I&gt;not&lt;/i&gt; been DNRd to death, and fine grain is still quite evident throughout 
this presentation.  The biggest issue some may have with this transfer is what appears to be slight fading of the elements, something that often 
reduces flesh tones to pallid pinks.  The image here is no&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;In the Name of the Father&lt;/i&gt; features a lossless DTS-HD Master Audio 5.1 track that tends to focus dialogue front and center but which 
offers some surprisingly immersive surround activity both courtesy of foley effects as well as the nice score (some songs were co-written by 
Bono).  Theres some floorboard shaking LFE in two brief bursts early in the film, but otherwise dynamic range is fairly muted.  The scenes in the 
prison have some really well rendered effects that ably recreate bo&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Unfortunately, there are no supplements on the disc.  There isn't even a main menu; the film simply starts and then utilizing the Pop Up Menu 
offers a few options.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Wow.  As devastating as it is to relive the horrors the Conlons went through, what I personally couldnt help keep thinking about is our current 
state of affairs, as our own government wrestles with how to deal with terrorists, and the citizenry at large is involved in a fierce debate about 
how terrorists should be treated.  Sadly, the more things change, the more they stay the same, perhaps all the more reason to revisit &lt;I&gt;In the 
Name of the Father&lt;/i&gt;, which features one of Day-Lewis m... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/In-the-Name-of-the-Father-Blu-ray/66493/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sun, 05 May 2013 20:54:33 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Bandolero! (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Bandolero-Blu-ray/58284/#Review</link>
<guid>http://www.blu-ray.com/movies/Bandolero-Blu-ray/58284/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Andrew V. McLaglen's "Bandolero!" (1968) arrives on Blu-ray courtesy of Swiss label Explosive Media. The supplemental features on the disc include original English and German trailers, standard making of featurette, and a gallery of stills from the film. In English, with optional German subtitles for the main feature. Region-Free. &lt;/i&gt; 	 	&lt;a href="http://www.blu-ray.com/movies/Bandolero-Blu-ray/58284/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 2.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer,  Andrew V. McLaglen's &lt;i&gt;Bandolero!&lt;/i&gt; arrives on Blu-ray courtesy of Swiss label Explosive Media. &lt;br&gt;&lt;br&gt;

This is the first release from Explosive Media to reach my desk and I must say that I am extremely impressed by the presentation (the packaging is just as impressive). The high-definition transfer is absolutely wonderful. Excluding a couple of tiny specs, it is about as good as it could have b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There are two standard audio tracks on this Blu-ray release: English LPCM 2.0 and German LPCM 2.0. For the record, Explosive Media have provided optional German subtitles for the main feature. When turned on, they split the image frame and the black bar below it. &lt;br&gt;&lt;br&gt;

The lossless English track opens up the film very well in all the right places. The shootouts are appropriately intense while the dialog is always well rounded and stable. Legendary composer Jerry Goldsmith's orchestral scor&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;Note&lt;/i&gt;: All of the supplemental features are perfectly playable on North American Blu-ray machines, including the PS3.&lt;br&gt;&lt;br&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Trailer&lt;/i&gt;&lt;/b&gt; - original English-language trailer for &lt;i&gt;Bandolero!&lt;/i&gt;. In English, not subtitled. (3 min, 1080p). &lt;/li&gt;&lt;/ul&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Trailer&lt;/i&gt;&lt;/b&gt; - original German-language trailer for &lt;i&gt;Bandolero!&lt;/i&gt;. In German, not subtitled. (3 min, 1080p). &lt;/li&gt;&lt;/ul&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Raquel! - Making of&lt;/i&gt;&lt;/b&gt; - in this featurette, George Kenn&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;The beautiful Raquel Welch and the terrific panoramic footage are the two main reasons why one would want to see Andrew V. McLaglen's western &lt;i&gt;Bandolero!&lt;/i&gt;. Considering the impressive cast, I think that it could have been a far better film, but I cannot say I was disappointed. In fact, &lt;i&gt;Bandolero!&lt;/i&gt; is just about the perfect film to see on a lazy Sunday afternoon. On the other hand, the technical presentation is very impressive. This is the first release from Swiss label Explosive Media ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Bandolero-Blu-ray/58284/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sun, 05 May 2013 17:31:44 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Cloud Atlas (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Cloud-Atlas-Blu-ray/54040/#Review</link>
<guid>http://www.blu-ray.com/movies/Cloud-Atlas-Blu-ray/54040/#Review</guid>
<description>&lt;b&gt;"Our lives are not our own..."&lt;/b&gt;&lt;br&gt;&lt;br&gt;Well you certainly can't fault filmmakers Tom Tykwer and Lana and Andy Wachowski for lack of ambition. Based on the supposedly unfilmable David Mitchell novel of the same name, in production for more than four years, and independently financed to the tune of $100 million, &lt;i&gt;Cloud Atlas&lt;/i&gt; is a sprawling, initially impenetrable, five-century epic involving no less than six interconnected storylines, six distinct time periods, and more than sixty characters played by a dozen actors, some of whom&lt;a href="http://www.blu-ray.com/movies/Cloud-Atlas-Blu-ray/54040/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;With nearly four hours of high definition content on a single disc, I was worried the film's video presentation might suffer, if only a bit. Thankfully, Warner's 1080p/AVC-encoded transfer doesn't show signs of having made any significant concessions. Colors are warm and beautifully saturated, with exceedingly lifelike skintones, pleasing earthtones, genteel primaries and rich, inky blacks. Contrast is consistent and well balanced too, delineation is quite good (barring some minor crush), and de&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Though subdued on the whole, Warner's DTS-HD Master Audio 5.1 surround track delivers on its promises, capturing the subtlety of the film's quietest exchanges and the power of its most fearsome sequences. &lt;i&gt;Cloud Atlas&lt;/i&gt; is, above all, an ensemble driven drama, and dialogue is prioritized accordingly, and perfectly at that. Voices and clear and intelligible, whispers aren't left by the wayside and frightened shouts pierce even the most chaotic post-apocalyptic soundscape. LFE output demonstra&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The Blu-ray edition of &lt;i&gt;Cloud Atlas&lt;/i&gt; offers seven "Focus Point" featurettes (HD, 55 minutes), providing a decent but less-than-extensive overview of the film and production. There's quite a bit of repetition and overlap, sadly, but there's enough behind-the-scenes threads and tidbits to amount to a reasonably satisfying documentary. More forthcoming, fly-on-the-wall extras, a pair of cast and crew commentaries or a Maximum Movie Mode would have all been welcome and wonderful additions to th&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Our lives are not our own. From womb to tomb, we are bound to others, past and present.&lt;/i&gt;&lt;br&gt;&lt;br&gt;

&lt;i&gt;Cloud Atlas&lt;/i&gt; is a must-see film, fatally flawed as it is. Love it or loathe it, it's an experience that demands exploration and discussion. It's also an experience that demands multiple viewings, and I'd suggest locking yourself into watching it at least two times, either before mistaking its ambition for brilliance or dismissing it outright. Fortunately, Warner's Blu-ray release makes... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Cloud-Atlas-Blu-ray/54040/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 04 May 2013 23:59:53 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Starlet (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Starlet-Blu-ray/64806/#Review</link>
<guid>http://www.blu-ray.com/movies/Starlet-Blu-ray/64806/#Review</guid>
<description>&lt;b&gt;Star '13.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Note&lt;/i&gt;:  It's next to impossible to discuss &lt;I&gt;Starlet&lt;/i&gt; without at least hinting at one major plot development which might be 
considered a spoiler.  I've tried mightily not to divulge this plot point outright, but for those of you who are "good at guessing" and don't 
want the surprise spoiled, it's probably best to skip the main review (and even the supplements section) and simply focus on the technical 
aspects of the review.  &lt;br&gt; &lt;br&gt;


Mariel Hemingway received an Academy Awa&lt;a href="http://www.blu-ray.com/movies/Starlet-Blu-ray/64806/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Starlet&lt;/i&gt; is presented on Blu-ray courtesy of Music Box Films with an AVC encoded 1080p transfer in 2.40:1.  This digitally shot feature has 
been intentionally tweaked in post in rather interesting ways.  Color has been drained to the point that fleshtones are typically almost white a 
lot of the time, but otherwise the film is bathed in a rather ironic golden hue for vast swaths of its running time, something considerably at odds 
with the lifestyles being portrayed.  Fine object detai&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Starlet&lt;/i&gt; has both lossless DTS-HD Master Audio 5.1 and DTS-HD Master 2.0 audio options available.  The 5.1 mix comes nicely alive in 
some of the group scenes, but also provides a nice sense of aural depth even in scenes like the one where Jane is in the kitchen discovering the 
money while Melissa and Mikey are in the background arguing.  Theres quite a bit of source music cues utilized throughout the film, and those 
spill into the surrounds very effectively.  An evening out clubbing&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Feature Audio Commentary&lt;/b&gt; includes co-writers Chris Bergoch and Sean Baker (who also directed and edited), along with 
Dree Hemingway, Stella Maeve, producer Blake Ashman-Kipervaser, cinematographer Radium Cheung.  This was obviously a very personal 
experience for the cast and crew and that comes through quite clearly.  This seems to have perhaps been recorded separately and then 
edited with Baker serving as moderator, but its woven together pretty seamlessly and works extre&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Starlet&lt;/i&gt; is a film that plays it close to the vest quite a bit of the time, so much so that you might think nothing much is happening until 
suddenly a shocking revelation about an hour into the film puts everything in a decidedly new light (this sequence is &lt;I&gt;not&lt;/i&gt; for the puritans 
out there).  But despite the shock value of that scene (whose use is at least questionable), the film is more about the touching relationship 
between Jane, a kind of lost soul, and Sadie, a woman with a... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Starlet-Blu-ray/64806/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 04 May 2013 23:56:04 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Rabbi's Cat (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Rabbis-Cat-Blu-ray/62887/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Rabbis-Cat-Blu-ray/62887/#Review</guid>
<description>&lt;b&gt;Cat got your tongue?&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;I&gt;Jews dont like dogs&lt;/i&gt;?  Perish the thought!  Now in full disclosure mode Im only &lt;I&gt;half&lt;/i&gt; Jewish but I have 
never been without at least &lt;i&gt;one&lt;/i&gt; dog for more than a few days for my entire life (and for most of my adult life 
Ive always had &lt;I&gt;two&lt;/i&gt;), and my wife, who is &lt;I&gt;completely&lt;/i&gt; Jewish, is exactly the same.  Of course when the 
titular character of the charming French animated film &lt;I&gt;The Rabbis Cat&lt;/i&gt; makes the point in some early narration 
that Jews dont like d&lt;a href="http://www.blu-ray.com/movies/The-Rabbis-Cat-Blu-ray/62887/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The Rabbis Cat&lt;/i&gt; is presented on Blu-ray courtesy of New Video Group with an AVC encoded 1080p transfer in 
1.85:1.  New Video has brought out some really unusual looking animated fare lately, including &lt;a href="http://www.blu-
ray.com/movies/Tales-of-the-Night-Blu-ray/57543/"&gt;&lt;i&gt;Tales of the Night&lt;/i&gt;&lt;/a&gt;, &lt;a href="http://www.blu-
ray.com/movies/A-Cat-in-Paris-Blu-ray/51266/"&gt;&lt;i&gt;A Cat in Paris&lt;/i&gt;&lt;/a&gt; and the especially lovely &lt;a 
href="http://www.blu-ray.com/movies/Chico-and-Rita-Blu&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The Rabbis Cat&lt;/i&gt; features a lossless DTS-HD Master Audio 5.1 mix in the original French language (with optional 
English subtitles) that comes wonderfully alive in several outdoor scenes as well as with the films really charming and 
evocative score.  Dialogue is very cleanly presented and fidelity is excellent.  There are some issues in the subtitles with 
special characters (like words with French accents) that display incorrectly.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;The Making of &lt;I&gt;The Rabbis Cat&lt;/i&gt;&lt;/b&gt; (480i; 24:49) has some fun behind the scenes footage of Sfar working with his 
animation staff and the live models who provided inspiration for various characters.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Joann Sfar Draws From Memory&lt;/b&gt; (480i; 45:56) is a really sweet profile of Sfar that gets into his background and also his obsession to 
constantly draw no matter where he is or what hes doing.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;&lt;I&gt;The Rabbis Cat&lt;/i&gt; Trailer&lt;/b&gt; (1080p&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;As superb as so much of contemporary American animation is these days, its nice to visit foreign lands courtesy of some 
of these recently imported titles, for theres a completely different sensibility and storytelling rationale that is often quite 
surprising and enjoyable if not expected to be stuffed whole cloth into some preconceived notion of what a proper three 
act scenario should be like.  &lt;I&gt;The Rabbis Cat&lt;/i&gt; is bright and breezy with just a hint of melancholy and a dash of ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Rabbis-Cat-Blu-ray/62887/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 04 May 2013 23:15:51 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Best of the Best: Without Warning (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Best-of-the-Best-Without-Warning-Blu-ray/64643/#Review</link>
<guid>http://www.blu-ray.com/movies/Best-of-the-Best-Without-Warning-Blu-ray/64643/#Review</guid>
<description>&lt;b&gt;Warning: it's actually a decent time killer. &lt;/b&gt;&lt;br&gt;&lt;br&gt;Movies like &lt;i&gt;Best of the Best: Without Warning&lt;/i&gt; rightly or wrongly fade into obscurity as quickly as they bleep onto and vanish off of the 
figurative radar screens of only the most dedicated cinephiles or those who just happened to be in the right video store rental section at the right time 
when the movie was released straight to home video back in the day when VHS tapes still lined the shelves and were still the top delivery device for 
the masses for watching a movie at home.  &lt;i&gt;Be&lt;a href="http://www.blu-ray.com/movies/Best-of-the-Best-Without-Warning-Blu-ray/64643/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Best of the Best: Without Warning&lt;/i&gt; arrives on Blu-ray with an acceptable (for the cost) but underwhelming (in the grand scheme of things) high 
definition presentation. The image is largely clean, with little in the way of distracting dirt and scratches, but it's also very flat, quite bland, and only 
adequately detailed.  There are some soft shots intermixed throughout, and a few look almost artificially zoomed in.  Razor-sharpness?  Forget it, but the 
uptick in resolution does at lea&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Best of the Best: Without Warning&lt;/i&gt; features a bland, unimpressive DTS-HD Master Audio 2.0 lossless soundtrack.  From the start, it's clear that 
audio was a low priority with this release.  There's very little in the way of realism or accuracy.  While there's a decent general presence to the whirring 
helicopter from film's beginning, there's not much vigor to the effect and only modest spacing, no surprise given the two-channel constraints.  Gunshots 
-- even shotgun blasts and magnum &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;This Blu-ray release of &lt;i&gt;Best of the Best: Without Warning&lt;/i&gt; contains no supplemental content. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Best of the Best: Without Warning&lt;/i&gt; doesn't redefine the DTV Action flick -- if anything it reinforces many of the negatives surrounding such films 
by falling straight in line with every linear element and cliché available -- but it does deliver good, basic entertainment with several familiar faces popping 
up throughout.  The film benefits largely from Phillip Rhee's knowledgeable, albeit very straightforward, direction and, more, his understanding of the sort 
of flow and structure a ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Best-of-the-Best-Without-Warning-Blu-ray/64643/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 04 May 2013 14:12:15 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Parker (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Parker-Blu-ray/67204/#Review</link>
<guid>http://www.blu-ray.com/movies/Parker-Blu-ray/67204/#Review</guid>
<description>&lt;b&gt;Follow your code and buy the Blu-ray.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;We don't steal from people who can't afford it, and we don't hurt people that don't deserve it.&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
Sounds noble, right? Like in a Robin Hood-ish sort of way?  Well, stealing is stealing, hurting is hurting, loss is loss, suffering is suffering, blood on the 
ground is blood on someone's hands, be the victim sinner or saint, wealthy snob or blue collar working stiff.  Different moral strokes for different sorts 
of folks, but as Parker is about to discover, there's a whole lot of&lt;a href="http://www.blu-ray.com/movies/Parker-Blu-ray/67204/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Parker&lt;/i&gt; looks quite good on Blu-ray.  The video source often passes for film quality, producing only the occasional hint of excess flatness and 
glossiness associated with some of the lower end digital productions.  As with the best of the HD photography pictures, &lt;i&gt;Parker&lt;/i&gt;'s Blu-ray transfer 
reveals some amazing details and eye-popping colors.  The opening fairgrounds is a playground for both.  The clarity and definition around the frame -- 
whether close-up shots of fairgoers and&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;With &lt;i&gt;Parker&lt;/i&gt;, Sony has delivered another wonderful lossless soundtrack.  The DTS-HD Master Audio 5.1 presentation delivers a wide, full sound, 
making natural use of every speaker in the configuration and oftentimes immersing the listening audience in the environments and mayhem of the film.  
In general, this is a fine, balanced track, one that's very smooth, very even, and enjoys a solid low end support to give definition and body to the other 
elements.  The opening fairgrounds seque&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;Parker&lt;/i&gt; contains a commentary track and a handful of featurettes. 
&lt;br&gt;&lt;br&gt;
&lt;ul style="margin:1px 0px 0px 32px"&gt;
&lt;li&gt;&lt;b&gt;Audio Commentary&lt;/b&gt;: Director Taylor Hackford begins by speaking on the written source material and his draw to the project.  He goes on 
to discuss the script; casting; filming locations in both Ohio and, primarily, Louisiana; tricks of the trade; the score; and plenty more.  Though he 
covers many basic ideas, Hackford colors in the details better than most commen&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Parker&lt;/i&gt; is a fairly straightforward Action flick that plays to Statham's strengths.  It's gritty, bloody, and hits very hard.  In that way, it's not all 
that different from his other films, but it does feel a little more streamlined, less cartoonish than some and a little more uncompromising than others.  
It's 
a solid, ultra-dependable Action flick that won't redefine the genre or go down as a classic, but it should withstand the test of time as a movie genre fans 
will look to in t... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Parker-Blu-ray/67204/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 04 May 2013 12:11:46 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Baron Blood (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Baron-Blood-Blu-ray/63452/#Review</link>
<guid>http://www.blu-ray.com/movies/Baron-Blood-Blu-ray/63452/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Mario Bava's "Gli orrori del castello di Norimberga" a.k.a "Baron Blood" (1972) arrives on Blu-ray courtesy of British distributors Arrow Video. The release includes three versions of the film; original English and Italian trailers; video introduction by journalist and Italian horror expert Alan Jones; radio spots; video interview with Italian director uggero Deodato; production stills; and audio commentary with Mario Bava expert Tim Lucas. The release also arrives with  a 22-page illustrated&lt;a href="http://www.blu-ray.com/movies/Baron-Blood-Blu-ray/63452/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 1.74:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Mario Bava's &lt;i&gt;Baron Blood&lt;/i&gt; arrives on Blu-ray courtesy of British distributors Arrow Video.&lt;br&gt;&lt;br&gt;

Please note that the screencaptures included with our review appear in the following order:&lt;br&gt;&lt;br&gt;

1. Screencaptures #1-9 are from the longer Export Version.&lt;br&gt;
2. Screencaptures #10-19 are from the shorter AIP Version.&lt;br&gt;&lt;br&gt;

The basics here are intact. Despite the fact that there is so&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There are three audio tracks on this Blu-ray release. The Export Version and the AIP Version come with English LPCM 2.0 tracks, while the Italian-language version, &lt;i&gt;Gli orrori del castello di Norimberga&lt;/i&gt;, comes with an Italian LPCM 2.0 track. The Export Version and the AIP Version also come with optional English SDH subtitles, while the Italian version comes with optional English subtitles. &lt;br&gt;&lt;br&gt;

The English LPCM 2.0 tracks are fairly similar. Overall dynamic intensity is limited, but&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;AIP Version&lt;/i&gt;&lt;/b&gt; - the shorter AIP version of &lt;i&gt;Baron Blood&lt;/i&gt; with an alternative score by Les Baxter. In English, with optional English SDH subtitles. (91 min, 1080p).&lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Gli orrori del castello di Norimberga&lt;/i&gt;&lt;/b&gt; - the Italian version of &lt;i&gt;Baron Blood&lt;/i&gt;, with Italian opening and closing credits. In Italian, with optional English subtitles. (98 min, 1080p). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Introduction&lt;/i&gt;&lt;/b&gt; - a short introduction to Mario Bava's &lt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;It is easy to tell when a company cares. Like the Blu-ray release of Mario Bava's &lt;a href="http://www.blu-ray.com/movies/Black-Sunday-Blu-ray/58462/#Review"&gt;&lt;i&gt;Black Sunday&lt;/i&gt;&lt;/a&gt;, this new release of the Italian director's &lt;i&gt;Baron Blood&lt;/i&gt; is a labor of love. A simple look at the booklet that is included with it tells the whole story. I really cannot wait to see all the great releases Arrow Video have already announced, because there is absolutely no doubt in my mind that they will be specia... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Baron-Blood-Blu-ray/63452/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Sat, 04 May 2013 05:52:41 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Cloak and Dagger (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Cloak-and-Dagger-Blu-ray/66747/#Review</link>
<guid>http://www.blu-ray.com/movies/Cloak-and-Dagger-Blu-ray/66747/#Review</guid>
<description>&lt;b&gt;The spy who loved.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Years ago I was given a very rare kinescope of an old &lt;I&gt;Studio One&lt;/i&gt; broadcast from 1958, and it came replete with 
its original commercials.  The show was sponsored by Westinghouse and along with the demonstrations by Betty 
Furness 
of the latest in home appliances, there was one truly hilarious yet disturbing advertisement for nuclear power where a 
nattily dressed gentleman came out and while pointing to a certain item in his hand said, With just &lt;I&gt;one&lt;/i&gt; 
shoebox of 
plutonium, &lt;a href="http://www.blu-ray.com/movies/Cloak-and-Dagger-Blu-ray/66747/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Cloak and Dagger&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.37:1.  
There are significant improvements to virtually all areas of the image from the old DVD, most especially 
telecine wobble which has been virtually eliminated (my sense is some program was used that shifts the image frame by 
frame, as there is one &lt;I&gt;really&lt;/i&gt; odd moment early in the film when the Nazi spies are rushing up a spiral staircase and 
it looks like the entire s&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Cloak and Dagger&lt;/i&gt;s lossless DTS-HD Master Audio Mono track sounds surprisingly full for its age, especially with 
regard to Max Steiners rousing score, which runs rampant with blaring brass cues.  Dialogue comes through very cleanly 
and the battle scenes have some nice boisterous sounding effects.  Fidelity is very good and dynamic range is quite wide.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Cloak and Dagger&lt;/i&gt; is a fascinating example of an artists intentions being thwarted by those with a different agenda 
(which might be something as simple as making money).  Still, some of (soon to be blacklisted) Ring Lardner, Jr. and Albert 
Maltzs original formulation, along with Langs pacifist vision, manage to sneakif only barelyinto this finished product.  If 
Cooper is a bit ill at ease, and the role itself is patently ridiculous, thats more than made up for by the lovely wor... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Cloak-and-Dagger-Blu-ray/66747/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 03 May 2013 21:47:04 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Night of the Scarecrow (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Night-of-the-Scarecrow-Blu-ray/66810/#Review</link>
<guid>http://www.blu-ray.com/movies/Night-of-the-Scarecrow-Blu-ray/66810/#Review</guid>
<description>&lt;b&gt;It's not nice to fool Mother Nature.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Thomas Tryon was an actor of some note in the fifties and sixties who is probably best remembered for his starring 
roles in &lt;I&gt;The Cardinal&lt;/i&gt; and &lt;I&gt;The Longest Day&lt;/i&gt;.  Tryon really seemed to hit his stride, though, as an author, 
penning the huge 1971 bestseller &lt;I&gt;The Other&lt;/i&gt;, which was turned into a haunting 1972 film by Robert Mulligan (a 
film that would lookcourtesy of its beautiful cinematography by Robert L. Surteesand soundcourtesy of its 
gorgeous Jerry Goldsmith scorefa&lt;a href="http://www.blu-ray.com/movies/Night-of-the-Scarecrow-Blu-ray/66810/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Night of the Scarecrow&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 
1.78:1.  This is a very nice looking high definition transfer that only has one or two very minor issues to report.  The 
elements are in very good condition, as befits a work of relatively recent vintage (that is, compared to a lot of Olives older 
catalog releases), and colors are nicely robust and very accurate looking.  The image is nicely detailed and some of the 
close-&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Night of the Scarecrow&lt;/i&gt; features a lossless DTS-HD Master Audio 2.0 mix that offers some surprising spatial ambience 
despite its overall narrow confines.  Right off the bat in the opening sequence theres unexpected depth to the sound of the 
crow cawing and the encroaching underscore.  Dialogue is presented cleanly (though the Scarecrows guttural utterances 
can be a bit hard to make out at times).  The John Williams-esque score also sounds fine.  Fidelity is excellent and dynamic 
&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Audio Commentary&lt;/b&gt;.  Dan Griffith of Ballyhoo Productions hosts director Jeff Burr in this enjoyable 
commentary.  Burr is full of great anecdotes as well as technical information throughout the commentary.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Featurette&lt;/b&gt; (480i; 2:51) is a brief making of outing which includes a look at the makeup and special effects.  
This was obviously 
sourced from an old videotape master and has some tracking problems.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Gallery&lt;/b&gt; (1080p; 8:14) &lt;/&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Night of the Scarecrow&lt;/i&gt; only has one or two really &lt;I&gt;cheap&lt;/i&gt; scares.  The rest are rather well crafted and the 
Scarecrow is a &lt;I&gt;really&lt;/i&gt; spooky manifestation of long dormant evil.  The film gets a little too hyperbolic for its own good 
in its final chase showdown sequence, but thats a small price to paid for so much (admittedly pretty gruesome) fun.  This 
Blu-ray features great looking video and sounding audio, and unlike most Olive releases, this one actually has some 
suppl... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Night-of-the-Scarecrow-Blu-ray/66810/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Fri, 03 May 2013 18:44:20 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Scanners (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Scanners-Blu-ray/61090/#Review</link>
<guid>http://www.blu-ray.com/movies/Scanners-Blu-ray/61090/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;David Cronenberg's "Scanners" (1981) arrives on Blu-ray courtesy of British distributors Second Sight Films. The supplemental features on the disc include video interviews with actor Stephen Lack, cinematographer Mark Irwin, executive producer Pierre David, make up effects artist Stephan Dupuis, and actor Lawrence Dane. In English, with optional English SDH subtitles for the main feature. Region-B "locked". &lt;/i&gt;&lt;a href="http://www.blu-ray.com/movies/Scanners-Blu-ray/61090/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, David Cronenberg's &lt;i&gt;Scanners&lt;/i&gt; arrives on Blu-ray courtesy of British distributors Second Sight Films.&lt;br&gt;&lt;br&gt;

The high-definition transfer is virtually identical to the one Australian distributors Umbrella Entertainment used for their Blu-ray &lt;a href="http://www.blu-ray.com/movies/Scanners-Blu-ray/63269/#Review"&gt;&lt;i&gt;release&lt;/i&gt;&lt;/a&gt; of this cult film a few months ago, and this is good news. The on&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There are two standard audio tracks on this Blu-ray release: English LPCM 2.0 and English DTS-HD Master Audio 5.0. For the record, Second Sight Films have provided optional English SDH subtitles for the main feature.&lt;br&gt;&lt;br&gt;

This time around I viewed the film with the LPCM 2.0 track (the Australian release has only a DTS-HD Master Audio 5.1 track) and must say that I like it better. The sound is better balanced. During select sequences the dialog is clearly more even. Overall clarity and dept&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;My Art Keeps Me Sane - Interview with Star Stephen Lack&lt;/i&gt;&lt;/b&gt; - in this video interview, actor Stephen Lack (Cameron Vale) recalls his first encounter with director David Cronenberg and work with his on &lt;i&gt;Scanners&lt;/i&gt;. The actor also discusses his interactions with special effects guru Dick Smith. In English, not subtitled. (24 min). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;The Eye of Scanners - Interview with Cinematographer Mark Irwin&lt;/i&gt;&lt;/b&gt; - in this video interview, cinematographer Mark&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This is a very handsome release. Not only does the SteelBook look quite beautiful, but the technical presentation is also very pleasing. The only minor discrepancy I could spot between this release and the Australian &lt;a href="http://www.blu-ray.com/movies/Scanners-Blu-ray/63269/#Review"&gt;&lt;i&gt;release&lt;/i&gt;&lt;/a&gt; by Umbrella Entertainment is in the brightness levels, but the difference is indeed marginal at best. However, the two releases have very different supplemental features. Fans of &lt;i&gt;Scanners&lt;/i... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Scanners-Blu-ray/61090/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 02 May 2013 23:58:07 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Babe: Pig in the City (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Babe-Pig-in-the-City-Blu-ray/66494/#Review</link>
<guid>http://www.blu-ray.com/movies/Babe-Pig-in-the-City-Blu-ray/66494/#Review</guid>
<description>&lt;b&gt;If he can make it there. . .&lt;/b&gt;&lt;br&gt;&lt;br&gt;When &lt;a href="http://www.blu-ray.com/movies/Babe-Blu-ray/16766/"&gt;&lt;i&gt;Babe&lt;/i&gt;&lt;/a&gt; proved to be one of the biggest 
and most unexpected hits of 1995, the handwriting was probably already on the wall that a sequel would be inevitable.  
The little fable about a talking pig who thinks hes a sheepdog seemed to touch something rather universal in audiences 
worldwide, and the films beautifully rendered storybook setting and brilliant special effects work, which was certainly head 
and shoulders &lt;a href="http://www.blu-ray.com/movies/Babe-Pig-in-the-City-Blu-ray/66494/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Babe:  Pig in the City&lt;/i&gt; is presented on Blu-ray courtesy of Universal Studios with a VC-1 encoded 1080p transfer in 
1.85:1.  The somewhat dingy environment of the hotel means that at least some of &lt;I&gt;Babe:  Pig in the City&lt;/i&gt; doesnt 
&lt;I&gt;quite&lt;/i&gt; pop with the vibrancy that was exhibited in the first release.  There are, however, several standout 
sequences, including one where Mrs. Hoggett ventures out into a brightly lit crowd scene, as well as some of Babes 
shenanigans around th&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Babe:  Pig in the City&lt;/i&gt;s lossless DTS-HD Master Audio 5.1 mix is rather good, though subtle at times.  The best 
moments in terms of surround activity are big set pieces like Mrs. Hoggetts foray into the city as well as a great sequence 
where Babe is being chased by two guard dogs.  That sequence especially is rife with fantastic activity running rampant 
through the side channels as Babe attempts to escape the beasts and one of them drags an ever increasing aggregation of 
items be&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are offered on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;I&gt;Babe:  Pig in the City&lt;/i&gt; isnt as magical as the first &lt;I&gt;Babe&lt;/i&gt;,  but its a whale (or a pig) of a lot better than most 
sequels.  The characters are fun and whimsical, the production design is fantastic, and though the story doesnt have the 
universal appeal of the first &lt;I&gt;Babe&lt;/i&gt;, it still has many classic elements that distinguish the best fairy tales.  This Blu-ray 
features good video and very good audio and even without the addition of any supplements, &lt;i&gt;Babe:  Pig in the ci... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Babe-Pig-in-the-City-Blu-ray/66494/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 02 May 2013 21:33:48 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>WWII From Space (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/WWII-From-Space-Blu-ray/67643/#Review</link>
<guid>http://www.blu-ray.com/movies/WWII-From-Space-Blu-ray/67643/#Review</guid>
<description>&lt;b&gt;From a distance. . .&lt;/b&gt;&lt;br&gt;&lt;br&gt;You have to give History at least a &lt;I&gt;little&lt;/i&gt; credit while at the same time understanding their predicament:  there are 
only so many epochal events scattered throughout the annals of time, and after this long on the air, History has done 
about all of them.  Twice.  (And thats being charitable.)  The cable channel has a tendency to visit and revisit its favorite 
subjects, whether that be the destruction of the Earth by marauding asteroids, a frequent focal point in &lt;a 
href="http://ww&lt;a href="http://www.blu-ray.com/movies/WWII-From-Space-Blu-ray/67643/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;WWII in Space&lt;/i&gt; is presented on Blu-ray courtesy of Lionsgate Films and The History Channel with an AVC encoded 
1080p transfer in 1.78:1.  While this special is presented in a progressive format (not always the case with History Blu-
rays), which is a plus, theres a rather startling lack of other elements that may disappoint choosy videophiles.  This is a 
strangely desaturated special, even in the contemporary interview segments, which rarely pop with robust color.  These 
talking he&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;WWII From Space&lt;/i&gt; features a lossless DTS-HD Master Audio 5.1 which from a technical standpoint is probably the 
single most appealing thing about this release, even if it suffers from the fact that a lot of this special is either narrated or 
features talking heads, two elements which expectedly do not engage the surround channels.  The surrounds &lt;I&gt;do&lt;/i&gt; 
come into play when some of the battles are depicted, and these sequences offer good discrete channelization of foley 
effects.  A&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The only so-called "supplements" here are trailers for other Lionsgate releases, which I never include as part of the official 
score for bonus material.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;This &lt;I&gt;Readers Digest&lt;/i&gt; recounting of World War II may serve as a sort of video Cliffs Notes for those without the 
wherewithal to make it through longer, more in depth pieces, but that still doesnt account for the just downright (or should 
that be &lt;I&gt;up&lt;/I&gt;right) silly decision to try to frame all of the material from high in the sky, a decision that seems even 
sillier when the special doesnt even attempt to &lt;I&gt;stay&lt;/i&gt; up in the sky.  Ive long taken History to task for its emphasi... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/WWII-From-Space-Blu-ray/67643/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 02 May 2013 21:27:54 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Guilt Trip (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Guilt-Trip-Blu-ray/62518/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Guilt-Trip-Blu-ray/62518/#Review</guid>
<description>&lt;b&gt;Don't feel guilty about adding this quality film to your Blu-ray collection.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;This was the best week of my life.&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
Direct Anne Fletcher's (&lt;a 
href="http://www.blu-ray.com/movies/movies.php?id=722"&gt;&lt;i&gt;27 Dresses&lt;/i&gt;&lt;/a&gt;) &lt;i&gt;The Guilt Trip&lt;/i&gt; is a movie that requires a little bit of 
patience and a sprinkling of faith to really appreciate.  What begins as something of a drag of a movie with a terribly predictable plot arc morphs into a 
touching little character piece with, yes, that same terribly predicable plot arc but now one that's largely overshado&lt;a href="http://www.blu-ray.com/movies/The-Guilt-Trip-Blu-ray/62518/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;The Guilt Trip&lt;/i&gt;'s 1080p transfer isn't the most stunning thing ever released to high definition, but Paramount's stable, enjoyable presentation 
gets the job done.  There are some gorgeous roadway and city shots; overhead highway images or dense downtown locations both reveal fantastic 
textures, crisp lines, and precise details even at a distance.  General facial and clothing details are fine, though not really as crisp as those seen in the 
best   
Blu-ray releases.  There is a light&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;The Guilt Trip&lt;/i&gt; features the old "technically proficient but sonically dull" DTS-HD Master Audio 5.1 lossless soundtrack.  No surprise, this is a 
dialogue-heavy film with little else to offer.  Fortunately, the spoken word comes through as well as it can, playing with a natural, front-focused clarity.  
The track otherwise features some scattered ambient sound effects that help set the stage for various scenes and that enjoy natural, pinpoint 
positioning around the stage.  Whether the&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;The Guilt Trip&lt;/i&gt; contains a hodgepodge of short supplements. 
&lt;br&gt;&lt;br&gt;
&lt;ul style="margin:1px 0px 0px 32px"&gt;
&lt;li&gt;&lt;b&gt;Barbra &amp; Seth&lt;/b&gt; (HD, 7:32): Cast and crew take a look at the chemistry between the stars and the acting chops of Rogen and Streisand. 
Some fun on-set moments are interspersed throughout. 
&lt;/li&gt;&lt;table&gt;&lt;tr&gt;&lt;td height=4&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;li&gt;&lt;b&gt;Barbra's World&lt;/b&gt; (HD, 8:21): Cast and crew talk about what it's like to work with a legend while examining the specific quali&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;The Guilt Trip&lt;/i&gt; is a pleasant surprise.  It begins slowly but ends strongly, efficiently building up, breaking down, and again, but differently, building 
up its characters to a predictable but heartwarming and wholly satisfying resolution.  The film works as well as it does because of the greatness of its 
leads; Rogen and Streisand are simply wonderful together.  They understand the story, the characters, and one another so well that the relationship -- 
the entire dynamic, not just b... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Guilt-Trip-Blu-ray/62518/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 02 May 2013 21:01:54 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>True Blood: The Complete Fifth Season (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/True-Blood-The-Complete-Fifth-Season-Blu-ray/54071/#Review</link>
<guid>http://www.blu-ray.com/movies/True-Blood-The-Complete-Fifth-Season-Blu-ray/54071/#Review</guid>
<description>&lt;b&gt;If no one takes out the trash, the garbage just keeps piling up...&lt;/b&gt;&lt;br&gt;&lt;br&gt;Over the course of reviewing &lt;i&gt;True Blood&lt;/i&gt;'s four seasons, each one more disappointing than the last, I've been chanting, "enough with the humans, fairies and witches. Bring on the vamps! Give us the Authority!" Creator Alan Ball's bloody supernatural freak show has teased series junkies, casual fans and waning viewers alike with promises of the vampire High Council almost from the beginning, and Season Five finally, &lt;i&gt;finally&lt;/i&gt; pulled back the curtain so we could all get a glimpse at wha&lt;a href="http://www.blu-ray.com/movies/True-Blood-The-Complete-Fifth-Season-Blu-ray/54071/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Like the series' previous Blu-ray releases, &lt;i&gt;True Blood: The Complete Fifth Season&lt;/i&gt; boasts a fantastic 1080p/AVC-encoded video presentation that, while not always HBO's prettiest belle at the ball, is true to its source and showrunners' intentions. So ignore the at-times ungainly grain. Ignore the unforgiving shadows and inherent crush and delineation issues. Ignore the faint anomalies that occasionally accompany the show's less-than-seamless visual effects. Fans won't find the imperfection&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;True Blood&lt;/i&gt;'s DTS-HD Master Audio 5.1 surround track is, once again, the heart of the release. Dialogue is clean, intelligible and perfectly prioritized, regardless of the macabre madness the series' soundscape conjures up next. The LFE channel bears its teeth and bites time and time again, clamping down on anything and everything even remotely in need of additional weight, presence or heft. The rear speakers keep busy as well, expanding the show's soundfield, heightening the reality (or u&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul style="margin:1px 0px 0px 28px"&gt;

&lt;li&gt;&lt;b&gt;Audio Commentaries&lt;/b&gt;: Five cast and crew audio commentaries are available: "We'll Meet Again" with actor Chris Bauer (Andy), writer Alexander Woo and director Romeo Tirone; "Somebody That I Used to Know" with actor/director Stephen Moyer (Bill) and writer Mark Hudis; "Everybody Wants to Rule the World" with director Dan Attias and actors Denis O'Hare (Russell) and Carrie Preston (Arlene); "Sunset" with co-executive producer/writer Angela Robinson &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;True Blood&lt;/i&gt; is a series in desperate need of an intervention. New showrunners Mark Hudis and Brian Buckner have an opportunity this coming season to right what's been going wrong and to effectively re-energize what has become a flailing show. All they need to do is find a way to blend the competing horror, comedy and drama elements fans already love into a more seamless and rewarding overarching storyline. And clean up the mess Ball left them with Season Five. And figure out a way to make ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/True-Blood-The-Complete-Fifth-Season-Blu-ray/54071/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Thu, 02 May 2013 13:36:16 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Bounty Hunters 2: Hardball (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Bounty-Hunters-2-Hardball-Blu-ray/64645/#Review</link>
<guid>http://www.blu-ray.com/movies/Bounty-Hunters-2-Hardball-Blu-ray/64645/#Review</guid>
<description>&lt;b&gt;Don't bother hunting this one down except at the rental store or on late night television.  &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Showtime&lt;/i&gt;.
&lt;br&gt;&lt;br&gt;
Believe it or not, it's often more of a challenge to review movies like &lt;i&gt;Bounty Hunters 2: Hardball&lt;/i&gt; than it is bigger budgeted and better 
constructed movies on one end of the spectrum and the bottom-barrel Asylum junk on the other.  A movie like this is the perfect storm of blah, a 
movie that gives reviewers precious little with which to work.  It's not very good, it's not 
egregiously bad, it just sort of &lt;i&gt;is&lt;/i&gt;.  The movie dives right into, and never m&lt;a href="http://www.blu-ray.com/movies/Bounty-Hunters-2-Hardball-Blu-ray/64645/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Bounty Hunters 2: Hardball&lt;/i&gt; features a largely bland but generally stable high definition presentation.  Details are adequate, helped more by the 
increase in resolution that Blu-ray provides than any real good qualities with the transfer.  It appears a bit glossed over and pasty, "enhanced" by light 
edge halos and showing fairly crisp but not particularly film-like details. Facial textures are decent but take on a  slightly smoothed appearance, ditto 
most every other element in the p&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Bounty Hunters 2: Hardball&lt;/i&gt; offers a softball soundtrack.  The included DTS-HD Master Audio 2.0 lossless presentation is dull for the most part, 
routine at its best and messy at its worst.  There's an OK sense of space and acceptable clarity to the opening Spaghetti Western-styled music that opens 
the film, but it's largely downhill from there, not that the tumble is all that steep.  Most sound effects, from the sound of walking on crunchy gravel or 
smashing glass at a robbery and al&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;This Blu-ray release of &lt;i&gt;Bounty Hunters 2: Hardball&lt;/i&gt; contains no supplemental content. &lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;It's all very much routine at its best and forgettable at its worst, and there's really not much space in between.  &lt;i&gt;Bounty Hunters 2: Hardball&lt;/i&gt; is a 
serviceable movie that's competent in its construction but hardly a movie that stands apart from the crowd.  The action is bland and the characters 
almost equally so, even if there is a sliver of chemistry between the leads.  It's a movie worth a watch if there's nothing other than infomercials on 
television.  
Echo Bridge's Blu-ray rel... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Bounty-Hunters-2-Hardball-Blu-ray/64645/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 01 May 2013 21:39:42 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Great Escape (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Great-Escape-Blu-ray/47102/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Great-Escape-Blu-ray/47102/#Review</guid>
<description>&lt;b&gt;The Grandeur of Defiance&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;EM&gt;Author's Note: The Video section of this review was updated and expanded on May 14, 2013, to
incorporate numerous developments and discussions since the review was first published.&lt;/EM&gt; &lt;/br&gt;&lt;/br&gt;

Among its many notable qualities, &lt;EM&gt;The Great Escape&lt;/EM&gt; may be the greatest war film ever made
without a single battle. &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/The-Bridge-on-the-River-Kwai-Blu-ray/9/"&gt;The Bridge on the River 
Kwai&lt;/A&gt;&lt;/EM&gt; can boast at least one major explosion, but
&lt;&lt;a href="http://www.blu-ray.com/movies/The-Great-Escape-Blu-ray/47102/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;EM&gt;Author's Note: This Video section was updated and expanded on May 14, 2013.&lt;/EM&gt;&lt;/br&gt;&lt;/br&gt;


It's rare to revisit a review, but discussion of &lt;EM&gt;The Great Escape&lt;/EM&gt; Blu-ray has been sufficiently
lively and eventful that the original write-up already feels "dated" (although my video score
remains unchanged).&lt;/br&gt;&lt;/br&gt;


Within hours after this review was posted, I was contacted by Torsten Kaiser, whose 2011
&lt;A HREF="http://www.blu-ray.com/news/?id=6885"&gt;interview&lt;/A&gt; on this site &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;According to IMDb, &lt;EM&gt;The Great Escape&lt;/EM&gt; was initially released to theaters in both mono and four-track stereo. Previous iterations on DVD have 
run the gamut. MGM's initial release in 1998
offered a stereo track in Dolby Digital. Its more elaborate "collector's edition" six years later
offered a choice between 5.1 and mono tracks, also in Dolby Digital. The Blu-ray offers a single
option in English of lossless DTS-HD MA 5.1 (along with numerous tracks dubbed in other
languages). The mi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;As is its custom, Fox (which handles the Blu-ray mastering for MGM) has failed to provide a
main menu and programmed the disc with BD-Java without including the bookmark function, so
that it is impossible to mark your place when you stop play. There is no excuse for Fox to
continue implementing this user-&lt;EM&gt;un&lt;/EM&gt;friendly design, which it never uses on its own discs, but only
on MGM's. As is my custom, I have downgraded the score for extras on any title featuring this
poor arrangement.&lt;/b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Given the video issues, prospective purchasers might be tempted to wait in the hope of a future
restored edition. I think that would be a mistake. Nothing in MGM's recent history suggests that
it is in any position to underwrite the cost of a restoration at the negative level, which would be a
major expense. Barring such an overhaul, any subsequent edition would offer only marginal
improvement over the current Blu-ray. Warts and all, this is about the best presentation we're
likely to see o... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Great-Escape-Blu-ray/47102/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 01 May 2013 16:15:06 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>History of The Eagles Parts 1 &amp; 2 (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/History-of-The-Eagles-Parts-1-and-2-Blu-ray/67884/#Review</link>
<guid>http://www.blu-ray.com/movies/History-of-The-Eagles-Parts-1-and-2-Blu-ray/67884/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;You cant keep a good band down.  Even when youre a member of it.&lt;/i&gt;  That might be the single most salient 
lesson imparted to both fans and casual 
viewers (and/or listeners) alike as they review the epochal journey The Eagles have taken over the past several 
decades.  Like many superstar outfits, The Eagles took a while to get their groove on, but once they 
started topping the charts, they were &lt;I&gt;the&lt;/i&gt; band, at least for a little while, until that same success started fraying 
&lt;a href="http://www.blu-ray.com/movies/History-of-The-Eagles-Parts-1-and-2-Blu-ray/67884/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;The History of the Eagles&lt;/i&gt; is presented on Blu-ray with an AVC encoded 1080p transfer in a variety of aspect ratios 
as befits the many source elements.  The bulk of the documentary is in 1.78:1 and 1:33.  The accompanying concert disc is 
1080i in 1.33:1.  (Screenshots 1-17 come from both parts of the documentary, while screenshots 18 and 19 come from the 
concert disc.)  Given the hugely disparate amount of material this documentary incorporates, things look pretty good 
overall.  Th&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;The History of the Eagles&lt;/i&gt; (as well as the concert disc) feature both a DTS-HD Master Audio 5.1 track as well as an 
LPCM 2.0 track.  While its obvious that some of this material had multitrack source stems to build a proper 5.1 mix out of, 
its just as obvious that some did &lt;I&gt;not&lt;/i&gt;, and at least some of the repurposed material has a kind of oddly processed 
quasi-phasing sound that I personally found a little distracting.  I opted for the 2.0 track for that reason, but others 
m&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;There are no "official" supplements &lt;I&gt;per se&lt;/i&gt;, though some might count the third Blu-ray which features the March 
1977 concert at the Capital Centre as a bonus.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;You dont need to even be a particular fan of The Eagles to find much of this documentary fascinating, unless the vagaries 
of the music business dont interest you in the slightest.  Theres quite a bit of incisive self-reflection here that helps to 
make the foibles of overnight sensations (which of course they werent) a bit more understandable.  This is an impeccably 
structured piece that includes a lot of rare footage and crafts a careful and perhaps ever so slightly sanitized version... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/History-of-The-Eagles-Parts-1-and-2-Blu-ray/67884/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 01 May 2013 15:33:31 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>The Killer Elite (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/The-Killer-Elite-Blu-ray/59815/#Review</link>
<guid>http://www.blu-ray.com/movies/The-Killer-Elite-Blu-ray/59815/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Director Sam Peckinpah's "The Killer Elite" (1975) arrives on Blu-ray courtesy of French label Wild Side Video. The supplemental features on the disc include a longer uncensored version of the film; original trailer; original TV spots; radio spots; gallery of original poster art and lobby cards from around the world; and a segment from Mike Siegel's superb documentary "Passion and Poetry: The Ballad of Sam Peckinpah". In English, with optional French subtitles for the main feature. Region-B "&lt;a href="http://www.blu-ray.com/movies/The-Killer-Elite-Blu-ray/59815/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Sam Peckinpah's &lt;i&gt;The Killer Elite&lt;/i&gt; arrives on Blu-ray courtesy of French label Wild Side Video. &lt;br&gt;&lt;br&gt;

Please note that two version of the film are included on this Blu-ray release:&lt;br&gt;&lt;br&gt;

1. Original Theatrical Version: approximately 116 minutes long.&lt;br&gt;
2. Long Uncensored Version:  approximately 124 minutes long.&lt;br&gt;&lt;br&gt; 

Excluding some traces of light sharpening that are occasional&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The Theatrical Version of &lt;i&gt;The Killer Elite&lt;/i&gt; comes with English DTS-HD Master Audio 1.0 and French DTS-HD Master Audio 1.0 tracks. The Uncensored Version comes only with an English DTS-HD Master Audio 1.0 track. Both versions have optional French subtitles. When turned on, the subtitles split the image frame and the black bar below it.&lt;br&gt;&lt;br&gt;

The sound is quite uneven at times but the various fluctuations are indeed inherited. The dialog is clearer and the dynamic movement better, but t&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Version Longue&lt;/i&gt;&lt;/b&gt; -  the longer Uncensored Version of &lt;i&gt;The Killer Elite&lt;/i&gt; can be accessed through the special features section of this Blu-ray disc. In English, with optional French subtitles. (124 min, 1080p).  &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Bande-annonce&lt;/i&gt;&lt;/b&gt; - original trailer for &lt;i&gt;The Killer Elite&lt;/i&gt;. In English, with optional French subtitles. (3 min). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Passion &amp; Poetry - Sam's Killer Elite&lt;/i&gt;&lt;/b&gt; - a segment from Mike Siegel's superb do&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;The Killer Elite&lt;/i&gt; is not one of Sam Peckinpah's best films, but it is still quite entertaining. It attempts to impress in so many different ways that it becomes quite exotic, which is part of its charm. After years of having only a non-anamorphic DVD release of it,  French label Wild Side Video's Blu-ray release is quite the revelation. It should make many fans of the American director and his work quite happy. RECOMMENDED. 
... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/The-Killer-Elite-Blu-ray/59815/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Wed, 01 May 2013 05:39:33 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Broken City (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Broken-City-Blu-ray/66521/#Review</link>
<guid>http://www.blu-ray.com/movies/Broken-City-Blu-ray/66521/#Review</guid>
<description>&lt;b&gt;Dysfunctional Noir&lt;/b&gt;&lt;br&gt;&lt;br&gt;Midway through &lt;i&gt;Broken City&lt;/i&gt;, one character incredulously remarks, "Private eyes still exist?" A holdout from the times before no-fault divorce 
lawswhen evidence of infidelity was demanded in courtthe gumshoe-for-hire profession does seem old-fashioned and mostly unnecessary now. You 
could describe &lt;i&gt;Broken City&lt;/i&gt; the same way: old-fashioned and mostly unnecessary. Penned by first-time screenwriter Brian Tucker and directed 
solo by Allen Hughesone half of the Hughes Brothers, be&lt;a href="http://www.blu-ray.com/movies/Broken-City-Blu-ray/66521/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Broken City&lt;/i&gt; was shot digitally with Arri Alexa HD cameras, but you'd hardly know it; most of the movie has a gritty, textured, almost film-like 
quality that the Blu-ray's 1080p/AVC encode captures well. There are a few darker scenes where the source noise spikes maybe a bit too intensely
taking on a more mottled look, with crushed shadows and decreased detailbut overall, the image has a satisfying aesthetic. Closeups reveal easily 
visible fine textures in the actors' faces and clot&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;20th Century Fox has given &lt;i&gt;Broken City&lt;/i&gt; the now-standard DTS-HD Master Audio 5.1 lossless surround treatment, which is more than capable of 
handling the film's fairly low-impact sound design. There are a few action-heavy scenes that are more energetica car crash, a fight or two or threebut 
the track is usually reserved and dialogue-driven. Most of the audio emerges from the front channels, but the rear speakers are called into play when 
needed, rendering some accurate-sounding envi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Deleted Scenes (HD, 8:35):&lt;/b&gt; Six deleted scenes, including an unremarkable alternate ending.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Putting It All Together (HD, 34:59):&lt;/b&gt; An extensive making-of documentary that covers everything from the scripta Hollywood "black-list" 
favorite long caught in development hellto the casting, cinematography, and directorial vision. There's a good mix of behind-the-scenes footage and 
interviews with just about everyone involved.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;Theatrical Trailer (HD, 2&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Between &lt;i&gt;Drive&lt;/i&gt; and &lt;i&gt;The Place Beyond the Pines&lt;/i&gt; and half a dozen indie others, neo-noir is definitely seeing a resurgence. Unfortunately, 
&lt;i&gt;Broken City&lt;/i&gt; will probably be one of the least remembered of the recent bunch. It wants to be &lt;i&gt;Chinatown&lt;/i&gt; but it's closer to &lt;i&gt;The Two 
Jakes&lt;/i&gt;, if you follow medull, unoriginal, and less than the sum of its many cinematic influences. Mark Wahlberg's smooth tough-guy performance 
stands out, but only because the rest of the movie ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Broken-City-Blu-ray/66521/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 30 Apr 2013 22:58:45 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Small Apartments (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Small-Apartments-Blu-ray/62267/#Review</link>
<guid>http://www.blu-ray.com/movies/Small-Apartments-Blu-ray/62267/#Review</guid>
<description>&lt;b&gt;Big ideas come from Small Apartments.&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Pain. Love. Fear. Happiness.  You choose to feel each of them, so choose to be happy.&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
If an Oscar were awarded every year for the most unique film, the most eccentric film, and the most unlikely-to-succeed-from-a-creative-perspective 
film, 
then Director Jonas Åkerlund's (&lt;i&gt;Horsemen&lt;/i&gt;) &lt;i&gt;Small Apartments&lt;/i&gt; would be a shoe-in for all three.  If all the categories were rolled into 
one, the year's "strangest" film would also be Åkerlund's prize to lose.  &lt;i&gt;Small Apartm&lt;a href="http://www.blu-ray.com/movies/Small-Apartments-Blu-ray/62267/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Small Apartments&lt;/i&gt; arrives on Blu-ray with a very glossy and flat but otherwise spiffy and generally nicely detailed and brilliantly colored high 
definition transfer.  The HD video source material rarely leaves any detail left obscured in any way, but it also shows an almost absurdly clean and shiny 
overlay with noise only creeping into the darkest corners.  Details and stability are often quite striking.  Facial lines, the wooden accents on the Alphorn, 
the odds and ends around the a&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Small Apartments&lt;/i&gt; features a technically sound but largely nondescript DTS-HD Master Audio 5.1 lossless soundtrack.  The track is at its best 
when Franklin blows his Alphorn.  The effect is nicely presented, with a positive, smooth low end throughout the film and particularly evident at the end 
when the effect explodes out of the speakers with a deep, rich, and infinitely satisfying feel.  The smooth, heavy, steady pulse practically places the 
listener right there with him and the in&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;i&gt;Small Apartments&lt;/i&gt; contains a couple of supplements.  (&lt;i&gt;Note: This Blu-ray is reportedly several minutes shorter than its DVD counterpart; no 
DVD copy was immediately available to independently verify the information or assess which scene(s) have been removed&lt;/i&gt;.)
&lt;br&gt;&lt;br&gt;
&lt;ul style="margin:1px 0px 0px 32px"&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Small Apartments&lt;/i&gt;: Behind the Scenes&lt;/b&gt; (HD, 18:14): A basic but wide and somewhat thorough overview piece in which cast and 
crew talk up the story, the casting&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Small Apartments&lt;/i&gt; may appear overly crude, pointless, maybe experimental, and certainly just &lt;i&gt;really, really weird&lt;/i&gt; from the outside 
looking 
in, but for as deliberately messy and outwardly inhospitable the film may be, it's actually really quite good and worth a look. It's 
one of the more unique pictures to come along in quite a while, and it's the juxtaposition of oddity that morphs into a calming goodness by the end that
makes it a real treat.  The cast is great, the characte... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Small-Apartments-Blu-ray/62267/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 30 Apr 2013 20:57:31 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Crimewave (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Crimewave-Blu-ray/65613/#Review</link>
<guid>http://www.blu-ray.com/movies/Crimewave-Blu-ray/65613/#Review</guid>
<description>&lt;b&gt;"Put on your silly hat and you'll do fine".&lt;/b&gt;&lt;br&gt;&lt;br&gt;Fans of Sam Raimi were waiting with bated breath for the release of the new, improved &lt;I&gt;Evil Dead&lt;/i&gt; reboot, 
wondering if one of Raimis signature pieces would be destroyed by inexperienced hands, this despite the fact that 
Raimi was one of the co-producers.  Many if not most fans walked away from the remake heaving a huge sigh of relief, 
but for those who might want to take a look backward at a Raimi project that &lt;I&gt;was&lt;/i&gt; wrested from his control and 
by many accounts suffered for &lt;a href="http://www.blu-ray.com/movies/Crimewave-Blu-ray/65613/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Crimewave&lt;/i&gt; is presented on Blu-ray courtesy of Shout! Factory with an AVC encoded 1080p transfer in 1.78:1.  Considering the 
tumultuous history of this film, the elements here are in surprisingly good shape, with no damage of any major import to report.  While colors 
seems to have faded a bit, for the most part the image boasts a reasonably saturated palette and above average fine object detail.  There are 
some issues with contrast, which is variable at times and which leads to some &lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Crimewave&lt;/i&gt; features a DTS-HD Master Audio Mono track pumped out over two channels.  Fidelity is just fine if obviously constrained.  
Dialogue is cleanly presented, sound effects are quite boisterous and the score (which includes some musical numbers) sounds fine.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;Audio Commentary with Bruce Campbell&lt;/b&gt;.  Campbell is joined by Michael Felsher, who produced the supplements for the Blu-
ray.  This is a must hear for anyone who loves Campbell, Raimi, The Coen Brothers or is still laboring under the delusion that show business 
is glamorous.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;The &lt;I&gt;Crimewave&lt;/i&gt; Meter with Bruce Campbell&lt;/b&gt;  (1080p; 15:23) is a great sit down with Campbell, who gets into his history 
with Raimi and this features troubled production hi&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Raimi, Campbell and Coen Brothers fans are among the most ferocious in the film world, and this trifecta has always been an object of more than 
passing interest for many of them.  If the anticipation is perhaps greater than the realization, there's still enough goofy humor here to at least 
warrant a viewing or two.  What &lt;I&gt;really&lt;/i&gt; makes this release indispensable is the involvement of Campbell in the commentary and an 
interview.  Both of those elements are stuffed to the gills with hil... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Crimewave-Blu-ray/65613/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 30 Apr 2013 20:53:50 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Runaway Bride (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Runaway-Bride-Blu-ray/64269/#Review</link>
<guid>http://www.blu-ray.com/movies/Runaway-Bride-Blu-ray/64269/#Review</guid>
<description>&lt;b&gt;The One That Got Away&lt;/b&gt;&lt;br&gt;&lt;br&gt;It took nine years after the success of &lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/Pretty-Woman-Blu-ray/2763/"&gt;Pretty Woman&lt;/A&gt;
&lt;/EM&gt; to reunite stars Julia Roberts and Richard
Gere with each other and director Garry Marshall, but their reunion was inevitable. &lt;EM&gt;Pretty
Woman&lt;/EM&gt; made a star of Roberts, revived Gere's flagging career and gave Marshall his first
blockbuster success as a feature director. They all owed each other another turn.&lt;/br&gt;&lt;/br&gt;


No one had managed to concoct a c&lt;a href="http://www.blu-ray.com/movies/Runaway-Bride-Blu-ray/64269/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;EM&gt;Runaway Bride&lt;/EM&gt; was shot by New Zealand cinematographer Stuart Dryburgh (&lt;EM&gt;&lt;A HREF="http://www.blu-ray.com/movies/The-Piano-
Blu-ray/33445/"&gt;The Piano&lt;/A&gt;&lt;/EM&gt;), for
whom Marshall has nothing but praise in his commentary. Perhaps because he brought an
outsider's eye to the task, Dryburgh eschewed the bright lighting more typically applied to
American comedy, opting instead for a romantic sheen that softens even Ike's Manhattan scenes.
The image on Warner's 1080p, AVC-encoded Blu-ra&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The film's original 5.1 soundtrack is presented on Blu-ray in lossless DTS-HD MA 5.1, but it's a
largely front-centered affair with the emphasis on dialogue and essential sound effects. Even the
regular switches between the Maryland small-town environment and the bustle of the big city
don't register sonically. Except when it comes to conversation and music, Marshall doesn't make
expansive use of sound. Music supervisor Kathy Nelson has assembled a fine collection of songs
contemporary and &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The Blu-ray jacket lists the music video for the Dixie Chicks' "Ready to Run", which was
included on Paramount's two previous DVD releases of &lt;EM&gt;Runaway Bride&lt;/EM&gt; in 2000 and 2007.
However, the video is not included. The commentary appeared on both DVDs, and the trailer was
added on the 2007 DVD.&lt;/br&gt;&lt;/br&gt;


&lt;UL&gt;
  &lt;LI&gt;&lt;STRONG&gt;Commentary with Director Garry Marshall&lt;/STRONG&gt;: In the inimitable nasal tones of his native
Bronx, apparently impervious to years of California living, Marshal&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Lest anyone be tempted to dismiss my criticisms of &lt;EM&gt;Runaway Bride&lt;/EM&gt; as those of a cynical male
viewer who doesn't "get" romantic comedy, I hasten to add that they were first suggested to me
by another viewer, one whose devotion to the genre is second to none. A dedicated fan of &lt;EM&gt;Pretty
Woman&lt;/EM&gt;, she saw &lt;EM&gt;Runaway Bride&lt;/EM&gt; when it first opened in theaters and watched the Blu-ray with
me, vainly hoping it had improved with age. As the credits rolled, she proceeded to tell me
ev... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Runaway-Bride-Blu-ray/64269/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 30 Apr 2013 14:17:42 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>A Haunted House (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/A-Haunted-House-Blu-ray/65355/#Review</link>
<guid>http://www.blu-ray.com/movies/A-Haunted-House-Blu-ray/65355/#Review</guid>
<description>&lt;b&gt;"This $*%! Ain't Paranormal." You're right, front cover tagline. It's just $*%!&lt;/b&gt;&lt;br&gt;&lt;br&gt;What's worse than a bad found-footage horror movie? A bad found-footage horror movie spoof. What could possibly be worse than that, you ask? A bad &lt;i&gt;Wayans Brothers&lt;/i&gt; found-footage horror movie spoof. Still worse than that? A cinematic abomination like &lt;i&gt;A Haunted House&lt;/i&gt;, which falls into all the previous categories and somehow tacks one more to the list: rock bottom disaster. Believe it or not, it wasn't so long ago that the name Wayans carried a fair bit of clout. But that was before Sh&lt;a href="http://www.blu-ray.com/movies/A-Haunted-House-Blu-ray/65355/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;If nothing else, &lt;i&gt;A Haunted House&lt;/i&gt; takes its found-footage heritage seriously, falling in step with the grainy, at-times low-res shaky cam aesthetic of the &lt;i&gt;Paranormal Activity&lt;/i&gt; movies. Universal's subsequent 1080p/AVC-encoded video transfer is commendably true to its source, perilous and unsightly as it can be. Macroblocking, noise, aliasing, crush and ringing are often out in force, particularly when the lights go down and darkness presses in. Detail and delineation dip and dive acco&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;Without a doubt, the highlight of the disc is Universal's DTS-HD Master Audio 5.1 surround track, which clings to the film's found-footage sound design without sacrificing atmosphere or power. Dialogue, although often chained to whatever interior acoustics and handheld camera mics any given scene entails, is clear and intelligible, and the busier sequences' various ambient and directional effects fall in line with the deceptively orchestrated true-to-life nature of the soundfield. LFE output is &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;A barely there wisp of a featurette -- "How to Survive a Paranormal Presence" (HD, 2 minutes) -- is the only extra the Blu-ray edition of &lt;i&gt;A Haunted House&lt;/i&gt; has on tap.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;A Haunted House&lt;/i&gt; falls into "how did this even get made?" territory. It's yet another painful horror comedy from a Wayans that turned a substantial profit at the box office -- it cost three-million and cleared forty -- meaning &lt;i&gt;A Haunted House 2&lt;/i&gt; is most certainly inbound. God help us all. For the Wayans fans hiding among you, Universal's Blu-ray release will be a satisfying one thanks to its solid video presentation and strong DTS-HD Master Audio 5.1 surround track. Of course, a two-... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/A-Haunted-House-Blu-ray/65355/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Tue, 30 Apr 2013 02:15:03 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Richard III (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Richard-III-Blu-ray/64058/#Review</link>
<guid>http://www.blu-ray.com/movies/Richard-III-Blu-ray/64058/#Review</guid>
<description>&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Laurence Olivier's "Richard III" (1955) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include the film's original theatrical trailer; gallery of behind the scenes and production stills; restoration demonstration with an introduction by director Martin Scorsese; 1966 episode of the BBC series Great Acting; audio commentary with playwright and stage director Russell Lees and John Wilders, former governor of the Royal Shakespeare Company; and more. The release a&lt;a href="http://www.blu-ray.com/movies/Richard-III-Blu-ray/64058/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;Presented in an aspect ratio of 1.67:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Laurence Olivier's &lt;i&gt;Richard III&lt;/i&gt; arrives on Blu-ray courtesy of Criterion. &lt;br&gt;&lt;br&gt;

The following text appears inside the booklet provided with this Blu-ray release:&lt;br&gt;&lt;br&gt;

"When it premiered at London's Leicester Square Theatre in December 1955, &lt;i&gt;Richard III&lt;/i&gt; ran 161 minutes. Subjected to cuts by both theatrical and television distributors, the film has been shown at various lengths ov&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;There is only one standard audio track on this Blu-ray release: English LPCM 1.0. For the record, Criterion have provided optional English SDH subtitles for the main feature. &lt;br&gt;&lt;br&gt;

It is incredibly easy to tell that various stabilization improvements have been performed. The audio is stable, crisp, and clean. There are no annoying distortions, pops, cracks, or audio dropouts. The overall range of dynamics is excellent, allowing William Walton's score to shine in all the right places. 	 &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Trailer&lt;/i&gt;&lt;/b&gt; -  original theatrical trailer for &lt;i&gt;Richard III&lt;/i&gt;. In English, not subtitled. (4 min, 1080i). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;TV Trailer&lt;/i&gt;&lt;/b&gt; -  this rather long trailer for &lt;i&gt;Richard III&lt;/i&gt; was produced by Laurence Olivier and includes on-set footage with the famous actor, producer Alexander Korda, and other members of the cast and crew. In English, not subtitled. (13 min, 1080i). &lt;/ul&gt;&lt;/li&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;Production Gallery&lt;/i&gt;&lt;/b&gt; - a gallery of behind the&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;I have to speculate yet again that had it not been for the invaluable efforts of director Martin Scorsese, this new restoration of Laurence Olivier's &lt;i&gt;Richard III&lt;/i&gt; would not have existed. Or at least not at this time. Obviously, a lot of other people contributed to make it possible, but no other director has been as vocal about the restoration and preservation of classic films as Mr. Scorsese. I think it is fair to say that because of him a lot of important films have been saved. The new re... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Richard-III-Blu-ray/64058/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 23:57:48 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Funny Girl (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Funny-Girl-Blu-ray/66223/#Review</link>
<guid>http://www.blu-ray.com/movies/Funny-Girl-Blu-ray/66223/#Review</guid>
<description>&lt;b&gt;There's nothing funny about this beautiful transfer. &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;The whole world will look at me and be stunned!&lt;/i&gt;
&lt;br&gt;&lt;br&gt;
There are singers, there are movie stars, and then there are those rare entertainers who are not only both, but who excel at each craft.  From Elvis to 
J-Lo, from Kris Kristofferson to Ice Cube, the silver screen and the top 40 both have certainly seen a fair share of crossover stars performing to various 
levels of success.  There's arguably none better than Barbra Streisand, she of one of the most gifted singing voices of her&lt;a href="http://www.blu-ray.com/movies/Funny-Girl-Blu-ray/66223/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Funny Girl&lt;/i&gt;'s 1080p transfer, lovingly restored from the original negative in 4K, dazzles on Blu-ray.  The 2.35:1-framed print is meticulously 
clean, showing not a 
speckle, hair, or any sign of wear. Light grain beautifully floats over the image, giving it a desirable film-like texturing.  It's ever-so-slightly soft on the 
whole, with a handful of shots looking a bit fuzzy, but the overall quality of the image is otherwise practically above reproach.  Details are exquisite; the 
man&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Funny Girl&lt;/i&gt; features a fundamentally sound DTS-HD Master Audio 5.0 lossless soundtrack.  The absence of a dedicated LFE channel doesn't 
particularly harm the presentation.  It's a naturally airy, light affair throughout, at its best during the introduction and intermission when musical 
dominance offers a big, smooth, room-filling sound that's heavily focused up front with the accompanying surround information largely lost in the shuffle 
but nevertheless crucial in creating a more ric&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;Unfortunately, this debut Blu-ray release of &lt;i&gt;Funny Girl&lt;/i&gt; contains only two brief vintage supplements. 
&lt;br&gt;&lt;br&gt;
&lt;ul style="margin:1px 0px 0px 32px"&gt;
&lt;li&gt;&lt;b&gt;Barbra in Movieland&lt;/b&gt; (SD, 10:09): A retro piece that looks at shooting one of the film's musical numbers at the abandoned Jersey Central 
Railroad Station and as experienced through the eyes of its caretaker, Charlie Peterson.  With optional English, French, German, Italian, Japanese, and 
Spanish subtitles. 
&lt;/li&gt;&lt;table&gt;&lt;tr&gt;&lt;t&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Funny Girl&lt;/i&gt; is a rock-solid Musical, perhaps not quite as dramatically deep as some others but certainly heartfelt in every way, fast-paced, 
boundlessly 
charming, brilliantly performed, and endlessly entrancing.  The key cog is, of course, Streisand, who debuts on the big screen with a charisma, 
confidence, and understanding of the role that feels unparalleled in the medium.  She's certainly helped along by her familiarity with the stage 
production, but she glows on the screen and ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Funny-Girl-Blu-ray/66223/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 22:11:43 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Patlabor The Mobile Police Original OVA Series: Early Days (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Patlabor-The-Mobile-Police-Original-OVA-Series-Early-Days-Blu-ray/64150/#Review</link>
<guid>http://www.blu-ray.com/movies/Patlabor-The-Mobile-Police-Original-OVA-Series-Early-Days-Blu-ray/64150/#Review</guid>
<description>&lt;b&gt;Don't judge a mecha by its metal.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Anime fans are among the most loyal and frankly rabid of any genre, and many developed their passion for foreign 
animated fare early in their lives, watching episodes of old series on television as they grew up.  That fandom continues 
well into adulthood for many of these folks, with a resolute tendency not to remove the nostalgia draped rose colored 
glasses through which they see these animated vestiges of their fondest childhood memories.  Whats strange about 
this phenomenon is how re&lt;a href="http://www.blu-ray.com/movies/Patlabor-The-Mobile-Police-Original-OVA-Series-Early-Days-Blu-ray/64150/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Patlabor The Mobile Police The Original OVA Series&lt;/i&gt; is presented on Blu-ray courtesy of Maiden Japan with an AVC 
encoded 1080p transfer in 1.34:1.  This is most definitely old school animation style, miles apart from Oshiis later 
&lt;I&gt;Ghost in the Shell&lt;/i&gt; sleekness, so some may be surprised by the patently old fashioned look of this series, which in 
some ways at least is comparable to that of &lt;I&gt;Dragon Ball Z&lt;/i&gt;.  This has a very nicely filmic look that doesnt appear to 
have b&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Patlabor The Mobile Police The Original OVA Series&lt;/i&gt; features lossless DTS-HD Master Audio 2.0 mixes in both English 
and Japanese.  As some anime fans are aware, there have been occasional audio dropouts on some Sentai distributed 
releases, but 
my cursory review of both tracks revealed no such issues (this screener arrived quite late and in order to get the review up 
in a timely manner, I toggled between the audio tracks and have thus not listened to both of them in their entirety, &lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;No supplements are included on this Blu-ray disc.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Im sure theres at least a small contingent of fans who are eagerly awaiting the combined releases of the &lt;I&gt;Patlabor&lt;/i&gt; 
franchise, and the good news is were off to a promising start.  These OVAs get us acclimated quite quickly and well and 
also delve at least a little into some of the proto-philosophical elements for which Oshii would later become famous (and/or 
infamous).  This Blu-ray sports very nice looking video and good sounding audio, and even without any supplements, this 
cha... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Patlabor-The-Mobile-Police-Original-OVA-Series-Early-Days-Blu-ray/64150/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 21:14:50 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Meanwhile (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Meanwhile-Blu-ray/66487/#Review</link>
<guid>http://www.blu-ray.com/movies/Meanwhile-Blu-ray/66487/#Review</guid>
<description>&lt;b&gt;What are we waiting for?&lt;/b&gt;&lt;br&gt;&lt;br&gt;Can &lt;I&gt;you&lt;/i&gt; name a label that has championed such disparate would be &lt;i&gt;auteurs&lt;/i&gt; as John H. Auer and Hal 
Hartley?  Well, its Olive Films of course, the little label that could and in fact &lt;I&gt;does&lt;/i&gt;, bringing out an often mind 
boggling array of product that few if any would have ever dreamed would see the high definition light of day.  The past 
few months have seen several releases of Auer films, a frankly second string director whom few remember and even 
fewer would probably c&lt;a href="http://www.blu-ray.com/movies/Meanwhile-Blu-ray/66487/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Meanwhile&lt;/i&gt; is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.78:1.  This film 
was shot with a Canon 5D Mark II, a perhaps unlikely looking choice that has in fact become more and more popular for 
both series television and feature films, but the high definition presentation is for the most part exceptionally 
sharp and well defined.  Colors are very accurate looking (and thankfully Hartley didnt bother to color grade in post), and 
the vistas of&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Meanwhile&lt;/i&gt; features a lossless DTS-HD Master Audio 5.1 mix that isnt overly showy but which offers fairly consistent 
surround activity, courtesy of quite a bit of music as well as some of the vibrant sonic cityscape in Manhattan.  The bulk of 
this film is really very small dialogue moments, almost always between only two characters, and so the 5.1 track really 
doesnt have a lot of opportunity to really exploit surround activity in any over the top way.  Fidelity is excellent, thoug&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt; &lt;li&gt;&lt;b&gt;The Everday&lt;/b&gt; (1080p; 15:19) is basically a little EPK with interviews and scenes from the film.  &lt;/li&gt; &lt;br&gt;

&lt;li&gt;&lt;b&gt;Trailer&lt;/b&gt; (1080p; 3:17) &lt;/li&gt; &lt;/ul&gt;
&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Hal Hartleys films can be a little too precious for their own good, but &lt;I&gt;Meanwhile&lt;/i&gt; manages to drift through its two 
day timeframe with a notable lack of cutesy archness.  While Joseph remains something of a cipher despite the wealth of 
information Hartley provides about the character, he is a rather fascinating lead character and easily knits the disparate 
elements of the film together.  Is there something profound hidden within &lt;I&gt;Meanwhile&lt;/i&gt;s minutiae?  That will be up to 
ind... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Meanwhile-Blu-ray/66487/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 18:48:48 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Gamer 3D (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Gamer-3D-Blu-ray/64285/#Review</link>
<guid>http://www.blu-ray.com/movies/Gamer-3D-Blu-ray/64285/#Review</guid>
<description>&lt;b&gt;"Game Over" indeed.&lt;/b&gt;&lt;br&gt;&lt;br&gt;The worlds of film and videogames seem more inextricably linked than ever, what with cross platform releases that 
typically sees videogames based on films but which of course has included &lt;I&gt;films&lt;/i&gt; based on &lt;I&gt;videogames&lt;/i&gt;.  
Even auxiliary aspects like the technology used to either view films and/or play videogames has become homogenized, 
for at least some Blu-ray aficionados prefer Sonys PlayStation 3 (soon to be 4) as their all in one system to handle 
both types of entertainmen&lt;a href="http://www.blu-ray.com/movies/Gamer-3D-Blu-ray/64285/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;I&gt;Gamer 3D&lt;/i&gt; is presented on Blu-ray courtesy of Lionsgate Films with both MVC (3D) and AVC (2D) encoded 1080p 
transfers in 1.73:1.  Im a bit at a loss as to how to properly explain the odd 1.73:1 aspect ratio, not just because both 
transfers display in 1.78:1 (something that readily happens due to overscan) but also because the &lt;a 
href="http://www.blu-ray.com/movies/Gamer-Blu-ray/7776/"&gt;first Blu-ray release&lt;/a&gt; of &lt;I&gt;Gamer&lt;/i&gt; featured a 
1.85:1 aspect ratio.  This may have somethin&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;I&gt;Gamer 3D&lt;/i&gt;s lossless DTS-HD Master Audio 7.1 is everything that the film itself isnt:  involving, immersive, bombastic 
and totally satisfying.  While a lot of this track is excessively busy, with whiz bang foley effects careening through the 
surrounds to really astounding levels at times, nothing ever sounds crowded and prioritization is very smartly handled.  
Perhaps surprisingly, some of the most effective surround activity comes in some of the more relatively quiet sequences, 
i&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;THe first release of &lt;a href="http://www.blu-ray.com/movies/Gamer-Blu-ray/7776/"&gt;&lt;i&gt;Gamer&lt;/i&gt;&lt;/a&gt; came jam packed 
with supplements, only one of which has been ported over to this release:


&lt;ul&gt; &lt;li&gt;&lt;b&gt;Inside the GameControlling &lt;i&gt;Gamer&lt;/i&gt;&lt;/b&gt; (1080p; 1:19:41) is a good in-depth making of feature that 
has lots of interviews 
with the cast and crew, behind the scenes footage and snippets from the finished film.  &lt;/li&gt; &lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Gamer 3D&lt;/i&gt; is all style and no substance, and unfortunately that style is so discombobulating so much of the time that 
its frequently more annoying than anything.  The film has the kernel of a good idea, albeit one thats been done to death 
already, but with nonstop quick cutting, ridiculous dialogue and absolutely no character development whatsoever, theres 
not a lot here other than sound and fury signifying nothing, or next to nothing.  The post conversion 3D is okay, but 
certai... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Gamer-3D-Blu-ray/64285/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 15:58:30 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
</item>
<item>
<title>Cheech &amp; Chong's Animated Movie (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Cheech-and-Chongs-Animated-Movie-Blu-ray/66969/#Review</link>
<guid>http://www.blu-ray.com/movies/Cheech-and-Chongs-Animated-Movie-Blu-ray/66969/#Review</guid>
<description>&lt;b&gt;A drag of a reunion.&lt;/b&gt;&lt;br&gt;&lt;br&gt;With marijuana laws overturned in Washington and Colorado, and nationwide legalization an imminent possibility, now would seem to be the perfect 
time for iconic tokers Cheech Marin and Tommy Chong to make a red-eyed comeback. After a string of successful low-budget stoner comedies&lt;i&gt;Up 
in Smoke&lt;/i&gt;, &lt;i&gt;Cheech &amp; Chong's Next Movie&lt;/i&gt;, &lt;i&gt;Nice Dreams&lt;/i&gt;, &lt;i&gt;Thing Are Tough All Over&lt;/i&gt;, &lt;i&gt;Still Smokin'&lt;/i&gt;the two 
acrimoniously parted ways in the mid-1980s, citing the usual creative diff&lt;a href="http://www.blu-ray.com/movies/Cheech-and-Chongs-Animated-Movie-Blu-ray/66969/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Cheech &amp; Chong's Animated Movie&lt;/i&gt; lights up on Blu-ray with a 1080p/AVC-encoded presentation that's generally sharp and clean and free of 
distractions. The film's overly simple Flash animation style might be unimpressive when compared to &lt;i&gt;Futurama&lt;/i&gt; or &lt;i&gt;Archer&lt;/i&gt;, but there's 
little that's &lt;i&gt;technically&lt;/i&gt; wrong with the picture. Some of the hard lines look a little jaggy up close, and you might spot some fleeting banding, but 
that's about itno blotchy compression issues, no&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;The simple animation style is paired with a straightforward lossless DTS-HD Master Audio 5.1 surround track. It sounds like most of the dialogue here is 
taken from the &lt;i&gt;actual&lt;/i&gt; vintage comedy albumsthat is, it hasn't been significantly re-recordedso there are moments when the vocals are a bit 
muffled, harsh, or peaky. This is at its worst during the "Ralph &amp; Herbie" segmentwhere Cheech and Chong play dogsbut it's never an outright 
distraction. It just sounds...older. Of course, so&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;Audio Commentaries:&lt;/b&gt; The disc includes three commentary tracks. On the first, Cheech Marin and Tommy Chong reminisce about the 
good old days and talk about how this new project came together; the second features directors Brandon and Eric Chambers getting into the nitty-gritty 
details with producer Lou Adler; and the third is a more laid-back affair with Tommy Chong and his son, Paris.&lt;/li&gt;

&lt;li&gt;&lt;b&gt;4.20 Mode:&lt;/b&gt; If you're so inclined, you can activate "4.20" mode, which simp&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Cheech &amp; Chong's Animated Movie&lt;/i&gt; is more of a rehash than a comeback, cartoonifying some of the duo's old comedy album bits and film 
sketches. As much as this would seemingly appeal to the intended stoner audience, the once-classic gags are alternately too flat and too crass when 
sketched out &lt;i&gt;Ren &amp; Stimpy&lt;/i&gt;-style. There are three audio commentaries here, which might sway some longtime fans to a purchase, but most 
would be better off revisiting the original material and awaiting ... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Cheech-and-Chongs-Animated-Movie-Blu-ray/66969/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 11:50:43 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
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<title>Jesus Christ Superstar (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Jesus-Christ-Superstar-Blu-ray/66495/#Review</link>
<guid>http://www.blu-ray.com/movies/Jesus-Christ-Superstar-Blu-ray/66495/#Review</guid>
<description>&lt;b&gt;The Rock Gospel According to Judas.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Observant Christian believers may not have exactly experienced The Second Coming in the early seventies and some 
were in fact downright outraged by what they perceived as unabashed sacrilege, but others experienced
something of a minor miracle at least when not one but two modern musical pieces about Jesus became immensely 
popular, 
capturing the imaginations of the usually recalcitrant young and storming the pop charts.  
Andrew Lloyd Webber and Tim Rices rock opera &lt;I&gt;Jesus Christ Supe&lt;a href="http://www.blu-ray.com/movies/Jesus-Christ-Superstar-Blu-ray/66495/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;&lt;i&gt;Jesus Christ Superstar&lt;/i&gt; is presented on Blu-ray courtesy of Universal Studios with an VC-1 encoded 1080p transfer in 
2.36:1.  Since this is 
a Universal catalog release, why dont we just cut to the chase and ask the question which will be on most fans minds:  
was excessive DNR 
applied?  The answer, perhaps surprisingly, is &lt;i&gt;no&lt;/i&gt;.  The film retains a healthy amount of grain, especially noticeable in 
the wide vista shots 
where a lot of sky is present, as well as in the night&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Jesus Christ Superstar&lt;/i&gt; features a lossless DTS-HD Master Audio 2.0 that more than adequately recreates the 
theatrical exhibitions four 
track stereo soundtrack.  Voices are very well mixed if perhaps a bit too far forward at times and theres some wide stereo 
separation thats 
evident from the first moments of the 
Overture.  Fidelity is excellent and dynamic range is fairly wide.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The same supplemental features that were on previous home video releases have been ported over to this release:  &lt;ul&gt;

&lt;li&gt;&lt;b&gt;Feature Commentary with Director Norman Jewison and Actor Ted Neeley&lt;/b&gt; is an enjoyable trip down memory 
lane.  Neeley seems to 
recall each and every person in the cast and has several very sweet anecdotes he shares, while Jewison tends to focus on 
the technical aspects 
of the shoot, which included such unlikely elements as cleaning bird droppings out of a cave&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;&lt;i&gt;Jesus Christ Superstar&lt;/i&gt; doesnt really work as a film, but its still a fascinating relic of a time when suddenly Jesus 
was cool (as is stated 
in Rices libretto) to a new generation.  The film looks more dated than ever now to modern (and cynical) eyes, but it is still 
graced by some 
amazing performances and of course features the iconic Lloyd Webber music.  Rices provocative idea of seeing the Passion 
through Judas eyes 
may still strike some as heresy, but it makes for ri... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Jesus-Christ-Superstar-Blu-ray/66495/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 11:07:11 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
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<item>
<title>Spies of Warsaw (Blu-ray Review) </title>
<link>http://www.blu-ray.com/movies/Spies-of-Warsaw-Blu-ray/64707/#Review</link>
<guid>http://www.blu-ray.com/movies/Spies-of-Warsaw-Blu-ray/64707/#Review</guid>
<description>&lt;b&gt;A sluggish period misfire from the usually surefire BBC...&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Flushed Away&lt;/i&gt;. &lt;i&gt;Across the Universe&lt;/i&gt;. &lt;i&gt;The Bank Job&lt;/i&gt;. The common denominator? English screenwriters Ian La Frenais and Dick Clement, whose experience penning animated comedies, Beatles-inspired musicals and period heist thrillers seem like strange prep work for their latest venture, a two-part BBC mini based on the historical fiction novel of the same name by espionage master Alan Furst. &lt;i&gt;Spies of Warsaw&lt;/i&gt; is as serious as a stroke, without a sharp hook or a chewy gimmick to &lt;a href="http://www.blu-ray.com/movies/Spies-of-Warsaw-Blu-ray/64707/#Review"&gt;...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;h5&gt;Video&lt;/h5&gt;With a clean, altogether striking 1080p/AVC-encoded video presentation, &lt;i&gt;Spies of Warsaw&lt;/i&gt; earns its high definition stripes. Though cursed with the same bright, chilly digital sheen that accompanies most every BBC production or period miniseries, color and contrast are true to the series' source, with a pleasing, aged-newspaper palette, subdued primaries and smoky black levels, all of which complement Giedroyc and cinematographer Wojciech Szepel's intentions. Detail is excellent as usual, a&lt;br&gt;&lt;br&gt;&lt;h5&gt;Audio&lt;/h5&gt;&lt;i&gt;Spies of Warsaw&lt;/i&gt; features a decent DTS-HD Master Audio stereo mix that does a reasonably good job with what little it's handed. Dialogue is intelligible and well-prioritized, effects are fairly convincing and relatively weighty (given the lack of proper LFE support), and Rob Lane's score, however out of place, mingles with the soundscape effortlessly. The entire sonic experience is a bit hollow, though; almost tinny, to the point that entire scenes have an unnaturally flat, metallic qualit&lt;br&gt;&lt;br&gt;&lt;h5&gt;Supplements&lt;/h5&gt;The only extra available is a making-of featurette, "David Tennant on &lt;i&gt;Spies of Warsaw&lt;/i&gt;" (HD, 10 minutes), which begins at the genesis of the project and Tennant's interest in the material and briskly moves through the history behind the story, the characters, the actors and the authenticity of the production.&lt;br&gt;&lt;br&gt;&lt;h5&gt;Final Words&lt;/h5&gt;Joyless and uneventful, the &lt;i&gt;Spies of Warsaw&lt;/i&gt; miniseries is as dry and disappointing as espionage thrillers and WII period pieces come, backed by a faulty script, poor pacing, competing romantic and dramatic priorities, hit or miss performances, and some rather uninteresting work from a miscast, hyper-stoic David Tennant. The two-part drama has garnered a fair bit of praise, which warrants some consideration, but both audiences and critics are split right down the middle. BBC Home Entertain... &lt;br&gt;&lt;br&gt;Read full review: &lt;a href="http://www.blu-ray.com/movies/Spies-of-Warsaw-Blu-ray/64707/#Review"&gt;Blu-ray.com&lt;/a&gt;</description>
<pubDate>Mon, 29 Apr 2013 10:52:55 -0400</pubDate>
<source url="http://www.blu-ray.com/">Blu-ray.com News</source>
<category>blu-ray</category>
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