Downsizing Blu-ray delivers stunning video and great audio in this fan-pleasing Blu-ray release
A social satire in which a guy realizes he would have a better life if he were to shrink himself.
For more about Downsizing and the Downsizing Blu-ray release, see Downsizing Blu-ray Review published by Martin Liebman on March 9, 2018 where this Blu-ray release scored 3.5 out of 5.
In Writer/Director Alexander Payne's (Nebraska) Downsizing, getting small means living large…or
maybe not. To be sure, the movie makes a strong case that shrinking size means shrinking bills, that money stretches because one need spend less
to get an equivalent small-size portion. But the movie isn't just about the financial value of miniaturization. It's also, and more consequentially, about
how things really don't change even when something major does. In the movie, the decision to shrink is based on a slick sales pitch, with Neil Patrick
Harris talking up the life of luxury
and opportunity to turn pennies into dollars if one essentially gives their life over to science. What he doesn't mention, amidst the glamorous
prospects of living the rich life on a small scale, is the very real and very grim underbelly, the realities behind the just-miniature-scale mansions and
millionaire lifestyles. The film explores the contrasting externalities of life at scale and also the notion that the human spirit, and the human condition,
don't change at any size. The film is teeming with good ideas, but the question is whether it can do anything with them, bring them together in a
meaningful narrative construct. Short answer: kinda, but not really.
Scientists have identified overpopulation as the greatest threat to man's survival. The solution is to make more room, not by making the world bigger
but rather by making its inhabitants smaller. A major breakthrough has allowed scientists to safely shrink a human being at a ratio of 2,744:1, to
be precise. An average man is reduced to a mere 13CM in height. In a few hundred years, they claim, the world will completely transition from big to
small. It is,
of course, huge news, "the biggest thing since landing on the moon."
Some time after the process has been perfected and some people have begun the migration to small, a physical therapist named Paul Safranek (Matt
Damon), who isn't particularly fond of the direction his life has taken, convinces his wife Audrey (Kristen Wiig) to undergo the miniaturization process
in an effort to turn their life savings into millions in the small world and get a fresh start on a new life.
Their new home-to-be: Leisureland, a place where miniature residents live in unparalleled miniature luxury, where high-dollar items are practically
free, where money stretches almost as far as the little eye can see. Their $152,000 in equity will translate to over $12,000,000 in Leisureland dollars.
Paul and Audrey sign the papers and prep for the procedure, but when Paul wakes up, Audrey isn't there. She backed out a the last possible moment,
essentially leaving him at the altar of science and, after the divorce, unable to live the life he wanted in Leisureland. Now, Paul is forced to take a
menial job inside Leisureland, answering phones for Land's End, and living in a modest apartment with a noisy neighbor named Dušan (Christoph
Waltz) who lives it up just out of Paul's reach. But when Paul meets a one-legged Vietnamese activist named Ngoc Lan Tran (Hong Chau), he finds
renewed purpose in life and ultimately finds himself on the front lines of mankind's very survival.
One of the most interesting scenes in Downsizing reveals how, in this new world, people are essentially "processed" in bulk on their way
from feet-to-inches-tall. Their heads and entire bodies are shaved (in a scene that looks like tribute to Full Metal Jacket). There's some sort of anal
irrigation, dental work to remove anything unnatural…they're nearly treated like cattle, and when the transition is finished, their
suddenly miniature bodies lying on full sized beds, they are scoped up with what is essentially a spatula, placed in a new properly fitting bed, and
carted off to the life of their dreams…or so they believe. The film doesn't glamorize the small life in the least, except for when the characters, and the
audience, hear the sales pitch. It's almost entirely down hill from there.
Maybe Paul's experience is an outlier (even Margo Martindale gives the process her approval), but be that as it may it's critical to the movie's
essential narrative focus, which is…any number of things, potentially. One of the film's problems is an inability to identify its central purpose and tone.
Is it a warning against overpopulation and man's burdening of Mother Earth? Is it a commentary on the human condition? Is it a dark drama or a light
comedy? The film is begging for an identity and a rhythm. It's interesting broadly but terribly uneven in execution. The good news is that its central
story, visual effects, and performances make it a net positive, even as so many things are working against it. One thing the film does achieve is
identifying the moral of the story, the central idea that examines the importance of one finding purpose not in things but in others, in serving, in
helping, in enriching. It's a good central point, but the peripherals always feel too scattered to give it the support it needs.
The digitally photographed Downsizing delivers a high yield 1080p image. It's noting particularly spectacular in 2018; the
image doesn't stand apart from any other for any reason (textural efficiency, color presentation), but it's efficient and everything one would expect it to
be. The opening sequence in the laboratory is very white, as are many of the locations in the Leisurelsnd shrinking labs. Whites are handled
professionally; they're bright and clean, enough that other colors can appear a little drained side-by-side, particularly in that scene in the film's opening
minutes, but viewers will find, in general throughout the film, a very stable, accurate, punchy palette that offers a neutral presentation where shades
are neither faded nor unrealistically saturated. A decently filmic image is the norm. It was digitally shot but enjoys a fair film-like texturing rather than
the more typically smooth digital glossy veneer. Textures are stout, featuring well defined essentials with innately complex detailing the norm. Whether
clean laboratories, luxurious small homes, or skin details and particularly shaved heads and eyebrows where the finest remnants of stubble
still appear, Paramount's transfer offers plenty of impressive textural detailing at every level. Black levels are pleasantly firm and deep. Flesh tones are
fine, with
the caveat that there are some lighting conditions under which they appear a little washed out. The image is very strong all around.
Downsizing, presented in a DTS-HD Master Audio 7.1 lossless configuration, begins with impressively immersive crowd applause at a
conference at the film's 3-minute mark and a fuller, more robust round a few minutes later. The track is no stranger to healthy, engaged locale-specific
surround effects. Bustling din at Leisureland at the 20-minute mark provides a pleasing introduction to the place, and a dining room in chapter 17
delivers a hearty allotment of bustling activity. A few quality discrete effects pepper the film as well, but beyond those quick-shot bursts of immersion
the track is largely straightforward. Music plays smoothly, clearly, and with impressive stage width and depth and detail, essentially the usual stock
observations for a new film soundtrack. Some party beats heard in chapter 10 yield impressive full-stage engagement and a healthy, balanced low end,
while distant bass when Paul is trying to have dinner with a date midway through the film delivers a satisfyingly realistic thump-thump-thump.
Dialogue drives the bulk of the film, and it's presented with excellent clarity and firm front-center placement.
Downsizing isn't all that funny, isn't all that dark, isn't all that enriching. The movie can't internally agree on a tone, and the outer end product
suffers. It's teeming with wonderful ideas, built around a great concept, and it's certainly watchable and interesting (even engaging) in chunks, but as
a whole, united entity it's a bit of a mishmash and a bit of a disappointment. Paramount's Blu-ray delivers solid video, more than capable audio, and a
handful of featurettes. Worth a look.
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Blu-ray.com and Paramount Home Entertainment are offering three members the opportunity to win a
4K Blu-ray copy of Alexander Payne's new film, Downsizing (2017), starring Matt Damon, Kristen Wiig, Jason Sudeikis, Christoph Waltz and Alec Baldwin. One grand prize ...
Paramount Home Media Distribution has officially announced that it will release on 4K Blu-ray and Blu-ray Alexander Payne's new film, Downsizing (2017), starring Matt Damon, Kristen Wiig, Jason Sudeikis, Christoph Waltz, and Alec Baldwin. The two releases will ...
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