The Accountant Blu-ray delivers stunning video and audio in this enjoyable Blu-ray release
As a math savant uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.
For more about The Accountant and the The Accountant Blu-ray release, see the The Accountant Blu-ray Review published by Michael Reuben on January 14, 2017 where this Blu-ray release scored 3.5 out of 5.
There's an early scene in Warner's high-concept thriller, The Accountant, that is emblematic of
the entire film. As an autistic boy intently assembles a jigsaw puzzle, he becomes loudly
unhinged when he cannot complete the task because a puzzle piece has fallen to the floor out of
his sight. Director Gavin O'Connor's film scatters an array of plot fragments across its two-hour
running time, and you hold your breath waiting to see whether O'Connor (Pride and Glory) and screenwriter Bill Dubuque (The Judge) will ultimately supply every last piece necessary to complete the picture. When everything finally does snap into
place, there's a palpable sense of relief that The Accountant actually fits together.
The accountant of the title goes by the name of Christian "Chris" Wolff (Ben Affleck), although
it turns out that he also uses other names, deliberately obscuring his true identity. In flashbacks,
we see Chris as a boy diagnosed with autism, who, along with his silent younger brother, is given
a brutal and unorthodox education in combat and weaponry by his military father (Robert C.
Treveiler). The children's sympathetic mother (Mary Kraft) would prefer treatment at a center
run by a kindly neurologist (Jason Davis), but she is overruled. In the present, we see the adult
that Chris has become: a solitary, self-contained individual who holds his tics to a minimum and
wears a mask of near-normalcy, as he conducts what appears to be a small-time accounting
practice from a strip mall storefront in Plainfield, Illinois. (There's much more to Chris's
biography, but to reveal it would spoil the fun.)
Chris's facility with complex numerical data has gained him a reputation as a top financial
investigator who is available for special assignments. High-profile clients contact him through an
anonymous female handler whose only identifying characteristic is the clipped British accent
with which she speaks to Chris over a secure telephone line. His latest project is a forensic audit
of Living Robotics, a successful tech enterprise that is about to go public, except that a junior
member of the accounting department, Dana Cummings (Anna Kendrick), has discovered a
troubling discrepancy. While the chief financial officer (Andy Umberger) resents an outsider's
intrusion, Chris is granted full access to the company's records by its founder and CEO, Lamar
Blackburn (John Lithgow), and Lamar's sister and partner, Rita (Jean Smart).
Meanwhile, another side to Chris's professional life has caught the attention of a senior Treasury
official, Ray King (J.K. Simmons, who has the film's trickiest role and performs it with his
customary aplomb). After repeatedly spotting Chris in surveillance photos of the world's most
notorious criminals and terrorists, King dragoons a promising young data analyst, Marybeth
Medina (Cynthia Addai-Robinson), into identifying and tracking down this mysterious figure. He
gives his impending retirement as an excuse for the urgency of the assignment, but there's
obviously more to it.
The final set of moving parts in this elaborate machine is an anonymous enforcer-for-hire (Jon
Bernthal), who commands an impressively armed band of mercenaries offering whatever degree
of violence his client may require. When Chris's investigation of Living Robotics threatens to
uncover a complex fraudulent scheme, the anonymous enforcer is hired to shut down the
investigation, only to discover that this particular accountant has a lethal skill set that one would
never expect from a guy with a pocket protector.
To director O'Connor's credit, he keeps these plates (and many more) aloft and spinning, no
matter how wacky The Accountant becomes. He is aided by a first-rate cast that is able to provide
the illusion of humanity to characters who are little more than cardboard cutouts, and he cannily
exploits small details—including Chris's numerous rituals and Dana's history as an art
student—to distract viewers from the story's many improbabilities. Dubuque's script provides
the requisite twists and reveals that contemporary audiences have come to expect, but they're not
arbitrarily pulled from thin air. The Accountant plays fair with the viewer. When you get to the
end, you can look back and spot the clues to the film's central riddles that were hiding in plain
sight, much like Chris Wolff himself.
The Accountant was shot on film by Irish cinematographer Seamus McGarvey (The Avengers),
with post-production completed on a digital intermediate at 2K. Warner's 1080p, AVC-encoded
Blu-ray delivers the high quality of presentation that one would expect from a contemporary
digital source, with superior sharpness and clarity and an absence of noise or interference. The
film's palette favors cool and neutral colors, which is presumably intended to reflect the
emotional detachment of the film's titular hero, who has a closet full of identical dark suits and is
often shown isolated and framed by a rectangular fixture such as a door or window. The
flashbacks to Christian's childhood feature warmer tones and have been given a slight softness to
distinguish them from the present. Blacks are solid and deep, detail is plentiful, and a minutely
fine grain pattern can still be discerned, despite the DI processing. Warner has given The
Acccountant a capable encode with an average bitrate of 27.89 Mbps, which continues the
theatrical group's trend toward less aggressive compression.
The Accountant arrives with a choice between 5.1 and 7.1 soundtracks, both encoded in lossless
DTS-HD MA. Both tracks are excellent, but be prepared for a film that relies much more heavily
on dialogue than action. The Accountant assembles its pieces through numerous scenes of
character interaction, which are set in a wide variety of environments that the soundtrack
meticulously re-creates without calling too much attention to its presence. Occasionally, the soundtrack enters Chris's head, and we hear remembered
events mixing with the present or his thought processes pinging back and forth (the latter is particularly impressive in 7.1). The single most
memorable effect is the deep, echoing boom of the Barrett M82A1M sniper rifle that is Chris's
weapon of choice. In a climactic showdown between Chris and a houseful of bad guys, the
alternation among pistols, automatic weapons and the Barrett's distinctive roar provides an
organized cacophony that bounces back and forth through the viewing room. Dialogue is
intelligible, well-positioned and properly prioritized. The brooding, ominous score is by the
prolific Mark Isham, who previously scored Warrior for
director O'Connor.
Inside the Man (1080p; 1.78:1; 10:38): Affleck, O'Connor, Dubuque and assorted
members of the cast and crew discuss the character of Christian Wolff.
Behavioral Sciene (1080p; 1.78:1; 8:04): With contributions from Laurie Stephens, who
is described as a Ph.D. and Director of Clinical Services for an organization called
Education Spectrum, O'Connor et al. discuss the challenges of portraying an autistic
character.
The Accountant in Action (1080p; 1.78:1; 7:14): This featurette focuses on the film's
stunts, with emphasis on Affleck's training for fight sequences.
Introductory Trailers: At startup the disc plays trailers for Live by Night, Dunkirk,
Suicide Squad and Sully, along with the now-familiar Warner promo for 4K UHD.
As the title of this review suggests, The Accountant has elements in common with Luc Besson's
Leon, of which the main character was also a
misfit with an almost preternatural gift for combat
and mayhem. But Besson used the action thriller format as a wrapper for an intimate character
study, as his titular hero formed an unexpected bond with a young girl, whereas O'Connor's film
never attempts to step outside genre conventions. Although it may lack a comic-book
provenance, The Accountant fits comfortably within the superhero genre, with autism reclassified
as a superpower and a mysterious hero with a secret identity and a troubled back story. What's
perhaps most impressive about O'Connor's work here is how he manages to check all the
superhero boxes and deliver an involving experience without the aid of expensive CGI or the
need to level a city to create a sense of danger. On a production budget of just $40 million, he's
crafted a more coherent and engaging narrative than any of Warner's DC films since the
Christopher Nolan Dark Knight trilogy.
Warner's Blu-ray treatment is solid and recommended.
The Accountant: Other Editions
4K
2-disc set $19.99
Blu-ray
2-disc set
Blu-ray
2-disc set
Blu-ray Bundles/Box Sets with The Accountant (1 bundle)
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