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Jack the Giant Slayer 3D Blu-ray delivers truly amazing video and audio in this excellent Blu-ray release
An ancient war is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack, into the battle of his life to stop them. Fighting for a kingdom and its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend… and gets the chance to become a legend himself.
For more about Jack the Giant Slayer 3D and the Jack the Giant Slayer 3D Blu-ray release, see Jack the Giant Slayer 3D Blu-ray Review published by Kenneth Brown on June 16, 2013 where this Blu-ray release scored 4.0 out of 5.
Fee Fi Fo Fum! I smell the blood of... a surprisingly functional, dare I say entertaining adventure? Bryan Singer loyalists will have to pardon the question mark. I'm sure you never had a doubt. But as the earliest teaser trailers arrived, as Warner Bros. quickly scrambled to combat lagging interest driven by those very trailers, and as more trailers arrived, the fate of Jack the Giant Killer, soon delayed and retitled Jack the Giant Slayer, grew more and more uncertain. Even the film's bloated production budget, an ill-advised $200 million, raises at least one serious question: did the wizards at Warner ever really believe an adaptation of "Jack and the Beanstalk," no matter how brilliant or larger than life, would be the studio's next big billion-dollar tentpole? Jack and the Giant Killer may be functional and unexpectedly entertaining, even larger than life. But it falls far too short of brilliance and tumbles shy of greatness. If I didn't have an enthusiastic eight-year-old at my side, I can't say it wouldn't have plummeted farther. Still, Singer pulls off more than I thought possible, and the film is more clever than it might have been in the hands of another director. And while that sounds like the faintest of praise, it matters a good deal, particularly considering how disastrously wrong it all could have gone.
When a fugitive monk gives eighteen-year-old farm boy Jack (Nicholas Hoult) a bag of ancient beans in exchange for a horse, Jack thinks little of his prize... until, that is, one of the beans slips beneath the floorboards of his cottage, gets wet and sprouts an enormous beanstalk. Further complicating this strange turn of events is runaway princess Isabelle (Eleanor Tomlinson), who was seeking shelter when the beanstalk lifted Jack's house high into the heavens, taking her right along with it. Soon Jack volunteers to join the kingdom's finest -- chief advisor to King Brahmwell (Ian McShane), Lord Roderick (Stanley Tucci); captain of the King's guard Elmont (Ewan McGregor); hardened swordsman Crawe (Eddie Marsan); and Roderick's right-hand man, Wicke (Ewen Bremner) -- on a mission to rescue the princess. But Jack encounters more than he bargained for atop the beanstalk: a floating land of vindictive, man-eating giants led by a fearsome two-headed warrior named Fallon (Bill Nighy and John Kassir), a traitor (or two) in the King's ranks, and a war that's been brewing for more than a thousand years.
Jack the Giant Slayer may be clever, but it isn't quite as clever as it thinks it is. Had Singer and screenwriters Christopher McQuarrie and Dan Studney pressed the advantage and pushed into Princess Bride territory, Jack's adventure might have slayed anything in its path. Instead, the trio settle for something closer to Gilliam's The Brothers Grimm, with a on-again, off-again wit that's, at its best, wry, dry and peripherally British, and, at its worst, juvenille and forcibly jovial. McGregor, Tucci, Bremner and McShane seem to be having a great deal of fun, and also seem to know exactly what sort of film Jack and the Giant Slayer needs to be to rise above the genre squalor. Hoult and Tomlinson, on the other hand, are earnest enough, but lack the spark of their more colorful supporting players. Theirs is the most central story, and yet the most joyless and unengaging. The giants, meanwhile, are a ragtag band of bumbling cartoon characters; a scratching, sniffling, farting bodily-function-joke delivery system akin to Peter Jackson's nose-spelunking trolls in The Hobbit: An Unexpected Journey. Only Nighy's Fallon (a monstrous general unfortunately saddled with a second head straight out of a Looney Tunes short) successfully bucks the trend; minus the first giant Hoult and McGregor encounter, a sullen eyed trapper that captures one of Jack's comrades with such speed and eerie ferocity that for a moment -- a wonderful, frightening moment -- the giants are genuinely terrifying.
None of that makes Jack the Giant Slayer a bad film, though. Just one that doesn't live up to its potential. Singer's anointed cast is perfectly suited to the heroes and villains as written and envisioned, and the production is brimming with creative touches and smart design choices that go beyond the standard modernized fairy tale fare. What the giants lack in character they make up for in grassy, tree-knot skin, tangled hair, diseased eyes, flayed metal armor, craggy feet and intimidating size. Scale is clearly a fundamental factor, and Singer sidesteps slow and lumbering in favor of making his giants a feasible world-ending force to be reckoned with and his humans, every one without exception, fragile and inadequate. The Kingdom of Cloister and its denizens boast a tongue-in-cheek craftiness too, with some of those too infrequent Princess Bride flourishes I found myself savoring. (Especially McShane and McGregor. I'll take a sequel starring the King and his Captain, if you don't mind.) Hit or miss as the dialogue is, the story itself has enough twists, turns and reinventive flair to avoid predictable pitfalls. Even when the script travels familiar roads, it does so with enough heart, humor and good will to redeem its occasional humdrummery. Ah well. You could certainly do worse than Jack the Giant Slayer. I just suspect Singer could have done better.
2D, 3D... there's no disappointment to be had with Warner's 1080p/MVC-encoded video transfer or Jack and the Giant Slayer's 3D experience, forgoing quibbles with the film's digital sheen, at-times cartoonish CG, or poorly conceived opening animation (which, no exaggeration, looks as if it were yanked out of the mid-90s). Singer and cinematographer Newton Thomas Sigel shot the film in native 3D with an array of HD cameras (from the Arri Alexa to the Panavision Genesis and Red Epic), and the results are striking. Depth and dimensionality are excellent, with Cloister and Gantua stretching convincingly to the horizon, giants looming at the forefront of the screen, swords and jagged rock spires jutting outward, and the vast difference in scale between giants and men is made all the more dramatic. Thankfully, crosstalk is held at bay on all but a few instances -- even then, ghosting is almost always a product of the 3D display and glasses, not the encode itself -- and aliasing isn't an issue. A handful of scenes in Fallon's castle are so dark they become a bit problematic during the 3D presentation, but it doesn't amount to a distraction and is inherent to the original photography and CG.
Both the 3D and 2D presentations boast a beautiful and evocative stormy-storybook palette, with hearth-fire colors, rich primaries, lovely fleshtones and deep, cavernous blacks. Detail is outstanding too. Edges are sharp enough to split hairs, textures are refined, and both contrast and delineation are spot on. Take note of every last crack and crook in a giant's skin, the burning debris spilling off a breached castle wall, the leaves of a burning tree being hurled at a closing gate, the slight imperfections in the King's armor, strands of spilled hair that fall across Tomlinson's face, the shark-fin curls in McGregor's pompadour, the stitching in Jack's peasant hoodie... most every element of the image receives the same exacting treatment. Better still, significant artifacting, banding, noise and ringing are nowhere to be found, and crush is kept to the barest of minimums. All told, Jack and the Giant Slayer looks terrific, and the 3D experience it offers is effective and satisfying.
It's big! It's loud! It's fun! It's Jack the Giant Slayer's booooming, thooooming, dooooming DTS-HD Master Audio 5.1 surround track, and it doesn't miss a single chance to remind filmfans Jack and his friends are facing creatures a hundred times their size. Between cracking thunder, surging water, earth-splitting beanstalks, ground-shaking footfalls, guttural battle cries, splintering trees, toppling castle walls and the roar of the Gantua war machine, LFE output goes beyond aggressive, throwing its weight behind just about anything associated with mankind's greatest foes. The rear speakers don't shy away from the fight either, creating equally immersive (but wholly different) soundfields for the Kingdom of Cloister and the Land of Gantua, using pinpoint directionality to great effect. Arrows whip from one channel to the next, attacking hordes surround the listener, and convincing ambience, however subtle or larger than life, is at play at all times. Dialogue remains crisp and clear throughout as well, never succumbing to the power and presence of the film's soundscape and music. Everything fits neatly into place, thanks to terrific prioritization and impeccable mixing. Regardless of how you respond to the movie itself, it's tough to ignore the lossless monstrosity it unleashes on anyone within earshot.
Become a Giant Slayer (HD): This interactive feature sends users up a beanstalk -- literally -- in search of behind-the-scenes featurettes. Wind and other dangers await, though, all determined to send your intrepid climber back to the beginning. Cute... except that it leads to inevitable frustration, particularly for those who'd just like to watch the featurettes but have no choice but to scurry up a virtual beanstalk, again and again, to watch each video. Even then, the featurettes offer decent insight into the production and visual effects, but are unfortunately framed by kid-friendly doodles, help climb-tips with actor Nicholas Hoult, and other elements designed with children in mind. All told, it's a cumbersome, time-consuming way to access a series of otherwise run-of-the-mill content. Segments include:
Know Your Enemy
Suiting Up
Attack Tactics
The Magic of a Beanstalk
How to Zip
Giants' Kitchen
Saving the Princess
Defending Your Kingdom
Deleted Scenes (HD, 8 minutes): Five deleted/alternate scenes, none of which feature final VFX.
Gag Reel (HD, 3 minutes): Uneventful outtakes all around.
Jack the Giant Slayer never looms as large as it should, but Singer and his impressive cast don't flinch for a second. The results are flawed but everyone involved commits wholeheartedly, and that goes a long way toward making Jack the fairly enjoyable fairy tale it is. Warner's 3D Blu-ray release is a good deal better, although its rather anemic supplemental package is a letdown. No matter. Between the film's striking video transfer, enveloping 3D experience and ground-pounding DTS-HD Master Audio 5.1 surround track, there's a lot to love, regardless of whether or not the movie itself leaves much of a mark.
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For the week that ended on June 30th, Warner Bros' Jack the Giant Slayer remained at the top of the Blu-ray-only rankings. The adventure-fantasy has now enjoyed two weeks of strong home media sales, and this performance comes as a corrective to its disappointing ...
For the week that ended on June 23rd, Warner Bros' Jack the Giant Slayer took the number one spot on the Blu-ray-only and overall media rankings. Director Bryan Singer's adventure was considered a disappointment after its theatrical release last March. The film, ...
Blu-ray.com and Warner Bros. Home Entertainment are offering three members an opportunity to win a Blu-ray copy of director Bryan Singer's Jack the Giant Slayer, which stars Nicholas Hoult, Eleanor Tomlinson, Stanley Tucci, Ian Mcshane, Bill Nighy and Ewan Mcgregor. ...
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