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Paris, Texas Blu-ray comes close to perfection with top scores all around making it one of the best Blu-ray's ever
Travis, a mysterious, nearly mute drifter, tries to reconnect with his young son, living with his brother in Los Angeles, and his missing wife.
For more about Paris, Texas and the Paris, Texas Blu-ray release, see Paris, Texas Blu-ray Review published by Dr. Svet Atanasov on January 5, 2010 where this Blu-ray release scored 5.0 out of 5.
Winner of the prestigious Palme d'Or and FIPRESCI awards at the Cannes Film Festival, Wim Wenders' "Paris, Texas" (1984) arrives on Blu-ray courtesy of Criterion. Amongst the supplemental features on the disc are: an audio commentary with director Wim Wenders; "The Road to Paris, Texas", a collage of interviews with Wim Wenders, cinematographer Robby Muller, composer Ry Cooder, actors Harry Dean Stanton, Peter Falk, Dennis Hopper, and Hanns Zischler, director Samuel Fuller, author Patricia Highsmith, and film critic Kraft Wetzel conducted by director Paul Joyce; interviews with Claire Denis and Allison Anders; deleted scenes and Super 8 footage; trailer and more. Criterion have also included a 46-page illustrated booklet containing Nick Roddick's essay On the Road Again; interviews with Sam Shepard, Nastassja Kinski, Harry Dean Stanton, and Dean Stockwell; and excerpts from the preface to "Written in the West", a collection of photographs which Wim Wenders took in 1983 while location-scouting for Paris, Texas. English-friendly. Region-A "locked".
Walking to forget
Travis Henderson (Harry Dean Stanton), who has been missing for four years, suddenly reappears in a vast Texas desert. Exhausted and quite possibly on the verge of suffering a heat stroke, he collapses in a rundown bar, where a German doctor (Bernhard Wicki) picks him up and phones his brother, Walt (Dean Stockwell), who lives in Los Angeles.
Some hours later, Travis is picked up by Walt and the two head back to Los Angeles. Initially, Travis refuses to speak, but later, after Walt becomes visibly frustrated by his uncanny behavior, confesses that to him that he has spent the last four years walking. Travis also shows Walt a picture of Paris, Texas, the place where many years ago their parents made love for the first time, which he now calls home.
In Los Angeles, Travis meets Walt's wife, Anne (Aurore Clément), and reunites with his son, Hunter (Hunter Carson), who has been living with them and has no memories of him. As the father and son quickly warm up to each other, the former announces that he must travel to Huston where, apparently, his ex-wife and the latter's mother (Nastassja Kinski) lives.
Written by Sam Shepherd and directed by Wim Wenders, Paris, Texas may well be the most American film ever made by a non-American director. Indeed, it is a deeply emotional character study of a man and region done with terrific emphasis on detail. In a way, it is also a political film, one that examines American values and the manner in which Americans communicate their feelings.
There are two key characters in Paris, Texas. The first is Travis, the heartbroken loner who has embarked on a seemingly endless journey through the deserts of the American South, hoping to forget the woman he loves and no longer has in his life. Walking, like a machine and in complete silence, is the only therapy that is helping him accomplish his goal.
The presence of the second character, the American South, is what transforms Paris, Texas into an unforgettable film. Like Travis, the American South looks lonely, numbed by the scorching heat, perhaps also lost.
It is fascinating to see that a German managed to capture so persuasively a part of America that even today many Americans are largely unfamiliar with. Indeed, every scene, object, and color in Paris, Texas adds convincingly to a truly special cinematic portrait of an area with a unique pulse and culture.
The unforgettable atmosphere that permeates this special cinematic portrait would not have materialized without Ry Cooder's masterful soundtrack. It is a collection of simple yet astonishingly rich guitar solos that blend perfectly with the great visuals.
In 1984, Paris, Texas won the prestigious Palme d'Or and FIPRESCI awards at the Cannes Film Festival. A year later, the film won the Critics Award for Best Foreign Film granted by the French Syndicate of Cinema Critics, as well as the BAFTA Film Award for Best Direction.
Presented in director Wim Wenders' preferred aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Wim Wenders' Paris, Texas arrives on Blu-ray courtesy of Criterion.
The following text appears inside the booklet provided with this Blu-ray disc:
"Supervised and approved by director Wim Wenders, this new high-definition digital transfer was created on a Spirit Datacine from the original 35mm camera negative. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI's DRS system and Pixel Farm's PFClean system, while Digital Vision's DVNR system was used for small dirt, grain, and noise reduction.
Telecine supervisors: Lee Kline, Wim Wenders.
Telecine colorists: Joe Gawler/Deluxe New York; Kerstin Kellner/CinePostproduction, Berlin."
Fine object detail is terrific, contrast levels consistent throughout the entire film, and clarity outstanding. The most impressive upgrade, however, is with the color-scheme. I've seen Paris, Texas more than a dozen times, and I don't recall ever seeing such incredibly vibrant colors. Many of the panoramic vistas are simply breathtakingly beautiful. Edge enhancement and macroblocking are not a serious issue of concern with this transfer. You won't have to worry about aliasing, ringing, or excessive denoising either. Paris, Texas has a natural and very filmic look that should please even the most demanding amongst film aficionados. Finally, there are absolutely no disturbing flecks, cuts, scratches, warps, dirt, or debris that I noticed while viewing the film. (Note: This is a Region-A "locked" Blu-ray disc. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one audio track on this Blu-ray disc: English DTS-HD Master Audio 5.1. For the record, Criterion have provided optional English subtitles for the main feature.
The following text appears inside the booklet provided with this Blu-ray disc:
"Presented in a surround format, the soundtrack was remixed under the supervision of the director using the original audio stems. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD."
The DTS-HD Master Audio track Criterion have provided certainly does not disappoint. Ry Cooder's fantastic score sounds great - the guitar solos are richer, fuller and a lot more effective here. On the other hand, the dialog is remarkably crisp, clean and easy to follow. There are no balance issues to report. There are no annoying clicks, pops, cracks, or hiss that I noticed either.
Commentary - an audio commentary with director Wim Wenders. This is a very technical commentary, one that focuses on a number of the film's key scenes, the specific locations used for them, the preparation efforts, etc.
Wim Wenders - an interview with the director conducted by German journalist Roger Willemsen in 2001. In German, with optional English subtitles. (29 min, 1080i).
The Road to Paris, Texas - interviews with Wim Wenders, cinematographer Robby Muller, composer Ry Cooder, actors Harry Dean Stanton, Peter Falk, Dennis Hopper, and Hanns Zischler, director Samuel Fuller, author Patricia Highsmith, and film critic Kraft Wetzel conducted in 1989 by director Paul Joyce for Lucida Productions. (43 min, 1080i). In English, not subtitled.
Claire Denis and Allison Anders - Claire Denis and Allison Anders, who would go on to become renowned directors in their own right, served as first assistant director and production assistant, respectively, on Paris, Texas. Denis appears here in conversation with critic Kent Jones. And as part of her discussion, Anders reads from the diary she kept during the film's production. These interviews were filmed in October 2009. (47 min, 1080p).
Cinema cinemas - this segment from the French television program Cinema cinemas, "Wim Wenders Hollywood April '84, " features Wim Wenders and composer Ry Cooder working on the score for Paris, Texas. It was directed by Claude Ventura and first broadcast on April 2, 1984. In French, with optional English subtitles. (13 min, 1080i).
Deleted Scenes and Super 8 - a collage of deleted scenes from Paris, Texas with an optional commentary by director Wim Wenders (24 min, 1080i) and Super 8 footage set to music (7 min, 1080i).
Galleries - two galleries: "Written in the West" (containing photos from director Wim Wenders' journey through Texas, Arizona, New Mexico, and California in 1983) and "Robin Holland".
Trailer - (3 min, 1080i).
Booklet - a 46-page illustrated booklet containing Nick Roddick's essay On the Road Again; interviews with Sam Shepard, Nastassja Kinski, Harry Dean Stanton, and Dean Stockwell; excerpts from the preface to "Written in the West", a collection of photographs which Wim Wenders took in 1983 while location-scouting for Paris, Texas; and technical information about the Blu-ray.
This is yet another fantastic release by Criterion. Wim Wenders' Paris, Texas looks breathtakingly beautiful in high-definition, and Ry Cooder's legendary score has never sounded this good. The Blu-ray disc also contains a number of excellent supplemental features. Absolutely, Paris, Texas gets our HIGHEST RECOMMENDATION.
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The Criterion Collection has announced its December batch of 4K Blu-ray and Blu-ray releases. They are: 8˝ (1963), Eastern Condors (1987), No Country for Old Men (2007), and Paris, Texas (1984).
Janus Films has provided a promotional trailer for the recent 4K restoration of Wim Wenders' Paris, Texas 1984), starring Harry Dean Stanton, Dean Stockwell, Nastassja Kinski, John Lurie, and Bernhard Wicki. A preliminary release date for an upcoming 4K Blu-ray ...
Curzon/Artificial Eye have provided an official trailer for the recent 4K restoration of Wim Wenders' Paris, Texas (1984), which will open in theaters across the United Kingdom on July 29.
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