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Jason Bourne 4K Blu-ray delivers stunning video and audio in this fan-pleasing Blu-ray release
The most dangerous former operative of the CIA is drawn out of hiding to uncover hidden truths about his past.
For more about Jason Bourne 4K and the Jason Bourne 4K Blu-ray release, see Jason Bourne 4K Blu-ray Review published by Martin Liebman on December 15, 2016 where this Blu-ray release scored 3.5 out of 5.
The much ballyhooed return of Matt Damon as Jason Bourne is an unwieldy, trite, and tiresome movie that places it in a class
a notch or two below any of the films in Damon's previous Bournetrilogy. The succinctly, but appropriately, titled Jason Bourne is a victim
of a serious lack of imagination. It's all frenzy and no freshness, a movie that's essentially one long chase sequence that once again puts a man on
the move against an army of digital surveillance equipment and the people operating it in the field and behind the scenes. Director Paul Greengrass,
returning to the franchise for the third time, keeps the film in motion but never takes the audience anywhere it hasn't been before. The entire
movie plays out on cruise control, failing to find any spirit or creativity, content to unravel the Jason Bourne mystery a little further but paying no
mind to the
dizzying sense of repetition that courses through it.
While Jason Bourne (Matt Damon) has recovered his memory, he's living in seclusion and only doing what he can to stay alive and stay ahead of
those who would do him wrong. Meanwhile, Nicky Parsons (Julia Stiles) has hacked the CIA and is threatening to release its dirty laundry onto the
web. She's also uncovered a number of truths about Bourne's past and his father's life and work in the agency. She brings him the information,
placing a
target on both their backs. As they try to escape from the all-seeing eyes of the world around them, the CIA's Robert Dewey (Tommy Lee Jones)
and Heather Lee (Alicia Vikander) make him their top target, all the while he's tracked by an old nemesis with a personal grudge.
It's a sad fact that, generally speaking, there's precious little opportunity for unique storytelling anymore. It's all been done. But the Hollywood
machine has
to keep on churning. It seems like every theme has been explored and every action in support of those themes has been carried out in some form
or
fashion. Jason Bourne epitomizes all of that. The movie introduces Bourne as an underground fighter meant to compliment his strength
and define his character's lost soul and quest
for
truth, turning to the core of who he is to get by, even as he tries to escape from it. Been there, done that. A roomful of intelligence operatives
analyze
the action from a million computer screens, barking out orders to zoom in, rewind, whatever it takes to catch their man remotely. Operatives on
the
ground speak into concealed microphones in urgent, hushed whispers about being in position and spotting the target. Bourne uses crowds,
vehicles, anything to speed or mask
his movements to his advantage. Shaky handheld cameras are meant to introduce both personalization and intensity to a scene. Car chases are big
and loud but...they're just more Hollywood car chases. It's frankly almost baffling how a movie this mundane can get made, and how a sharp
director
like Paul Greengrass can allow it to snowball into one giant pile of derivative repetition. All of this kind of stuff was novel and unique back when Enemy of the State was introducing audiences to the digital surveillance
future well
head of its time. Now, movies like Jason Bourne are just late to the party. They're tiring rather than thrilling as they fruitlessly hope to
dazzle viewers by regurgitating all of it
again for the millionth time rather than find a new approach to an old idea.
The movie does hold up from a technical perspective, at least depending on one's tolerance for Greengrass' and Cinematographer Barry
Ackroyd's nonstop shaky cam and incessant toggling of the zoom switch. All of the various chases are slick and well produced, the technology in
play is as
cutting edge as it was more than a decade ago, and, well, it's a professional looking movie. Yet the cast appears super bored. All of the
faux
urgency is phoned in, and the actors seem content to allow the technical mechanics to do the work for them. All of the frenzy is generated from the
camera.
It's sort of like the opposite of The Asylum, the studio that never allows a moment to pass without score blaring in the background to try and ramp
up some sense of enthusiasm, urgency, something to mask the emptiness playing out on the screen. Greengrass and Ackroyd do the
same thing with the camera, constantly shaking, zooming, tilting, capturing action from up-close and skewered angles, anything and everything to
hide the vacuous story and disinterested performances. It's a tiring movie in more ways than one, then, as the strain of the camera's jerking and
the drain of the story's emptiness pile up to the point that walking out rather than waiting for it to end seems like the best option.
Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
Jason Bourne was reportedly photographed with a number of film and digital sources at
varying resolutions, resulting in a rather chaotic jumble of specs and, more, a chaotic jumble of visual cues and styles up on the screen. IMDB does list
that the film was finished at 4K, which is presumably the source for this UHD release. Universal's 2160p/HDR-enhanced presentation makes for a
fairly stout upgrade. At its best, the image may not be a total revelation, particularly watching it straight off without directly comparing it to the already
high quality Blu-ray, but various shots and scenes -- particularly those that slow down from the lightning jerks and movements to settle on a character
or detail -- do reveal some sizable improvements for the 4K release. Grain is more refined, a touch more pronounced, too, but naturally filmic and
attractively so. Detailing sees a very healthy boost across the board whether the sharpness of text and graphics on computer screens or in how well
skin textures
are captured and revealed, both of which can be substantial. A-B comparisons show much tighter and tangible skin textures, and those computer
graphics can look nearly smudgy on Blu-ray compared to the sharper presentation the UHD allows. Color saturation is noticeably richer as well. Flesh
tones are fuller, and resultantly a bit warmer. The Blu-ray appears more vibrant, the UHD more subdued but, at the same time, more naturally
occurring, more pleasing to the eye. At a few points one could almost label the BD "garish" in comparison; the HDR color, here, offers a significantly
more nuanced and natural approach. Black levels are good, maybe a shade or two too bright, but never betraying any given scene's integrity. Viewers
who can only watch the film in 1080p aren't losing a life-changing experience, but those capable of viewing the 2160p/HDR version are going to find it
a healthy boost over an already very strong BD.
Jason Bourne's DTS:X soundtrack demonstrates clear and capable command of the material and the listening area. The track feels consistently
immersive to the entire 360-degrees, as well as integrating a nicely balanced and never forced or intrusive overhead support structure. Music is full
bodied and clear, effortlessly positioned around the listener while maintaining lifelike definition throughout the range, including a healthy and
supportive low end. Flashback scenes offer a nice burst of ghostly reverberation and random positioning around the stage. Frenzied din at busy
locations, like protests on the streets of Athens, feature prominently and, like the music, take full advantage of every speaker in the configuration to
draw the listener into the mayhem. Lighter elements and more serene location-specific environmental details always play with rich clarity that draws
the lister in. Action scenes maintain a fine level of detail even through the chaos and aggressive volume and posturing. Stage balance is amazing, and
the listener is always directionally aware throughout. Overheads carry some quality supportive details, like helicopter rotors which are smoothly
integrated into the greater whole. Dialogue is firmly placed in the center with its only escape during naturally occurring moments of reverberation.
Jason Bourne's UHD disc contains no extras; all content reviewed below is exclusive to the 1080p disc, included in this set. A voucher for a
UV/iTunes digital copy are included with purchase.
Bringing Back Bourne (1080p, 8:15): A look at returning the character to the screen, including fan demand for another film, reuniting
Damon and Greengrass, making a good film and not just a generic sequel, the use of high technology in the film, Bourne's adversary, the story's
parallels with real world issues, Greengrass' work on the film and technical details of the shoot, and Damon's physical preparations for the part.
Bourne to Fight (1080p): A three-part feature.
Bare-Knuckle Boxing (7:55): A closer look into Damon's intense physical training for hand-to-hand combat scenes in the film.
Close Quarters (4:27): A detailed look at one of the movie's key locations and crafting another one of the movie's major fight scenes.
Underground Rumble (5:59): Making the movie's climactic fight sequence, with equal emphasis on the fight's dramatic relevance.
The Athens Escape (1080p, 5:37): Crafting one of the series' most intense vehicle chase sequences.
Las Vegas Showdown (1080p): A two-part feature.
Convention Chaos (6:36): An inside look at shooting one of the film's most critical sequences in Sin City.
Shutting Down the Strip (8:24): Making some of the film's biggest and most important action scenes on the famed Vegas strip.
Jason Bourne doesn't make an effort to stand apart or tell a unique story. It's very much a standard process sort of movie, appropriately
(albeit forcibly) tense
and gritty but neither structurally nor thematically novel. At its core, it makes for a logical progression of the story, but even as it explores the
character
and world a bit more deeply, the movie's superficialities can't carry it. It's completely derivative and nondescript within the genre and is more likely to
leave the audience shaking heads and muttering "good grief, not all of this again" rather than standing up and cheering for yet another car chase,
shaky cam close-up, or control room frenzy. Universal's UHD release is fairly impressive. The 2160p/HDR-enhanced presentation offers a very good
image and a healthy boost in all areas over an already high quality Blu-ray. Audio remains the same, as does the straightforward supplemental
content, all of which can be found on the included 1080p Blu-ray disc. Recommended.
Jason Bourne: Other Editions
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Blu-ray Bundles/Box Sets with Jason Bourne 4K (5 bundles)
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