Omar Blu-ray delivers great video and solid audio in this excellent Blu-ray release
Omar, a young baker turned freedom fighter, is accustomed to dodging surveillance bullets to cross the separation wall to visit his secret love Nadia. But occupied Palestine knows neither simple love nor clear-cut war. When Omar is captured after a deadly act of resistance, he falls into a cat-and-mouse game with the military police. As suspicion and betrayal jeopardize his longtime trust with accomplices and childhood friends, Omar must face painful choices about life, manhood and love.
For more about Omar and the Omar Blu-ray release, see Omar Blu-ray Review published by Brian Orndorf on June 14, 2014 where this Blu-ray release scored 4.0 out of 5.
"Omar" carries the weight of the world on its shoulders, but it manages to extract sincerity and preserve cinematic intentions with startlingly ease. Nominated for Best Foreign Language Film at this year's Academy Awards, the picture also has a little prestige to go along with its many creative accomplishments. Deserving of such accolades, "Omar" takes a troubling subject matter and turns it into an engrossing mystery and study of psychological warfare. Writer/director Hany Abu-Assad presents a clear vision for his exploration of Palestinian unrest, working to build strong characterizations while developing a larger depiction of violence and manipulation, working suspense beats to their fullest potential. Heartbreaking and spare, "Omar" doesn't provide easy answers as it builds its pressure cooker environment, putting primary attention on the personalities involved, allowing for a human perspective as it details acts of breathless survival and suffocating paranoia.
Omar (Adam Bakri) is a baker by day in Palestine, living an unassuming life preparing fresh bread for customers. By night, he's a revolutionary, joining friends Amjad (Samer Bisharat) and Tarek (Iyad Hoorani) as they plan out the execution of a border guard, making their presence known in such a volatile area. When the murder is carried out as planned, Israeli secret police eventually capture Omar, subjecting him to an extended stay in solitary confinement and torturous interrogation methods. His contact behind bars is Agent Rami (Waleed Zuaiter), a well-trained cop who's out to break Omar, hoping to use the young man to arrest leader Tarek. Broken in prison, Omar elects to become an informant, returning to his neighborhood and his love, Nadia (Leem Lubany), Tarek's teenage sister. Hoping to elude surveillance and win over Nadia with talk of marriage, Omar quickly realizes that his life is no longer his, constantly hounded by Rami and his enigmatic ways. Soon branded a traitor by his own people, Omar sets out to find Tarek and clear his name, leaving him with few people to trust.
"Omar" immediately establishes itself as a film that's in full command of its location. When we first meet Omar, he's scaling a towering wall dividing neighborhoods, and doing so with a carefree attitude, accustomed to the secretive undertaking as he speeds up a rope and dodges bullets from a nearby security outpost once he reaches the top. It's a routine he must endure to remain in contact with his friends, including bumbling Amjad and authoritarian Tarek, who's working to transform himself into a local hero with this group of assassins, with hopes to build a reputation as a true defender of Palestine. We initially follow their training endeavors on the outskirts of town, with the young men working on their handling of firearms while bonding as brothers, having known one another for quite some time.
Abu-Assad (who also helmed 2005's harrowing "Paradise Now") creates a neighborhood of alleys and hideouts, with Omar particularly skilled in navigation, using parkour-like skills to evade detection in a town where everyone is watching. The location is crisply defined by the director, which also adds to the swell of paranoia that eventually builds in "Omar," instilling the picture with realism as the titular character experiences the protection and judgment of the populace.
"Omar" is a tense movie, using harrowing foot chases and accusations to pump up adrenaline levels, following Omar as he endures abusive patrol guards in the mood to humiliate anyone they can find, and bursts of secret police, who storm shops and homes on the hunt for suspects, putting the three men on the run. There's also troubling incidents in prison, where Omar is subjected to torture and beatings the longer he refuses to help Rami, put through the wringer to soften his resolve before he's turned into a collaborator. Despite violence and overall intensity, the core of the picture is actually devoted to a love story of sorts, with Omar consumed with courting Nadia, building a secretive relationship with her that involves an exchange of notes detailing his heartfelt intentions. It's a pure dream of domesticity away from border aggression and police subservience, but it's an elusive one, challenged by time and Rami, who threatens to destroy Nadia if Omar doesn't perform as instructed. It's such a steely, unflinching film, leaving this take on longing and mismanaged desires surprisingly effective, generating a tender understanding of what truly motivates Omar, despite his militant exterior.
Technical credits are all solid, with cinematography by Ehab Assal terrific with fluid movement, but perhaps a little too dependent on close-ups to articulate the tension in play. Performances are uniformly spectacular, finding Bakari's internalization pitch-perfect for such a difficult role. While he's largely non-verbal through difficult encounters, it's easy to understand the pain and volatility burning through Omar. Zuaiter is richly unsettling as Rami, and while we understand that his cordiality toward Omar is an act to lubricate compliance, the acting is so good, one almost accepts his sympathy as authenticity. And in her first movie role, Lubany is naturally appealing as Nadia, articulating conflicted emotions without overplaying the part, creating lovely chemistry with Bakari. She's one to watch.
The MPEG-2 encoded image (2.39:1 aspect ratio) presentation is best served in pure daylight, where crisp textures pop wonderfully, displaying terrific detail on interior decorations and facial particulars, with a sharp glimpse of imperfections and wounds. Contrast is unsteady at times and blacks are troublesome during evening excursions, displaying solidification. Minor banding and pockets of noise are detected. Colors are direct and stable, with the sandy palette delivering convincing shades of brown, while greenery and more active hues from costuming register without question.
The 2.0 Dolby Digital mix is admittedly a little restrained for a feature that actually retains an active sound design. With whizzing bullets and stampeding cops, there appears to be potential for a listening experience with a little more punch. However, what's here isn't offensive, preserving the emotionality of performances with clarity and nuance, maintaining crisp silent pauses and explosive outbursts without spilling over into distortion. Atmospherics are equally detectable, with an evocative read of empty city echo and human bustle, with prison visits offering a nice blend of clanking metal and crowded rooms. The track is minimal, but it gets the job done.
"Omar" works through a few turns that challenge the character's ability to trust anyone in his life, suddenly positioned as an outsider while fighting for friends and family. Surprises are numerous as the movie enters its third act, and while there's undeniable distance for foreigners viewing the picture who aren't in possession of Palestinian cultural specifics, the basics of betrayal and self-preservation remain logical, especially with such visceral particulars to work with. "Omar" even works its way to a stunning final moment, paying off metaphor and building resentment with a corker of a finale that slams the effort to a close. While it delves into unstable Middle East politics and combat, the feature manages to retain a personal touch, more concerned about the clouding headspace of its lead character than its potential as a lightning rod for controversy.
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Kino Lorber and Adopt Films will release on Blu-ray director Hany Abu-Assad's (Paradise Now) latest film Omar (2013), starring Adam Bakri, Leem Lubany, Iyad Hoorani, and Samer Bisharat. The release will be available for purchase on June 10th.
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