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To Rome with Love Blu-ray delivers stunning video and great audio in this overall recommended Blu-ray release
A story about a number of people in Italy, some from the US, some Italian, some residents, some visitors, and the romances and adventures and predicaments they get into.
For more about To Rome with Love and the To Rome with Love Blu-ray release, see To Rome with Love Blu-ray Review published by Martin Liebman on January 20, 2013 where this Blu-ray release scored 3.5 out of 5.
Yes, Woody's still got it. The legendary Actor/Writer/Director follows up on the Oscar-winning Midnight in Paris with the not-so-demonstrably-magical but
nevertheless
engrossing
and fun To Rome with Love, a simple, quirky, and lovable tale of four different groups of people experiencing four unique slices of life around
one of the world's most beautiful cities. The film is a real charmer and perhaps the perfection of the multi-story style, not so jumbled and cluttered
as
Garry Marshall's recentefforts to the same. Here, none of the tales necessarily
intersect, but the flow from one to another proves seamless thanks in large part to the divergent circumstances and entertaining narratives that
reflect various stages of life.
It's
supported by a faultless cast and that typical Woody Allen appeal. There may not be a more delightful and easygoing film in the entire 2012 lineup;
what To Rome with Love lacks in dramatic purpose is more than made up for by the picture's embracing of
the lightly absurd and
the delightful manner in which it satisfies the need for easy, whimsical cinema that will leave audiences smiling and satisfied.
She won't be a problem. At all.
American tourist Hayley (Alison Pill, The Pillars of the Earth) one day bumps into Roman lawyer
Michelangelo
(Flavio Parenti, I Am Love). One could say that the rest is history, but history didn't
count on the inevitable meeting of the would-be in-laws. Hayley's father Jerry (Allen) is a former music industry executive hanging onto the dream
of finding the next big talent. Michelangelo's father is a mortician named Giancarlo (Fabio Armiliato) who possesses a remarkable singing voice --
that's only up to par while he's in the shower. Jerry wants Giancarlo to make a name for himself in the music industry, but Giancarlo only wants to
sing when slathering himself with soap. Elsewhere in Rome, architect student Jack (Jesse Eisenberg, Zombieland) meets one of his heroes, an architect legend named John
(Alec Baldwin, It's Complicated) who is back in Rome and in search of his old
stomping grounds. It just so happens Jack lives in the same neighborhood John once called home. John is invited back for coffee where he meets
Jack's girlfriend Sally
(Greta Gerwig, Damsels in Distress) who informs them that her eccentric and sexy
friend Monica (Ellen
Page, Juno) is coming to town for an extended stay. Don't say that John
didn't warn Jack.
Leopoldo (Roberto Benigni, Life is Beautiful) may be the most average man in Rome. He's the
prototypical middle-aged office grunt, living a good enough life with his wife and two kids. He's balding, chit-chats about sexy co-workers at the
water cooler, and does what he must to
provide for the family he loves. Suddenly, and for no reason he can discern, he's followed by a throng of reporters and
cameramen and swept away into a car for a televised interview. The smallest, most insignificant details of his life -- what he ate for breakfast, how
he shaves, does he wear boxers or briefs -- become
the must-know issues in all of Rome's social and entertainment circles. He finds himself ravaged by press and fans everywhere he goes, adored by
beautiful ladies who pay no mind to his marriage, and locked in so tight by the shroud of others that he can hardly breathe. Somewhere else in
Rome, Antonio (Alessandro Tiberi) and his new wife Milly (Alessandra Mastronardi) are celebrating their honeymoon in a lavish hotel with plans to
move to Rome where Antonio will land a good job with family. When Milly heads down to the lobby for a quick visit to the salon, she learns that the
beauticians are booked and is directed to another establishment several blocks away. She becomes hopelessly lost, loses her phone, and eventually
comes
face-to-face with the most handsome movie star in Rome. Back in the hotel, Antonio unwittingly finds himself in the arms of a curvaceous
prostitute named Anna (Penélope Cruz, Broken Embraces) who is coerced into standing in as Milly when
Antonio's family barges into the hotel room and finds the two in the midst of a seemingly intimate moment.
From its foursome of plot lines and flock of characters comes a buoyant, satisfying picture made of simple people living what become temporarily
extraordinary lives. A young man copes with an infatuation. Newlyweds are separated and greeted with temptation. An older couple suddenly
emerges into the limelight of stardom. Elderly couples thrust together by the promise of young love try to sort out what to do about an
untapped
talent. Woody Allen juggles them all beautifully; each narrative feels complete even through a limited scope and timeframe because of Allen's
superior scriptwriting and casting. Unlike Garry Marshall's New Year's Eve, a film in which some of the story lines felt too short (the older
lady's resolutions list, the hospital patient's last wishes) or stretched too thin (the rock star trying to rekindle an old flame), To Rome with
Love
presents everything neatly and in perfect working order, every story easy to follow and each character a pleasure to know. Allen does sprinkle in a
hint
of the surreal and leaves one of the major elements of Jack's story open for interpretation (think of the role of Alec Baldwin's character), but
otherwise
tells what are fairly straightforward stories only accentuated by a hint of the absurd. That's classic Allen, here the difference being four films in one
and a
little bit of that magical whimsy that's been working well for him in his last two pictures.
Though Allen's work behind the camera is exemplary, To Rome with Love owes quite a bit to its wonderful ensemble, a collection of talent
that breathes not just life into the characters, but
a real sense of authenticity that reflects a subtle sense of stage theater -- an Allen hallmark -- and plenty of charm. Jesse Eisenberg and Alec
Baldwin make for a fantastic pairing; Eisenberg hits the outwardly awkward and naive angle brilliantly, while Baldwin handles what amounts to Jack's
inner voice and truth detector -- his conscience and common sense -- with a more stout and authoritative posture than Eisenberg's character hits
but still with a slyly playful and honest demeanor evident on the surface.
Roberto Benigni is as charming as ever as the "sudden celebrity" who finds himself a public sensation for no real discernible reason, representing the
ultimate in "15 minutes of fame," a fame given to him, for lack of a better explanation, almost out of necessity to fill a quota or make true that
notion that even the most invisible,
routine-oriented everyman will find his time in the spotlight, even if it shines on how he shaves and what he eats for breakfast. It's the ultimate in
the classic "what can you do?" notion, throwing the hands into the air and surrendering to the moment, no matter how absurd, unexpected, or
surreal. Penélope Cruz's
portrayal of a drop-dead sexy hooker plays wonderfully against the shy, quiet work of Alessandro Tiberi who must make everyone believe that the
nobody can land the model. Alessandra Mastronardi delights as the literally and figuratively lost Milly. Fabio Armiliato takes the biggest chance in
the film and earns a bigger reward with his honest approach to one of the silliest character arcs in recent cinema. Woody Allen gives arguably the
film's finest performance; he saves many of the best lines for himself, but then again the character fits him like a glove. Nobody does "politely
antagonistic" as well as Allen, a trait that defines the character and completes Allen's A+ trifecta, doing a marvelous job behind the writer's desk, on
the business end of the camera, and performing in front of it all.
To Rome with Love offers audiences yet another beautiful high definition presentation from Sony. Woody Allen's latest film features a
deliberately
warm appearance, taking on a rather heavy reddish/golden-tinted overlay but still presenting a vast array of brilliant colors around Rome's cities. The
aged architecture
and modern accents alike offer mostly commonplace earthen and muted colors, while splashes of more brilliant hues appear on clothing and select
scenes in
which exterior greens are prominent. Details are perhaps even more stunning. That same Roman architecture looks fantastic, right down to the tiniest
bit of natural aging wear; the textures almost beg to be touched. Clothing lines are supremely crisp, and facial textures are highly revealing. The
image is consistently sharp and very clear, accented by a light layer of film grain. Blacks are strong and flesh tones only influenced by the film's
natural tint. No signs of even minor blocking, edge enhancement, or other unwanted intrusions are present. This is a real pleasure of a transfer from
Sony.
To Rome with Love arrives on Blu-ray with a highly proficient DTS-HD Master Audio 5.1 lossless soundtrack. Generally, the track offers gentle,
unassuming sorts of sonic elements, from music to ambience. The beginning of the film features light passing traffic maneuvering across, around, and
through the soundstage. There's a pleasing, light din during an airport scene featuring Jack and Sally picking up Monica. The track engages in some
more
pronounced sound elements later on. Chapter ten features thumping bass and prominent surround activity during a fashion show, while chapter eleven
offers booming thunder and steady rainfall. Music is airy and gentle, pleasant and well-defined. Clarity is top-notch, and presence is natural. Dialogue is
the name of the game for this release, however, and the spoken word -- in both English and Italian -- comes through the center speaker without a
hitch. This is an upper-end soundtrack that shows that even less aggressive tracks can excel on Blu-ray, too.
To Rome with Love contains only one extra of any substance.
Com Amore: A Passion for Rome (HD, 9:05): Cast and crew speak on Rome's beauty, the importance of the city as the backdrop for these
stories, shooting in front of some of Rome's most spectacular places, Woody Allen's directing style and the way he handles his cast, Allen's part in front of
the camera, and utilizing local crew. Also included are interview clips from the film's premiere.
At its most basic, To Rome with Love represents the joyous power of simple storytelling shaped by interesting and everyday but slightly
off-kilter characters. The film works because it shows the quirky side of life through the eyes of a divergent collection of individuals
set against one of the most alluring backdrops in the world. Add the unmistakable Woody Allen charm and the workings of a terrific ensemble cast, and
it's easy to see why Allen remains not only popular but an icon both on the camera and off of it even so many years removed from his biggest cinema
successes. To Rome with Love shows that there's quite a bit of magic left in the tank; here's hoping for many more new Woody Allen films in
the years to come. Sony's Blu-ray release of To Rome with Love features sparkling video and audio. Only one extra of real value is included, but
don't hold out for a special edition; this is pretty much as good as it gets for an Allen home video release. Very highly recommended.
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